The Art League Blog is taking a trip down memory lane and reposting some of our most popular resources. Please enjoy this post from the vault, originally published June 23, 2016.
“If you’re an artist and you don’t have a website yet — or if you want to change the one you have now — it’s never too late to get started!”
That’s why we started our original artist website post, and three (five!) years later, it’s more true than ever. If you’re ready to take the plunge, you’ve come to the right place! This guide will walk you through:
A website is another way for people to find out about you and your artwork. They could be strangers who find you by googling “sculptors in DC,” or people who already know you and want to learn more.
Think about it this way: where do you go when you’re making a purchase or doing research? Online. So will your potential customers (and email subscribers, and fans, and so on).
The website of Andy Yoder is built in WordPress using the Vertex theme.
Step 1: Define your goal
Your goal for your website will determine what features you need. Common goals include:
I want to sell artwork through my website
I want my website to serve as a portfolio for interested galleries, customers, and fans
I want people to find and contact me
I want to keep my fans and customers updated with my latest news
If you want to sell work through your website, make sure the service you choose (below) has an option for an online store — and make sure it’s easy to use! If you want to make a portfolio site, make sure the service you choose can handle beautiful image galleries. If you want to keep customers updated, you will probably want a built-in blog and email newsletter.
If any of these are must-haves for you, make sure they’re a possibility on the platform you choose.
We made a chart comparing some of the most popular options out there. Some are geared specifically toward artists, but most of them have portfolio templates for your design, and they’re all suitable for use by artists. See below for an explanation of the terms used and links to the websites:
How to read this chart
Hosting: This is how your website is delivered to visitors. You’ll pay around $10 a month if you get hosting on your own (for example if you use WordPress.org), but it’s included in all the other services above.
Store: Is there a built-in way for people to purchase through your website? Typically, you’ll pay extra for this feature.
Stats: Can you get information on how many people are visiting your site and how they’re getting there?
Domain: A domain name, like theartleague.org, is an important factor. Do you get your very own domain? Or do you have to share one, like theartleague.squarespace.com? (This is sometimes offered as a free option, but it’s worth it to pay for your very own domain.) See below for tips on choosing your domain name.
Before committing, see if there’s a free trial. You should also look for examples of live artist websites using the service you’d like to use. Keep your goal (step 1) in mind as you tick off the following checklist:
Can you use the back end? The back-end is the part of the website that’s visible only to you, where you go to make changes to your website.
Is there customer service? When your website goes down or disappears, will there be someone to answer the phone?
Is it mobile friendly? Most of your visitors will be viewing on their phone (possibly at the very moment they’re standing in front of your artwork). Make sure everything works properly and is easy to use.
What designs are available? Notice that this is last on the list. It’s typically the easiest thing to change, and it’s most important to consider the function and content before appearance. That said, you’ll want to pick a service that matches your abilities. There’s a trade-off: easier services with drag-and-drop builders will tend to look more bland, but a highly customized site will take more work and know-how.
As explained above, the domain name is where people will find you online. It typically ends in .com. Follow this formula if you can:
your first name + your last name + .com
For example, fridakahlo.com. That should be your first choice, but if that’s taken, try one of these variations: fridakahloart.com, fridakahloartist.com, fridakahlostudio.com, or frida–kahlo.com.
Note that people are more likely to visit a website that ends in .com than .net or something else.
Now comes the fun part. Again, what you put on your website depends on your goal. At a bare minimum, you will want the following two things:
images of your artwork
your contact information
You’ll probably expand on this to include things like your artist bio or statement, different image galleries, or a store or blog, depending on your needs.
It’s important to start small and keep your website up to date. Any obviously out-of-date information is going to lead to visitors leaving your website. As you get comfortable with building and updating your website, you can start to build more.
A functional, up-to-date website is a must for any artist working today. While it takes some time to set up and maintain — time that you’d rather spend in the studio — it pays dividends in creating a visible, professional presence for your art.
Hopefully, this guide gave you a head start on the process. If you have any questions, let us know in the comments!
Other resources
Here are some other articles you might find helpful:
A lot of love goes into each of the over 1,500 ice cream bowls that the Ceramic Department at The Art League artfully creates each year for its Ice Cream Bowl Fundraiser. Together with our donors, supporters, and our wonderful volunteers, this year was another win–even with less-than-ideal weather on day two!
Alexandria Mayor Allison Silberberg stopped by!
Keep scrolling to see photos from the event. Have a picture of your bowl? Take a picture and use hashtag #theartleague or tag us in it @theartleague on Facebook, Twitter, and Instagram
When you match your ceramics!
which to pick?
Artist Bev Ryan chooses a couple bowls to take home
Un-bowl-ievable selections
Let the kids help you pick out a bowl!
Pups love ICB!
Possibly the best job: Ice Cream Scooper!
Bowls!
Bowls change every few hours…they go that fast!
Picking a stand out ice cream bowl!
Details
Ceramics en masse!
Volunteers
Bowls on bowls!
Ice Cream Bowl 2018
Bowls and mugs!
Art League Staff helps a ICB customer!
Beautiful day for come ice cream bowls!
This year, we thought we’d have a little fun with it, and create an infographic to thank you for your support!!
The 2018 Ice Cream Bowl Fundraiser saw 1,500+ bowls go to new homes and over $22,000 go to support the School Ceramics Department.
Deadline: October 4. Exhibition Dates: December 10, 2018 – January 12, 2019. The only requirement is that all submitted artwork must be priced at $5,000 or less. Dacia Gallery invites emerging artists to submit artwork for an opportunity to participate in this Group Exhibition at Dacia Gallery for the Holidays. We are looking for a diverse body of artwork in all mediums and styles, this will be a group show comprised of artwork created by contemporary artists. For more information, and to apply please visit the Dacia Gallery website.
Prince Street Gallery National Juried Exhibition (NY)
Deadline: October 5. The Prince Street Gallery announces a National Juried Exhibition January 2—26, 2019. All two-dimensional artworks will be reviewed, the entry fee for this exhibition is $40. To enter and view the prospectus, view the Prince Street Gallery website.
Arlington Arts Center: Spring Solos Open Call for Proposals (VA)
Deadline: October 15. AAC’s SOLOS exhibitions program supports the work of emerging contemporary artists in the Mid-Atlantic region. Each year, AAC accepts proposals from artists for solo exhibitions to take place in one of AAC’s seven separate gallery spaces or outside on the grounds. Artists who produce contemporary art in any media, and who live or work in the Mid-Atlantic region (defined as Virginia; Washington, DC; Maryland; West Virginia; Pennsylvania; or Delaware) may submit exhibition proposals. Any existing works must have been completed within the last three years in order to be considered. Proposals that specifically take into account AAC’s exhibition spaces are encouraged. To learn more and submit a proposal, visit the AAC website.
Re-runs: These announcements have been posted here before, but it’s not too late to enter!
New prize for women painters
Deadline: September 28. The recently announced Bennett Prize will spotlight women artists who paint in the figurative realist style, and who have not yet reached full professional recognition – both new artists and those who have painted for many years.
The Pittsburgh Foundation & Muskegon Museum of Art: The Bennett Prize (PA)
Deadline: September 28. The Pittsburgh Foundation & The Muskegon Museum of Art (MMA) in Muskegon, MI announce a call to artists for The Bennett Prize. Open only to (living) women artists who: Are eighteen 18+, reside in the United States (at least part of the year), and will submit work that does not have to cross an international border to reach Muskegon Museum of Art. Artists must have primary practice as the creation of original paintings in the genre of figurative realism, and be currently pursuing, or intend to pursue, a career as a full-time painter and will not be a student during The Prize residency. All entries must be traditional paintings, which is defined as paint upon a two-dimensional surface. Only original works completed in the past 5 years are eligible. $50 entry fee. For more information, visit The Bennett Prize website.
32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition (TX)
Deadline: September 30. The Greater Denton Arts Council proudly presents the 32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Approximately 70 works will be selected by juror Janet McCall, Executive Director of the Contemporary Craft, for exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
The Torpedo Factory – Target Gallery: 2019 Emerging Artists (VA)
Deadline: September 30. Target Gallery presents its annual exhibition featuring the work of three to four regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the DC metropolitan area. Artists should have no more than five years of experience as a professional exhibiting artist, live within DC, Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. To learn more (view prospectus) and apply, visit the Torpedo Factory website.
Howard County Arts Council (HCAC) Gallery Call for Entries (MD)
Deadline: October 1. The HCAC Exhibits Committee meets quarterly to review applications and select artists for exhibit space. Artists, ages 18 and older, working in all media and styles, including time-based and installation artists, are encouraged to apply either individually or as a group. The Committee also welcomes proposals from curators and organizations. Detailed entry guidelines available here, the next deadline for submission is October 1.
2019 Post Graduation Residency Program (VA)
Deadline: October 7. Jurors: Nicole Dowd, program director of Halcyon Arts Lab and Leslie Holt, DC-based artist and co-director of Red Dirt Studios. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and three-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided nationwide artists submit proof of their permanent residence in the area and/or commitment of contributing to the ongoing future of the DC/Maryland/Virginia arts scene. Please read and review Guidelines before applying.
