Artist Opportunities #489

"Ice Flower" by MIchaela Borghese

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

 

Open Call: Race and Revolution Home/Land – NY

Deadline: December 21   Race and Revolution Home/Land, the fourth art exhibition in a series that confronts historical patterns of systemic racism in the United States, is putting out an open call to emerging artists of all media whose work relates to and engages in conversation with the themes related to the enduring impact of government-sanctioned family separation, bounty hunting, and detention for border crossing. For the open call, we would like to view completed works that address this topic and/or proposals for work related to the topic. For more information, visit https://lewislatimerhouse.org/exhibitions/open-call-race-and-revolution-home-land/.

 

Beam Center Call for Proposals – NY

Deadline: January 6   Beam Projects are spectacular collaborations between visionary big thinkers and the Beam Community of youth and creative and technical experts. We’re looking for proposals for the 2020 NYC Beam Project, a collaborative public artwork project for display in Brooklyn. As the winning designer you and/or your team will work with the Beam Project Team comprised of Beam Staff and Beam Youth to site and fabricate your big idea. Learn more at https://beamcenter.org/nycbeamprojectproposal.

 

Call for Entry, Wassaic Project 2020 Summer Exhibition – NY

Deadline: January 8   Wassaic Project Open Call for our Summer Exhibition for artists of all mediums — 2D, sculpture, video, new media, performance, site-specific pieces, etc. Every May through October, Wassaic Project hosts the work of over 60 artists in our Summer Exhibition. If selected, your work would be showcased alongside a diverse range of pieces and performances in and around historic Maxon Mills. Learn more at https://wassaicproject.slideroom.com/#/login/program/52455.

 

Open Call BRIC ARTFP – NY

Deadline: January 9   BRIC ArtFP is an open call initiative led by BRIC’s Contemporary Art program, where local artists receive honorariums and production fees for exhibition of their work in the Project Room or Hallway spaces. Learn more at https://www.bricartsmedia.org/artist-opportunities/exhibition-open-calls/artfp.

 

Bricworkspace Residency – NY

Deadline: January 9   The BRICworkspace residency program provides emerging and mid-career artists the resources and support to make a significant commitment to their practice, as well as critical feedback and exposure of their work. For more information, visit https://www.bricartsmedia.org/artist-opportunities/residencies/bricworkspace-residency.

 

EFA Robert Blackburn Studio Immersion Project Fellowship – NY

Deadline: January 10   EFA Studio Immersion Project (SIP) is an intensive summer fellowship designed to introduce artists from multiple disciplines to printmaking. SIP invites artists seeking creative exploration through printmaking, regardless of expertise, to apply their creative knowledge and conceptual goals to the print medium. For details, visit https://www.rbpmw-efanyc.org/sip-fellowship.

 

National Portrait Gallery Teen Portrait Competition – DC

Deadline: January 15   The National Portrait Gallery’s Teen Museum Council invites students to submit original portrait photographs to the Teen Portrait Competition—our answer to the museum’s Outwin Boochever Portrait Competition! Two grand-prize winners will have their photos displayed in the museum near “The Outwin 2019: American Portraiture Today,” an exhibition featuring work by Outwin finalists ages 18 and over. For more information, visit https://npg.si.edu/teen-portrait-competition-rules-requirements.

 

202o Applications for Experimental Projects Residency Programs – NY

Deadline: January 15   The IEA has two Experimental Project Residency Programs, one for Electronic Media / Film (Time-based) and one for Visual Art (Print-media). Both programs support an artist with a one or two week residency, an artist stipend, travel-support, lodging, technology access, materials and technical assistance. For more information, visit http://iea.alfred.edu/.

 

Call for Artists: Viridiam Artists 30 Under 30 – NY

Deadline: January 20   Some artists are ready to reveal their creative genius before the age of 30. Why not give it a shot? For more information, visit https://viridianartist.com/juried-show.

 

Call for Entry, Torrence Creek Tributary Public Art Opportunity – NC

Deadline: January 20   The Arts & Science Council is accepting qualifications from artists/artist teams for a public art opportunity at Torrence Creek Tributary #2, Huntersville, NC. The selected artist will work with the ASC, Mecklenburg County Park and Recreation, Dewberry Design-Builders, Inc., and the local community to create an impactful artwork that responds to the parameters of the site and the themes identified by the project team. The design should transform the underpass into a dramatic and lively suburban experience through the use of interactive and animated colors or patterns of varying intensity throughout the tunnel. The artwork should encourage the use of the Torrence Creek Greenway by those who live, work and play and in area. For details, visit https://www.artsandscience.org/wp-content/uploads/2019/12/Torrence-Creek-Tributary-RFQ_-Final.pdf.

 

Call for Artists, Takoma Park Arts – MD

Deadline: January 20   Artists are being sought for group exhibitions that will be held in 2020-21 at the Takoma Park Community Center as part of the City of Takoma Park’s Takoma Park Arts cultural series. Individual artists and artist groups are encouraged to apply. Applicants don’t need to be Takoma Park residents, and there is no fee to apply. Please click on the link for more details and share the news with your artist friends. The application form is available at http://artcall.takomaparkmd.gov/.

 

Call for Artists: AD Art Show 2020 – NY

Deadline: January 22   Launched at Sotheby’s New York in February 2018 and now in its third year, AD Art Show is a groundbreaking juried art exhibition featuring artworks by artists from around the world. The venue for 2020 is the Oculus at the World Trade Center. For more information, visit https://www.mvvoart.com/call-for-artists.

 

Call for Artists: Lucille Byard Memorial Sculpture – MD

Deadline: January 31   Adventist HealthCare System of Maryland announces Call for Artists for exterior artwork for the new White Oak Medical Center. The selected sculpture will serve as a memorial to Lucille Byard, an African-American woman who was denied healthcare services in 1943, and whose legacy shapes the health system’s mission and values today. For details, visit https://www.baltimoreculture.org/blog/2019/12/11/call-artists-lucille-byard-memorial-sculpture#.XfLOe9ZKhR0.

 

Call for Artists for Mother Cabrini Memorial – NY

Deadline: January 31   Mother Cabrini founded dozens of institutions that served the less fortunate, including educational organizations and programs to support her fellow Italian-Americans who immigrated to the United StatesThe Mother Cabrini Memorial Commission has begun its search for artists who will design and execute the Memorial honoring the legacy of Mother Cabrini, that will be placed in Battery Park City’s South Cove in direct view of the Statue of Liberty and Ellis Island. For more information, visit https://www.nyfa.org/Opportunities/Show/8bcb57bb-6116-429e-bfd8-b38ce200a1bc.

 

Call for Women Artists – PA

Deadline: February 2   Create! Magazine is pleased to announce an international open call for women artists. We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the spring 2020 edition to this group. For details, visit https://createmagazine.com/callforart.

 

Call for Entry, Craft in Contemporary Art, Site: Brooklyn Gallery – NY

Deadline: February 3   The marriage of craft and art-making is one of humanity’s earliest moments. What is the place, and future of craft in contemporary art? Site:Brooklyn is looking to answer this question, with works that range across all styles and mediums. For more information, visit https://www.sitebrooklyn.com/open-call.

 

Open Call, Site: Brooklyn Gallery – NY

Deadline: February 4   We understand gesture and motion in the broadest sense of the word; works that capture movement, energy, activity, and develop an active relationship to the world. While the term gestural was first used to describe the painting style of certain abstract expressionists, Site:Brooklyn is looking for works that take this history not as an endpoint, but as a point of departure, considering the subject in pluralistic and open-ended manner. All mediums are welcome. Visit https://www.sitebrooklyn.com/open-call for more information.

 

Zeiss Photography Award 2020

Deadline: February 4   For the 2020 ZEISS Photography Award photographers are asked to respond to the theme Seeing Beyond – Discoveries. Epiphanies, inventions and transformations from the known to the unknown, we want to see something new. Submissions exploring the landscape, humans, science, political or economic changes, or even something more conceptual, are all welcome. Learn more at https://www.worldphoto.org/enter/zeiss-photography-award?referer=artdeadlineslist.com.

 

Call for Entry, D.C. Dada – DC

Deadline: February 9   In the political capital of the free world, we find ourselves in the highest rate of absurdity per capita. DC dada want to embrace the absurdity while fighting the harm it causes. They are looking for those interested in politically themed visual art made to sell in a weekend long Pi day celebration. Interested? Send a proposal by email along with images of your art or practice to [email protected].

 

The Center for Emerging Artist – Philadelphia

Deadline: February 15   The Visual Artist Fellowship is designed to help artists in the Philadelphia Region reach new levels in their career. Artists will be asked to demonstrate a vision for the next stage of their professional or artistic practice and a clear plan for CFEVA’s proposed role in reaching it. For details, visit https://www.cfeva.org/events/cfeva-opportunities/vaf2020.

 

Call for Artists: 16th Annual Bethesda Painting Award – MD

Deadline: February 21   Nearly 300 artists from Maryland, Virginia and Washington, D.C. submit work to this annual competition created to exclusively honor regional painters. The best-in-show winner will be awarded $10,000, second place will be honored with $2,000 and third place will be awarded $1,000. For more information, visit https://www.bethesda.org/bethesda/bethesda-painting-awards.

 

Call for Entry, Prince Street Gallery – NY

Deadline: March 22   Open to artists 18+ living in the USA. Original paintings, drawings, prints, and mixed media only. No giclees, digital prints, videos or photographs will be accepted. For more information, visit https://princestreetgallery.com/annual-juried-show/.

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Japan Day Art Contest – NY                                             

Deadline: December 20   Japan Day is inviting all visual artists to submit their work to Japan Day Art Contest to select our official 2020 artist. We are accepting submissions that incorporate all of the three themes of New York, Japan, and Central Park. The chosen artwork will become the official image of Japan Day @ Central Park 2020, and will be used for collateral materials including poster, program, flyer, and T-shirts. Several artists will receive honorable mentions. Learn more at http://www.japandaynyc.org/artcontest2020.

 

Lois & Richard England Gallery at Iona Call to Artists – DC

Deadline: December 20   In honor of Iona’s expansion to Wards 7 and 8 (more details below), and building bridges with communities East of the River, the Lois & Richard England Gallery at Iona is seeking professional artists who live or work in Wards 7 and 8 (East of the Anacostia River) of Washington, DC to exhibit their two-dimensional works of art, including paintings and/or mixed-media compositions. Any style will be considered, including small 3D work. Please, no photographs, digital, or computer-generated works. Visit https://www.iona.org/artists-call-for-spring-2020/ to learn more.

 

“Chaos & Calm: Envisioning Order,” Upstream Gallery Juried Photography Show 2020 Open Call – NY

Deadline: December 29   Photographers are invited to submit work from their own practice that speaks to randomness and unpredictability or the creation of order from chaos for our annual juried exhibit of photographically based work. For more information, visit https://upstreamgallery.submittable.com/submit.

 

Solo Exhibition Call for Entry, Untitled Space Gallery in Tribeca – NY

Deadline: December 30   The Untitled Space is looking for an artist with an exceptional body of work that has not been previously exhibited for this unique opportunity. The exhibit will be curated by gallery director Indira Cesarine who will work directly with the artist to select final artwork for exhibition as well as promote it via print and online media. Artists who submit may also be considered for future opportunities with The Untitled Space gallery such as international art fairs, group shows, and online exclusives. For further information, visit http://untitled-space.com/artist-opportunities/.

 

2020 International Summer Program – NY

Deadline: January 1   Since 1992, The Watermill Center has hosted the International Summer Program, uniting over 80 artists from more than 25 countries for a five-week creative intensive. The Summer Program provides a unique opportunity to work with established professionals in the international arts world; to forge an international community of artists from a broad range of experience levels and disciplines; and to investigate what it means to be a “global artist.” For more information, visit https://www.watermillcenter.org/summer/#about.

 

Straight Through the Wall 2020 Call for Artists – NY

Deadline: January 1   Straight Through The Wall, a guerrilla arts collective that projects video art onto walls throughout NYC, is seeking artists working in video, experimental film, performance and animation for their 2020 program. For details, visit http://sttw.nyc/open-call/.

 

Washington Project for the Arts Call to Artists: Submit Work for Collectors’ Night 2020 – DC

Deadline: January 3   Washington Project for the Arts (WPA) is inviting artwork submissions for its annual Auction Gala, now called “Collectors’ Night.” All submissions will be reviewed by the WPA staff and selected artists will be invited to participate with between one and five artworks. They split sales proceeds 50-50 with the artists and there is no fee to submit your work. For details, visit https://www.eastcityart.com/calls-for-entry/washington-project-for-the-arts-call-to-artists-submit-work-for-collectors-night-2020/.

 

Dog Days of Winter – AKC Museum of the Dog Member Artist Showcase – NY

Deadline: January 3   This February, the AKC Museum of the Dog will be hosting a Members Only pop-up exhibition showcasing the artistic talent within our community. Anyone currently enrolled in a membership program is encouraged to submit their canine-centric art for consideration—this includes all membership levels and types. For details, visit https://museumofthedog.org/events-and-education/calendar/dog-days-of-winter.

 

Washington Project for the Arts Call to Artists: Submit Work for Collectors’ Night 2020 – DC

Deadline: January 3   Washington Project for the Arts (WPA) is inviting artwork submissions for its annual Auction Gala, now called “Collectors’ Night.” All submissions will be reviewed by the WPA staff and selected artists will be invited to participate with between one and five artworks. They split sales proceeds 50-50 with the artists and there is no fee to submit your work. For details, visit https://www.eastcityart.com/calls-for-entry/washington-project-for-the-arts-call-to-artists-submit-work-for-collectors-night-2020/.

 

Operator for the Harlem African Burial Ground Memorial & Cultural Center RFEI – NY

Deadline: January 6   New York City Economic Development Corporation, in connection with the New York City Department of Cultural Affairs, is seeking proposals from parties interested in conceptualizing and operating a cultural center and outdoor memorial honoring the lives and contributions of freed and enslaved Africans in East Harlem. The public memorial will be located outdoors at the location of the historical burial ground and the cultural education center will be housed in an adjacent building. Learn more at https://edc.nyc/operator-harlem-african-burial-ground-memorial-cultural-center-rfei.

 

Raleigh Fine Arts Society 2020 North Carolina Annual Artists Exhibition – NC

Deadline: January 8   This North Carolina Artists Exhibition promotes North Carolina art and artists in the state’s largest all-media juried exhibition. Prizes totaling $6,000 are awarded. For more information, visit https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Center for Jewish History Fellowship Program – NY  

Deadline: January 10   Fellowship awards at the Center for Jewish History support cutting-edge research in the rich collections of the center’s partners – American Jewish Historical Society, American Sephardi Federation, Leo Baeck Institute, Yeshiva University Museum, and YIVO Institute for Jewish Research. More than 150 humanities scholars at various stages of their careers and research projects have taken up residence at the Center and profited from opportunities to share their work with leading scholars in their fields. For more information, visit https://www.cjh.org/research/fellowships-at-the-center.

 

U.S. Department of the Treasury Picture Engraver Apprentice (Banknote) – DC

Deadline: January 10   This position is located in the Engraving Section, Office of Engraving. The incumbent of this position serves in a ten year apprentice in training for the position of Picture Engraver (Bank Note). To apply, visit https://www.usajobs.gov/GetJob/ViewDetails/553113500.

