A Fiber Arts Glossary

A piece by Linda Hurt incorporating woven and felted elements.
A piece by Linda Hurt incorporating woven and felted elements.

Now that our extended summer in Alexandria seems to have ended, you’re no doubt looking for ways to warm up. We don’t recommend cozying up to our ceramics kiln or an acetylene torch, but our classrooms do have a safe source of renewable energy: your creative spark!

One way to get your art on this winter is to visit our fiber arts studio, where you can weave, felt, knit, dye, and hook your own wardrobe from head to toe. With classes including spinning and dyeing, you can learn about pretty much any part of the process, except for shearing the sheep. If functional art isn’t your style, you can also make fine art to hang on your wall. Class topics range from traditional to contemporary, and there are plenty of entry points for the complete beginner!

Our fiber arts department draws on a wide variety of traditions and cultures — not to mention a few thousand years of history — so there are lots of different terms in our class catalog that you might not recognize.

Here’s a quick and dirty guide to the fiber arts and a rundown of what’s in store this Winter.

To see the full slate of fiber arts classes and workshops, click here.

felt

nuno

Felting graphic

weaving

Weaving graphic

knitting

A knit throw by Diana Kreutz.
A knit throw by Diana Kreutz.

millinery

joomchi

shibori

That’s not all! You can also take classes in spinning (make your own yarn), rugmaking (for rugs and wall hangings), surface design (like silk painting), and dyeing.

To browse or search the full catalog, visit our School homepage.

Next Week at The Art League: Receiving & Gallery Painting

Calendar for November 2–8

Here’s what’s up next week at The Art League:

  • Painting party! Monday, November 3, the Gallery will be closed for our annual repainting of the walls. If you can help, please come for however long you can spare! We need to repaint the entire gallery from 10:30 am to 3:00 pm. Volunteers get lunch! If you can come, call us at 703-683-1780 or e-mail [email protected]. Thanks!
  • Early pick-up: since the Gallery is closed Monday, artists picking up work from the October show should come Sunday from 4:00–6:00 pm.
  • One-day workshops: There are two workshops this week for any beginners looking to try something new. Felted Slippers takes place on Wednesday, and Chain Making for Beginners is Saturday. Click the links to sign up! (There’s one more week until Winter class registration opens on November 10, so check out the catalog here to find the class you want to take come January.)
  • “Small Works” Receiving: Artists can enter their “Small Works” submissions on Monday from 6:30–8:30 pm and Tuesday from 10:00 am–12:00 noon. (Painting party volunteers can enter early when they come to paint Monday!) For details on the size requirements, see the prospectus.

Artist Opportunities #244

By kiln glass instructor Ursula Marcum.
By kiln glass instructor Ursula Marcum.

Here are exhibits, residencies, and more to apply for. Good luck! Click here to see past opportunities posts, and to submit an opportunity to appear here, fill out this form.

“You miss 100% of the shots you don’t take.” — Wayne Gretzky

FotoWeek DC one day left!

Deadline: October 29. DC’s annual photography celebration is again holding a competition, with awards in three categories: Photojournalism, Fine Art, and Photographer’s Choice. More about FotoWeek →

VMFA Fellowships deadline next week!

Deadline: November 7. Fellowships from the Virginia Museum of Fine Arts are offered for professionals, graduate students, and undergraduates. Applicants must be legal residents of Virginia. More about VMFA fellowships →

Art instructors wanted

Arlington County is seeking arts/craft instructors to teach recreational classes and workshops in a wide variety of media. We have excellent facilities including a full woodshop, ceramic studio, jewelry studio, a darkroom and a printing press. See how to submit class proposals →

Claes Oldenburg talk

Claes Oldenburg will speak at the Hirshhorn on Saturday, November 8 at 4:00 pm. Seating is on a first-come, first-served basis. More about the talk →