Small Works 2018 (NY)
Deadline: October 8. Main Street Arts is now accepting submissions to our 5th annual Small Works exhibition. This national juried exhibition of small artwork (12 inches or smaller in any direction) is open to artists working in all media excluding video/sound and installation art. For more information and to submit, visit the Main Street Art Gallery website.
The Chelsea International Photography Competition (NY)
Deadline: October 9. The Chelsea International Photography Competition opens August 21, 2018. With a fierce dedication to promoting the arts and discovering and exposing new talent, the CIPC will honor selected artists with an exhibition at Agora Gallery, providing invaluable exposure to promote career growth and boost recognition. Competition awards are valued at over $55,000 and designed specifically to support Agora’s mission: to promote extraordinary and innovative art in the modern world, and enhance the careers of the selected artists. Visit the Agora Gallery website to enter.
Function: An exhibition of Contemporary Craft (GA)
Deadline: October 15. The Gallery at Sulfur Studios invites artists working in traditional craft media (ceramic, fibers, glass, metals, paper, and/or wood) to submit work to their fall juried exhibition, “Function”. Artists are encouraged to push the boundaries of what “functional” means, and work that is conceptual or satirical will be considered alongside more traditional craft forms. Visit www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.
Call for Entries: Juried Exhibition Winter 2019 at Blue Mountain Gallery (NY)
Deadline: October 15. Blue Mountain Gallery invites mid-career and established artists to submit work for its 7th Bi-annual Juried Exhibition on January 2—26, 2019. The gallery’s exhibitions are frequently reviewed in both the New York and national press. Juror, Elisa Jensen, an American painter who currently teaches at the New York Studio School, exhibits widely in the US and Denmark and curates exhibitions. Entry forms must be completed and submitted online only. To apply, visit the Blue Mountain Gallery website. The prospectus can be found here.
VisArts In(Site) Project Gallery—Call for Video, Sound Art, and New Media (MD)
Deadline: October 15. “Frame & Frequency 4, Vol. 2” is an ongoing International Video and Sound Art Exchange program presented concurrently at VisArts in our In(Site) Project Gallery in Rockville, MD and at PLECTO Galeria in Medellín, Colombia, opening October 26, 2018. Video, sound art (up to eight channels), film, and new media work will be accepted, including: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc. All foreign language moving image artworks must have English subtitles. For more information, and to submit visit the VisArts website.
Introductions 2019 (NY)
Deadline: October 31. “Introductions” is an annual open call hosted by Trestle Gallery. In support of their 2019 exhibition theme & focus, all applicants to 2019’s open call will be considered for a solo exhibition at Trestle Gallery. The only qualification is that artists may not have participated in a show at the Trestle Gallery before (previous open calls count, member salons do not count). The exhibit will be curated by Jason Andrew, an independent scholar, curator, and producer. A prominent figure in the Bushwick, Brooklyn art scene, Mr. Andrew is the co-founder and director of Norte Maar, a non-profit now celebrating its 10th anniversary encouraging, promoting, and presenting collaborative projects in the arts. To learn more and apply, visit the Trestle Gallery website.
The Smithsonian American Art Museum (DC)
Deadline: November 1. The Smithsonian American Art Museum (SAAM) and its Renwick Gallery invite applications for research fellowships in the art and visual culture of the United States. Fellowships are residential and support full-time independent and dissertation research. Recipients will be part of the premier residential fellowship program in American art—one that celebrates its fiftieth anniversary in 2020. The museum hosts a number of fellows each year through the Smithsonian Institution Fellowship Program (SIFP), and also awards its own named fellowships to candidates from this general pool. Only one application is necessary. All candidates should apply to theSmithsonian Institution Fellowship Program (SIFP). More information about the many opportunities and fellowships available at theSAAM website.
Call for Writing Submissions: Beyond Beautiful (MD)
Deadline: November 1. Maryland Art Place (MAP) is seeking writing submissions, love letters of all types, on behalf of “The One Thousand Love Letters Project” and the exhibition “Beyond Beautiful, created and curated by artist Peter Bruun. This exhibition is slated to open January 17, 2019 at Maryland Art Place, with a partner site for the exhibition located at Area 405. Beyond Beautiful focuses on eight topics –information and guidelines here. Peter Bruun, both curator and artist, will use these love letters to create 1,000 artistic responses to be displayed in the exhibition at MAP and Area 405. To date, Bruun has created over 600 drawings using excerpts from participant’s letters to contribute to “The One Thousand Love Letters Project.” Letters do not need to be submitted based on the listed topics and can be submitted digitally or physically.
Torpedo Factory Target Gallery—2019 Solo Exhibition (VA)
Deadline: November 25. Target Gallery invites artists to apply for an open call for proposals for a solo exhibition for the summer of 2019. The individual or group associated with the chosen proposal will receive an exhibition at Target Gallery from June 14 through August 4, 2019. Proposals must be new bodies of work or works that have not been previously shown in the region. Individual works that have been previously shown can be entered if they are a part of new bodies of work and/or a new concept. The artist(s) will receive a $3000 stipend. To learn more and apply, visit theTorpedo Factory website.
Women Artists Call — Pen and Brush Solo Exhibit (NY)
Deadline: December 31. Long-established contemporary art gallery and nonprofit seeking talented professional female artists for various opportunities. These opportunities include, but are in no way limited to: a solo exhibition in our ground floor space on 22nd street, group exhibition opportunities, inclusion in exhibition catalogues written by art historians and curators, and opportunities to expose work to influential curators. All work submitted must be contemporary art, submitted work must be complete, to be considered work must meet standards of quality, every work in a submission must be for sale. Artists must meet professional standards of composition and presentation of their work. To apply and learn more about this opportunity, visit the Pen and Brush website.
Spark Box Studio Dawson Residency Award and Bursary (Canada)
Deadline: March 1, 2019. This award is open to residents of North America. Spark Box Studio is accepting applications from emerging, mid-career, and established artists. One artist will receive a month-long residency at our studio in Prince Edward County, plus the $1,000 Dawson bursary. The selected applicant will be granted a semi-private studio space and be given access to the Spark Box Studio equipment and resources. As well, the winner will be provided with living accommodations for their month-long stay. We support a range of disciplines including; drawers, illustrators, painters, writers, printmakers, film makers, performance artists, multidisciplinary artists, curators, book makers, musicians and photographers (digital)
Ongoing:
Artist/Writers: Cover Art for Academic Medicine
Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit theAcademic Medicine website.
Artist/Writers: Medicine and the Arts (MATA) Opportunity
Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit theAcademic Medicine website.
The Awesome Foundation Accepting Applications for Art Projects
Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.
Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)
Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.
Exhibit at Hotel Indigo (VA)
Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].
The New Project Studio – Ongoing Opportunity (VA)
Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, click here.
Public Arts Grants & Opportunities (VA)
Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.
NYC volunteer opportunity (NY)
Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.
Residency: Maryland
Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.
Looking for artists: Foundry Gallery (DC)
Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.
Looking for artists: Printmakers (DC)
Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].
Looking for artists: Multiple Exposures Gallery (VA)
Supporting The Art League has never been as sweet—literally! Stop by the King Street Arts Festival this weekend for delicious ice cream AND a handmade bowl from our ceramics department all for $15! Not sold? Here are a few ways we can sweeten the deal:
1. Ice Cream Bowls make a fantastic (and unique!) gift
A heart bowl is the perfect gift for a new couple! What anniversary is ceramics?
Have a fall wedding coming up and need a gift for the happy couple? Lovebirds love thoughtful, handmade gifts! Whatever you choose, you can be sure that your gift will stand out from a sea of toasters and stand-up mixers! Know a Virgo or Libra art lover? Our beautiful ceramic bowls come in a variety of glazes, shapes, and colors perfect for your friends’ and loved ones’ autumn birthdays!
2. Bring your honey and make your day extra sweet
Earn brownie points to go with that ice cream!
Need a weekend date idea? The King Street Arts Festival boasts 200 local and national artists, as well as food vendors, and live music. The Art League will be offering over 1,000 different homemade bowls for sale… and what’s better ending a late summer date with a cooling bowl of ice cream? Challenge your honey to pick out a bowl for you, or pick out one to match their eyes. How sweet!
3. Bowl over guests with your private art collection
How can you just choose one?
Always wanted to start your own art collection but need a push? At just $15, a handcrafted ceramic bowl made by our talented ceramic department is the perfect place to start supporting local artists…and local arts organizations. Plus, imagine how beautiful your new bowl will look on your table for a dinner party! Fill your microwaveable, and dishwasher safe bowl with hummus for dipping, artfully arranged bites for munching, or get back to basics with another scoop of ice cream!
4. Kids <3 ice cream!
Kids <3 Ice Cream…and Art!
Want to check out the festival, but don’t have a babysitter? Introduce your littles to the fun of art with activities throughout the festival for all ages. Kids love ice cream—but maybe put an adult in charge of holding the delicate ceramics!
5. Your dog called us, and asked for an extra long walk!
“Woof! All ready for the Ice Cream Bowl Festival!”