 

Residency 108 Spring Session – NY

Deadline: January 13   Residency 108 invites emerging and established artists, writers and thinkers of all disciplines to immerse themselves in their creative practice. We particularly welcome those who work with nature, ecology and the installation of temporary outdoor land-art works. The residency is free apart from the cost of travel and material expenses which must be assumed by the individual. For details, visit https://www.nyfa.org/Opportunities/Show/3a4caa39-a5cb-41d5-904c-a9759e712d18.

 

New Waves 2020 – VA

Deadline: January 13   New Waves 2020, The Virginia Museum of Contemporary Art’s annual, juried exhibition, features work in various media by Virginia artists. New Waves promotes emerging artists by inviting them to display their work in a museum exhibition. For more information, visit https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Call for Artists: Human Condition | exploring the body as subject – VA

Deadline: January 13 This exhibition will be a visual exploration of the human condition, asking artists to capture what is it that makes a person. From the classic nude, to abstract and impressionist treatments, to pieces that touch on the basic concept of humanity— a wide variety of interpretations will be included.  Beside exploring the physical form, artists are asked to consider how a person’s personality, emotions, preferences, prejudices, and experiences can be visually represented. Learn more here: https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Solo Shows at the Locust Grove Estate 2020-2021 – NY

Deadline: January 14   The Locust Grove Estate is partnering with Barrett Art Center to announce four Solo Show opportunities in 2020-2021. Each 10-12 week show presents artists with the opportunity to present a solo show of 20-30 artworks in the Transverse Gallery in the Visitor Center at Locust Grove, a National Historic Landmark museum, education center, and nature preserve which attracts over 90,000 visitors each year, with a strong record of solo show artwork sales. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7280.

 

Elizabeth Murray Artist Residency Summer 2020 – NY

Deadline: February 1   The Elizabeth Murray Artist Residency program by Collar Works is designed to provide emerging and established artists an immersive, supportive, productive and communal atmosphere for art making and dialogue on a bucolic 77-acre farm in Washington County. The summer residency is offered for 5 weeks, with 2 and 4 week residencies for individual artists and 1 week residencies for families. Learn more at http://collarworks.org/calls-for-entries.

 

Art in the Parks: Clare Weiss Emerging Artist Award – NY

Deadline: February 2   The Clare Weiss Emerging Artist Award is granted to one emerging New York City-based artist who submits the most compelling proposal for an outdoor sculpture in a New York City park. The grantee receives an award of $10,000 to create their proposed artwork. For details, visit https://www.nycgovparks.org/art-and-antiquities/clare-weiss-award.

 

Call for Artists for the Riverdale Park Public Art Initiative – MD

Deadline: February 3   The Hyattsville CDC is announcing a call for artists for the Riverdale Park Public Art Initiative. The Initiative seeks five sculptures of various styles and sizes to display for a one year-long placement, at pre-determined, publicly-accessible sites within the Town of Riverdale Park. As part of the town’s plan to create an engaging, publicly accessible outdoor sculpture gallery across its many neighborhoods, we seek site-appropriate sculptural work fitting of each chosen location. For details, visit https://hycdc.org/riverdale-park-public-art-initiative-call-for-artists-2k-honorarium-deadline-2-3-2020/.

 

Call for Artists & Photographers – Winter Innovate Grants – US & International

Deadline: February 11   Innovate Grant is now accepting submissions for Winter 2019. Innovate Grant awards (2) $550.00 grants each quarter, to one Visual Artist and one Photographer. In addition to receiving a grant award, winners will be featured and recognized on our website and join a growing community of vibrant and talented artists. For more information and to apply https://innovateartistgrants.org.

 

11th Annual Mountain Maryland Plein Air Competition & Exhibition–Cumberland 2020 – MD

Deadline: February 28   With $10,000 in prize money, this annual juried exhibition and art competition is sponsored by the Allegany Arts Council, a non-profit organization established in 1975 to support and cultivate the arts in Allegany County, Maryland. The event is now in its 11th year. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=6752.

 

Wintertude Rustic Retreat & Self-Directed Residency, The Millay Colony for the Arts – NY

Deadline: March 15   Introducing Wintertude, a retreat and self-directed paying residency (no jury process) for those needing or wanting time and space in an inspirational setting. Stays range from four days to four weeks, includes private bedroom and private studio, shared living and kitchen space (fully equipped, meals not included), bedding and linens, washer/dryer, WiFi, desktop computer and printer. The Millay Colony is in the upper Hudson Valley nestled in the Berkshire foothills. For details, visit https://www.nyfa.org/Opportunities/Show/eee45798-adfe-4c17-b3fe-c50d7a639e0a.

 

Gloucester Arts Festival Call for Entry – VA

Deadline: April 3   The Gloucester Arts Festival committee is pleased to announce an open call for an exhibition that will be the focal point of their 2020 arts festival. The theme is water, both in nature and in human experience (e.g., industrial settings, conservation efforts, community life, spiritual dimensions, etc.). Artists will be juried into the show with digital images of original 2D or 3D work completed in the last two years. For details, visit https://gloucesterartsfestival.com/call-for-entry/.

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Ongoing: These opportunities have rolling deadlines.

Solo or Group Shows in Athenaeum Gallery – VA

The Athenaeum Gallery in Alexandria, Virginia exhibits visual arts created solely by artists living or working in the region (DC, Maryland and Virginia) and strives to present visitors with a wide variety of excellent art and unique experiences.  In addition to the shows curated by the Gallery Director, the Athenaeum Gallery invites artists and curators to submit show proposals. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=6876.

 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Artfelt Gift Ideas for Everyone on Your Holiday List

gift with a red ribbon

This year skip the big-box stores and crowds. Head over to The Art League for unique and memorable presents.

 

Give the gift of art without breaking the bank.

Petite December 2019

 

Affordable picture presents at Gallery 75.

Choose a small-scale masterpiece—paintings, ceramics, stained glass, and more—from our Petite December exhibit, ranging in price from $30 to $150. More affordable originals await you in the Gallery 75 holiday bin where you can find unframed paintings, prints, and photography for $150 and under.

 

The Art League gear rocks!

Our aprons keep clothes spotless.

 

Hoodie goodies!

Artists large and small will appreciate our durable aprons that keep clothes protected during the creative process; children’s Mini Maker aprons, $18; adult Join the Flock aprons, $22. Give the cool kids (and adults) on your list a fleece Art League hoodie, available in slate, red, teal and grey, and emblazoned with our paint splash logo; $30 for small, medium, large or extra-large.

 

Make a lasting gift impression with our new life-time guaranteed totes.

Eqpd to last forever.

Stylish and durable, our new eqpd (pronounced “equipped”) bags are made of the same resilient vinyl-coated polyester used in white water rafts, and guaranteed to last forever. The 17” LastBag ($50) has an adjustable shoulder strap and removable felt base. The WideTote ($125) has four side pockets with drainage holes (ideal for wet paintbrushes!), a large interior zip pocket, removable felt base, sturdy leather handles and an adjustable shoulder strap.

 

Spark some creativity among loved ones and friends with an Art League class or workshop.

 

 

At the Wheel, photo credit: Maggie Markel

From drawing and painting, to photography, ceramics, and jewelry making, there are plenty of courses and workshops to inspire both beginner and seasoned artists; $190 – $390, https://www.theartleague.org/classes/.

 

Pencils and paper and paints—oh my!

Present your favorite artist with a cornucopia of art supplies from The Art League Store; store hours are 9:15 – 4, Monday – Saturday.

 

You can never go wrong with a gift card.

Take some of the stress out of holiday shopping with a gift card from The Art League. They can be used for classes and workshops, original art, artist membership, travel workshops and art supplies; cards can be purchased in increments of $5 to $500, theartleague.org/gift-cards/.

Juror Q & A With Thomas Doyle

"Petite December" jurist Thomas Doyle

For this year’s Petite December, our annual exhibit of small works, we invited miniature artist extraordinaire Thomas Doyle to make selections. Known for his fascinating sculpted scenarios, often depicting human figures calmly confronting exaggerated calamities, his work has a appeared in museums and galleries across the U.S., Europe and Asia, and has also been used to illustrate articles in publications including Newsweek, Time, and The New Yorker. Here, he shares the skills it takes to go small and what impressed him about our artists’ diminutive works.

 

The Art League: When did your fascination with miniature scale art begin?

Thomas Doyle: I started, as a lot of people do I think, as a child making miniatures and playing with toys and action figures. I was always really interested in the environments that the figures went into because it really brought them to life to me. I started making miniature artwork in about 2003, after spending time painting and printmaking in school. I just applied those art techniques to miniature work. That’s how I ended up with doing what I do now.

 

TAL: Are there advantages to doing work on such a small scale?

TD: Yes and no. I think miniature work can be quite potent because it taps into something in people—there’s an intimacy because you have to get so close to it to really understand what you’re looking at. That’s probably the biggest advantage to it. Some people would argue that it takes up less space in your studio and that’s true, but I’ve made works at miniature scale that are 16 feet long so that doesn’t always apply.

 

TAL: What are some challenges?

TD: Making miniature work could be challenging because of the skill sets required. Also, in some cases, it can easily be dismissed as something that’s just cute or a novelty, and not taken seriously as a medium. I think that has changed quite a bit over the last 10 years as more fine artists are working in miniature. Another challenge with three dimensional work is documentation because with the scale it’s hard to see everything at once and also see the details because it’s so small. You can take a picture of a large sculpture and understand what you’re seeing. [Miniatures] requires you to get closer both in person and in documentation.

 

Doyle’s sculptures are rendered in 1:100 to 1:43 scale.

 

 TAL: You just said something interesting, that creating miniatures can be challenging because of the skill sets required. Aside from having really good eyesight, what particular skill sets are helpful?

TD: I would say eyesight and a steady hand. It really depends on what you’re doing. The work that I do is very different than a lot of the work that I judged in the show—there you have watercolorists and painters and people doing miniature ceramics. I use a very different skill set but I would say in most everything it’s patience and a willingness to be detail oriented.

 

TAL: What miniature artists’ works do you admire and why?

TD: There are contemporary artists that I have shown with, Patrick Jacobs is one of them. Lori Nix and Kathleen Gerber do amazing work as well. The reason that I admire them so much is that they tap into a sense of wonder and fantasy that I felt as a child and that’s what I’ve attempted to do myself.

 

TAL: What is the market like for small scale art?

TD: That is quite objective based on the artist and his or her sales record. However, there is a benefit to small works obviously because people can collect them. They typically come in at a lower price and people have room for them so there’s a strength there.

   

     

TAL: What was your general impression of the work that was submitted for Petite December?

TD: I was impressed. I didn’t know what to expect. As is always the case when jurying a show you don’t know how strong submissions will be, but I was impressed and pleased that there were not only so many strong works but also such a variety of media.

 

TAL: What advice would you offer to artists who are interested in creating small-scale works?

TD: Be patient. Your conception of good work will keep changing. I think that’s true with every artist, whether you’re doing 10-feet canvases or working at a small scale. As you grow as an artist, you will look back and say, “Oh, I could have done this differently.” With miniature and detail work, I think that’s even more so.

This is pertinent in particular to my type of work where I’m pouring in as much detail as possible, whereas a piece like Rana Geralis’ Going on Horseback (an honorable mention in Petite December) is really not as concerned with detail. It’s concerned with capturing and observing. But there is an overlap there too where I’m trying to observe and distill things down to tell these stories. So I would say spend time looking, be patient, and good is often not good enough.

 

Below, the works that really caught Doyle’s eye and what he had to say about them:

Best-in-Show Award winner Snow Day by Carol Stalun

“I was drawn to it because it is figurative, a very gorgeous tableau, and the composition was really interesting to me because of how empty it is near the bottom with a field of snow. Then, just seeing the really bright red figures and sleds there, it actually seemed as if somebody had built a miniature scene and photographed it. It’s one of the rare works among what I judged that I felt could be blown up to eight feet wide and work. It is pretty lovely.”

 

Four Honorable Mentions:

Wet Lands XII-Fall Colors by Cindi Lewis

“I love the composition but also the economy of brushstrokes. I felt like I could picture each brush stroke hitting the surface and the gouache, and I love how it really brought down the essence of that scene. It’s wonderful.”

 

The Point Overlook, No. 1 by Stacy Smith Evans

I like the delicacy of this piece. There is a certain sort of ghostly quality to the mist and the fog over the foliage and it has a quiet contemplative simplicity that I was really taken with.

 

Going on Horseback by Rana Geralis

I am always impressed with very small paintings that break something down to its essentials—knowing that it was a very small work and knowing it was done with a real economy of brushstrokes. I really appreciate the abstract quality of it.

 

Crane Unfolded by Wendy Donahoe

Just conceptually it is a fascinating idea to take a sculptural object, an unfolded origami crane that is very beautiful in its own way, and render it so finely at that scale. It is clever but also really, really well executed.

 

Artist Opportunities #488

"Color is Great!" by Kay Walsh

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

New:

 

Field Projects Open Call – NY

Deadline: December 14   Emerging and mid-career artists are invited to submit their work for consideration in our January 2020 exhibition. All submissions will be considered for the summer exhibition and the accompanying online exhibition. Learn more at http://www.fieldprojectsgallery.com/open-call/

 

Spring/Break Art Show Accepting Curatorial Applications – NY

Deadline: December 15   Spring/Break Art Show is accepting submissions by curators until December 15, 2019 for the upcoming 2020 New York City and Los Angeles exhibitions. Learn more at http://www.springbreakartshow.com/2020-application/.

 

Joe’s Movement Emporium Seeks Interior Mural Artist – MD

Deadline: December 15   On behalf of the Mount Rainier Library and partners, Joe’s Movement Emporium is searching for an experienced mural artist extraordinaire! Newly renovated and soon to re-open, this special community library is in need of vibrant and inspiring interior wall paintings that represent the unique and creative community of Mount Rainer and the Gateway Arts District.  Visit https://www.eastcityart.com/calls-for-entry/joes-movement-emporium-seeks-interior-mural-artist/ to learn more.

 

The Corcoran School of Art and Design Seeks New Director – DC

Deadline: December 15   The Corcoran School of the Arts and Design invites applications for a full time, tenure track or tenured appointment as Director to begin as early as Fall 2020. The appointment will be made at the rank of Associate Professor or Professor, commensurate with experience. For more information, visit https://www.eastcityart.com/calls-for-entry/corcoran-school-of-the-arts-and-design-seeks-new-director/.

 

Japan Day Art Contest – NY                                             

Deadline: December 20   Japan Day is inviting all visual artists to submit their work to Japan Day Art Contest to select our official 2020 artist. We are accepting submissions that incorporate all of the three themes of New York, Japan, and Central Park. The chosen artwork will become the official image of Japan Day @ Central Park 2020, and will be used for collateral materials including poster, program, flyer, and T-shirts. Several artists will receive honorable mentions. Learn more at http://www.japandaynyc.org/artcontest2020.

 

Lois & Richard England Gallery at Iona Call to Artists – DC

Deadline: December 20   In honor of Iona’s expansion to Wards 7 and 8 (more details below), and building bridges with communities East of the River, the Lois & Richard England Gallery at Iona is seeking professional artists who live or work in Wards 7 and 8 (East of the Anacostia River) of Washington, DC to exhibit their two-dimensional works of art, including paintings and/or mixed-media compositions. Any style will be considered, including small 3D work. Please, no photographs, digital, or computer-generated works. Visit https://www.iona.org/artists-call-for-spring-2020/ to learn more.