Artfully Historic DC

Deadline: February 1, 2015. The Historical Society of Washington, D.C. and Capital Hill Art League continue the tradition of depicting the built environment through paintings and photographs with “For the Record: Artfully Historic D.C.” Artists will use endangered historic places as their subjects for an art competition and juried exhibit to follow. More about “For the Record” →

Art studios in DC

DC Arts Studios, an arts incubator, has work spaces available for creative entrepreneurs, and visual and performing artists. Located two blocks from Takoma Metro Station, utilities and wi-fi included. More about the studios →

Movement and Rhythm: Animating your Art

Movement and Rhythm: Animating your Art
Free lecture with Scott Hutchison
Thursday, November 20, 7:00–9:00 pm
Register on Eventbrite

We’re pleased to offer a free lecture this November by Scott Hutchison. Hutchison is a local artist and an instructor at The Art League School who creates paintings, drawings, and animations of the human figure. If you haven’t seen his animations before, check them out in the video above, or on his YouTube channel:

His animations are made from oil paintings, graphite drawings, and other media making up the frames. They play in loops on a DVD player in a custom-made display box. At his talk in the Gallery (studio 21 on the first floor of the Torpedo Factory), Hutchison will talk about his own work and the tools and strategies for using animation in artwork. It’s free to go, but space is limited in the Gallery so you need to RSVP here!

The stills from Unseen, graphite on paper, by Scott Hutchison. Watch the animation on YouTube
The stills from Unseen, graphite on paper, by Scott Hutchison. Watch the animation on YouTube

Artist Opportunities #243

Aluminum Square, aluminum roofing paint on C-Print, by Art League instructor Matt Pinney.
Aluminum Square, aluminum roofing paint on C-Print, by Art League instructor Matt Pinney.

Art opps! Art opps! Get your art opps!

Every Tuesday, we gather the exhibits, residencies, contests, and whatever else we can find into these blog posts. You can click here to see recent posts in this category. Good luck!

“Creativity takes courage.” — Henri Matisse

Call for proposals

Deadline: November 7. The Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria invites proposals from artists or art groups to present exhibitions for the calendar year 2015. Artists must reside in the Northern Virginia/Maryland/DC Metropolitan area. Exhibitions may be solo or group; and works can be in both two- and three- dimensional formats. More about the requirements →

Virginia artists

Deadline: November 30. The Virginia Museum of Contemporary Art in Virginia Beach invites artists to enter its annual juried exhibition, “New Waves 2015.” The exhibit is open to all media and all artists currently residing in Virginia. Juror: Lisa Dent. More about “New Waves” →

Two opportunities at Annmarie Sculpture Garden

Deadline: December 5. Annmarie Sculpture Garden and Arts Center in Solomons Island, MD is accepting entries for an upcoming exhibit, “Cosmos: Imagining the Universe.” All media welcome; small to large-scale installations; new media encouraged; cash awards. Juror to be announced. Artists in all media can also apply to their Artists in Action temporary studio space project, held in the main gallery January through March. More about both opportunities →

Artist Pamela Patrick on Miniatures

From a Distance, watercolor, by Pamela Patrick. (click for larger image)
From a Distance, watercolor, by Pamela Patrick. (click for larger image)

If you remember a tiny watercolor landscape among the award winners in last August’s edition of “’Scapes,” you recognized that artist’s work in “Art NOW.” An artist working exclusively in watercolors and miniature format, Pamela Patrick won the Sid Platt Watercolor Award this month for From a Distance, a marshy view of New Jersey not far from the landscape in ’Scapes.

What keeps you coming back to miniatures?
Pamela Patrick: I tend to see ALL the details! Working in miniature releases me from “sweating the details,” since the size forces me to take in the whole scene. I can then return to the scene, so to speak, and fill in to my heart’s content without overworking the piece. I never get lost. It’s quite intimate.

Do you remember when and why you decided that it was going to be miniatures from here on out?
I was invited to exhibit my work at the Ratner museum in Bethesda. I was a new exhibitor at the Miniature Painters, Sculptors & Gravers Society show at the Strathmore. The curator at the Ratner felt that my work was very good and set a date three years ahead for my exhibit. Of course, I was energized and began using class studies to interpret into small form. That was six years ago. It’s a world wide group of artists that create fabulous art in miniature.