Paw through our selection of ice cream bowls with your furry best friend! Pups are always welcome at the King Street Arts Festival…just get ready for lots of head rubs and awww’s from the dog-loving Art League staff!
Ready to pick out your bowl? Come take a look at our over 1,000 beautiful bowls and pick your favorite! Find all the details here, and we’ll see you this weekend!
This month’s juror, Samira Abbassy, describes artist Noah Williams’ Best in Show piece, Illusions, as standing out for its “innovation of materials, originality of concept, and a strong unique vision. A sense of confidence and belief in the world. A lack of fear of failure.”
Interestingly, Williams almost gave up on Illusions, a huge African-style mask made of mostly found mixed media including: keys, bullet casings, shells, leather, Red Bull cans, and even his own discarded jeans.
“I was working with that piece off and on for about a year and a half…maybe two years because there was a period where I really hated that piece. I would just walk by it on occasion and be like: ‘I hate you, I hate your guts,’” he quips.
Noah William’s Illusions stares back
For Williams, finishing the piece was important, but not as important as adding the level of detail which he is known to craft into his work. His masks and sculptural work, previously on view in an Art League solo exhibit in 2013, feature a visual cacophony of items: several of which he admits people now “gift” to him en masse.
“I love doing masks,” he says of his signature work. “I’ve always had a love for African masks, the meaning behind it and what it represents. When I create my masks, each individual mask has its own spirit to it, has its own energy. Some are more ferocious than others, some more warrior-istic, some are more toned down. With this, I wanted to do a big piece. I wanted originally, to incorporate paintings into it….but it wasn’t working.”
Noah Williams works on Illusions
Though the original idea for the mask didn’t work, Williams hopes to come back to it eventually. The final piece which includes materials that the viewer may not recognize, like fabric wrapped around wine corks to make the eyes of the mask pop out, or even fragments of jeans wrapped around tightly curled wire, show the complexity of Williams’ work, and his unique vision as an artist.
“I like using materials that will catch people’s eyes…I want to see people to see the passion in my work, [for them to say] ‘I see the man hours put into this, I can see the love,’” says Williams. “When I produce art, I want it to be unique, and an individual by itself…something that will blow people’s mind.”
The mask, which hangs directly at eye level as you enter the Gallery is indeed eye catching—and as you approach the piece it draws you in for a closer inspection. Love of detail is apparent in Williams’ work as well as the influence of artists who inspire him.
Detail of Illusions
“One of my favorite artists is Diego Rivera, I find myself looking at one of his murals for hours. The magnitude of the detail that he puts in it, that’s what I aspire for my work to be like. When people are hypnotized by the amount of detail that is in it.”
Diego Rivera, A History of Medicine, 1953 Fresco
As for what’s coming next, Williams is not slowing down any time soon. Next up are some more large pieces as well as some paintings.
“I’m working on a Jamaican flag out of a window frame…after the Jamaican flag I’m working on masks, I call it “Kings and Queens”, it’s gonna be a King mask and a Queen mask…and after that some paintings.”
See Noah William’s piece in September Open Exhibit through October 7, and join us for our Opening Reception of both the September Open Exhibit and Brian Kirk’s “Natural Reaction” exhibit as well as our “Drawn In” event on September 20 starting at 6:30 pm in the Gallery!
The Center for Photographic Art: 2018 International Juried Exhibition
Deadline: September 23. The Center for Photographic Art (CPA) is pleased to announce the 2018 International Juried Exhibition. This year, CPA is offering $6,000 in awards. 45 juror-selected photographs will be exhibited in CPA’s historic gallery at Sunset Center in Carmel, California. These photographs will be featured in an online gallery on the CPA website. Up to an additional 45 images will be selected and also included in the online gallery. An exhibition catalog of the images chosen for both the gallery and online exhibitions will be available for purchase. An entry discount is available for new and current CPA members. For more information visit the CPA website.
The Smithsonian American Art Museum (DC)
Deadline: November 1. The Smithsonian American Art Museum (SAAM) and its Renwick Gallery invite applications for research fellowships in the art and visual culture of the United States. Fellowships are residential and support full-time independent and dissertation research. Recipients will be part of the premier residential fellowship program in American art—one that celebrates its fiftieth anniversary in 2020. The museum hosts a number of fellows each year through the Smithsonian Institution Fellowship Program (SIFP), and also awards its own named fellowships to candidates from this general pool. Only one application is necessary. All candidates should apply to the Smithsonian Institution Fellowship Program (SIFP). More information about the many opportunities and fellowships available at the SAAM website.
Torpedo Factory Target Gallery—2019 Solo Exhibition (VA)
Deadline:November 25. Target Gallery invites artists to apply for an open call for proposals for a solo exhibition for the summer of 2019. The individual or group associated with the chosen proposal will receive an exhibition at Target Gallery from June 14 through August 4, 2019. Proposals must be new bodies of work or works that have not been previously shown in the region. Individual works that have been previously shown can be entered if they are a part of new bodies of work and/or a new concept. The artist(s) will receive a $3000 stipend. To learn more and apply, visit the Torpedo Factory website.
Artist/Writers: Medicine and the Arts (MATA) Opportunity
Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.
Artist/Writers: Cover Art for Academic Medicine
Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.
Re-runs: These announcements have been posted here before, but it’s not too late to enter!
Superfine DC – The Art Fair (DC)
Deadline: September 19. The District’s First (and only) Accessible, Dynamic, Hyper-Curated, Contemporary Art Fair. When you apply to Superfine! DC you are not just entering an art fair but joining a movement, one whose primary objective is to advance sustainability in the art market. Our strategy is designed to equip you with the tools to sell and create new collectors in each and every market. Superfine! is a hyper-curated, contemporary art fair. Superfine! requires a $40 non-refundable application fee along with all application. The fair will run October 31– November 4.To learn more and to apply, visit the Superfine DC website.
10th Annual Juried Show (VA)
Deadline: September 21. Riverviews Artspace announces a call to artists for a juried art exhibition, from November 2nd through December 14th, 2018 at the Craddock-Terry Gallery in Lynchburg, VA. Juror: Terence Washington. All artists that live in the United States can enter. Artwork can be any media (2D and 3D) and any subject matter.For more information, visitRiverviews Artspace website.
Rochester Arts Gallery “Family Photographs” (NY)
Deadline: September 23. Flower City Arts Center is seeking original photographic work exploring the idea of a family photograph. Unlike any other medium before it, photography allows us to capture the exact likeness of our loved ones. For this exhibition, juror Sara Macel is interested in seeing photo-based work by artists that explores the ideas of family, memory, intimacy, or domesticity through the use of contemporary and/or archival photography. Best of Show receives $500 award. For more information and to submit, visit the Rochester Arts Gallery website.
The Cup, The Mug 2018 (NY)
Deadline: September 24. Main Street Arts is now accepting submissions to our 3rd annual The Cup, The Mug exhibition. This national juried exhibition is open to all U.S. artists working in ceramics, glass, wood, or metal. Submissions must be cups, mugs, or other drinking vessels. 2018 Jurors: Ceramic artists Jenny Mendes and Melissa Weiss. For more information and to submit, visit the Main Street Art Gallery website.
New prize for women painters
Deadline: September 28. The recently announced Bennett Prize will spotlight women artists who paint in the figurative realist style, and who have not yet reached full professional recognition – both new artists and those who have painted for many years.
The Pittsburgh Foundation & Muskegon Museum of Art: The Bennett Prize (PA)
Deadline: September 28. The Pittsburgh Foundation & The Muskegon Museum of Art (MMA) in Muskegon, MI announce a call to artists for The Bennett Prize. Open only to (living) women artists who: Are eighteen 18+, reside in the United States (at least part of the year), and will submit work that does not have to cross an international border to reach Muskegon Museum of Art. Artists must have primary practice as the creation of original paintings in the genre of figurative realism, and be currently pursuing, or intend to pursue, a career as a full-time painter and will not be a student during The Prize residency. All entries must be traditional paintings, which is defined as paint upon a two-dimensional surface. Only original works completed in the past 5 years are eligible. $50 entry fee. For more information, visitThe Bennett Prize website.
32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition (TX)
Deadline: September 30. The Greater Denton Arts Council proudly presents the 32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Approximately 70 works will be selected by juror Janet McCall, Executive Director of the Contemporary Craft, for exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
The Torpedo Factory – Target Gallery: 2019 Emerging Artists (VA)
Deadline: September 30. Target Gallery presents its annual exhibition featuring the work of three to four regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the DC metropolitan area. Artists should have no more than five years of experience as a professional exhibiting artist, live within DC, Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. To learn more (view prospectus) and apply, visit the Torpedo Factory website.
Howard County Arts Council (HCAC) Gallery Call for Entries (MD)
Deadline: October 1. The HCAC Exhibits Committee meets quarterly to review applications and select artists for exhibit space. Artists, ages 18 and older, working in all media and styles, including time-based and installation artists, are encouraged to apply either individually or as a group. The Committee also welcomes proposals from curators and organizations. Detailed entry guidelines available here, the next deadline for submission is October 1.