 

“Chaos & Calm: Envisioning Order,” Upstream Gallery Juried Photography Show 2020 Open Call – NY

Deadline: December 29   Photographers are invited to submit work from their own practice that speaks to randomness and unpredictability or the creation of order from chaos for our annual juried exhibit of photographically based work. For more information, visit https://upstreamgallery.submittable.com/submit.

 

Solo Exhibition Call for Entry, Untitled Space Gallery in Tribeca – NY

Deadline: December 30   The Untitled Space is looking for an artist with an exceptional body of work that has not been previously exhibited for this unique opportunity. The exhibit will be curated by gallery director Indira Cesarine who will work directly with the artist to select final artwork for exhibition as well as promote it via print and online media. Artists who submit may also be considered for future opportunities with The Untitled Space gallery such as international art fairs, group shows, and online exclusives. For further information, visit http://untitled-space.com/artist-opportunities/.

 

2020 International Summer Program – NY

Deadline: January 1   Since 1992, The Watermill Center has hosted the International Summer Program, uniting over 80 artists from more than 25 countries for a five-week creative intensive. The Summer Program provides a unique opportunity to work with established professionals in the international arts world; to forge an international community of artists from a broad range of experience levels and disciplines; and to investigate what it means to be a “global artist.” For more information, visit https://www.watermillcenter.org/summer/#about.

 

Straight Through the Wall 2020 Call for Artists – NY

Deadline: January 1   Straight Through The Wall, a guerrilla arts collective that projects video art onto walls throughout NYC, is seeking artists working in video, experimental film, performance and animation for their 2020 program. For details, visit http://sttw.nyc/open-call/.

 

Washington Project for the Arts Call to Artists: Submit Work for Collectors’ Night 2020 – DC

Deadline: January 3   Washington Project for the Arts (WPA) is inviting artwork submissions for its annual Auction Gala, now called “Collectors’ Night.” All submissions will be reviewed by the WPA staff and selected artists will be invited to participate with between one and five artworks. They split sales proceeds 50-50 with the artists and there is no fee to submit your work. For details, visit https://www.eastcityart.com/calls-for-entry/washington-project-for-the-arts-call-to-artists-submit-work-for-collectors-night-2020/.

 

Dog Days of Winter – AKC Museum of the Dog Member Artist Showcase – NY

Deadline: January 3   This February, the AKC Museum of the Dog will be hosting a Members Only pop-up exhibition showcasing the artistic talent within our community. Anyone currently enrolled in a membership program is encouraged to submit their canine-centric art for consideration—this includes all membership levels and types. For details, visit https://museumofthedog.org/events-and-education/calendar/dog-days-of-winter.

 

Washington Project for the Arts Call to Artists: Submit Work for Collectors’ Night 2020 – DC

Deadline: January 3   Washington Project for the Arts (WPA) is inviting artwork submissions for its annual Auction Gala, now called “Collectors’ Night.” All submissions will be reviewed by the WPA staff and selected artists will be invited to participate with between one and five artworks. They split sales proceeds 50-50 with the artists and there is no fee to submit your work. For details, visit https://www.eastcityart.com/calls-for-entry/washington-project-for-the-arts-call-to-artists-submit-work-for-collectors-night-2020/.

 

Operator for the Harlem African Burial Ground Memorial & Cultural Center RFEI – NY

Deadline: January 6   New York City Economic Development Corporation, in connection with the New York City Department of Cultural Affairs, is seeking proposals from parties interested in conceptualizing and operating a cultural center and outdoor memorial honoring the lives and contributions of freed and enslaved Africans in East Harlem. The public memorial will be located outdoors at the location of the historical burial ground and the cultural education center will be housed in an adjacent building. Learn more at https://edc.nyc/operator-harlem-african-burial-ground-memorial-cultural-center-rfei.

 

Raleigh Fine Arts Society 2020 North Carolina Annual Artists Exhibition – NC

Deadline: January 8   This North Carolina Artists Exhibition promotes North Carolina art and artists in the state’s largest all-media juried exhibition. Prizes totaling $6,000 are awarded. For more information, visit https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Center for Jewish History Fellowship Program – NY  

Deadline: January 10   Fellowship awards at the Center for Jewish History support cutting-edge research in the rich collections of the center’s partners – American Jewish Historical Society, American Sephardi Federation, Leo Baeck Institute, Yeshiva University Museum, and YIVO Institute for Jewish Research. More than 150 humanities scholars at various stages of their careers and research projects have taken up residence at the Center and profited from opportunities to share their work with leading scholars in their fields. For more information, visit https://www.cjh.org/research/fellowships-at-the-center.

 

U.S. Department of the Treasury Picture Engraver Apprentice (Banknote) – DC

Deadline: January 10   This position is located in the Engraving Section, Office of Engraving. The incumbent of this position serves in a ten year apprentice in training for the position of Picture Engraver (Bank Note). To apply, visit https://www.usajobs.gov/GetJob/ViewDetails/553113500.

Residency 108 Spring Session – NY

Deadline: January 13   Residency 108 invites emerging and established artists, writers and thinkers of all disciplines to immerse themselves in their creative practice. We particularly welcome those who work with nature, ecology and the installation of temporary outdoor land-art works. The residency is free apart from the cost of travel and material expenses which must be assumed by the individual. For details, visit https://www.nyfa.org/Opportunities/Show/3a4caa39-a5cb-41d5-904c-a9759e712d18.

 

New Waves 2020 – VA

Deadline: January 13   New Waves 2020, The Virginia Museum of Contemporary Art’s annual, juried exhibition, features work in various media by Virginia artists. New Waves promotes emerging artists by inviting them to display their work in a museum exhibition. For more information, visit https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Call for Artists: Human Condition | exploring the body as subject – VA

Deadline: January 13 This exhibition will be a visual exploration of the human condition, asking artists to capture what is it that makes a person. From the classic nude, to abstract and impressionist treatments, to pieces that touch on the basic concept of humanity— a wide variety of interpretations will be included.  Beside exploring the physical form, artists are asked to consider how a person’s personality, emotions, preferences, prejudices, and experiences can be visually represented. Learn more here: https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

Solo Shows at the Locust Grove Estate 2020-2021 – NY

Deadline: January 14   The Locust Grove Estate is partnering with Barrett Art Center to announce four Solo Show opportunities in 2020-2021. Each 10-12 week show presents artists with the opportunity to present a solo show of 20-30 artworks in the Transverse Gallery in the Visitor Center at Locust Grove, a National Historic Landmark museum, education center, and nature preserve which attracts over 90,000 visitors each year, with a strong record of solo show artwork sales. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7280.

 

Elizabeth Murray Artist Residency Summer 2020 – NY

Deadline: February 1   The Elizabeth Murray Artist Residency program by Collar Works is designed to provide emerging and established artists an immersive, supportive, productive and communal atmosphere for art making and dialogue on a bucolic 77-acre farm in Washington County. The summer residency is offered for 5 weeks, with 2 and 4 week residencies for individual artists and 1 week residencies for families. Learn more at http://collarworks.org/calls-for-entries.

 

Art in the Parks: Clare Weiss Emerging Artist Award – NY

Deadline: February 2   The Clare Weiss Emerging Artist Award is granted to one emerging New York City-based artist who submits the most compelling proposal for an outdoor sculpture in a New York City park. The grantee receives an award of $10,000 to create their proposed artwork. For details, visit https://www.nycgovparks.org/art-and-antiquities/clare-weiss-award.

 

Call for Artists for the Riverdale Park Public Art Initiative – MD

Deadline: February 3   The Hyattsville CDC is announcing a call for artists for the Riverdale Park Public Art Initiative. The Initiative seeks five sculptures of various styles and sizes to display for a one year-long placement, at pre-determined, publicly-accessible sites within the Town of Riverdale Park. As part of the town’s plan to create an engaging, publicly accessible outdoor sculpture gallery across its many neighborhoods, we seek site-appropriate sculptural work fitting of each chosen location. For details, visit https://hycdc.org/riverdale-park-public-art-initiative-call-for-artists-2k-honorarium-deadline-2-3-2020/.

 

Call for Artists & Photographers – Winter Innovate Grants – US & International

Deadline: February 11   Innovate Grant is now accepting submissions for Winter 2019. Innovate Grant awards (2) $550.00 grants each quarter, to one Visual Artist and one Photographer. In addition to receiving a grant award, winners will be featured and recognized on our website and join a growing community of vibrant and talented artists. For more information and to apply https://innovateartistgrants.org.

 

11th Annual Mountain Maryland Plein Air Competition & Exhibition–Cumberland 2020 – MD

Deadline: February 28   With $10,000 in prize money, this annual juried exhibition and art competition is sponsored by the Allegany Arts Council, a non-profit organization established in 1975 to support and cultivate the arts in Allegany County, Maryland. The event is now in its 11th year. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=6752.

 

Wintertude Rustic Retreat & Self-Directed Residency, The Millay Colony for the Arts – NY

Deadline: March 15   Introducing Wintertude, a retreat and self-directed paying residency (no jury process) for those needing or wanting time and space in an inspirational setting. Stays range from four days to four weeks, includes private bedroom and private studio, shared living and kitchen space (fully equipped, meals not included), bedding and linens, washer/dryer, WiFi, desktop computer and printer. The Millay Colony is in the upper Hudson Valley nestled in the Berkshire foothills. For details, visit https://www.nyfa.org/Opportunities/Show/eee45798-adfe-4c17-b3fe-c50d7a639e0a.

 

Gloucester Arts Festival Call for Entry – VA

Deadline: April 3   The Gloucester Arts Festival committee is pleased to announce an open call for an exhibition that will be the focal point of their 2020 arts festival. The theme is water, both in nature and in human experience (e.g., industrial settings, conservation efforts, community life, spiritual dimensions, etc.). Artists will be juried into the show with digital images of original 2D or 3D work completed in the last two years. For details, visit https://gloucesterartsfestival.com/call-for-entry/.

 

 

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Urban Glass Winter 20/20 Scholarships – NY

Deadline: December 8   UrbanGlass offers scholarships to support merit and need based access to our classes. No glass experience is required to apply for a scholarship. For more information visit https://urbanglass.org/studio/detail/scholarships.

Goethe -Institut Call for Fellows

Deadline: December 8   Monument Lab in partnership with Goethe-Institut and Federal Agency for Civic Education invites applications for a 2020 cohort of Monument Lab Transnational Fellows. This fellowship recognizes individuals and collectives whose ongoing projects address long term inequities in monuments and engage new creative approaches to public art, history, and memory. The fellowship program is part of the joint project Shaping the Past, which engages the changing forms of collective remembrance and reckoning in public spaces within and across national borders. The multidisciplinary project fosters transnational exchange among curators, artists, activists, historians, and civic participants to discuss and imagine the next generation of monuments. For more information, visit https://www.goethe.de/ins/us/en/kul/art/21689613.html.

 

Claytopian New York Open Call for Ceramics Artists – NY

Deadline: December 21   Claytopian New York invites sculptors to apply who use the universal language of ceramics to express the idealized universe of their artistic vision and diversity. Visions that include references to the spectrum of history, traditions, world culture, gender, social and political issues and notions of beauty- life in an idealized metropolis. Learn more at https://licartists.formstack.com/forms/submission_form_claytopian_ny.

 

Soho Photo Gallery: 2020 International Portfolio Competition – NY

Deadline: January 10   Located in lower Manhattan, Soho Photo, New York City’s longest-running photography gallery is awarding  solo shows to three winning photographers. The panel of jurors will make their initial selections based on digital submissions. Final selections will be based on prints. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7100.

  

Call for Artists at Barrett Art Center – NY

Deadline: January 13   Barrett Art Center invites artists to submit work that explores mankind’s impact on the environment and our relationship with the earth. Artists are likewise invited to submit works that stimulate conversation about our evolving ideas about the landscape, the landscape tradition, and climate change in contemporary culture. Drawing, painting (all mediums), pastel, printmaking, photography, sculpture, fiber, mixed-media, new media, and installation works are eligible. For more information, visit https://www.nyfa.org/Opportunities/Show/e9228982-504b-4658-8750-3580d4d8a957.

 

31st National Drawing & Print Competitive Exhibition – Baltimore

Deadline: January 15   Gormley Gallery is now accepting entries for the 31st National Drawing & Print Competitive Exhibition, March 23 through April 24, 2020. A minimum of $1,500 in purchase prizes will be awarded. Original framed drawings and prints in any medium and up to 60 inches high are eligible with no limitations as to color, surface, or materials. A nonrefundable entry fee of $36.00 entitles artists to submit up to three entries online only (no mailed or emailed entries will be accepted). Submit online here: https://artndm.slideroom.com/#/permalink/program/52095. For more information, visit ndm.edu/gormleygallery or contact [email protected].

 

Howard County Arts Council Call for Art Auction Submissions – MD

Deadline: January 20   The Art Auction exhibit is part of our biggest fundraiser to support the arts, the Celebration of the Arts in Howard County. This high-profile exhibit shines a spotlight on Howard County’s diverse and talented visual artists. Artists working in all styles and media are invited to apply, including painters, sculptors, ceramicists, fiber artists, jewelers and photographers. This exhibit is a stunning showcase for the work of both juried and invited artists. For details, visit https://www.hocoarts.org/explore/opportunities-artists-arts-groups/exhibit-opportunities-apply/specific-exhibits/art-auction/.

 

Sculptor and Visual Artist Residency for 2020, Gilbertsville Expressive Movement, Inc. – NY

Deadline: February 13   Residencies for visual artists and for sculptors are available for the 2020 season. Both visual artists and sculptors receive 24/7 access to studios; all materials and supplies are paid for; co-ed housing with private bedroom and shared bath and living space; and a $1500 monthly living allowance. The visual artist residency is for 1 month. The sculptor residency is for 3 months – June – September. G.E.M. Gallery & Sculpture Park is located in the bucolic Butternut Valley of upstate New York and in the historic village of Gilbertsville – close to Cooperstown and Oneonta. Learn more at https://www.g-e-m.org/.

 

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Ongoing: These opportunities have rolling deadlines.

Solo or Group Shows in Athenaeum Gallery – VA

The Athenaeum Gallery in Alexandria, Virginia exhibits visual arts created solely by artists living or working in the region (DC, Maryland and Virginia) and strives to present visitors with a wide variety of excellent art and unique experiences.  In addition to the shows curated by the Gallery Director, the Athenaeum Gallery invites artists and curators to submit show proposals. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=6876.

 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

 

 

 

 

 

Juror Q & A With Antonio McAfee

"Origins" juror Antonio McAfee

For Origins, our November exhibit, we asked artists to explore the notion of deep roots whether personal, cultural, familial or mythological. The result: 105 varied pieces that range in expression from figurative to abstract; literal to imagined; solemn to whimsical; subtle to bold. Baltimore-based mixed media artist and photographer Antonio McAfee, our juror for this show, painstakingly reviewed a total of of 219 digital images before making his final selections. Here he shares his take on the theme, his selection process and why Best-In-Show winner “Dropping the Gun” grabbed his attention.

