The Poetry of Collage in “Symbiosis”

Artist Rashad A. Muhammad, winner of The Art League’s Best-in-Show award for the March 2021 Line by Line exhibit, shares his thoughts on the creative process. Artists in the exhibit were asked to submit work based on or responding to poetry. 

 

Finding Inspiration in Poetry 

“I came across a poem by Helen J. Radford,  In Simpatico, while looking online for love poems about partners that complete each other. The first stanza resonated the most with me:

 

We fit now; we complete one another.

Our lives have melted into one

and we dissolve into the unity

which consolidates our synthesis.

 

It perfectly captured the essence of my piece, Symbiosis — individuals coming together, learning each other’s ins and outs over time to become a powerful force together. While we maintain our individuality, we also know we’re greater together because we fill in each other’s weaknesses.”

Symbiosis

Winner of The Art League Best-in-show Award

 

 

Cultivating a Creative Atmosphere 

“I took over a room in my home as my studio, but it’s about time to get a larger space with more storage  the more floor space the better! The end goal is to have a standalone studio in my backyard with large windows because natural light is simply amazing!  

Music is my go-to while creating! When thinking of new ideas or planning out a layout, I love more uptempo music like Afrobeats, Deep House, and remixes of all kinds. They get my blood pumping and ideas flowing  they also make the best music for dance breaks! After I nail the composition and move on to adhering each piece I listen to a wide array of genres as long as the songs are downtempo to help me focus.”

 

Staying Motivated 

My core motivation to create is to leave my mark in the world, but we can chalk that up to being human, so beyond that, creating is a form of self-care to escape and uplift myself. There are always so many things in life happening fast, but creating gives me a chance to stop, process, and reflect. It’s like releasing negativity and feeding my soul with light. 

Sharing my creations with the world has helped me find a purpose in creating art. Early in my art career, I felt internal strife because I wasn’t creating art that reflected social issues of the time. Once I stopped comparing my art, I learned to recognize and accept that that may not be my purpose for creating. Over time I discovered my purpose for creating is to share my zest for life and provide a sense of wonder. It’s like providing light in a world filled with darkness. I always want the viewer to come away with a sense of fascination from my dynamic use of diverse material and compositions  questioning, how did he create/think of that?”

 

Golden Lord 

 

Giving Materials New Life Through Collage

“My absolute favorite thing about collaging is turning disparate materials into something unique and unexpected  it’s exciting to show people how my brain works. People’s shock and amusement are priceless! One of the best parts of creating is seeing how people react.  

These recent collage pieces started as me exploring a new way to create. I noticed items around the house that usually get thrown out like magazines, greeting cards, and bags, so I wanted to find a way to upcycle them in my work. The focus of this beginning stage of my collage work has been fleshing out my style and process. In the next stage, I’ll concentrate on working larger and using more upcycled material to bring conservation more into my practice. 

Beyond the material I collect around the house, I mostly gather materials from various craft stores. My favorite material so far has been faux flowers because they offer an ample mix of colors, textures, and shapes.”

 

Graphic Design Influences 

“Color and composition are the most significant elements in my work, but color comes first, without a doubt! Having studied color theory for graphic design, I understand how color evokes visceral reactions. I noticed I gravitate more to rich hues of blue, red, and purples because they evoke regality and power. Composition is significant as well because I never want to overcomplicate a piece. Color and composition play vital roles in creating a vivid visual impact that balances simplicity and intricacy.”

Day Dream 

 

An Opportunity for Growth During a Pandemic

“My collage work started thanks to COVID. My previous style of artwork leaned into painting and gilding portraits. I was getting bored and uninspired by painting and always wanted to try collaging again. I only dabbled with it in college for graphic design assignments, but I’ve always loved doing it. So COVID gave me a chance to step back from my usual painting and rack my brain on ideas of how to create the collages I envisioned. The first few collages I created combined prints of previous paintings, Ankara fabric I purchased while in Africa at the beginning of 2020, and other materials I found around the house including bags, greeting cards, and twigs used for interior decorating. It took me a few tries to learn the proper adhesives and application processes that worked, but luckily I’m a quick learner and don’t give up easily. COVID helped show me patience with myself and my art.”