2019 Post Graduation Residency Program (VA)
Deadline: October 7. Jurors: Nicole Dowd, program director of Halcyon Arts Lab and Leslie Holt, DC-based artist and co-director of Red Dirt Studios. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and three-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided nationwide artists submit proof of their permanent residence in the area and/or commitment of contributing to the ongoing future of the DC/Maryland/Virginia arts scene. Please read and review Guidelines before applying.
The Chelsea International Photography Competition (NY)
Deadline: October 9. The Chelsea International Photography Competition opens August 21, 2018. With a fierce dedication to promoting the arts and discovering and exposing new talent, the CIPC will honor selected artists with an exhibition at Agora Gallery, providing invaluable exposure to promote career growth and boost recognition. Competition awards are valued at over $55,000 and designed specifically to support Agora’s mission: to promote extraordinary and innovative art in the modern world, and enhance the careers of the selected artists. Visit theAgora Gallery website to enter.
Small Works 2018 (NY)
Deadline: October 8. Main Street Arts is now accepting submissions to our 5th annual Small Works exhibition. This national juried exhibition of small artwork (12 inches or smaller in any direction) is open to artists working in all media excluding video/sound and installation art. For more information and to submit, visit the Main Street Art Gallery website.
Function: An exhibition of Contemporary Craft (GA)
Deadline: October 15. The Gallery at Sulfur Studios invites artists working in traditional craft media (ceramic, fibers, glass, metals, paper, and/or wood) to submit work to their fall juried exhibition, “Function”. Artists are encouraged to push the boundaries of what “functional” means, and work that is conceptual or satirical will be considered alongside more traditional craft forms. Visit www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.
Call for Entries: Juried Exhibition Winter 2019 at Blue Mountain Gallery (NY)
Deadline: October 15. Blue Mountain Gallery invites mid-career and established artists to submit work for its 7th Bi-annual Juried Exhibition on January 2—26, 2019. The gallery’s exhibitions are frequently reviewed in both the New York and national press. Juror, Elisa Jensen, an American painter who currently teaches at the New York Studio School, exhibits widely in the US and Denmark and curates exhibitions. Entry forms must be completed and submitted online only. To apply, visit the Blue Mountain Gallery website. The prospectus can be found here.
VisArts In(Site) Project Gallery—Call for Video, Sound Art, and New Media (MD)
Deadline: October 15. “Frame & Frequency 4, Vol. 2” is an ongoing International Video and Sound Art Exchange program presented concurrently at VisArts in our In(Site) Project Gallery in Rockville, MD and at PLECTO Galeria in Medellín, Colombia, opening October 26, 2018. Video, sound art (up to eight channels), film, and new media work will be accepted, including: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc. All foreign language moving image artworks must have English subtitles. For more information, and to submit visit the VisArts website.
Blue Mountain Gallery 7th Biannual Juried Exhibition Winter 2019 (NY)
Deadline: October 15. Blue Mountain Gallery, in the Chelsea District of New York City, invites emerging, mid-career, and established artist to submit work for it’s 7th Biannual Juried Exhibition. Open to all artists 18+ of age, living in the USA. Two-dimensional media accepted: original oils, acrylics, pastels, watercolors, prints, drawings, and mixed media. The fee is $40 for one to three works, $5 for each additional work, up to six works total. Additional submission requirements on the Winter 2019 Juried Exhibition site, and prospectus here.
Introductions 2019 (NY)
Deadline: October 31. “Introductions” is an annual open call hosted by Trestle Gallery. In support of their 2019 exhibition theme & focus, all applicants to 2019’s open call will be considered for a solo exhibition at Trestle Gallery. The only qualification is that artists may not have participated in a show at the Trestle Gallery before (previous open calls count, member salons do not count). The exhibit will be curated by Jason Andrew, an independent scholar, curator, and producer. A prominent figure in the Bushwick, Brooklyn art scene, Mr. Andrew is the co-founder and director of Norte Maar, a non-profit now celebrating its 10th anniversary encouraging, promoting, and presenting collaborative projects in the arts. To learn more and apply, visit the Trestle Gallery website.
Call for Writing Submissions: Beyond Beautiful (MD)
Deadline: November 1. Maryland Art Place (MAP) is seeking writing submissions, love letters of all types, on behalf of “The One Thousand Love Letters Project” and the exhibition “Beyond Beautiful, created and curated by artist Peter Bruun. This exhibition is slated to open January 17, 2019 at Maryland Art Place, with a partner site for the exhibition located at Area 405. Beyond Beautiful focuses on eight topics –information and guidelines here. Peter Bruun, both curator and artist, will use these love letters to create 1,000 artistic responses to be displayed in the exhibition at MAP and Area 405. To date, Bruun has created over 600 drawings using excerpts from participant’s letters to contribute to “The One Thousand Love Letters Project.” Letters do not need to be submitted based on the listed topics and can be submitted digitally or physically.
Women Artists Call — Pen and Brush Solo Exhibit (NY)
Deadline: December 31. Long-established contemporary art gallery and nonprofit seeking talented professional female artists for various opportunities. These opportunities include, but are in no way limited to: a solo exhibition in our ground floor space on 22nd street, group exhibition opportunities, inclusion in exhibition catalogues written by art historians and curators, and opportunities to expose work to influential curators. All work submitted must be contemporary art, submitted work must be complete, to be considered work must meet standards of quality, every work in a submission must be for sale. Artists must meet professional standards of composition and presentation of their work. To apply and learn more about this opportunity, visit the Pen and Brush website.
Spark Box Studio Dawson Residency Award and Bursary (Canada)
Deadline: March 1, 2019. This award is open to residents of North America. Spark Box Studio is accepting applications from emerging, mid-career, and established artists. One artist will receive a month-long residency at our studio in Prince Edward County, plus the $1,000 Dawson bursary. The selected applicant will be granted a semi-private studio space and be given access to the Spark Box Studio equipment and resources. As well, the winner will be provided with living accommodations for their month-long stay. We support a range of disciplines including; drawers, illustrators, painters, writers, printmakers, film makers, performance artists, multidisciplinary artists, curators, book makers, musicians and photographers (digital)
Ongoing:
The Awesome Foundation Accepting Applications for Art Projects
Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.
Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)
Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.
Exhibit at Hotel Indigo (VA)
Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].
The New Project Studio – Ongoing Opportunity (VA)
Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, click here.
Public Arts Grants & Opportunities (VA)
Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.
NYC volunteer opportunity (NY)
Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.
Residency: Maryland
Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.
Looking for artists: Foundry Gallery (DC)
Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.
Looking for artists: Printmakers (DC)
Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].
Looking for artists: Multiple Exposures Gallery (VA)
The Art League Blog is taking a trip down memory lane and reposting some of our most popular resources. Please enjoy this post from the vault, originally published January 16, 2018.
If you’ve just started a painting class for the first time (or if you’re refreshing your skills) — congratulations! There are few things as rewarding as learning a whole new way to express yourself.
That said, jumping into an art form with such a long history can be overwhelming, too. That’s why we made these guides to the different types of paintbrushes and how to read a tube of paint.
Read on for a crash course and links to more info. And best of luck on your creative journey!
Other tips & resources: paintbrushes
The quality of hair and the manufacture process make a big difference in how a brush holds and distributes paint, and how it retains its shape and spring.
Try starting with just a few brushes, then invest in different sizes, shapes, and styles as you learn what you need.
Always feel free to ask at The Art League Store if you need help selecting the right brush for the job. Our supply store is staffed by working artists.
About pigments: Different manufacturers have different “common” names for paints that use the same pigment. For example, Winsor & Newton’s “Winsor Lemon,” Golden’s “Hansa Yellow Light,” and Williamsburg’s “Permanent Yellow Light” all use PY3: Arylide Yellow, but you wouldn’t know that unless you peeked at the back of the label.
About lightfastness: Lightfastness lets you know how permanent (or archival) the paint will be: will the color look the same in a few years or does it lose its vibrancy or shift hues after periods of exposure to light or heat? The manufacturer has tested it for you so you don’t have a nasty surprise years down the road.
About series numbers: The higher the number (or letter), the higher the price. Why are some paints more expensive than others? It’s all about the pigments, which might be from organic sources or manufactured synthetically, and how much they cost the manufacturer.
Of course, these are just the basics — different products have many variables that may or may not be on the label, like opacity and transparency, how thick or thin the paint is (viscosity), and drying time.
Did you find these guides useful? There are lots more artful resources in our archive.
Deadline: September 13. Exhibition Dates: November 5—November 25, 2018. Dacia Gallery invites emerging and established artists to submit artwork for an opportunity to have a Solo Exhibition at Dacia Gallery in NYC. We are actively searching for new talented artists in all media and styles to work with, exhibit and represent. If you are looking for gallery representation and to have a Solo Exhibition in New York City, submit your art that we may discover your compelling work and present it to the public, gallery directors, curators and collectors. For more info, and to apply visit the Dacia Gallery website.
The Art of New York: Annual Juried Art Show (NY)
Deadline: September 14. The Arkell Museum & Canajoharie Library announces a call to artists for a juried art exhibition, November 2—December 30, 2018 in Canajoharie, NY. $900 total for Best in Show, 2 Juror’s Choice, and 2 Awards of Excellence. Juror: Corey Pitkin. Artists living in New York State are invited to submit entries in any medium. For more info, visit the Arkell Museum website.