 

The Art League: How did you interpret the theme, Origins?

Antonio McAfee: Due to the wide variety of work and takes on the word, I had a fairly broad interpretation. I was attracted by work that addressed the theme on a grand scale such as the cosmos and nature, to personal takes on family history and personal reflections. I thought about the theme as a way to talk about what is guiding individuals. What do they understand to be their foundation?

TAL: Were you at all surprised about how the artists interpreted the theme?

AM: I expected an expansive take on Origins. It was great to see the various works and have the opportunity to piece together some connections between pieces—family members and religion, for instance.

 

                                         

 

TAL: What type of work would you have submitted to this exhibit?

AM: I would submit my 3D images. They deal with the subjectivity of vision and how we learn and understand ourselves and others through photographs. The series is also influenced by how we evolved to see the way we do. The images are shown with 3D glasses so it can be pretty engaging work.

TAL: How important is subject matter and narrative in a successful artwork?

AM: It is essential. It was enjoyable to take a broad approach to the word Origins, but specificity of content guided me throughout the selection process. Those components allow me to get on the same page as the artist, assisting me to see how the artist sees.

TAL: Based on the artworks you selected, what is the overall mood or feeling of Origins?

AM: Hopefully, audiences pick up on eclecticism and openness. I wanted a multicultural show, people from all over the spectrum of culture together, articulating what is significant to themselves and where they are. I also wanted a show that displayed a wide array of media.

 

     

 

TAL: How did your own work as an artist influence your decisions?

AM: Not a whole lot really. I have a bias as a photographer so I understand that media more than others, which makes me appreciate other media and eager to show them amongst photography. The main influence was the body, especially solo portraiture, and experimenting with the human form.

TAL: What made the best-in-show award winner, Dropping the Gun by Chris Malone, stand out to you?

AM: When I saw Dropping the Gun it felt complicated and enigmatic, especially in regards to the facial expression and falling gun. [My reaction was] What is going on here? There is a potency and specificity to the figure, a specific demographic but the action was curious—am I seeing this figure’s action before or after an event? It is a loaded work that is timely and poignant. My emotional or intellectual response had me very curious and the piece stuck with me. Craft wise, it is exquisitely executed on a grand scale. It’s an ambitious work that struck me intellectually and technically.

PRO TIP

McAfee relied on digital submissions when choosing the pieces comprising Origins. “It was very convenient and allowed me to go through multiple edits to get to the final selection,” he says, but, “There is a disparity between seeing pieces in person versus digitally that I had to get used to.” Here’s his advice for submitting work in a digital format:

  • Provide clear, good quality documentation of your work.
  • When given the opportunity, “Briefly write about important aspects of your work—subject matter, influences, technique, source material, etc.”
  • Submit the maximum number of images allowed.

 

Origins is on exhibit in The Art League Gallery through Saturday, December 7.

 

 

Artist Opportunities #487

By Gwen Bragg

 

 

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

New:

Call for Artists, 11th Annual Drawing Discourse Exhibition – NC

Deadline: November 29   As part of an ongoing commitment to promote drawing practices in the visual arts, the University of North Carolina Asheville (UNC Asheville) invites artists to submit entries to a Juried International Exhibition of contemporary drawing. UNC Asheville seeks to examine drawing as it is practiced and defined by today’s artists. Such an exhibition will demonstrate the continued significance of drawing through both conventional and innovative methods. Accepted work will be exhibited in the Holden Gallery on the campus of Warren Wilson College (while the UNC Asheville Tucker Cooke Gallery is under renovation) from January 17, 2020 through February 21, 2020; $2000 in cash prizes, as chosen in person by the juror. For more information, visit https://artist.callforentry.org/festivals.php?reset=1&apply=yes.

 

International Krappy Kamera Competition 2020 – NY

Deadline: December 9   Soho Photo Gallery is pleased to announce the 22nd International Krappy Kamera Competition. They are searching for extraordinary photographs made with lousy lenses, e.g., the Holga, Diana, Ansco, and pinhole cameras. All selected photographs will be exhibited from February 16 to March 7, 2020. Visit https://artist.callforentry.org/festivals_unique_info.php?ID=7133 for more information.

 

Upstream Gallery Small Works Show 2020 Call for Artists – NY

Deadline: December 1   Artists are invited to submit small works interpreting the concept of Renewal for a national juried exhibit to be held at Upstream Gallery, a well-known, beautiful venue only 20 minutes from Manhattan in Hastings on Hudson NY. The exhibit will hang from January 2nd to January 26th, 2020. Artists’ reception will be on January 5th, 2020. Eligible work: Entries in all media are welcome including drawing, painting, printmaking, collage, photography, digital and sculpture. For more information, visit https://tinyurl.com/u9oy28c. 

 

Call for Artists Greater Reston Arts Center – VA

Deadline: January 5   Greater Reston Arts Center (GRACE) is now accepting artist applications for the 29th annual Northern Virginia Fine Arts Festival, May 15–17, 2020. The Festival has a long-standing reputation for showcasing high-quality hand-crafted, one-of-a-kind artwork in a dynamic outdoor setting that draws affluent and knowledgeable clientele. This competitive, juried event is consistently rated as one of the best outdoor art festivals in the country, both for the high-quality of the artwork presented and for our exceptional artist hospitality. For more information, visit https://tinyurl.com/vfcn93p.

 

Beam Center Call for Proposals – NY

Deadline: January 6   Beam Center seeks proposals for ambitious collaborations between youth and creative big thinkers. They are looking for proposals for the 2020 NYC Beam Project, a collaborative public artwork project for display in Brooklyn. As the winning designer you and/or your team will work with the project team comprised of Beam staff and Beam youth to site and fabricate your big idea. Projects coming from creative individuals and teams, including but not limited to artists, designers, architects, builders, engineers, musicians, fabricators and technologists who have a connection with Brooklyn. Learn more at https://beamcenter.org/nycbeamprojectproposal.

 

Annmarie Sculpture Garden & Arts Center Call for Artists – MD

Deadline: January 8   She: an Expression of Womanhood focuses on the theme of women in art, as creators, innovators, consumers, and subject matter. In an era of multiplying female voices, world-wide political movements, and fluid gender roles and identities, this exhibit invites artists to dive into the vast and often contentious conversation about the meaning of she. Works that delve into human rights and agency, gender roles and relationships, and cultural events like the #metoo movement, are also welcome. The goal is to create a rich exploration of womanhood that celebrates and embraces different voices, experiences, and interpretations. All media welcome; small to large scale works; indoor and outdoor works; cash awards will be presented. For more information, visit https://tinyurl.com/vzu2ewn.

 

Plus Magazine Publication Opportunity for Artists – NY

Deadline: January 10   Artists working in all media are encouraged to apply for this open call. Plus Magazine is looking for artists who are willing to create new works starting from January through March 31. Selected artists will be awarded an opportunity to showcase their new works in our second issue of Plus Magazine, which will be expanded not only in the U.S. market but also in Europe and Asia. Learn more information at https://www.nyfa.org/Opportunities/Show/05390190-baeb-44ff-b523-5da25aeeeec3.

 

Dear Diary—Open Call for Artists – NY

Deadline: November 25   LIC Arts Open invites artists who document, report and journal to participate in Dear Diary. Diaries are fascinating objects that usually contain secrets, private thoughts and we invite artists of all disciplines and mediums to participate in our show which will be on show at LIC Arts Open’s Gallery ONE. We accept all disciplines including painting, sculpture, photography, video, installation and multi-media however video equipment is not provided and if your project requires technology please state so on the application. We are really interested in showing the work of artists from outside of LIC, Queens & NYC but all work must be hand-delivered in person (i.e. either yourself or someone dropping off in your place). Nevertheless, if you live in another city but can drop off and pick up the work at the specified dates and times then please feel free to apply. For more information, visit https://www.nyfa.org/Opportunities/Show/c74598ce-a7f6-4888-a030-4b9794daa124.

 

Brooklyn Waterfront Makers Market – NY

Deadline: November 25   Brooklyn Waterfront Artist Coalition is seeking artists and makers of handmade giftable objects to exhibit in our holiday market Dec 14/15 The market will be held in the grand hall of the Brooklyn Historical Society in Brooklyn Heights. Workshops,live jazz and an art auction benefitting bwac will make this an artist market not to miss. For details, visit https://www.nyfa.org/Opportunities/Show/aabe3b69-883b-4ce1-8311-58a99cc6a3d1.

 

School of Visual Arts Practice Summer 2020 Artist-in-Residence – NY

Deadline: November 25   MFA Art Practice at the School of Visual Arts (SVA) invites emerging and mid-career artists working in all disciplines to apply for the Art Practice Artist-in-Residence program. One artist will be selected to be the Artist-in-Residence for the duration of the Art Practice program’s summer semester. The residency period will be June 12 – July 31, 2020. The Artist-in-Residence will receive a studio, access to the facilities, including the metal shop, wood shop, digital sculpture center, digital editing lab, fibers lab, ceramics lab and nature and technology lab, and a $5,000 stipend. Additionally, the Artist-in-Residence will give a public artist talk on Tuesday, July 14th (date to be confirmed). They are expected to engage with the SVA Art Practice community, participate in weekly group critiques, and develop a project with first-year MFA candidates in the program, which will culminate in a public presentation (exhibition, screening, performance, book launch, etc.) during open studios on July 29th. Visit https://www.nyfa.org/Opportunities/Show/18667765-c710-4baf-8c3b-11648aa543bc for details.

 

Call for Artists: Lowe House Gallery Exhibit – MD

Deadline: November 30   The Maryland Federation of Art (MFA) has been invited to exhibit artwork at the Lowe House of Delegates Building in Annapolis, Maryland. Original 2-D and 3-D work created through any media and following entry guidelines are eligible for entry. Exhibiting artists must be either MFA Members or Anne Arundel County residents. The selected works will be on exhibit at the Lowe House of Delegates Building (6 Bladen Street, Annapolis, MD 21401) from January 16 – April 13, while the legislature is in session. For more information, visit https://www.baltimoreculture.org/blog/2019/11/12/call-artists-lowe-house-gallery-exhibition#.XdPy3DJKj-Y.

 

En Foco Photography Fellowship 2020 – NY

Deadline: December 2

The 5th Annual En Foco Photography Fellowship is designed to support photographers of color who demonstrate the highest quality of work as determined by a photography panel of peers and industry professionals. The Photography Fellowship Program will award 10 Fellowships at $1,000 per; include Fellows in a 2020 Group Exhibition; feature the Fellows in the 2020 Nueva Luz publication printed and online editions; and provide professional development and networking opportunities. En Foco is highly regarded for its leadership in support of photographers of color and for its advocacy role in addressing the issues related to cultural equity and access. Previous Fellows have had access to many opportunities beyond the fellowship as a result of this award. For more information, visit https://enfoco.submittable.com/submit

 

Call for Artists Submissions: Create! Magazine International Winter 2020 Edition

Deadline: December 2   Artists are welcome to submit work in any medium, style, or theme to issue #19, which will launch by February 2020 and will be available in international shop locations. For more information, visit https://createmagazine.com/callforart.

 

Interdisciplinary Fellowships at the Metropolitan Museum of Art – NY

Deadline: December 6   The Metropolitan Museum of Art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas. With the arrival last summer of Max Hollein, director of The Met, there is a new opportunity to focus on developing narrative related to the collections that is entirely multi-centric. His vision for The Met is about the intersections of collection areas and cultural overlap, stressing connectivity of cultures fostering multiple narratives and viewpoints. This is at the center of the creation of this unique interdisciplinary fellowship opportunity. This new fellowship falls within the Museum’s within the Museum’s History of Art and Visual Culture Fellowship program. The fellowship will encourage projects that move between the departments of the museum and may result in work that goes beyond the traditional boundaries. The Met is looking for a creative, talented and innovative individual for this one-year fellowship. The fellow will work with one or more supervisors and mentors across department areas, and will have the opportunity to work closely with other members of the professional staff and as part of the larger community of fellows at The Met. The museum’s collection, libraries, archives, programs and other resources should be seen as a jumping off point for projects that find their principal focus in areas that include, but are not limited to Anthropology, Dance, Film Studies, Literary Studies, and Musicology. Learn more at https://www.nyfa.org/Opportunities/Show/053c501b-c816-49c8-825b-80fdd053166a.

 

Urban Glass Winter 20/20 Scholarships – NY

Deadline: December 8   UrbanGlass offers scholarships to support merit and need based access to our classes. No glass experience is required to apply for a scholarship. For more information visit https://urbanglass.org/studio/detail/scholarships.

 

Claytopian New York Open Call for Ceramics Artists – NY

Deadline: December 21   Claytopian New York invites sculptors to apply who use the universal language of ceramics to express the idealized universe of their artistic vision and diversity. Visions that include references to the spectrum of history, traditions, world culture, gender, social and political issues and notions of beauty- life in an idealized metropolis. Learn more at https://licartists.formstack.com/forms/submission_form_claytopian_ny.

 

Soho Photo Gallery: 2020 International Portfolio Competition – NY

Deadline: January 10   Located in lower Manhattan, Soho Photo, New York City’s longest-running photography gallery is awarding  solo shows to three winning photographers. The panel of jurors will make their initial selections based on digital submissions. Final selections will be based on prints. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7100.

  

Call for Artists at Barrett Art Center – NY

Deadline: January 13   Barrett Art Center invites artists to submit work that explores mankind’s impact on the environment and our relationship with the earth. Artists are likewise invited to submit works that stimulate conversation about our evolving ideas about the landscape, the landscape tradition, and climate change in contemporary culture. Drawing, painting (all mediums), pastel, printmaking, photography, sculpture, fiber, mixed-media, new media, and installation works are eligible. For more information, visit https://www.nyfa.org/Opportunities/Show/e9228982-504b-4658-8750-3580d4d8a957.

 

Howard County Arts Council Call for Art Auction Submissions – MD

Deadline: January 20, 2020   The Art Auction exhibit is part of our biggest fundraiser to support the arts, the Celebration of the Arts in Howard County. This high-profile exhibit shines a spotlight on Howard County’s diverse and talented visual artists. Artists working in all styles and media are invited to apply, including painters, sculptors, ceramicists, fiber artists, jewelers and photographers. This exhibit is a stunning showcase for the work of both juried and invited artists. For details, visit https://www.hocoarts.org/explore/opportunities-artists-arts-groups/exhibit-opportunities-apply/specific-exhibits/art-auction/.

 

Sculptor and Visual Artist Residency for 2020, Gilbertsville Expressive Movement, Inc. – NY

Deadline: February 13   Residencies for visual artists and for sculptors are available for the 2020 season. Both visual artists and sculptors receive 24/7 access to studios; all materials and supplies are paid for; co-ed housing with private bedroom and shared bath and living space; and a $1500 monthly living allowance. The visual artist residency is for 1 month. The sculptor residency is for 3 months – June – September. G.E.M. Gallery & Sculpture Park is located in the bucolic Butternut Valley of upstate New York and in the historic village of Gilbertsville – close to Cooperstown and Oneonta. Learn more at https://www.g-e-m.org/.