Where is the scene in From a Distance and what made you want to paint it?
From a Distance is from six or seven photos that I took along the Garden State Parkway near Ocean City/Avalon. We have a summer home in Cape May and Foggy Outlook (Aug 2013 award) was several shots along Sunset Blvd, one of the nation’s best bird sanctuaries, in Cape May. In From a Distance, the water tower in the distance is in Avalon, north of the cape. The marshes fill the landscape from the parkway to the islands that comprise the Jersey Shore. It’s a lonely space full of wildlife, rushes, stunted trees and salt marsh, but it means the beach is ahead! I grew up spending the summer at the cape and I love the history and the mystery of the place.

From a Distance (detail)
From a Distance (detail)

Q&A: Portrait Painting, Then & Now

Young Gentleman and Gentlewoman, oil on linen, by Nicole Stewart. Winner of The Gilham Award for Best in Show.
Young Gentleman and Gentlewoman, oil on linen, by Nicole Stewart. Winner of The Gilham Award for Best in Show. (click for larger image)

Last October, Nicole Stewart won best in show for the figure painting Watching Her (below). A year later, her portraits seem to have traveled back in time a couple centuries, and a juror has once again recognized them with the Gilham Award. Stewart told us a little about how portraiture has changed over the years, and how she became interested in period portraits.

Can you explain a little about how you got involved in painting these portraits, and what pendant paintings are?
Nicole Stewart: Throughout my life I’ve always loved early American Folk Art portraits. I dabbled in drawing and watercolor, painted a couple nature themes each year, but didn’t think I was skilled enough to do portraits. But then I was thinking — why not paint my sister and her soon to be husband as colonial children, in folk art style, as their wedding gift? Any mistakes on a “folk art” portrait would be forgivable. I painted them in acrylic but got very frustrated in the process. I spent many hours on paintings I didn’t like in the end. But my family knew I was doing it so I brought them to New England anyway. I was in trouble when my step dad named them “the evil twins.” I hated them (they really are awful), but my family loved them.

Watching Her by Nicole Stewart. Read the Q&A here.
Watching Her by Nicole Stewart. Read that Q&A here.
Fast forward to 2006 when I took my first Studio Art class at the College of Southern Maryland to learn oil painting with the man who would become my mentor, Larry Chappelear. Toward the end of that semester I hired another student to pose for me for an achromatic portrait. The likeness was there. I took another Studio Art class with Larry, hired some more students at the end and was getting better. Then Larry recommended I take classes at The Art League.

Larry had gone to school with Mike Francis and recommended I take classes with Mike’s wife, Danni Dawson. From Danni, Ted Reed, and Rob Liberace, and with many, many hours of painting, I got a heck of a lot better. Problem is my sister (who has the originals) and my mom (who made a print set for herself) will not get rid of the Evil Twins!

It was in one of Danni’s classes that I saw model Ric Huffman in profile and thought, “he would make a great Colonial guy.” I painted him at my studio with a Colonial wig, and I liked the result. Then I wanted to give him a wife, and knew a local woman who was a Colonial reenactor at Smallwood State Park where my studio was, and I painted her (my first pendant portraits).

Young Gentleman and Gentlewoman (detail) by Nicole Stewart

What are pendant portraits? They are portraits meant to hang together. Most of them are two, but I have seen family groupings of three with husband and wife flanking their children. When there are two, the paintings often flank fireplaces, doors or windows. Family portraits were meant to be private and were hung in spaces that only family, and maybe some close friends would see.

How is a period portrait different from a contemporary portrait?

A lot of portraits of this time used glazing techniques, but there were some artists who used what we consider a modern technique: direct painting. This is my technique for almost all my portraits, though I sometimes come back later with glazes to deepen a shadow or intensify a color. What makes these look old is the limited palette. The compositions they used (what I call the curtains to nowhere) made the faces the focal points. They also developed strong light and dark values. Painters from that period also altered anatomy to make their sitters appear more regal.