Craft Forms 2018 (PA)
Deadline: September 18. The Wayne Art Center in Wayne, PA seeks entries for Craft Forms, December 7, 2018—January 26, 2019. $8,000+ in awards. Juror: Perry Allen Price. Open to all professional artists working in clay, fiber, quilt, glass, metal, jewelry, wood, 3D printing, and/or mixed media crafts. Work submitted must be innovative and original in design. Work derivative of other artists or work created in a workshop with the aid of an instructor is not acceptable. Works submitted must have been completed after January 1, 2016. If the work was accepted into a previous Craft Forms exhibition, the work cannot be re-submitted for this or future Craft Forms. For more information, visit the Craft Forms website.
10th Annual Juried Show (VA)
Deadline: September 21. Riverviews Artspace announces a call to artists for a juried art exhibition, from November 2nd through December 14th, 2018 at the Craddock-Terry Gallery in Lynchburg, VA. Juror: Terence Washington. All artists that live in the United States can enter. Artwork can be any media (2D and 3D) and any subject matter.For more information, visit Riverviews Artspace website.
The Pittsburgh Foundation & Muskegon Museum of Art: The Bennett Prize (PA)
Deadline: September 28. The Pittsburgh Foundation & The Muskegon Museum of Art (MMA) in Muskegon, MI announce a call to artists for The Bennett Prize. Open only to (living) women artists who: Are eighteen 18+, reside in the United States (at least part of the year), and will submit work that does not have to cross an international border to reach Muskegon Museum of Art. Artists must have primary practice as the creation of original paintings in the genre of figurative realism, and be currently pursuing, or intend to pursue, a career as a full-time painter and will not be a student during The Prize residency. All entries must be traditional paintings, which is defined as paint upon a two-dimensional surface. Only original works completed in the past 5 years are eligible. $50 entry fee. For more information, visit The Bennett Prize website.
The Chelsea International Photography Competition (NY)
Deadline: October 9. The Chelsea International Photography Competition opens August 21, 2018. With a fierce dedication to promoting the arts and discovering and exposing new talent, the CIPC will honor selected artists with an exhibition at Agora Gallery, providing invaluable exposure to promote career growth and boost recognition. Competition awards are valued at over $55,000 and designed specifically to support Agora’s mission: to promote extraordinary and innovative art in the modern world, and enhance the careers of the selected artists. Visit the Agora Gallery website to enter.
Re-runs: These announcements have been posted here before, but it’s not too late to enter!
Woven Tale Press Photography Competition (NY)
Submissions open July 15–September 15. Open to film, digital, Polaroid, photo collage, any photographic form. Can include mixed media, as long as the origin of the work is photographic. Cash prizes, first place award, one-week stay in expanded 1909 charming cape in the legendary Hamptons, NY, destination to artists from around the world; home to the Pollock-Krasner House, Parrish Art Museum, contemporary art galleries; accommodations for two; one block to NYC train, Atlantic ocean beach,and town; full amenities; flexible bookings. More information here.
City of Takoma Park Electric Vehicle Charging Stations Art Wrap Project (MD)
Deadline: September 12. TheCity of Takoma Park invites artists to design a mural to be used as vinyl wraps for two electric vehicle charging stations as part of the City’s ongoing efforts to promote public art. Both charging stations are owned by the City of Takoma Park and are located on public property or in the public right-of-way. Applicants do not need to be residents of Takoma Park. For more information and to apply, visit theCity of Takoma Park website.
The Center for Contemporary Art 2018 International Juried Exhibition (NJ)
Deadline: September 16. The Center for Contemporary Art’s annual International Juried Exhibition celebrates contemporary art by both established and emerging artists. The Center for Contemporary Art (“The Center”) is a vibrant regional non-profit art center with studio art classes, a summer art camp, rotating exhibitions and community outreach programs. Juror Midori Yoshimoto, Ph.D., will select work for inclusion in the exhibit and for three cash prizes. The Center’s Exhibitions Committee will review the body of work of each artists selected and choose one for a solo exhibit in 2019. Please check out The Center’s website for more details.
Crafty Bastards Craft Festival 2018 (DC)
Deadline: September 14. The Craft Bastards Arts & Crafts Fair will be held at the Capitol Riverfront in southeast DC from October-October 28. The outdoor fair will be held under its signature tents this year in Lot A at The Yards Park (near the Nationals Baseball Stadium in Washington, DC) Artists wanting to participate in this year’s festival can submit an application via theCrafty Bastards Craft Festival website.
Travel the World with AFAR & United
Deadline: September 18. Apply for the first-ever AFAR Travel Photography Awards, which highlight the diverse and creative ways in which photographers are celebrating the world. Since its launch in 2009, AFAR has been recognized for its vibrant and authentic travel photography. Winners will receive international exposure, publication in AFAR, cash awards, free business class air, and more. Choose from: the photo series category, the five photo series category, or a single photo category. To apply and learn more, visit theLens Culture website.
Superfine DC – The Art Fair (DC)
Deadline: September 19. The District’s First (and only) Accessible, Dynamic, Hyper-Curated, Contemporary Art Fair. When you apply to Superfine! DC you are not just entering an art fair but joining a movement, one whose primary objective is to advance sustainability in the art market. Our strategy is designed to equip you with the tools to sell and create new collectors in each and every market. Superfine! is a hyper-curated, contemporary art fair. Superfine! requires a $40 non-refundable application fee along with all application. The fair will run October 31– November 4.To learn more and to apply, visit the Superfine DC website.
Rochester Arts Gallery “Family Photographs” (NY)
Deadline: September 23. Flower City Arts Center is seeking original photographic work exploring the idea of a family photograph. Unlike any other medium before it, photography allows us to capture the exact likeness of our loved ones. For this exhibition, jurorSara Macel is interested in seeing photo-based work by artists that explores the ideas of family, memory, intimacy, or domesticity through the use of contemporary and/or archival photography. Best of Show receives $500 award. For more information and to submit, visit theRochester Arts Gallery website.
The Cup, The Mug 2018 (NY)
Deadline: September 24. Main Street Arts is now accepting submissions to our 3rd annual The Cup, The Mug exhibition. This national juried exhibition is open to all U.S. artists working in ceramics, glass, wood, or metal. Submissions must be cups, mugs, or other drinking vessels. 2018 Jurors: Ceramic artists Jenny Mendes and Melissa Weiss. For more information and to submit, visit the Main Street Art Gallery website.
New prize for women painters
Deadline: September 28. The recently announced Bennett Prize will spotlight women artists who paint in the figurative realist style, and who have not yet reached full professional recognition – both new artists and those who have painted for many years.
32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition (TX)
Deadline: September 30. The Greater Denton Arts Council proudly presents the 32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Approximately 70 works will be selected by juror Janet McCall, Executive Director of the Contemporary Craft, for exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
The Torpedo Factory – Target Gallery: 2019 Emerging Artists (VA)
Deadline: September 30. Target Gallery presents its annual exhibition featuring the work of three to four regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the DC metropolitan area. Artists should have no more than five years of experience as a professional exhibiting artist, live within DC, Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. To learn more (view prospectus) and apply, visit the Torpedo Factory website.
Howard County Arts Council (HCAC) Gallery Call for Entries (MD)
Deadline: October 1. The HCAC Exhibits Committee meets quarterly to review applications and select artists for exhibit space. Artists, ages 18 and older, working in all media and styles, including time-based and installation artists, are encouraged to apply either individually or as a group. The Committee also welcomes proposals from curators and organizations. Detailed entry guidelines available here, the next deadline for submission is October 1.
2019 Post Graduation Residency Program (VA)
Deadline: October 7. Jurors: Nicole Dowd, program director of Halcyon Arts Lab and Leslie Holt, DC-based artist and co-director of Red Dirt Studios. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and three-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided nationwide artists submit proof of their permanent residence in the area and/or commitment of contributing to the ongoing future of the DC/Maryland/Virginia arts scene. Please read and review Guidelines before applying.
Small Works 2018 (NY)
Deadline: October 8. Main Street Arts is now accepting submissions to our 5th annual Small Works exhibition. This national juried exhibition of small artwork (12 inches or smaller in any direction) is open to artists working in all media excluding video/sound and installation art. For more information and to submit, visit the Main Street Art Gallery website.
Function: An exhibition of Contemporary Craft (GA)
Deadline: October 15. The Gallery at Sulfur Studios invites artists working in traditional craft media (ceramic, fibers, glass, metals, paper, and/or wood) to submit work to their fall juried exhibition, “Function”. Artists are encouraged to push the boundaries of what “functional” means, and work that is conceptual or satirical will be considered alongside more traditional craft forms. Visit www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.
Call for Entries: Juried Exhibition Winter 2019 at Blue Mountain Gallery (NY)
Deadline: October 15. Blue Mountain Gallery invites mid-career and established artists to submit work for its 7th Bi-annual Juried Exhibition on January 2—26, 2019. The gallery’s exhibitions are frequently reviewed in both the New York and national press. Juror, Elisa Jensen, an American painter who currently teaches at the New York Studio School, exhibits widely in the US and Denmark and curates exhibitions. Entry forms must be completed and submitted online only. To apply, visit theBlue Mountain Gallery website. The prospectus can be foundhere.