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

2020 Socrates Sculpture Park Annual Fellowship Call for Proposals – NY

Deadline: November 25   In light of recent debates about monuments, Socrates Sculpture Park (SSP) asks artists to propose prototypes for new monuments for New York City for presentation beginning in the fall of 2020. Titled “Call and Response: Making Monuments Now,” this open call will be the major component of SSP’s year-long engagement with recent discourse on the current state and future of monuments in the United States. It is a thematic adaption of The Socrates Annual Fellowship and exhibition, and incorporates an extended selection process and production timeline as well as inclusion in an exhibition publication. Fellowship recipients will receive a $5,000 production grant to support their project a $1,000 honorarium and four-months of seven-days-a-week access to the resources and fabrication facilities of the Park’s outdoor artist studio. For more information, visit https://socratessculpturepark.org/opencalls/the-2020-socrates-annual-fellowship/.

 

The Moon Gallery Call for Submissions

Deadline: November 25   The Moon Gallery at Berry College welcomes up to three submissions to be considered for inclusion in Calamity, a juried exhibition with work that references the history and legacy of the Holocaust. Artists working with drawing, ceramics, painting, sculpture, printmaking, photography, or mixed media are encouraged to apply with work that reflects on how the Holocaust is remembered 70+ years later; responds to the current era of ignorance and denial of the Holocaust; confronts the rise of antisemitism; or counters manifestations of hate and intolerance by providing solace to the suffering. There is no fee to enter. Additional information and a link to submit work can be found here: https://www.berry.edu/juriedexhibition Contact Brad Adams with questions at: [email protected].

11th Annual International Drawing Discourse Exhibition – NC

Deadline: December 1   The University of North Carolina Asheville announces a call to artists, age 18 and up, for a juried art exhibition, January 17 – February 21, 2020, at the Holden Gallery at Warren Wilson College in Asheville, NC. $2,000 in awards. In an effort to support the breadth in contemporary drawing, the exhibit is open to any traditional or experimental drawing media welcoming both two or three-dimensional works, video, and/or installation. For more information visit https://artist.callforentry.org/festivals_unique_info.php?ID=7143; contact [email protected]; or call 828-252-6845.

9th Annual National Juried Exhibition

Deadline: December 1   Marshall University’s School of Art & Design is pleased to invite artists working in any media to submit entries. Accepted works will be displayed in Marshall University’s Charles W. and Norma C. Carroll Gallery in the Visual Arts Center located in downtown Huntington, WV. For more details and to submit your work for consideration, click the link below and follow the directions. http://www.marshall.edu/art/vac/9th-annual-national-juried-exhibition/ E-mail any questions to [email protected].

 

Marshal University School of Art & Design 9th Annual National Juried Exhibition – WV

Deadline: December 1   Marshall University’s School of Art & Design is pleased to invite artists working in any media to submit entries. Accepted works will be displayed in Marshall University’s Charles W. and Norma C. Carroll Gallery in the Visual Arts Center located in downtown Huntington, WV. For more details and to submit your work for consideration, click the link below and follow the directions. For more information visit http://www.marshall.edu/art/vac/9th-annual-national-juried-exhibition/; e-mail any questions to [email protected].

 

National Exhibition of American Art – NY

Deadline: December 2   Submissions are now open for Pleiades Gallery’s first National Exhibition of American Art. The theme is “Altered States: A state of mind that deviates from what is thought to be a normal state of consciousness.” Artists often reinterpret reality in their art, using their own visions to create new possibilities. We are interested in seeing artist’s of the world, as interpreted in their own work. We are looking for a variety of styles and approaches from total abstraction or hyperrealist or anything in between. For more information visit http://pleiadesgallery.com/call-for-artists-2/.

 

Call for Social Practice Artists for Collaborative Public Project – MD 

Deadline: December 2   The towns of Brentwood and North Brentwood are seeking an artist or team of artists to engage with the North Brentwood community and design a large-scale piece of art to support a community-designed placemaking and public history project. The sculpture will stand on the town lines and will speak to a divided past as well as a shared future for the two towns. Removing barriers, both physical and institutional, is at the core of this project. In that spirit, a non-established artist/team with maximum two years experience in the field of public art is sought. Acknowledging the rich experience of artists in both towns, public art experts are invited to the project as mentors. A budget of $10,000 includes up to $5,000 for artists’ fees and $5,000 for materials and expenses related to the design process. Design proposals to be submitted by April 1, 2020 for presentation to the public on April 4, 2020. Applicants should live in Washington DC Metropolitan Areas—Maryland, Virginia, and West Virginia—and be over the age of 18. For more information, visit https://www.eastcityart.com/calls-for-entry/call-for-social-practice-artists-collaborative-public-art-design-incubation/.

 

Access and Opportunity, Diversity & Inclusion Call fro Entries – NJ

Deadline: December 2   Acts of injustice, bias, and disrespect, against groups and individuals, continue to play out across our nation. This juried exhibition will feature works that define what it means to be a good citizen in a global context, a person appreciative of all cultures and committed to fairness with respect and equality for all. By looking broadly at access and opportunity for all members of society regardless of age, disability, ethnicity, gender identity, national origin, race, religious affiliation, or sexual orientation we can help everyone recognize, appreciate, and respect difference. The show will run in Monmouth University’s Pollak Gallery from January 21 – March 13, 2020 with an opening reception on February 8. For more information, visit https://www.monmouth.edu/mca/callforentries/. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7010.

 

Goethe -Institut Call for Fellows

Deadline: December 8   Monument Lab in partnership with Goethe-Institut and Federal Agency for Civic Education invites applications for a 2020 cohort of Monument Lab Transnational Fellows. This fellowship recognizes individuals and collectives whose ongoing projects address long term inequities in monuments and engage new creative approaches to public art, history, and memory. The fellowship program is part of the joint project Shaping the Past, which engages the changing forms of collective remembrance and reckoning in public spaces within and across national borders. The multidisciplinary project fosters transnational exchange among curators, artists, activists, historians, and civic participants to discuss and imagine the next generation of monuments. There are two general categories of Monument Lab Fellows: civic practitioners and high school students. For more information, visit https://www.goethe.de/ins/us/en/kul/art/21689613.html.

 

31st National Drawing & Print Competitive Exhibition – Baltimore

Deadline: January 15, 2020   Gormley Gallery is now accepting entries for the 31st National Drawing & Print Competitive Exhibition, March 23 through April 24, 2020. A minimum of $1,500 in purchase prizes will be awarded. Original framed drawings and prints in any medium and up to 60 inches high are eligible with no limitations as to color, surface, or materials. A nonrefundable entry fee of $36.00 entitles artists to submit up to three entries online only (no mailed or emailed entries will be accepted). Submit online here: https://artndm.slideroom.com/#/permalink/program/52095. For more information, visit ndm.edu/gormleygallery or contact [email protected].

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Ongoing: These opportunities have rolling deadlines.

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

 

 

 

Artist Opportunities #486

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

New:

Photowork: Beyond 20/20 33rd Annual National Juried Photography Exhibition Call for Entries – NY

Deadline: November 11   Photowork is an annual exhibition of contemporary photographs curated from photographers throughout the United States and jurored by leading curators, critics, and processionals in the field. Photowork: Beyond 20/20 will celebrate prescient social commentary as well as engagement with issues relating to contemporary photography. Submissions should embrace excellence in cutting-edge and/or traditional processes. Past winners of this annual national exhibition have worked with small to large format cameras, pinhole cameras, silver gelatin prints, pigment prints, chromogenic prints, and everything in between. Work will be exhibited at Barrett Art Center in Poughkeepsie, NY Saturday, January 25 – Saturday, March 7, 2020; $500 Juror’s Prize, $200 Second Prize, $125 Honorable Mention. For more information, visit https://www.barrettartcenter.org/calls-for-entry-1.

Solos 2020 Call for Artists – VA

Deadline: November 12   Arlington Arts Center is currently accepting proposals for SOLOS 2020, to take place April 11 – June 6, 2020. Contemporary artists living or working in the Mid-Atlantic region are invited to propose solo-style exhibitions or projects to take place in one of AAC’s seven separate gallery spaces. Proposals are accepted through an open call and selected by guest jurors, in consultation with AAC staff. Artists are encouraged to propose exhibitions of previously unseen bodies of work and/or other new or previously unexhibited projects or installations. Proposals that specifically take into account AAC’s exhibition spaces are encouraged. Artists who produce contemporary art in any media, and who live or work in the Mid-Atlantic region (defined as Virginia, District of Columbia, Maryland, West Virginia, Pennsylvania, or Delaware) may submit exhibition proposals. Any existing works must have been completed within the last 3 years in order to be considered. For more information, visit https://arlingtonartscenter.org/exhibitions/call-for-artist/

Expo 39 Call For Artists – NY

Deadline: November 15   B.J. Spoke Gallery announces a call for artists for its upcoming competition and exhibition, Expo 39. This competition is open to all artists living in the United States. All fine arts media are acceptable: watercolor, drawing, pastel, painting, sculpture, mixed media, installation art, photography, video, digital art, etchings, monotype, monoprint, silk screen, lithography, collagraph, fiber art, etc. No crafts, please. For more information, visit http://www.bjspokegallery.org/expo-39/.

Open Call for Solo Exhibition – VA

Deadline: November 17   Target Gallery invites artists to apply for an open call for proposals for a solo exhibition for the summer of 2020. The individual or group associated with the chosen proposal will receive an exhibition at Target Gallery from June 6 – July 26, 2020, with an opening reception June 14, 2020. The artist(s) will also receive a $3,000 stipend. For perspective, visit: http://torpedofactory.org/wp-content/uploads/2019/09/Solo-Exhibition-Prospectus.pdf.   To apply, visit https://torpedofactoryartcenter.submittable.com/submit/146721/2020-open-call-for-solo-exhibition-at-target-gallery.

Atlantic Gallery 2020 Juried Exhibition: Seeing the Unseeable – NY

Deadline: November 18   Atlantic Gallery in New York’s Chelsea art district announces a call to artists, age 18 and up, for a juried art exhibition January 7-25, 2020. The grand prize is a solo show at the gallery. Categories include oils, acrylics, watercolors, pastels, drawings, prints, photography, mixed media, and sculpture in any medium. For more information visit http://atlanticgallery.org/juried-exhibition-2020-seeing-the-unseeable/; contact [email protected]; or call 212-219-3183.

2020 Socrates Sculpture Park Annual Fellowship Call for Proposals – NY

Deadline: November 25   In light of recent debates about monuments, Socrates Sculpture Park (SSP) asks artists to propose prototypes for new monuments for New York City for presentation beginning in the fall of 2020. Titled “Call and Response: Making Monuments Now,” this open call will be the major component of SSP’s year-long engagement with recent discourse on the current state and future of monuments in the United States. It is a thematic adaption of The Socrates Annual Fellowship and exhibition, and incorporates an extended selection process and production timeline as well as inclusion in an exhibition publication. Fellowship recipients will receive a $5,000 production grant to support their project a $1,000 honorarium and four-months of seven-days-a-week access to the resources and fabrication facilities of the Park’s outdoor artist studio. For more information, visit https://socratessculpturepark.org/opencalls/the-2020-socrates-annual-fellowship/.

The Moon Gallery Call for Submissions

Deadline: November 25   The Moon Gallery at Berry College welcomes up to three submissions to be considered for inclusion in Calamity, a juried exhibition with work that references the history and legacy of the Holocaust. Artists working with drawing, ceramics, painting, sculpture, printmaking, photography, or mixed media are encouraged to apply with work that reflects on how the Holocaust is remembered 70+ years later; responds to the current era of ignorance and denial of the Holocaust; confronts the rise of antisemitism; or counters manifestations of hate and intolerance by providing solace to the suffering. There is no fee to enter. Additional information and a link to submit work can be found here: https://www.berry.edu/juriedexhibition Contact Brad Adams with questions at: [email protected].

11th Annual International Drawing Discourse Exhibition – NC

Deadline: December 1   The University of North Carolina Asheville announces a call to artists, age 18 and up, for a juried art exhibition, January 17 – February 21, 2020, at the Holden Gallery at Warren Wilson College in Asheville, NC. $2,000 in awards. In an effort to support the breadth in contemporary drawing, the exhibit is open to any traditional or experimental drawing media welcoming both two or three-dimensional works, video, and/or installation. For more information visit https://artist.callforentry.org/festivals_unique_info.php?ID=7143; contact [email protected]; or call 828-252-6845.

National Exhibition of American Art – NY

Deadline: December 2   Submissions are now open for Pleiades Gallery’s first National Exhibition of American Art. The theme is “Altered States: A state of mind that deviates from what is thought to be a normal state of consciousness.” Artists often reinterpret reality in their art, using their own visions to create new possibilities. We are interested in seeing artist’s of the world, as interpreted in their own work. We are looking for a variety of styles and approaches from total abstraction or hyperrealist or anything in between. For more information visit http://pleiadesgallery.com/call-for-artists-2/.

Call for Social Practice Artists for Collaborative Public Project – MD 

Deadline: December 2   The towns of Brentwood and North Brentwood are seeking an artist or team of artists to engage with the North Brentwood community and design a large-scale piece of art to support a community-designed placemaking and public history project. The sculpture will stand on the town lines and will speak to a divided past as well as a shared future for the two towns. Removing barriers, both physical and institutional, is at the core of this project. In that spirit, a non-established artist/team with maximum two years experience in the field of public art is sought. Acknowledging the rich experience of artists in both towns, public art experts are invited to the project as mentors. A budget of $10,000 includes up to $5,000 for artists’ fees and $5,000 for materials and expenses related to the design process. Design proposals to be submitted by April 1, 2020 for presentation to the public on April 4, 2020. Applicants should live in Washington DC Metropolitan Areas—Maryland, Virginia, and West Virginia—and be over the age of 18. For more information, visit https://www.eastcityart.com/calls-for-entry/call-for-social-practice-artists-collaborative-public-art-design-incubation/.

Access and Opportunity, Diversity & Inclusion Call for Entries – NJ

Deadline: December 2   Acts of injustice, bias, and disrespect, against groups and individuals, continue to play out across our nation. This juried exhibition will feature works that define what it means to be a good citizen in a global context, a person appreciative of all cultures and committed to fairness with respect and equality for all. By looking broadly at access and opportunity for all members of society regardless of age, disability, ethnicity, gender identity, national origin, race, religious affiliation, or sexual orientation we can help everyone recognize, appreciate, and respect difference. The show will run in Monmouth University’s Pollak Gallery from January 21 – March 13, 2020 with an opening reception on February 8. For more information, visit https://www.monmouth.edu/mca/callforentries/. For more information, visit https://artist.callforentry.org/festivals_unique_info.php?ID=7010.

Goethe-Institut Call for Fellows

Deadline: December 8   Monument Lab in partnership with Goethe-Institut and Federal Agency for Civic Education invites applications for a 2020 cohort of Monument Lab Transnational Fellows. This fellowship recognizes individuals and collectives whose ongoing projects address long term inequities in monuments and engage new creative approaches to public art, history, and memory. The fellowship program is part of the joint project Shaping the Past, which engages the changing forms of collective remembrance and reckoning in public spaces within and across national borders. The multidisciplinary project fosters transnational exchange among curators, artists, activists, historians, and civic participants to discuss and imagine the next generation of monuments. There are two general categories of Monument Lab Fellows: civic practitioners and high school students. For more information, visit https://www.goethe.de/ins/us/en/kul/art/21689613.html.

