Hey Beginners! Take a Crash Course in Painting

Deirdre Saunder
Deirdre Saunder

Crash Course in Acrylic Painting
December 14–15, 10:00 am–4:00 pm
$175

One of the most common questions we get at The Art League School is where beginners should start. The answer is that there are lots of options — our blogger had no trouble in Basic Drawing, Stained Glass, or Wood & Stone Sculpture — but for anyone curious about painting, the perfect workshop is coming up next weekend.

The Crash Course in Acrylic Painting, taught by Deirdre Saunder, is a two-day introduction appropriate for absolute beginners and returning painters who want an overview of a wide variety of techniques. You’ll take home several small experimental paintings and one large one, and if you like this workshop, our next term of nine-week classes starts in January. (See all our painting classes & workshops.)

We talked to Deirdre Saunder for more details on what students can expect.

Painting by Deirdre Saunder
Painting by Deirdre Saunder

What skills or experience do I need to have to take this workshop?
Deirdre Saunder: No painting experience or skills are needed to take this workshop. It is open to complete beginners but will also benefit the more advanced painter because a lot of techniques will be taught.

Why should I start with acrylics?
Acrylic is a wonderful painting medium to start painting with. It is relatively cheap, non-toxic, water-based, dries quickly and is very versatile and forgiving. Unlike watercolor, which rehydrates and is therefore harder to layer, acrylic dries fast and can be layered. Watercolors are transparent and must be worked from light to dark, but acrylics can be used from light to dark or dark to light and can be transparent or opaque. Their drying time can also be slowed down with the addition of mediums. Overall they are easier and more affordable to use than watercolor or oils. Oil paint is more expensive, takes a long time to dry and contains toxic properties (except for water soluble oil paint). Each medium has its own qualities, but acrylics is the perfect medium for a workshop where drying time is critical.

What exercises or projects will we be doing?
The students are going to work primarily on technique and discover what acrylics can do. They will be taught how to use the myriad of acrylic mediums that are available, in addition to numerous other techniques: they will learn to use acrylics like watercolors and as impasto, creating textures and using different brushes and tools. They will also experiment with color and color mixing. Subject matter will mostly be derived from still life material, simple objects and some photographic elements. Much more time will be spent on painting than on drawing and few drawing skills will be needed.

Am I going to take home any finished products?
The students will take home a number of small experimental paintings and will do one larger painting that hopefully they will be proud of.

What supplies are needed?

  • Tubes of Liquitex Basics acrylic paints (4oz): Cadmium Red Medium Hue, Alizarin Crimson Hue Perm, Cadmium Yellow Medium Hue, Yellow Oxide, Ultramarine Blue, Phthalo Blue, Phthalo Green, Dioxazine Purple, Burnt Umber, Ivory Black, 2 tubes Titanium White
  • Acrylic mediums: Gel medium, modeling paste, gloss medium, pumice gel medium, retarder
  • Brushes: Flats, #12, #8, #4 and #2; Round #10; Fan #6 (optional)
  • Palette knives: 1-5/16” × 7/16” and ¾” × 1-5/16”
  • Paper Palette: 12” × 16” (this is a disposable palette in white or gray)
  • Paper and canvas: 3 sheets 18” × 24” canvas paper, 2 sheets 18” × 24” 300 lb hot press watercolor paper, 3 sheets 18” × 24” drawing paper (sketching paper), 1 pre-stretched 18” × 24” canvas
  • Miscellaneous: Roll of paper towels, 2B pencil, 1 stick soft charcoal, water jar, masking tape

You can get all these supplies, or a hard copy of the supply list, at The Art League Store (on the second floor of the Torpedo Factory next to the school office).

Nelson Mandela Sculpture by League Artist Heads to Embassy

paula-stern-nelson-mandela
Nelson Mandela, cast resin by Paula Stern.

You might remember the above sculpture from a year ago, when it was featured in the 2012 Large Works show. Art League member Paula Stern’s bust of Nelson Mandela, in cast resin, is now headed to the Embassy of South Africa in DC.

At an event at the South African embassy, Stern showed some snapshots of the piece to Johnny Moloto, then first secretary at the embassy, which started the ball rolling for Stern to make her gift, which will be one of the first in the renovated embassy. The presentation ceremony was originally scheduled for next week, but has been postponed after Mandela’s passing yesterday. However, the sculpture will soon have a new home on Massachusetts Avenue.

Stern’s sculpture originated as a commission for Pinewood School in South Carolina, which has a garden dedicated to world leaders like Winston Churchill, Gandhi, and the Dalai Lama. A bronze cast of the bust was unveiled there in 2011.

The bust was sculpted in terra cotta. Stern recalled starting it during a portrait sculpture workshop at the Madison Annex with Charles Flickinger, working on Mandela instead of the classroom model.

Mandela’s likeness was based on a number of photographs of the leader, based on what Stern thought viewers would find the most recognizable image. Within the first couple of hours, “I just caught him,” Stern said. Knowing when to stop was, as always, an important decision.

Stern’s family, hailing from Memphis, has long been involved with the American civil rights movement, profiled in this Washington Post article. With the Mandela bust, Stern said, she was trying to capture a man who personifies racial tolerance, and to capture his “magnanimity, charisma, and beauty.”

The end result was an unusual bust, Stern said, with an “exuberant smile” and crinkling eyes.

“I think I captured the angel in him,” she said.

The piece, by the way, was rejected the first time it was entered in an Art League show. But while Stern was wheeling it out, she passed a family who recognized it.

“They said, ‘Wow, that’s Madiba!’ They were excited,” Stern said. “So I didn’t feel bad about it getting rejected.”