VisArts In(Site) Project Gallery—Call for Video, Sound Art, and New Media (MD)
Deadline: October 15. “Frame & Frequency 4, Vol. 2” is an ongoing International Video and Sound Art Exchange program presented concurrently at VisArts in our In(Site) Project Gallery in Rockville, MD and at PLECTO Galeria in Medellín, Colombia, opening October 26, 2018. Video, sound art (up to eight channels), film, and new media work will be accepted, including: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc. All foreign language moving image artworks must have English subtitles. For more information, and to submit visit theVisArts website.
Blue Mountain Gallery 7th Biannual Juried Exhibition Winter 2019 (NY)
Deadline: October 15. Blue Mountain Gallery, in the Chelsea District of New York City, invites emerging, mid-career, and established artist to submit work for it’s 7th Biannual Juried Exhibition. Open to all artists 18+ of age, living in the USA. Two-dimensional media accepted: original oils, acrylics, pastels, watercolors, prints, drawings, and mixed media. The fee is $40 for one to three works, $5 for each additional work, up to six works total. Additional submission requirements on theWinter 2019 Juried Exhibition site, andprospectus here.
Introductions 2019 (NY)
Deadline: October 31. “Introductions” is an annual open call hosted by Trestle Gallery. In support of their 2019 exhibition theme & focus, all applicants to 2019’s open call will be considered for a solo exhibition at Trestle Gallery. The only qualification is that artists may not have participated in a show at the Trestle Gallery before (previous open calls count, member salons do not count). The exhibit will be curated by Jason Andrew, an independent scholar, curator, and producer. A prominent figure in the Bushwick, Brooklyn art scene, Mr. Andrew is the co-founder and director of Norte Maar, a non-profit now celebrating its 10th anniversary encouraging, promoting, and presenting collaborative projects in the arts. To learn more and apply, visit theTrestle Gallery website.
Call for Writing Submissions: Beyond Beautiful (MD)
Deadline: November 1. Maryland Art Place (MAP) is seeking writing submissions, love letters of all types, on behalf of “The One Thousand Love Letters Project” and the exhibition “Beyond Beautiful, created and curated by artist Peter Bruun. This exhibition is slated to open January 17, 2019 at Maryland Art Place, with a partner site for the exhibition located at Area 405. Beyond Beautiful focuses on eight topics –information and guidelines here. Peter Bruun, both curator and artist, will use these love letters to create 1,000 artistic responses to be displayed in the exhibition at MAP and Area 405. To date, Bruun has created over 600 drawings using excerpts from participant’s letters to contribute to “The One Thousand Love Letters Project.” Letters do not need to be submitted based on the listed topics and can be submitted digitally or physically.
Women Artists Call — Pen and Brush Solo Exhibit (NY)
Deadline: December 31. Long-established contemporary art gallery and nonprofit seeking talented professional female artists for various opportunities. These opportunities include, but are in no way limited to: a solo exhibition in our ground floor space on 22nd street, group exhibition opportunities, inclusion in exhibition catalogues written by art historians and curators, and opportunities to expose work to influential curators. All work submitted must be contemporary art, submitted work must be complete, to be considered work must meet standards of quality, every work in a submission must be for sale. Artists must meet professional standards of composition and presentation of their work. To apply and learn more about this opportunity, visit thePen and Brush website.
Spark Box Studio Dawson Residency Award and Bursary (Canada)
Deadline: March 1, 2019. This award is open to residents of North America. Spark Box Studio is accepting applications from emerging, mid-career, and established artists. One artist will receive a month-long residency at our studio in Prince Edward County, plus the $1,000 Dawson bursary. The selected applicant will be granted a semi-private studio space and be given access to the Spark Box Studio equipment and resources. As well, the winner will be provided with living accommodations for their month-long stay. We support a range of disciplines including; drawers, illustrators, painters, writers, printmakers, film makers, performance artists, multidisciplinary artists, curators, book makers, musicians and photographers (digital)
Ongoing:
The Awesome Foundation Accepting Applications for Art Projects
Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.
Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)
Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.
Exhibit at Hotel Indigo (VA)
Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].
The New Project Studio – Ongoing Opportunity (VA)
Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, click here.
Public Arts Grants & Opportunities (VA)
Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.
NYC volunteer opportunity (NY)
Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.
Residency: Maryland
Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.
Looking for artists: Foundry Gallery (DC)
Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.
Looking for artists: Printmakers (DC)
Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].
Looking for artists: Multiple Exposures Gallery (VA)
This fall The Art League will be focusing on self-portraiture. Whether you are an Exhibiting Artist, planning your entry for the October Self Portrait show, or a potential student looking to explore self-portraiture in your own practice, this post is for you!
September 12—14 Art League instructor Tania Karpowitz will be teaching “The Self Portrait” workshop. The Art League asked her a few questions about the workshop, as well as for some tips on entering the October Self Portrait exhibit.
Mountain Head by Tania Karpowitz
Artist and Art League instructor Tania Karpowitz, whose work has been exhibited in New York, Madrid, DC, Boston, and is currently in the permanent collection of the Borowsky Gallery in Philadelphia is a seasoned self-portrait painter, and will also be teaching “The Self Portrait” workshop on September 12—14. The Art League asked her a few questions about the workshop, as well as for some tips on entering the October Self Portrait exhibit.
“I paint self-portraits because I am so often alone, because I am the person I know best.” – Frida Kahlo
As an artist, why do you make self-portraits?
As a young person, I needed to look at myself to ask important questions. I wanted to SEE how my face reacted to the feelings evoked by such questions.
As I get older, I go to self-portraiture images as a way to transition into new places artistically. I know myself well and don’t care how I look in a painting , so I am free to tell a story and take an account of where I am.
When painting or drawing yourself, is it hard to see yourself objectively?
Once when I was lecturing on Rembrandt’s Self Portraits ( he made 64 in his lifetime), a student once remarked that one didn’t look like him. How did she know?! More importantly, who cares?! It is a painting, telling a story.
Sky Head by Tania Karpowitz
How do costume and gesture play a part in the self-portrait?
They both play a huge role in storytelling. Costume tells about wealth, position, culture. In fact, that is what made me start painting nudes. A nude is a man or woman in their humanity. It is universal. A costume is very significant and so is the decision to jettison the costume altogether.
Gesture is critical in a still image. One body can have different gestures, creating tension and drama. I love that moment in a painting. Light (or darkness), space (specific or non-specific), and objects also add to a self-portrait.
Wind by Tania Karpowitz
Does a self portrait have to be a rendering of your face?
No. I think all paintings, in part, are self-portraits. As my brother once said, while posing for me, “It may be my face, but it expresses your mood.”
Artwork by Tania Karpowitz
Are there any artists whose self-portraits you are particularly inspired by?
Rembrandt is the self-portrait painter I always return to, because of the number and quality [of his works]. He tells the story of his life through [his] paintings. His young insecurity turned into arrogance and success, [followed by, later] acquisitions and wealth. Then in a turn of events… losses and suffering; until he was left deeply sad, alone and poor. I have made a deep friendship with him through his paintings. I am grateful for what he left us, even though he died without anyone caring for him or his work.
You will be teaching a Self-Portrait workshop September 12—14. What can potential students hope to get from the course?
I hope students will work through different compositions and expressions in order to find a place that surprises them.
Artwork by Tania Karpowitz
The Gallery will be having a Self-Portrait exhibit in October. What advice would you give our exhibiting artists as they prepare?
Take risks and experiment. Try things that take you in a direction where you can’t predict the outcome.
Be sure to register for Tania’s Self-Portrait workshop coming up September 12—14, and remember that the last day to submit to the October Self-Portrait exhibit is September 15.
After years of trying to prevent rust in his steel sculptures, artist Brian Kirk now welcomes the beauty and complexity of oxidation as an art in and of itself.
But how does Kirk create these haunting compositions? Imagine the marks on your bathtub or sink when you leave something metal there for so long that it starts to rust in the soapy residue and leaves an ochre shadow…Kirk’s process takes that everyday phenomenon and stretches it to a monumental scale to make his rust imprints, finding art in the unpredictability of corrosion. Kirk remarks that “this process is unpredictable—and that’s what makes it interesting to me.”
Brian Kirk: Natural Reaction
Sandwiched between two sheets of thick watercolor paper or linen, flat metal objects (like keys, metal sculptures, or wire) stay submerged, weighted under a marble slab in a bath of soapy water for several months. The result is a rust print that is almost akin to looking through a microscope—swirling particles, bubbles, and inconsistencies resembling organelles of a cell.
Detail of Cyclon II by Brian Kirk
Kirk’s creations aren’t just industrial, they’re also influenced by the natural world. Votive Hand, inspired by a similar mica hand made by the Hopewell Indians, was originally steel, cut with a plasma cutter, before being reborn via Kirk’s oxidation method.
Dancing Moons by Brian Kirk
“Art doesn’t just happen in a vacuum,” says Kirk. “It’s a part of living.”