I was especially blessed on these two portraits. I took the reference photos at La Plata High School in late June/early July (the models are high school students who were part of a War of 1812 wedding reenactment). Modern schools have these big high windows and I was able to get the perfect high north light for this style of painting.

“Art NOW” is on view through November 3.

Art Safari Success

Thank you to everybody who turned out for Art Safari — and, of course, to the volunteers who made it all possible! There was a great turnout on Saturday for all kinds of art activities. The Art League got in on the fun with a scavenger hunt in the gallery, some freestyle painting on easels, and crayon resist watercolors:

Art Safari easels

By @torpedofactory

Photos by Caroline Fogg and @torpedofactory. Drawings by scavenger hunters!

Artist Opportunities #242

Shibori collar by fiber arts instructor Denise Vauthier.
Shibori collar by fiber arts instructor Denise Vauthier.

Here are art opps around DC with upcoming deadlines! You can click here for recent posts in this category. Good luck!

“To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.” — Kurt Vonnegut

Treasury of Art

Receiving: November 19. Vienna Arts Society in Vienna, VA, invites artists to enter their annual Treasury of Art show and sale. Juror Deborah Ellis will select 150 – 200 original works of art, and hundreds of bin pieces will be for sale. More about the show →

FotoWeek DC

Deadline: October 29 (early deadline October 19). DC’s annual photography celebration is again holding a competition, with awards in three categories: Photojournalism, Fine Art, and Photographer’s Choice. More about FotoWeek →

Don’t Fence Me In

Deadline: June 15, 2015. Cole Porter’s 1934 song, “Don’t Fence Me In” serves as the inspiration for this year’s Athenaeum Invitational. More about this exhibit →


Re-runs: it’s not too late to apply for these exhibits that previously appeared in this space:

Movement

Dropoff: October 20–25. The 5th Annual Patricia Sitar Arts Expo is a juried exhibit at the Sitar Arts Center with the theme “In Movement.” Youth, young adults, and adults can all submit work. Details and requirements for the exhibit (PDF) →

Photographs by veterans

Deadline: October 24. On Friday, November 7th, Washington ArtWorks will open “A Time of Service”, a photography show featuring images taken by United States veterans and active duty service members during their time of service. Photographers of all levels are welcome to submit – novice, hobbyists or professionals. More about the exhibit →

“All Hung” Open Call

Deadline: Bring one piece of artwork to Montpelier Arts Center on October 29, 2014 between 10 am and 8 pm. First come, first hung, until walls are filled. Artwork must be ready to display and appropriately matted, framed, and wired for exhibition, and outside dimensions may not exceed 35 inches in any direction. There is no hanging fee. More about the exhibit →

Stormy Weather

Deadline: October 29. From onset to aftermath and all in between, “Stormy Weather” is the theme of Maryland Federation of Art’s (MFA) open juried exhibition. More about the exhibit →

White

Deadline: October 31. On Friday, January 2, 2014 Washington ArtWorks will open “White”, a juried gallery exhibition in both of their formal galleries – totaling over 2,000 square feet of exhibit space. More about the exhibit →

Purple Line

Deadline: November 14. The Maryland Transit Administration seeks artists to create enhancements for the future Purple Line light rail project. Artists are asked to submit applications to be considered for future opportunities along the Purple Line. This Call for Artists is open to all professional artists, preferably with public art experience. More about Art in Transit →

The Schwa Show

Deadline: November 15. The Schwa Show in Greenville, NC is a national juried competition recognizing excellence in fine arts and crafts. This exhibition is open to artists in any media and subject matter. Artists must be ages 18 or up. All work must have been completed in the past three years and never previously exhibited at Emerge. More about the exhibit →