The Human Condition Exhibition Call for Entry

Deadline: January 3  The Human Condition: exploring the body as subjectwill be a visual exploration of the human condition, asking artists to capture what is it that makes a person. From the classic nude, to abstract and impressionist treatments, to pieces that touch on the basic concept of humanity— a wide variety of interpretations will be included.  Beside exploring the physical form, artists are asked to consider how a person’s personality, emotions, challenges, preferences, prejudices, and experiences can be visually represented.https://artist.callforentry.org/festivals_unique_info.php?ID=6968

31st National Drawing & Print Competitive Exhibition – Baltimore

Deadline: January 15   Gormley Gallery is now accepting entries for the 31st National Drawing & Print Competitive Exhibition, March 23 through April 24, 2020. A minimum of $1,500 in purchase prizes will be awarded. Original framed drawings and prints in any medium and up to 60 inches high are eligible with no limitations as to color, surface, or materials. A nonrefundable entry fee of $36.00 entitles artists to submit up to three entries online only (no mailed or emailed entries will be accepted). Submit online here: https://artndm.slideroom.com/#/permalink/program/52095. For more information, visit ndm.edu/gormleygallery or contact [email protected].

 

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Focal Point: Nationally Juried Exhibition

Deadline: November 14   The Maryland Federation of Art announces a call to artists for a juried art exhibition, January 23 – February 22 at the Maryland Federation of Art Circle Gallery in Annapolis, MD. Cash awards total $1,000. Juror: Margaret Adams. Computer software has forever expanded ways for artists to capture and produce their work. MFA celebrates this exhibition by examining the artistic use of all digital media. Eligible entries may be either 2-D or 3-D image-based work that is created and/or produced through the use of software (whether purchased or artist created) and includes, but is not limited to digitally produced: photography, graphic design, painting, video and non-film projection. Works previously exhibited in a juried show at Circle Gallery are not eligible. The maximum size of entry, including edges of frame/work, cannot exceed 72″ in any direction. Works must be priced for sale or marked POR (price on request). $40 for one or two entries and $5 each for up to four additional entries. More info., visit: https://mdfedart.com/wp4/wp-content/uploads/2019/09/FocalPointProspWebFINAL2020.pdf

9th Annual National Juried Exhibition

Deadline: December 1   Marshall University’s School of Art & Design is pleased to invite artists working in any media to submit entries. Accepted works will be displayed in Marshall University’s Charles W. and Norma C. Carroll Gallery in the Visual Arts Center located in downtown Huntington, WV. For more details and to submit your work for consideration, click the link below and follow the directions. http://www.marshall.edu/art/vac/9th-annual-national-juried-exhibition/ E-mail any questions to [email protected]

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Ongoing: These opportunities have rolling deadlines.

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

 

Playful State of Mind: An interview with artist Cristy West

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“Mark making is central to art; it reaches back into prehistory to the caves of Lascaux, yet at the same time, children do it spontaneously.”

An interview of artist Cristy West, winner of the Best in Show, October Open Exhibit juried by Debbie Millman. Emma Gould of The Art League Gallery asked the questions.

 

 

“To get Best in Show is a big honor, and I am delighted. However, let it be known that the piece that won the award was passed over for an earlier show. I’m glad I didn’t give up on it. Thanks to everyone at the Gallery for keeping the shows going—and keeping us all on our toes!!”

 

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How did “Remnants” evolve?

I completed “Remnants” last spring, and I believe there are three or four paintings underneath. I think these earlier layers add a certain element of depth and mystery. But that was far from my intention when I started. The painting just evolved intuitively.

 


“One of my early teachers at the Corcoran, Mindy Weisel, used to say that the primary qualification of an abstract painter was a tolerance for frustration.”


 

Can you tell me more about your working methods?

When I work, I get into a state of flux, almost a trance state—very focused. One of my early teachers at the Corcoran, Mindy Weisel, used to say that the primary qualification of an abstract painter was a tolerance for frustration. As I’ve grown older, I think I’ve become a lot more accepting of the ups and downs of the creative process. While working on a painting, I keep searching until something finally clicks, and I also have faith that eventually something will click.

 

How do you define “mixed media,” and how does that support your work visually?

I am constantly trying out new materials and tools, new techniques. I also use a lot of collage. I love the richness of texture that results from using different materials, and I like to explore the variety of marks that are possible with many drawing implements available in today’s market. Recently I have been exploring oil and cold wax and am excited about some of the effects I can achieve. But I think acrylic is my true medium since the rapid drying time allows me to work quickly and more spontaneously.

 

Marks seem like an essential element in this painting. What does mark-making mean to you?

I’m fascinated by marks—runes and petroglyphs, scripts from other languages, scribblings of children. All of these are inspiring. Paul Klee said, “to draw is to write,” and, in this sense, drawing can be seen as the speech of art. Mark making is central to art; it reaches back into prehistory to the caves of Lascaux, yet at the same time, children do it spontaneously.

 

Kids are so confident in whatever composition they are making. It’s incredible to see the lack of inhibition that they have with the materials they use. Something isn’t blocking their creating.

Exactly! To get into that child-like, playful state of mind—that is the trick! To loosen up, I often listen to music, especially jazz. Once I get going, the process begins to take over.

 

You’ve mentioned that you used to be a writer. Has that influenced your approach to painting?

I used to write—mainly short stories—and I also taught creative writing. I am also an avid journal-keeper. I think there is a universal impulse to put feelings into language, but sometimes words aren’t enough. Marks can have an authority that words often lack. For me, too, the habit of writing longhand may have translated into a more calligraphic quality in my paintings.

 

I find it compelling that you rework a lot of your old paintings.

Yes, I do rework a lot of my old paintings. But, I have also discovered that I don’t have to go through the frustration of making five failed paintings. Now, I simply lay down several base layers, and after that, it’s a question of responding to what is there—add, subtract, cover it up, bring it out again. It’s like a dance.

 


“…it has become instinctive to balance spontaneity and structure. But if I impose too much structure, then the painting goes dead.”


 

Do you have any favorite artists?

More than I can name! Recently I have been looking again at the work of Cy Twombly. His work is far more complex than it might seem at first. Likewise, in the case of “Remnants,” what might seem like random doodles have been arranged so that certain motifs—circles and triangles—are repeated and offset by that one lone rectangle. But all this just happened spontaneously.

 

The mark-making in your piece reflects a certain quality of struggle, but the elements don’t feel violent or heavy-handed. It feels similar to music, more soothing, thought-out, and composed, but keeping that playfulness in tune.

Thanks! I guess it has become instinctive to balance spontaneity and structure. But if I impose too much structure, then the painting goes dead.

 

So, where do you find your inspiration?

Gosh, so many things! Poetry, music, landscape, work by other artists, travels, everyday life. But most of all, I am inspired by the process of working. I love the challenge of abstraction. And I’m always learning new things—about how to paint better and also about myself. It’s really hard! More than anything else, abstract painting is, for me, an exercise in humility.

 

Artist Opportunities #485

The Wild Wompus by Chris Bonnell

 

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

New:

40 Under 40: Young Artist National Showcase

Deadline: October 20. The Maryland Federation of Art and Maryland Hall for the Creative Arts seek entries for a juried art exhibition, January 4 – February 29 at the Chaney Gallery at Maryland Hall for the Creative Arts in Annapolis, MD. $500 in awards. Juror: Jose Ruiz. Celebrating 40 years of arts experiences and education at Maryland Hall, we are dedicating an exhibit to showcase 40 talented artists, 40 years of age or under, from around the country. Artists are invited to enter any 2-D or 3-D work. $40 for one or two entries and $5 each for up to four additional entries. More info (PDF)., go to: https://mdfedart.com/wp4/wp-content/uploads/2019/09/40-under-40-prospectus-final-1.pdf  Contact: [email protected] or call 410-268-4566. Visit: https://mdfedart.com/portfolio/40-under-40-young-artist-national-showcase-4/

Stanley Bleifeld Memorial Grant: National Sculpture Society

Deadline: October 28. The Stanley Bleifeld Memorial Grant is a prize of $5,000 sponsored by the National Sculpture Society. It is awarded annually to a sculptor who has demonstrated outstanding ability as a sculptor and who has created a body of work inspired by nature which includes works of sculpture in bas-relief and in the round. For more information visit the National Sculpture website.

Alex J. Ettl Grant: National Sculpture Society

Deadline: October 28. The Alex J. Ettl Grant is a prize of $5,000 sponsored by the National Sculpture Society. It is awarded annually to a figurative or realist sculptor who has demonstrated a commitment to sculpting and outstanding ability in his or her body of work. For more information visit the National Sculpture website.

Marilyn Newmark Memorial Grant: National Sculpture Society

The Marilyn Newmark Memorial Grant is a $5,000 prize for a sculptor, specializing in animal sculpture, who has demonstrated a commitment to sculpting and outstanding ability in his or her body of work. For more information visit the National Sculpture website.

Focal Point: Nationally Juried Exhibition

Deadline: November 14. The Maryland Federation of Art announces a call to artists for a juried art exhibition, January 23 – February 22 at the Maryland Federation of Art Circle Gallery in Annapolis, MD. Cash awards total $1,000. Juror: Margaret Adams. Computer software has forever expanded ways for artists to capture and produce their work. MFA celebrates this exhibition by examining the artistic use of all digital media. Eligible entries may be either 2-D or 3-D image-based work that is created and/or produced through the use of software (whether purchased or artist created) and includes, but is not limited to digitally produced: photography, graphic design, painting, video and non-film projection. Works previously exhibited in a juried show at Circle Gallery are not eligible. The maximum size of entry, including edges of frame/work, cannot exceed 72″ in any direction. Works must be priced for sale or marked POR (price on request). $40 for one or two entries and $5 each for up to four additional entries. More info., visit: https://mdfedart.com/wp4/wp-content/uploads/2019/09/FocalPointProspWebFINAL2020.pdf Contact: [email protected] or call 410-268-4566. Website: https://mdfedart.com/portfolio/79/

9th Annual National Juried Exhibition

Deadline: December 1. Marshall University’s School of Art & Design is pleased to invite artists working in any media to submit entries. Accepted works will be displayed in Marshall University’s Charles W. and Norma C. Carroll Gallery in the Visual Arts Center located in downtown Huntington, WV. For more details and to submit your work for consideration, click the link below and follow the directions. http://www.marshall.edu/art/vac/9th-annual-national-juried-exhibition/ E-mail any questions to [email protected]
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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Capricious Photo Award

Deadline: November 1. Applications are open for the Capricious Photo Award, which gives one photographer financial and editorial support to complete a body of work. The application deadline is November 1. Visit the Capricious website to learn more. 

Stanley Bleifeld Memorial Grant: National Sculpture Society

Deadline: November 4. The Stanley Bleifeld Memorial Grant is a prize of $5,000 sponsored by the National Sculpture Society. It is awarded annually to a sculptor who has demonstrated outstanding ability as a sculptor and who has created a body of work inspired by nature which includes works of sculpture in bas-relief and in the round. For more information visit the National Sculpture website.

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Ongoing: These opportunities have rolling deadlines.

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on the Awesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

 

“Honesty without compassion is worth nothing”: an Interview with juror Will Varner

Urban Legend by Will Varner
<em>Urban Legend</em> by Will Varner

What is your definition of illustration? What does it encompass?

For me, illustration should be in service of something—such as helping an article, a story, or narrative become something more. Illustration is different than fine art because it’s helping something else, a world, or even advertising. Illustration is more about completing a function, and helping something shine and be better.

For the show entries, I was looking for something that could work to tell a story, and draw attention. Illustration shouldn’t be mysterious in its meaning; the story or feeling should be accessible in its visuals.

What’s the best advice you ever had about how to be more creative?

I had a professor in undergrad, one thing he told me was to think about what you want to make, and make it in a different way with different materials and tools. Even if I’m going to be drawing, I’m always trying to introduce different methods. I’m working with motion graphics right now, and even if it doesn’t make it into my illustration work now, the effect and energy of working with a different technique shines through I think. Especially with an inspiration block, trying something new can shake something loose.

What is the quality you like most in a person/artist?

Honesty—to be able to say something really honest. Oh! And compassion. Honesty without compassion is worth nothing.

 

When did you first realize that creating artwork was how you wanted to communicate ideas?

I realized when I was pretty young, my siblings, cousins, and I made comic books for each other. We told stories to each other that way through images. I loved that, and the process of that. I felt really good if they liked my stories and drawings.

 

 

Who is your hero/heroine of fiction?

Ashitaka of Princess Mononoke, a Studio Ghibli film. The main character is the nicest guy who tries to help everyone, and I really admire that.

 

 

And just for fun…

What is your idea of perfect happiness?

I don’t believe that there’s any such thing as a “perfect happiness.” Although I think there can be great happiness and happy times for me are when I’m doing my creative work.

 

What is your most treasured possession?

I think this is going to sound self-absorbed, but my sketchbooks. They’re my life, and I’ve always tried to get out parts of myself and they’re in my sketchbooks.

 

Which talent would you most like to have?

I wish I played an instrument, like the piano.

 


Will Varner juried The Art League’s special exhibit Illustration.

Will Varner is an experienced art director, illustrator and storyteller. He was the in-house illustration director at BuzzFeed for over four years and led a team dedicated to exploring the potential of illustrated content on all of BuzzFeed’s many platforms. While there he was one of the founding members and editors of BuzzFeed Comics which has over one million followers on Facebook and nearly one million followers on Instagram.

He earned an MFA in Illustration from The School of Visual Arts in New York City, NY and a BFA in Painting from Brigham Young University in Provo, UT.

He is currently an adjunct professor at SVA and has done freelance work for clients such as Adobe, Apple, Bloomberg Business Week, Tennis Magazine, Playboy, Nylon Guys, Cincinnati News, L Magazine, TimeOut New York, Movado Watches, Colgate-Palmolive, Tonka Toys, Basha Accessories, and more.

I Made You a Mixtape: Interview with Best in Show Winner, Tara Barr

Tara Barr - Best in Show Winner

Artist Tara Barr makes people want to pick up a pencil and attack her art. Not really of course, but Tara Barr‘s Mixtape certainly makes the viewer (or at least, a viewer who grew up before the mid-naughts) want to pick up a pencil and wind her mixtape back up. The Art League caught up with Barr (who you can find in her new studio space on the third floor of the Torpedo Factory) to talk more about her work, her inspirations for her Best in Show winning piece, and her highly recognizable nostalgic style:

How did this series/artwork evolve to where it is now? How did you come up with the concept for this piece?

About a year and a half ago, I was looking for something I could latch onto for a personal style that would translate into a series of work instead of individual pieces here and there. I painted my first typewriter, and I thought, “okay, this might work!” So then, I painted a bunch of them and began to branch off from there. Typewriters, cameras, cars, and motorcycles became my subjects. Most of the paintings are nostalgic, not for me, but for those that view these paintings since I’m too young to have ever used these objects. The mixtape, however, relates more to my own personal generation that people my age latch onto. We love our happy memories and latch onto the struggles of our inadequate technology. Like how things broke, how hard they were to fix, and how much time everything took.

How is your medium an integral part of your work? Why do you work in the medium that you do?