 

Artist Rashad A. Muhammad 

Artful Weekend April 3-4

"Manifestation," by Rifat, is on view in the March 2021 exhibit "Line by Line: Artists Interpret Poetry."

Welcome to Artful Weekend, our guide to fun and interesting ways to enjoy art in person or virtually.

 

This weekend: The final weekend of Line by Line at the League; Nekisha Durrett’s solemn tribute at Cody Gallery; reflective abstracts at Hemphill; DC through the lens of women photographers; and more!

 

 

Line by Line: Artist Interpret Poetry

“Eggs” by Noreen Brunini

This is the final weekend to see Line by Line: Artists Interpret Poetry, our March themed exhibit. League artists interpreted what poetry means to them using prose, song lyrics, scripture, nursery rhymes, and famous quotes, to traditional and contemporary poetry. Says Haven Ashely, our assistant gallery director, “Some artists even paired their work with original writing of their own.” It is juried by artist Jordann Wine.

 

 

Gustavo Forselledo: Urban Soul

“M Street” byGustavo Forselledo

Painter Gustavo Forselledo captures the vibrancy of Washington, D.C. and other cities worldwide in his solo exhibit Urban Soul. Inspired by impressionist masters Carols Paez Vilaró and Joaquín Torres García of his home country Uruguay,  Forselledo’s acrylic and ink images on canvas and hardboard suggest movement that captures the rhythm and soul of the cities depicted; on view through April 30 by appointment at Gallery Underground, 2100 Crystal Drive, Arlington, VA. Call (571) 483-0652 or email [email protected] for appointments.

 

 

Nekisha Durrett: Magnolia

Washington, DC-based artist Nekisha Durrett seeks to hold space for Black women to not only be seen, but celebrated as worthy of justice, gender parity, and inclusion in the narratives they so profoundly inform. In Magnoliathe artist presents a more intimate experience, calling viewers to engage with the stories and lives of 30 women murdered by law enforcement, using the magnolia leaf as metaphor. Says the artist, “Golden brown and tough as leather on one side, velvety soft on the other, fallen magnolia leaves possess an often uncelebrated radiance and resilience… Even after death, the leaf refuses to be erased and forgotten.” Magnolia is on view through April 16 by appointment at Cody Gallery of Marymount University, 1000 North Glebe Road, 2nd Floor, Arlington, VA. See  Magnolia: An Intimate Conversation with Durrett and curator Endia Beal.

 

 

Robin Rose: 19 Paintings and Hedieh Javanshir Ilchi: Listen to the night as it makes itself hollow

“Transpire” by Robin Rose

Hemphill features two concurrent exhibits by artists whose recent works serve as a reflection on the chaotic events of 2020. 19 Paintings, artist Robin Rose’s series of colorful encaustic abstracts, expresses his response to the conditions created by the pandemic and the political madness of the past year.

 

“Everywhere at the end of time” by Hedieh Javanshir Ilchi

During quarantine, Hedieh Javanshir Ilchi found solace and inspiration in the company of nature. Each piece in her exhibit Listen to the night as it makes itself hollow resembles an abstracted landscape, with suggestions of space and topographical imagery. Both exhibits are on view through May 28 at Hemphill, 434 K Street, NW.

 

 

Our City, Ourselves: Women Photograph Washington

Three Generations, Finley’s Gym, 1992 by Susan Muniak; Silver gelatin print, 16 x 24 in.

The DC Commission on the Arts and Humanities (CAH) presents a new online art exhibition titled, Our City, Ourselves: Women Photograph Washington, featuring 52 photographs by 25 women artists who capture the people, places, and interactions that define the District. The exhibition is presented online using a virtual gallery platform that replicates CAH’s physical gallery at 200 I (Eye) Street SE. Throughout the run of Our City, Ourselves, CAH invites the public to take pictures across all eight wards of the District and share them on social media. Use the hashtag #OurCityCAH and tag the ward in which the picture was taken. The exhibition’s closing event the evening of May 20 will showcase some of the most powerful images with remarks from their creators; on view through May 21.

 

Enjoy the weekend. Wear your mask.