Portrait competition

Deadline: November 30, 2014. Entry is open for the 2016 Outwin Boochever Portrait Competition at the National Portrait Gallery. Dorothy Moss, the competition’s director, juried the September exhibit at The Art League and encouraged Art League artists to enter. More about the portrait competition →

Northern Virginia Fine Arts Festival

Deadline: December 7. The Northern Virginia Fine Arts Festival will be held May 15, 16, and 17, 2015. More about the festival →

Multiple eXposure Zine

Deadline: December 31. The Multiple eXposure Project is a multimedia, multi/trans/inter-disciplinary artistic practice and research-based initiative that explores the many layers of image-making, participatory photography, visual ethnography, and performative encounter(s) between the image and the spectator. More about the project →

Art in City Hall: Reception Tuesday

Art in City Hall

The new Art in City Hall is here! Juried by printmaker and sculptor Margaret Adams Parker, this exhibit features work by artists of The Art League, Del Ray Artisans, and the Torpedo Factory Artists’ Association.

Come join us Tuesday, October 14 from 4:30 to 6:00 pm for the opening reception! It’s in room 2000 of Alexandria City Hall (301 King St.) — on the second floor, where you’ll find the exhibit. We hope to see you there!

You can see Art in City Hall, Monday through Friday, until January 16, 2015.

Artwork, clockwise from top left:

  • Into the Temple I, watercolor, Florence Setzer (Del Ray Artisans Award)
  • Hot House 6, watercolor on rice paper, Jack Harding (TFAA Award)
  • Window Wink, silver gelatin print, Patricia Smith (The Art League Award
  • Untitled, collage, Aimee Guidry (ACA Student Award)

Saturday is Art Safari!

Bring the kids to the Torpedo Factory this weekend for a ton of fun art activities at Art Safari!

It’s this Saturday, October 11, from 12:00 noon to 4:00 pm. Kids can try out things like pottery, art from scrap, painting, and printmaking — and, yes, it might get a little messy.

Here’s a list of the activities. Be sure to find The Art League on the first floor in our Gallery (studio 21) and on the second floor and third floor in the hallways! For details, see torpedofactory.org.

Art Safari lineup

Original image by Nicolas Buffler used under a Creative Commons license.

Art NOW Tonight!

Beyond the Edge

Art NOW

Art NOW / Beyond the Edge
Through November 3
Opening reception tonight!

“Everything. We aren’t in the middle of a particular art movement or a predominant genre; everything is happening. Anything goes.” — Juror Cory Oberndorfer on “Art NOW.”

Come join us tonight for the opening reception for these two exhibits! After a year of special exhibits marking 60 years of The Art League — from Abstract Expressionism to Contemporary Realism — we’ve arrived at the finale to this series, with “Art NOW” showcasing what’s happening in the visual arts in DC today. Come see the exhibit juried by Cory Oberndorfer and Leslie Nolan’s “Beyond the Edge” exhibit of contemporary portraits!

If that isn’t enough of an incentive, here’s a look at the gallery fridge right now:

Hardywood Park Cream Ale

More artwork for October:

“Beyond the Edge”
“Beyond the Edge”
We All Scream For Ice Cream, acrylic, by Kay Walsh.
We All Scream For Ice Cream, acrylic, by Kay Walsh.
Composition, ceramic, by Elena Tchernomazova (foreground).
Composition, ceramic, by Elena Tchernomazova (foreground).
“Beyond the Edge”
“Beyond the Edge”
“Art NOW”
“Art NOW”
Gone to America, linocut and watercolor, by John Gosling.
Gone to America, linocut and watercolor, by John Gosling.
Metamorphosis, mixed media, by Rosa Vera.
Metamorphosis, mixed media, by Rosa Vera.
Young Gentleman and Gentlewoman, oil on linen, by Nicole Stewart. Winner of The Gilham Award for Best in Show.
Young Gentleman and Gentlewoman, oil on linen, by Nicole Stewart. Winner of The Gilham Award for Best in Show.
Pears Unplugged, acrylic, by Karen Schmitz.
Pears Unplugged, acrylic, by Karen Schmitz.
Geraniums, acrylic, by Lisa Neher.
Geraniums, acrylic, by Lisa Neher.
Building Blocks, oil, by Fae Penland.
Building Blocks, oil, by Fae Penland.
Apparitions (detail), oil and mixed media on aluminum, by Beverly Ryan.
Apparitions (detail), oil and mixed media on aluminum, by Beverly Ryan.