Mixtape is an acrylic piece, and I work in acrylic and oils, mostly because that’s what comes naturally to me. For a long time, I wanted to be a watercolor artist, because I think watercolors are beautiful, but everything I painted was a huge struggle. I used oils for the first time last year and really realized what I was able to do with them, so I stuck with oils and acrylic. I’ve always made art, but never professionally until the last year. I never felt as if I had a personal style or point of view until I started grasping for that.

“Mixtape” by Tara Barr

What technical element is most important in your work?

Definitely color. Everything I paint is a still life with things I don’t normally have a connection to, so my paintings become a vehicle for me to explore different color combinations and compositions. I tend to pick things that are visually simple because it looks good and is efficient. Through that, I can focus on my color choices and practice on my painting skills. It’s definitely pop art and visually simple.

What is your motive and inspiration for your work?

Personally, just to be making art is my motivation. My work is going to look different five years down the road from now, but if you don’t do something, you’re not going to do anything. If I sat around and thought about what to paint, then I wouldn’t actually paint. So for me, these still lives are a thread I’m following that are currently working. It’s fun and easy for me. I’m painting solely to be painting; if I thought about the meaning of my paintings too often, I would paralyze myself into not actually painting. Once I make a lot of work, I see how it all connects to one another—even with paintings I made years ago, I can understand how they fit into my practice now, but at the time I didn’t realize how it was part of something bigger.

How has focusing on these subjects and time period influenced you and your work? 

Most of what I paint contains subjects that are before my time, but I love seeing other people’s reactions to it. It’s about the viewer and what they get out of it rather than what I personally feel towards the subjects in my paintings.

What does ‘Zeitgeist’ mean to you, and how did you see this theme in tune in with your art and practice?

With Mixtape, I posted it on Instagram, and so many of the comments were saying how badly they wanted a pencil to rewind the tape or a crayon. So I think the idea of nostalgia for our past era allows for things that were not so great become the things that you miss.

Why focus on nostalgia/old technology of women’s rights instead of modern-day modes of that intersection?

In order to be worthwhile, art has to evoke some sort of emotion. But, that doesn’t have to be a big, important emotion. Art can be fun, whimsical, and humorous; it’s just as valid as making you think about the meaning of life. Everybody has nostalgia, it’s a fun emotion, and it’s easy to depict. I also have a full-time job as a database administrator, so technology plays into my work that way. It’s what initially inspired me to do the typewriter because I was sitting at my keyboard for eight to ten hours a day looking at that keyboard. The connection between what we use all the time, such as laptops and phones, have roots in typewriters and old technology.

Yeah, technology now is supposed to be this perfect, infallible thing where it’s for a purpose— it’s not for fun anymore with all the quirks and kinks that come with cassette tapes or typewriters. Technology isn’t necessarily flawed anymore; it’s supposed to be this perfect model of a tool that someone uses to complete their task instead of something artistic and fun. 

Everything I paint has big design elements because teams of people have already gone in to make sure that the design of the object looks good. So most of my work is already done for me, haha! I just have to translate that to the canvas. But yes, the actual design elements of old radios, typewriters, and phones were geared towards household fixtures, so people put a lot of thought into how it looks.

Tara Barr with her Best in Show winning “Mixtape”

How does nostalgia fuel your work? Does it ever hinder your practice?

I don’t think it’s hindered my work at all, because I do other things as well, such as personal paintings. I don’t feel as if I have to stay with this particular theme or emotion, though it’s easier for me to be creative in some sort of confines or parameters. I have a starting point now, since finishing my pieces leads me to my next painting.

Can you speak more on balancing your career and motherhood?

I have five-year-old and eight-year-old, and I was a stay-at-home mom with them for four years. Going into that, I thought I would make a lot of art since I wasn’t working, but I found out that wasn’t true at all. I was all mom all the time. Once my younger son got out of his toddler stage, I found that I was really compelled to make art, and I finally had the time. I started painting on the weekends, and have been doing that for the past year and a half. In terms of balancing career and motherhood, there are never enough hours in a day. My kids come to the studio with me sometimes, and I’ll paint while they’re running around playing at home. They’re used to oil paintings all around the house and know not to touch them. My kids also get upset when I sell a painting because they get so attached to each one of them. So yeah, it’s just a part of our environment.

See Tara’s Artwork in the Gallery through October 6. Also, join us tonight for our Opening Reception and 5-Minute Artist Talks. Tara is also having a studio sale currently, you can check in with her work at: tarabarrart.com.

Artist Opportunities #484

"On the Ridge" by Gwen Bragg
<em>On the Ridge</em> by Gwen Bragg

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Featured:

The Torpedo Factory: My Queer Valentine (VA)

Deadline: September 15. Target Gallery invites artists working in all visual media to apply to My Queer Valentine (Juror: Andy Johnson, director of Gallery 102),  an exhibition that will explore love and relationships through LGBTQ+ artists perspectives. The themes and subject of artwork in this exhibition should explore non-heteronormative and non-binary relationships. The tone of the exhibition is playful, fun, and cheeky, so we encourage artists to apply with their perspectives on love (romantic or asexual) with this in mind. To celebrate this exhibition, Target Gallery will be hosting a special Valentine’s Day reception and event in partnership with local LGBTQ+ organizations. Exhibition Dates: January 25, 2020 – March 8, 2020. For more information, visit the Torpedo Factory website. 

The Torpedo Factory: Post-Graduation Residency (VA)

Deadline: September 22. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and 3-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided artists submit proof of residence in the D.C. metropolitan area. Residents receive studio space and public presentation opportunities, including an artist talk and participation in a culminating curated exhibition in the Target Gallery, the contemporary exhibition space for the Torpedo Factory Art Center. Residents are active and equal participants in the Torpedo Factory’s unique creative community. Residents benefit from engagement with local, national, and international artists. For a full description of the requirements and opportunity details please visit The Torpedo Factory website.

The Torpedo Factory: 2020 Emerging Artists (VA)

Deadline: October 27. Target Gallery presents a new yearly exhibition featuring the work of 3-4 regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the D.C. metropolitan area. Artists should have no more than 5 years of experience as a professional exhibiting artist, live within D.C., Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. For more information, visit The Torpedo Factory website. 

New:

Tulsa Artist Fellowship (KS)

Deadline: September 13. The Tulsa Artist Fellowship program seeks a variety of contemporary arts disciplines, including arts workers such as curators, publishers, and artistic collaborations. To learn more and apply, visit the Tulsa Artist Fellowship website.

The Teaching Artist Program

Deadline: September 16. The Teaching Artist Project, a training program for working and emerging teaching artists, is accepting applications. To learn more, and apply, visit The Teaching Artist Project.

Red Bull Arts Detroit 2020 Artist Residency and Curatorial Fellowship (MI)

Deadline: September 30. Red Bull Arts Detroit 2020 Artist Residency and Curatorial Fellowship. Learn more and apply at the Red Bull Arts website. 

The City of Cambridge Arts Council – 19th Amendment Commemoration (MA)

Deadline: September 30. The City of Cambridge Arts Council is seeking artist submissions for a $300,000 public art commission to commemorate the 19th Amendment. Applications must be submitted by September 30. For more information, and to apply, visit the Cambridge Arts Council.

Cover Art and Feature Art for Print Publication in Phoebe Literary Journal

Deadline: October 15. Phoebe publishes poetry, fiction, nonfiction, and visual art. They produce a print issue in Fall/Winter and an online issue in Spring/Summer. Above all, we seek to publish quality art from artists at various stages of their careers, with an eye towards exhibiting work by emerging talent alongside work by established artists. Phoebe finds artwork that illustrates a narrative or conveys an emotion, as we believe in the importance of both visual and textual storytelling. To submit, please upload between one and five images for the Phoebe staff to consider for the 49.1 print issue cover image and featured visual art. Send as a .png, .tif, or a high-quality .jpg with at least 300dpi and a size of at least 1 MB. Visit phoebejournal.com to submit your work, $2 submission fee. 

Capricious Photo Award

Deadline: November 1. Applications are open for the Capricious Photo Award, which gives one photographer financial and editorial support to complete a body of work. The application deadline is November 1. Visit the Capricious website to learn more. 

Pioneers Works Residency (NY)

Deadline: September 30. Pioneer Works will host its first-ever Open Call for 2020-2021 across all residency disciplines in Visual Arts, Music, Technology, and Narrative Arts. For more information, and to apply, visit the Pioneer Works website.

A Blade of Grass – 2020 Fellowship

Deadline: October 16. A Blade of Grass is seeking socially engaged artists to apply for its 2020 Fellowship, which supports “courageous artists in creating exchanges, experiences, and structures that highlight seemingly intractable social problems, inspire audiences, and energize folks to participate in and sustain long-term social change work.” Fellows receive $20,000 in minimally restricted support. Visit the  ABOG website to learn more and apply. 

AIR Gallery – CURRENTS exhibit

Deadline: October 13. AIR Gallery is hosting an open call for its sixth biannual CURRENTS exhibition, curated by Carmen Hermo. The exhibition will be held January 10–February 9, 2020. To apply, and learn more visit the AIR website. 

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

2019 International Juried Ceramics Exhibition (NJ)

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art 2019 website

2019 International Juried Ceramics Exhibition (NJ) 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art website. 

VA Raleigh: UNFINISHED BUSINESS (NC)

Deadline: September 16. UNFINISHED BUSINESS is a juried call for art open to any works in progress. We want to see what you’re working on, whether it’s just started, midway, or almost done. This exhibition will also serve as an opportunity to receive comments and critiques on your works before the finishing touches are applied. UNFINISHED BUSINESS is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three-dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Entry Fees: This call for art is FREE. For more information and to apply, visit, VA Raleigh’s website.

Red Bull Arts Detroit 2020 Artist Residency and Curatorial Fellowship 

Deadline: September 30. The Artist Residency provides artists at different stages of their careers the resources and freedom to develop their practice, with nine artists selected for three two-month-long residency cycles. They receive fully-furnished off-site living accommodations, a 6,000-square-foot shared studio space, transportation to Detroit is included, fully-furnished off-site living accommodations, an 8,000 USD unrestricted stipend, as well as a 2,000 USD individual budget for hiring assistants, sourcing materials, or otherwise producing work in Detroit. The  Curatorial Fellowship creates an opportunity for a curator to realize an exhibition concept and bring it to the public in Detroit. The fellow receives production and marketing support in addition to a 12,000 square foot gallery, 5,000 USD stipend, and a 15,000 USD exhibition budget, both unrestricted, as well as budget for three-to-four public programs. For more information, and to apply, visit the Red Bull website. 

2020 Emerging Artists

Deadline: October 27, 2019 at 11:59 p.m. ET

Target Gallery presents a new yearly exhibition featuring the work of 3-4 regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the D.C. metropolitan area. Artists should have no more than 5 years of experience as a professional exhibiting artist, live within D.C., Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Jury Panel: Rex Delafkaran, Co-Gallery Director of the Hamiltonian Gallery, Jaynelle Hazard, Director of Exhibitions at the Workhouse Art Center, and Amy Lokoff, DC-based independent curator. Each artist will receive a $500 stipend. For more information, and to apply see the Torpedo Factory website.

Dexter Jones Award: National Sculpture Society (NY)

Deadline: November 4. The Dexter Jones Award is an unrestricted prize of $5,000.  It is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. For more information, and to apply visit the National Sculpture website.

King Street Gallery Call for Entry (MD)

Deadline: November 25. The Morris and Gwendolyn Cafritz Foundation Arts Center has a number of spaces available for mounting exhibitions that support the academic mission of the Department of Visual and Performing Arts. This open call is for our King Street Gallery, the largest exhibition space in the Cafritz Arts Center. This light filled, 1050 square foot gallery is in the main atrium of the building. Its prominent location, open design, and extremely high ceilings (30 feet+) make it a great venue for major exhibitions. While much of this gallery space is visible from the main lobby of the building, and through the windows that front onto the street, it does maintain gallery hours and is locked after hours. The gallery hours are Monday–Friday, 8 a.m.– 4 p.m. Exhibitions are generally scheduled a year in advance to complement the academic calendar. Exhibitions in the King Street Gallery are 4-5 weeks long, and emphasize two person or small group shows. Single artist applications may be paired with a complimentary artist or artists to better utilize the space. Curated proposals are encouraged. Learn more about this opportunity at the Montgomery College website.

Ongoing:

Wall Art/Mural for Arlington Based Gym (VA)

Deadline/Timeline: Start in late August and completed by late September. Company has brand guide and some inspiration boards to start from. Walls would be painted directly and dimensions will be given upon request. Style and final product are open ended but the aim is to inspire gym goers who are primarily runners. Artists who live or work in Washington, DC, Maryland, Virginia can apply. Budget has not been determined. Send Curt Cimino, [email protected] any questions or comments.”

Del Ray Artisans: High Note Art Exhibit (VA)

Deadline: rolling.  Join the Del Ray Artisans for High Note, an art exhibit exploring the connection between music and the mind. Meet the curators and some of the artists at the opening reception on Friday, September 6 from 7-9pm. The exhibit runs September 6-29, 2019 at Del Ray Artisans gallery in the Colasanto Center, 2704 Mount Vernon Avenue, Alexandria, Virginia 22301. Gallery hours are: Thursdays 12-6pm, First Thursdays (April-September) 12-9pm, Fridays 12-9pm, Saturdays 12-9pm, and Sundays 12-6pm. The gallery is free, open to the public, and accessible. For more information, visit the Del Ray Artisans website.

Printmakers Inc. Call for New Member Portfolios (VA)

Deadline: Rolling. Rolling portfolio call for interested new members of Printmaker’s Inc: a non-profit dedicated to furthering the practice of Printmaking and residents of the Torpedo Factory for over forty years. Printmakers is looking for a new teammate for their shared studio. Members take turns working, share a commission on sales of 30%, and pay a small share of rent. The studio is equipped with three presses, storage space, inking tables, and multiple exhibit spaces for groups and solo exhibitions. If you are interested in having your work seen by the over 100,000 visitors annually, please drop off your artist statement, resume, and a portfolio with eight to 10 prints representative of a body of work at Studio 325 at the Torpedo Factory Art Center (105 North Union, Alexandria, VA). For more information, view the Facebook post with this call. 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

Artist/Writers: Medicine and the Arts (MATA) Opportunity

Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on theAwesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

NYC volunteer opportunity (NY)

Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

Looking for artists: Multiple Exposures Gallery (VA)

www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.

 

A Conversation with Shahnaz Nia: Best in Show for the August Open Exhibit 2019

The Best-in Show winning piece for this month’s exhibit was selected by juror, Julia Kwon. Julia is also a textile artist (see her work here, and here) and so it is no wonder that textiles were beautifully highlighted this month in the gallery! Shahnaz Nia‘s Dreaming of Appalachia is inspired by her love of Appalachia and the call of nature. The Art League interviewed Nia about her Best in Show winning work, her process, and how she came to create the mixed media textile piece:

How did you come up with the concept for this piece? How did this work evolve?

Dreaming of Appalachia evolved after spending several weeks on a large, surrealist painting I was doing. The piece itself was a peculiar scene with bold colors—but I grew to really dislike it as I was working on it. There was a point where I couldn’t even stand to look at it anymore, so one day, I flipped the canvas over on my easel and the wooden frame was facing me. I had seen a fiber artist’s work on Instagram and thought to myself, what if I did something similar? So I used the wood frame of the canvas to do something of my own. I gathered some nails, a hammer, a ruler, and meticulously measured out a centimeter distance between each nail I put along the frame. 