The Art League Blog is taking a trip down memory lane and reposting some of our most popular resources. Please enjoy this guest post from the vault, originally published September 9, 2016.
The author (in green) poses with her Basic Drawing class and their teacher, Scott Hutchison.
Today’s guest post is by Claire Mouledoux, vice president of communications for Visit Alexandria who is one of Alexandria’s 40 Under 40 honorees and a former member of The Art League Advisory Council.
If you are considering taking a basic drawing class for the first time, I can’t recommend it highly enough.
I took basic drawing with artist and Art League instructor Scott Hutchison and it was a great experience. As someone with a busy career and other life demands, I was feeling depleted creatively. I had taken a drawing course in college and there were other periods in life where I was dedicated to different kinds of crafting. Enrolling in an art class guaranteed I would spend time each week using my hands to make art.
It also allowed me to connect with people of other learning levels — some drawing for the first time and others much more advanced than me. It turned out that the class was not only enriching, it was fulfilling in some ways that I didn’t expect. Here are five things I learned:
All images courtesy Claire Mouledoux
Go with the flow
One of our very first assignments was blind contour drawing, which is essentially looking at an object and drawing it in a continuous line without looking at your paper. As someone who likes to get things just right, it was a great exercise in letting go of my expectations and going with the flow to see what creation emerges.
Sometimes white is shades of gray
One thing I loved about drawing class was that I got to practice making myself let go of preconceived notions of what I think I see. In this case it was a white pyramid on a white tablecloth. How on earth are you supposed to draw white on white? As Scott showed us, when you looked carefully, each surface was a different shade just waiting to be rendered. How often in life do we make quick judgments of things we observe? It’s exhilarating to step away from common perception to see a more nuanced reality.
Shading is meditation
When shading, it was tempting to simply press down hard on my pencil to make a darker mark. Our instructor Scott taught us to shade in layers, building depth and richness gradually. As you can imagine, this takes time — and patience. It’s not easy to step away from the fast-paced demands of life and be completely absorbed in the moment. I found myself going into a state of meditation as I gave in to the process of shading. Not only was it calming, it was satisfying to see the result.
Drawing can raise eyebrows
Scott led a very fun activity in which one 8 ½ × 11 image of a face was cut into a grid of squares and we were each given two of those squares. Without a reference to the full face, the challenge was to represent as closely as possible what you see in that small square frame. Once the drawings were hung together, it was a treat to see that a class friend and I had created two sides of the same eyebrow.
Hands are hard – and you feel like a boss when you begin to master them
Even professional artists say that drawing hands is difficult. But after the coaching and hours of practice that came through the basic drawing course, it was very rewarding to use my new skills to make a drawing that actually looked like hands.
Of course I learned many other things over the course of basic drawing class. I hope you’ll sign up now if you haven’t already – and make your own top five list!
The Center for Contemporary Political Art–”Defining the Art of Change in the Age of Trump” (DC)
Deadline: September 10. This Open Call challenges America’s artists to respond to “The Age of Trump” with Art as powerful as the times are dangerous, to help Americans understand what’s at stake–and why it’s their duty to vote in the November 2018 midterm elections. Because of its scope, timing and institutional backing, The Center is hopeful its first, Defining exhibition will lead to a redefinition of the role artists play in our society; identify the country’s leading practitioners of political art; and demonstrate why political art should be recognized as a valued genre of American art in the 21st Century. For more information about the exhibit, visit the Politics Art US website.
Rochester Arts Gallery “Family Photographs” (NY)
Deadline: September 23. Flower City Arts Center is seeking original photographic work exploring the idea of a family photograph. Unlike any other medium before it, photography allows us to capture the exact likeness of our loved ones. For this exhibition, juror Sara Macel is interested in seeing photo-based work by artists that explores the ideas of family, memory, intimacy, or domesticity through the use of contemporary and/or archival photography. Best of Show receives $500 award. For more information and to submit, visit the Rochester Arts Gallery website.
Call for Entries: Juried Exhibition Winter 2019 at Blue Mountain Gallery (NY)
Deadline: October 15. Blue Mountain Gallery invites mid-career and established artists to submit work for its 7th Bi-annual Juried Exhibition on January 2—26, 2019. The gallery’s exhibitions are frequently reviewed in both the New York and national press. Juror, Elisa Jensen, an American painter who currently teaches at the New York Studio School, exhibits widely in the US and Denmark and curates exhibitions. Entry forms must be completed and submitted online only. To apply, visit the Blue Mountain Gallery website. The prospectus can be found here.
VisArts In(Site) Project Gallery—Call for Video, Sound Art, and New Media (MD)
Deadline: October 15. “Frame & Frequency 4, Vol. 2” is an ongoing International Video and Sound Art Exchange program presented concurrently at VisArts in our In(Site) Project Gallery in Rockville, MD and at PLECTO Galeria in Medellín, Colombia, opening October 26, 2018. Video, sound art (up to eight channels), film, and new media work will be accepted, including: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc. All foreign language moving image artworks must have English subtitles.For more information, and to submit visit the VisArts website.
Introductions 2019 (NY)
Deadline: October 31. “Introductions” is an annual open call hosted by Trestle Gallery. In support of their 2019 exhibition theme & focus, all applicants to 2019’s open call will be considered for a solo exhibition at Trestle Gallery. The only qualification is that artists may not have participated in a show at the Trestle Gallery before (previous open calls count, member salons do not count). The exhibit will be curated by Jason Andrew, an independent scholar, curator, and producer. A prominent figure in the Bushwick, Brooklyn art scene, Mr. Andrew is the co-founder and director of Norte Maar, a non-profit now celebrating its 10th anniversary encouraging, promoting, and presenting collaborative projects in the arts. To learn more and apply, visit the Trestle Gallery website.
Re-runs: These announcements have been posted here before, but it’s not too late to enter!
Woven Tale Press Photography Competition (NY)
Submissions open July 15–September 15. Open to film, digital, Polaroid, photo collage, any photographic form. Can include mixed media, as long as the origin of the work is photographic. Cash prizes, first place award, one-week stay in expanded 1909 charming cape in the legendary Hamptons, NY, destination to artists from around the world; home to the Pollock-Krasner House, Parrish Art Museum, contemporary art galleries; accommodations for two; one block to NYC train, Atlantic ocean beach,and town; full amenities; flexible bookings. More information here.
Mid Atlantic Arts Foundation Accepting Applications for USArtists International Grant Program
Deadline: September 7. Administered by the Mid Atlantic Arts Foundation, the USArtists International program supports performances by American artists at important cultural festivals and arts marketplaces around the globe. USAI encourages and promotes the vibrant diversity of American artists and creative expression in the performing arts by expanding opportunity and exposure to international audiences, encouraging international cultural exchange, and enhancing the creative and professional development of US-based artists. To that end, grants of up to $15,000 will be awarded to American dance, music, and theater ensembles and solo performers that have been invited to perform at international festivals, and/or for performance engagements that represent extraordinary career opportunities anywhere in the world outside the U.S. To apply, visit the Mid Atlantic Arts Foundation RFP website.
The Torpedo Factory Art Center – Seasonal Art Installations (VA)
Deadline: September 7. The Torpedo Factory Art Center invites artists and artist teams residing in Virginia, Maryland, and the District of Columbia, to submit proposals for the Torpedo Factory Art Center’s temporary art installations to activate the building’s main spaces during the fall. The exhibit will be juried by Elsabé Dixon, and will take place October 5th–November 26. Artwork is encouraged but not limited to involve themes related to fall/autumn, folklore (such as Dia de los Muertos or All Hallow’s Eve), or Alexandria’s naval history. These themes will correspond to different programming that will be happening in the Art Center for the duration of the exhibition. To learn more and apply, visit the Torpedo Factory website.
The 37th Annual Smithsonian Craft Show 2019 — National Building Museum (DC)
Deadlines: September 7. Late Deadlines: September 8 – September 21.The Smithsonian Craft Show is a prestigious juried exhibition and sale of contemporary American craft in art and design held annually in Washington, DC. Three jurors who are experts in the field and newly selected each year choose 120 artists from a large pool of applicants. Artists are selected on the basis of the originality, artistic conception, and quality of their work. The show is produced by the Smithsonian Women’s Committee. Proceeds from the Show fund grants that benefit the Smithsonian’s education, outreach, research, and conservation programs. ACCEPTABLE MEDIA CATEGORIES: Basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art, and wood. Learn more about this opportunity here.
Call for Solo & Group Exhibition Proposals (OH)
Deadline: September 7. The Fitton Center for Creative Arts, a community art center in Hamilton, Ohio, is accepting proposals in all visual art media for solo and group exhibitions for the 2019-2020 schedule. We also offer group shows of existing guilds or alliances and to individuals willing to be selected into a curated group show. A completed Online Submission Form that includes file uploads of 150-word Artist Statement, 150-word Presentation Statement, CV, 10 artwork JPEGS with corresponding Image List and $25 non-refundable fee are required for gallery proposals. Get full requirements and submit your proposal online at the Fitton Center website.