Artist Opportunities #241

Orchard Storm by Art League instructor John Blee.
Orchard Storm by Art League instructor John Blee.

Art opps are here again! See below for this week’s batch of exhibits, competitions, and more to try for. Click here for past opportunities posts. Good luck!

“‘But for to assaye,’ he seyde, ‘it nought ne greveth;
For he that nought nassayeth, nought nacheveth.’”
— Geoffrey Chaucer
(“To attempt, he said, should not grieve us: nothing ventured, nothing gained.”)

Small Artwork last chance!

Deadline: October 10. The Maryland Federation of Art (MFA) invites all artists residing in the United States, Puerto Rico, Canada and Mexico to enter its 12th Small Wonders competition. More about Small Wonders →

Large Artwork last chance!

Deadline: October 10 (extended from October 3). “Large Works” at The Art League is open to all current members. For details and size restrictions, see the prospectus. More about Large Works →

Purple Line

Deadline: November 14. The Maryland Transit Administration seeks artists to create enhancements for the future Purple Line light rail project. Artists are asked to submit applications to be considered for future opportunities along the Purple Line. This Call for Artists is open to all professional artists, preferably with public art experience. More about Art in Transit →

The Schwa Show

Deadline: November 15. The Schwa Show in Greenville, NC is a national juried competition recognizing excellence in fine arts and crafts. This exhibition is open to artists in any media and subject matter. Artists must be ages 18 or up. All work must have been completed in the past three years and never previously exhibited at Emerge. More about the exhibit →

Portrait competition

Deadline: November 30, 2014. Entry is open for the 2016 Outwin Boochever Portrait Competition at the National Portrait Gallery. Dorothy Moss, the competition’s director, juried the September exhibit at The Art League and encouraged Art League artists to enter. More about the portrait competition →

 

Art on Tap in Pictures

If you weren’t at the first Art on Tap last Friday, you missed out!

Art on Tap in pictures Art on Tap in pictures Art on Tap in pictures

Thank you to everybody who came out and had a great time with us, and to the breweries, restaurants, and artists:

Participating breweries:

Art on Tap breweries

 

Participating restaurants:

Art on Tap restaurants

 

Featuring artwork by:

  • Scott Hutchison
  • Nancy McIntyre
  • Nancy Freeman
  • Susan Herron
  • Patrick Kirwin
  • Rachel Collins
  • Ted Betts

Suzanne Vigil on Combining Colored Pencil & Acrylic

Pensive, colored pencil and acrylic, by Suzanne Vigil, won the Shayna Heisman Simkin Award. (click for a larger image)

Our final Q&A from the “Contemporary Realism” exhibit is with Suzanne Vigil, who won the Shayna Heisman Simkin Award for Best in Show. We last talked to Suzanne this summer during her tour at the Torpedo Factory as a visiting artist. She told us about how she was starting to combine the two mediums she works in, colored pencil and acrylic, and you can see the results above.

Here’s what Suzanne had to say about this new direction:

As anyone who has worked in colored pencil knows … it’s tedious. I love working in a large format (24 x 36 or larger) but this requires at least a hundred hours dedicated to one piece. Ever worked twenty hours on a single button? I’m committed though and want to encourage those with patience to give it a whirl and keep your pencil points sharp … a real secret!

Pensive (detail), colored pencil and acrylic, by Suzanne Vigil.
Pensive (detail), colored pencil and acrylic, by Suzanne Vigil.

The figurative work I do is my passion and with each new “personality” I try to create a narrative back story just as an author develops a character. Nearly all of my drawings are composites and not taken from a single photograph. Often I’ll see a striking figure in an ad or on TV and use it as the base idea and concept. As I begin the drawing and the story develops, the figure takes on physical changes and mood. When I question the authenticity of a pose, I’ll take a photograph of someone in a similar position and use that as a reference.

This new mixed media of acrylic and colored pencil on frosted acetate was my first attempt at breaking out of that hyper-realistic technique, at least tempering it with loose brush strokes in the background. I’ve been experimenting with using only tones of warm and cold gray for some time but wanted to add a bright, unexpected color to contain it. The wide brush stroke to the background was a total “close my eyes and take take a leap of faith” move, encouraged by my fellow colored pencil pal Tracy in Chicago who has already mastered it. The actual scheme was colored pencil and acrylic on the front side with the brushwork on the back … another reason to love frosted acetate. I’m thinking there is a long road of trial and error ahead of me but I’m in it for the long haul!

“Contemporary Realism” is on view through Monday, October 6.

Students Remember Jim Burford

Kabuki by Jim Burford
Kabuki by Jim Burford

As many Art League students know, our friend and longtime instructor, Jim Burford, passed away in July. There was a Memorial Mass held September 17 at St. Charles Borromeo in Arlington, which included remembrances from some of his students printed in the program. We thought we would share those for anyone who couldn’t be there.

Anonymous: I took my first studio art class with Jim at The Art League five years ago. I have never taken a drawing class and had low expectations regarding my abilities. That changed quickly. Jim nurtured me and the other students in the class. Nothing we did was ever bad. His positive attitude, superb teaching skills, and constant encouragement helped me achieve more than I ever expected. I moved on to oil painting after that first drawing class and have experienced so much joy in the act of creating art. I had hoped to take another class with Jim this fall, but he won’t be at the Torpedo Factory. Hard to imagine. However, he will always be an inspiration to me and other students as we remember his instructions, jokes, and his tales of memorable moments in art history. God bless you, Jim, and your family.

Wayne Morrissey, The Art League Saturday Morning Abstract Art Class: After retirement, Jim Burford rekindled my passion for creating Art, and in particular painting. I had never met another person so well versed in his field. I was always amazed how he could look at my works — seeing me struggling with an issue — and suggest a particular painter or painters’ works who had perfected what I was trying to achieve. I am also proud to have more than a few of Jim’s brush strokes here and there in most of my paintings. Since attending Jim’s classes through The Art League at the Torpedo Factory, his help has not only enhanced my artwork but also inspired me to move ahead and address future obstacles with more insight. For me, no one will ever replace Jim’s teaching style and personal attention. He will be sorely missed.

Susan Murany, The Art League Saturday Morning Abstract Art Class: Deepest sympathies to Jim’s family and to all of us really. I know we all have our own “Jim” stories and I will attempt to honor him here. Jim was my beloved mentor, teacher and friend. He found in me and nurtured a creative side that had been dormant for years. He also created an artist community in DC that I could have never imagined myself being a part of.

He believed in my talent when no other instructor did. He knew just what to say about a painting, how to say it so I would listen, and as I often told him, he was 99% right. He found a creative side I didn’t believe existed. My home is full of over a decade of this lovely man, exemplified in the paintings he had a hand in creating. If anyone had ever told me that I would be a part of an artist’s community years ago, I would never have believed it. But Jim did that. He created out of our Saturday morning Art League School class at the Torpedo Factory an amazing group of people that I still call friends. I don’t remember him NOT supporting a student — from attending/giving parties, taking us on field trips, coming to the annual class Nationals game and attending student art openings — and we weren’t his only class. I can never tell him this again and my classmates are likely tired of hearing it, but it made him smile every time. With exception of my family, he’s the man I’ve had the longest relationship [with] ever ­– 14 years. Why? Because we saw each other (only) weekly and shared ourselves with others. He is so missed!

Marymount University is also holding a memorial exhibit of Jim Burford’s work through October 9 (details here).