Enter RITUALISMS at the Target Gallery (VA)
Deadline: September 9. Exhibition Dates: January 19–March 3, 2019. Juror: Katy Scarlett, independent curator. The Target Gallery invites artists working in all visual media to submit toRITUALISMS, a group exhibition that explores how rituals are an intrinsic part of the human experience. Whether it be through personal rituals, such as daily habits or quirks, or through a larger cultural context, such as religious or cultural ceremonies, the work in this exhibition will address the universality of rituals and how they foster connection or isolation.
Art Vendors Needed: “Arts in the Alley” Festival – Friends of Leesburg Public Arts (VA)
Deadline: September 10. Friends of Leesburg Public Arts is seeking vendors for its 2nd annual “Arts in the Alley” festival located in downtown Leesburg. The fair will be held on September 22 from 10:00 am–6:00 pm. Only original artwork is accepted. For more information and to apply see: The Friends of Leesburg Public Arts website.
City of Takoma Park Electric Vehicle Charging Stations Art Wrap Project (MD)
Deadline: September 12. The City of Takoma Park invites artists to design a mural to be used as vinyl wraps for two electric vehicle charging stations as part of the City’s ongoing efforts to promote public art. Both charging stations are owned by the City of Takoma Park and are located on public property or in the public right-of-way. Applicants do not need to be residents of Takoma Park. For more information and to apply, visit the City of Takoma Park website.
The Center for Contemporary Art 2018 International Juried Exhibition (NJ)
Deadline: September 16. The Center for Contemporary Art’s annual International Juried Exhibition celebrates contemporary art by both established and emerging artists. The Center for Contemporary Art (“The Center”) is a vibrant regional non-profit art center with studio art classes, a summer art camp, rotating exhibitions and community outreach programs. Juror Midori Yoshimoto, Ph.D., will select work for inclusion in the exhibit and for three cash prizes. The Center’s Exhibitions Committee will review the body of work of each artists selected and choose one for a solo exhibit in 2019. Please check out The Center’s website for more details.
Crafty Bastards Craft Festival 2018 (DC)
Deadline: September 14. The Craft Bastards Arts & Crafts Fair will be held at the Capitol Riverfront in southeast DC from October-October 28. The outdoor fair will be held under its signature tents this year in Lot A at The Yards Park (near the Nationals Baseball Stadium in Washington, DC) Artists wanting to participate in this year’s festival can submit an application via the Craft Bastards Craft Festival website.
Travel the World with AFAR & United
Deadline: September 18. Apply for the first-ever AFAR Travel Photography Awards, which highlight the diverse and creative ways in which photographers are celebrating the world. Since its launch in 2009, AFAR has been recognized for its vibrant and authentic travel photography. Winners will receive international exposure, publication in AFAR, cash awards, free business class air, and more. Choose from: the photo series category, the five photo series category, or a single photo category. To apply and learn more, visit the Lens Culture website.
Superfine DC – The Art Fair (DC)
Deadline: September 19. The District’s First (and only) Accessible, Dynamic, Hyper-Curated, Contemporary Art Fair. When you apply to Superfine! DC you are not just entering an art fair but joining a movement, one whose primary objective is to advance sustainability in the art market. Our strategy is designed to equip you with the tools to sell and create new collectors in each and every market. Superfine! is a hyper-curated, contemporary art fair. Superfine! requires a $40 non-refundable application fee along with all application. The fair will run October 31– November 4.To learn more and to apply, visit the Superfine DC website.
The Cup, The Mug 2018 (NY)
Deadline: September 24. Main Street Arts is now accepting submissions to our 3rd annual The Cup, The Mug exhibition. This national juried exhibition is open to all U.S. artists working in ceramics, glass, wood, or metal. Submissions must be cups, mugs, or other drinking vessels. 2018 Jurors: Ceramic artists Jenny Mendes and Melissa Weiss. For more information and to submit, visit the Main Street Art Gallery website.
New prize for women painters
Deadline: September 28. The recently announced Bennett Prize will spotlight women artists who paint in the figurative realist style, and who have not yet reached full professional recognition – both new artists and those who have painted for many years.
32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition (TX)
Deadline: September 30. The Greater Denton Arts Council proudly presents the 32nd annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Approximately 70 works will be selected by juror Janet McCall, Executive Director of the Contemporary Craft, for exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
The Torpedo Factory – Target Gallery: 2019 Emerging Artists (VA)
Deadline: September 30. Target Gallery presents its annual exhibition featuring the work of three to four regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the DC metropolitan area. Artists should have no more than five years of experience as a professional exhibiting artist, live within DC, Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. To learn more (view prospectus) and apply, visit the Torpedo Factory website.
Howard County Arts Council (HCAC) Gallery Call for Entries (MD)
Deadline: October 1. The HCAC Exhibits Committee meets quarterly to review applications and select artists for exhibit space. Artists, ages 18 and older, working in all media and styles, including time-based and installation artists, are encouraged to apply either individually or as a group. The Committee also welcomes proposals from curators and organizations. Detailedentry guidelines available here, the next deadline for submission is October 1.
2019 Post Graduation Residency Program (VA)
Deadline: October 7. Jurors: Nicole Dowd, program director of Halcyon Arts Lab and Leslie Holt, DC-based artist and co-director of Red Dirt Studios. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and three-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided nationwide artists submit proof of their permanent residence in the area and/or commitment of contributing to the ongoing future of the DC/Maryland/Virginia arts scene. Please read and review Guidelines before applying.
Small Works 2018 (NY)
Deadline: October 8. Main Street Arts is now accepting submissions to our 5th annual Small Works exhibition. This national juried exhibition of small artwork (12 inches or smaller in any direction) is open to artists working in all media excluding video/sound and installation art. For more information and to submit, visit the Main Street Art Gallery website.
Function: An exhibition of Contemporary Craft (GA)
Deadline: October 15. The Gallery at Sulfur Studios invites artists working in traditional craft media (ceramic, fibers, glass, metals, paper, and/or wood) to submit work to their fall juried exhibition, “Function”. Artists are encouraged to push the boundaries of what “functional” means, and work that is conceptual or satirical will be considered alongside more traditional craft forms. Visit www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.
Blue Mountain Gallery 7th Biannual Juried Exhibition Winter 2019 (NY)
Deadline: October 15. Blue Mountain Gallery, in the Chelsea District of New York City, invites emerging, mid-career, and established artist to submit work for it’s 7th Biannual Juried Exhibition. Open to all artists 18+ of age, living in the USA. Two-dimensional media accepted: original oils, acrylics, pastels, watercolors, prints, drawings, and mixed media. The fee is $40 for one to three works, $5 for each additional work, up to six works total. Additional submission requirements on the Winter 2019 Juried Exhibition site, and prospectus here.
Call for Writing Submissions: Beyond Beautiful (MD)
Deadline: November 1. Maryland Art Place (MAP) is seeking writing submissions, love letters of all types, on behalf of “The One Thousand Love Letters Project” and the exhibition “Beyond Beautiful, created and curated by artist Peter Bruun. This exhibition is slated to open January 17, 2019 at Maryland Art Place, with a partner site for the exhibition located at Area 405.
Beyond Beautiful focuses on eight topics –information and guidelines here. Peter Bruun, both curator and artist, will use these love letters to create 1,000 artistic responses to be displayed in the exhibition at MAP and Area 405. To date, Bruun has created over 600 drawings using excerpts from participant’s letters to contribute to “The One Thousand Love Letters Project.” Letters do not need to be submitted based on the listed topics and can be submitted digitally or physically.
Women Artists Call — Pen and Brush Solo Exhibit (NY)
Deadline: December 31. Long-established contemporary art gallery and nonprofit seeking talented professional female artists for various opportunities. These opportunities include, but are in no way limited to: a solo exhibition in our ground floor space on 22nd street, group exhibition opportunities, inclusion in exhibition catalogues written by art historians and curators, and opportunities to expose work to influential curators. All work submitted must be contemporary art, submitted work must be complete, to be considered work must meet standards of quality, every work in a submission must be for sale. Artists must meet professional standards of composition and presentation of their work. To apply and learn more about this opportunity, visit the Pen and Brush website.
Spark Box Studio Dawson Residency Award and Bursary (Canada)
Deadline: March 1, 2019. This award is open to residents of North America. Spark Box Studio is accepting applications from emerging, mid-career, and established artists. One artist will receive a month-long residency at our studio in Prince Edward County, plus the $1,000 Dawson bursary. The selected applicant will be granted a semi-private studio space and be given access to the Spark Box Studio equipment and resources. As well, the winner will be provided with living accommodations for their month-long stay. We support a range of disciplines including; drawers, illustrators, painters, writers, printmakers, film makers, performance artists, multidisciplinary artists, curators, book makers, musicians and photographers (digital)
Ongoing:
The Awesome Foundation Accepting Applications for Art Projects
Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.
Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)
Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.
Exhibit at Hotel Indigo (VA)
Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].
The New Project Studio – Ongoing Opportunity (VA)
Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, click here.
Public Arts Grants & Opportunities (VA)
Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.
NYC volunteer opportunity (NY)
Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.
Residency: Maryland
Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.
Looking for artists: Foundry Gallery (DC)
Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.
Looking for artists: Printmakers (DC)
Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].
Looking for artists: Multiple Exposures Gallery (VA)