Is this the first weaving you’ve done?

Yes, I’ve never done anything like this before! I’ve always felt as if painting was my forte, but I was frustrated with the medium since I wasn’t producing the types of pieces I wished to. When I was younger and painted frequently, my mom took me to Iran one year, since both my parents are Iranian. We were in Tehran for the summer, and my mother had a connection to a well-known artist, Abbas Katouzian. His work was everywhere in Iran. I was only ten years old when I took painting classes at his house with a couple other girls as well. We sat in a little classroom within his house and learned how to oil paint. 

That’s how my art began, but I’ve slowly lost it over the years, y’know? I’ve been trying to balance having a stable life and job along with making my art. I’m actually a dentist, and I do my art on the side because that’s what makes me feel alive; it’s my passion. After long days in the office, I would come home and add layers onto Dreaming of Appalachia since it was somewhat mindless. I started from the bottom of the piece, and worked my way to the top. It took me months to finish.

During the time I started to work full-time, I realized that I wasn’t satisfied enough with dentistry. I needed something to keep me sane, which was how Dreaming of Appalachia got started.

There’s a strong sense of dedication to the Appalachian Mountains with this; it provides a meditation of being there without physically being present.

There was no stress about the end product of this work since the texture of the yarn was already so warm and inviting. Regardless of the result, the scale was going to be large due to the size of the makeshift loom, which I knew would be interesting and draw attention. Though it was fun to play around with the dimension; I used the 3D aspect of the yarn to keep the composition interesting. This weaving is a really, really playful piece with its areas of dense, puffy yarn. 

Was there a large aspect of spontaneity with the fiber, or was there some structure of a sketch you were trying to follow? 

Zero planning. I went to the store, got all my materials, and just started going layer by layer. During this, I would step back to look at it from a distance and evaluate what needed more thickness, or if an area required a finer stitch. The white background at the top of the piece took the longest amount of time because it was a repetitive one by one by one by one… you get the idea haha. It was so tiny and took so long—I was exhausted working on this piece by the end of it. 

The process of making Dreaming of Appalachia reminded me of a hike. You start out really optimistic, “Yeah! This is gonna be awesome!” All of a sudden, you’re halfway up the mountain when you realize that it, maybe, wasn’t the best idea hiking in the summer heat. You feel exhausted and out of breath. 

That process sounds all too familiar!

Even still, through it all, this piece means so much more to me now since its selection into the show. I got engaged last week while my boyfriend and we were hiking a mountain, so everything about this weave feels special now. I grew up in Georgia, hiking the Appalachian trails for most of my life. 

The title of the piece, Dreaming of Appalachia, I would love to hear what you’re dreaming about in Appalachia⁠—if there’s anything you were meditating on while creating this. 

Dreaming of Appalachia is based upon a feeling. Since I was a kid, I’ve had a fascination with nature. When my parents would drive us to a trail, I would be carsick in the backseat, looking out the window and completely mesmerized by all the mountains in the crazy wilderness. Seeing all of that took me by shock as a kid. As I got older, the wilderness centered me and brought me my spirituality. Being in the woods makes me feel as if I’m in church—that is my church. With Dreaming of Appalachia, whenever I felt stressed, especially in the winter when it’s cold, I would dream about Appalachia. There’s a specific quiet hum in the mountains, and that sound of stillness is what my piece is all about. I get fed up with the day-to-day grind of city life, so my fantasy is to live and be out there. 

That is such a dream, and a beautiful answer! How do you think fiber, as a material, connects to the South? I know fiber is generally labeled as “women’s work,” so I’m intrigued if you could expand on these inquires.

Fiber reminds me of warmth and comfort; there’s an embrace of fibers in our clothes, blankets, and how those objects are the first things we latch onto. It feels like a primitive materiality. And with “women’s work,” I feel connected to that on a generational scale⁠— How many women have done this work before me?

It’s nice that you can put it back into your work. You did this meditative practice, with materials unfamiliar to you as a dedication to one of the most familiar place to you, and that’s so interesting to learn. Do you think you’ll continue in fiber?

Right now, I’ve been learning ceramic work for the past year—I’ve been taking classes here at The Art League. I’m not very good at it! I’m realizing that. I used to do charcoal drawings, acrylic, oil, and encaustic work…I really take everything one day at a time, because anything is possible. So, I don’t think I’ll cast my fiber practice aside. The recognition I’ve received from Dreaming of Appalachia encourages me not to just shove this under my mattress once the show is over.

You can see Nia’s piece as well as the entire August Open Exhibit, and B.D. Richardson’s “Gone Fishin'” through September 8. 

Welcome Back to Metro Week – Special Gallery Discount!

It’s been a long three months of repairs on the Yellow and Blue line Metro, but the metro is coming back to Old Town and we couldn’t be happier to welcome everyone back with a special deal!

The Art League, along with other Old Town businesses, will be offering Metro riders special discounts they show their Metro SmarTrip card at participating businesses during the week of the Metro re-opening, Monday, September 9 through Sunday, September 15.

To sweeten the welcome, The Art League will be offering 10% off in the gallery (when you show your SmarTrip Metro card September 9 through September 15, 2019!

Starting September 9, come and see Susan Callahan’s “Kitchen Stories”, our special Illustration Exhibit juried by Will Varner, and the Zeitgeist exhibit juried by Zoey Frank, and Gallery 75 and save 10% on your purchase on anything in the gallery!

A Look Back at Art Camp 2019

The Madison Annex is decidedly quieter this week as Art Camp 2019 wraps up. After a fun and creative summer, campers are making their way back to school for the 2019-2020 year. We can’t wait to have them back again next year, but in the meantime let’s take a look at all of the creativity of the Summer 2019 Art Camps!

Photos of Art Camp 2019

An Art Camper creates his own Van Gogh inspired still life

 

Another camper works on her own still life
Another camper works on her own floral still life

 

An older camper works on figurative drawing
An older camper works on figurative drawing

 

Crazy creative creatures by our Art Campers

 

Older campers working with “models”

 

Landscapes created by some of our younger campers

 

Creating 3D sculptures

 

Ready for action with these sculptures

 

Amazing detail on this character’s head!

See last year’s numbers and more here.

We love Summer Art Camp…but there’s no need to wait for the warm weather to get your kids to explore their inner artist! Check out our fall classes and workshops for kids and teens and get them registered!

Artist Opportunities #483

Graphite Drawing by Lisa Semerad

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Featured:

The Torpedo Factory: My Queer Valentine (VA)

Deadline: September 15. Target Gallery invites artists working in all visual media to apply to My Queer Valentine (Juror: Andy Johnson, director of Gallery 102),  an exhibition that will explore love and relationships through LGBTQ+ artists perspectives. The themes and subject of artwork in this exhibition should explore non-heteronormative and non-binary relationships. The tone of the exhibition is playful, fun, and cheeky, so we encourage artists to apply with their perspectives on love (romantic or asexual) with this in mind. To celebrate this exhibition, Target Gallery will be hosting a special Valentine’s Day reception and event in partnership with local LGBTQ+ organizations. Exhibition Dates: January 25, 2020 – March 8, 2020. For more information, visit the Torpedo Factory website. 

The Torpedo Factory: Post-Graduation Residency (VA)

Deadline: September 22. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and 3-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided artists submit proof of residence in the D.C. metropolitan area. Residents receive studio space and public presentation opportunities, including an artist talk and participation in a culminating curated exhibition in the Target Gallery, the contemporary exhibition space for the Torpedo Factory Art Center. Residents are active and equal participants in the Torpedo Factory’s unique creative community. Residents benefit from engagement with local, national, and international artists. For a full description of the requirements and opportunity details please visit The Torpedo Factory website.

The Torpedo Factory: 2020 Emerging Artists (VA)

Deadline: October 27. Target Gallery presents a new yearly exhibition featuring the work of 3-4 regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the D.C. metropolitan area. Artists should have no more than 5 years of experience as a professional exhibiting artist, live within D.C., Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. For more information, visit The Torpedo Factory website. 

New:

Creating Connections: Maryland Art Place (MD)

Deadline: August 24. Maryland Art Place (MAP), in partnership with the CyberWire, is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPRINT Project, MAP is working with the CyberWire to offer a unique opportunity to female visual artists of the greater Baltimore metropolitan area. Collectively, MAP and the CyberWire wish to acquire and possibly commission, time permitting, plus license the image of a work of art. The image of that artwork will be reproduced in a limited edition and presented to the guests of the CyberWire’s 6 th Annual Women in Cyber Security  reception on October 24, 2019.For more information, visit the MD Art Place website. 

Leonardo: When the Arts Reach the Sky (MD)

Deadline: August 30. On the occasion of the 500th anniversary of Leonardo Da Vinci’s death, the Italian Cultural Center of Maryland (ICCM) in collaboration with the Maryland Department of Transportation (MDOT), the Maryland Aviation Administration (MAA), and the office of First Lady Yumi Hogan is pleased to announce a Call for Entries for two juried art exhibitions celebrating the genius of the Renaissance. The exhibition pieces may include works that reinterpret or reimagine Leonardo’s originals. The exhibition pieces will ultimately reflect Leonardo’s legacy of creating art that rests on a foundation of inquiry and knowledge. Entries should visualize or materially reflect on laws of nature and/or the order of the universe, both natural and human-made (including but not limited to current events, historical events, political concepts, and human emotions). The two exhibitions will take place in September, 2019. One will take place at Baltimore/Washington International Thurgood Marshall Airport, and other will take place at the National Italian American Gallery (NIAG) at the ICCM. To learn more visit the Italy MD website. 

Ongoing Exhibitions (CT)

Deadline: August 30. The Art Committee of the Curtis Gallery of the New Canaan Library is looking to showcase wonderful art in their gallery and is calling for submissions. The Curtis Gallery’s auspicious beginnings date to 1955, when a few friends of the New Canaan Library arranged to borrow thirty contemporary pieces by twenty-five American and European Artists, and mounted the Library’s first exhibition. Its walls were filled by the works of Jasper Johns, Robert Rauschenberg, Andy Warhol, Helen Frankenthaler, Roy Lichtenstein, Alexander Calder, Joseph Albers, Kenneth Nolan, Ad Reinhardt, Raoul Dufy and George Rouault. The gallery was formally inaugurated in 1980 to commemorate the life of H. Pelham Curtis, a financier and philanthropist with a passion for the arts. The Library has continually held shows from that time forward. Call for works: 2020 Shows- 8 week shows beginning January 2020, final dates TBD . These shows can be solo or dual which is up to the discretion of the committee. There is no size limit on works for these shows. All mediums except sculpture may be submitted. For additional info, visit the New Canaan Library website

Open Call : Fresh Blood International Call for Artists (NY)

Deadline: September 2. Proto Gomez Gallery seeks entries for a group art exhibition, December 4-22, 2019. Jurors: Nick De Pirro, Enrico Gomez. Fresh Blood is an international open call exhibition opportunity hosted by Proto Gomez, a storefront contemporary art gallery, located in the Two-Bridges neighborhood of Manhattan, New York City. Fresh Blood as an art show, seeks to showcase exciting and innovative contemporary art, produced in a variety of media. While there are no restrictions and applications are open to all, selection preference will be given to artists who have not previously shown with Proto Gomez, Proto Gallery, M E N Gallery, The Dorado Project, and their affiliates. $30.00 USD for up to 5 images (jpgs). For additional info., visit the Protogallery site.

86th International Exhibition of Fine Art in Miniature juried by Art League Instructor Pattee Hipschen (DC)

Deadline: September 7. The Miniature Painters, Sculptors & Gravers Society of Washington, DC seeks entries for a juried art exhibition, November 17, 2019 – January 5, 2020 at The Mansion at Strathmore in North Bethesda, MD. $8,000 in awards. Juror: Art League Instructor, Pattee Hipschen. Original miniature art works in any traditional media, prints from original plates, and sculptures will be considered for exhibition providing they have not been exhibited at previous MPSGS shows. Maximum image size must not exceed 25 square inches, maximum outside dimension of frame, 56 square inches; sculptures no larger than 6 inches in any dimension, including base. No crafts or artworks produced by photographic, giclée, laser or digital techniques accepted. Entry fees vary – see prospectus. For more info., visit the Miniature Painters, Sculptors & Gravers Society of DC.

Transcendence: A Call for Works About Going Beyond the Normal (OH)

Deadline: September 8. The Cincinnati based non-profit arts organization and gallery, Manifest, invites visual artists to submit works about going beyond the ordinary, for an upcoming exhibition November 8 – December 6, 2019. Consider work that addresses the idea of Transcendence as a subject, rather than an aspect of the ambition, dedication, and rigor of the artist themselves? How does visual art represent, either through subject, form, or content, a notion which, in some form or another, underlies much of human introspection and civilized activity since our earliest days as a species? Artists are encouraged to take a broadly creative view of the theme. This exhibit has no defined expectations for type or style of work. Submissions can range from the most traditional realism to the most conceptual, abstract, or experimental. $40 for up to 4 entries. $5 per each additional entry. For more information go to the Manifest Gallery website

RFQ for Public Art in (DC)

Deadline: September 9. Golden Triangle Business Improvement District & Smithsonian American Women’s History Initiative. All qualifications must be submitted online here. Calling all emerging and mid-career artists. The Golden Triangle Business Improvement District (BID) and the Smithsonian American Women’s History Initiative invite you to submit your qualifications to be considered for a public art project to be installed along Connecticut Avenue in 2020. We’re seeking one project that aims to pay tribute to women and their history in our shared public spaces. The artworks will be located in the heart of DC’s central business district on the Connecticut Avenue Median (at K Street NW) . Both new and existing works are eligible.  Budgets of up to $35,000 will be considered for the projects. Fees for artists/artist teams cannot exceed 20% of the total project budget. Up to five semi-finalists may be selected to create concept proposals. Finalists will receive a design proposal stipend. More info on the Smithsonian American Women’s History Initiative. More info on Golden Triangle Arts.  

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

LISTEN – Call for Black Female Artists (PA) 

Deadline: August 19. Sweetwater Center for the Arts in Sewickley, PA is seeking works created by Black female artists that explore ideas, experiences, triumphs and struggles specific to being a Black woman in America. LISTEN seeks to illuminate intersectionality, give voice to Black women, and encourage all to hear their realities. LISTEN is part of the 23rd Annual MAVUNO Festival of African American Art & Culture. Exhibition dates: September 19 – October 26, 2019. For details and to apply visit the Sweetwater Art Center website. 

6th Annual Juried Show: In the Moment (NY) 

Deadline: August 21. The Spencertown Academy Arts Center in Spencertown, New York announces a call to artists for a juried art exhibition, October 5-27, 2019. 1st place, 2nd place, honorable mentions. Juror: Katherine Carter. Any media except photography or fine crafts. No reproductions or giclée will be considered. Members $35. Non-Members $45. This fee covers submission of up to 4 pieces. More info., visit the Spencertown Academy Gallery

“WHEN DARKNESS FALLS: Night Explorations” (Annmarie Sculpture Garden and Arts Center in Association with the Smithsonian Institution) (MD)

Deadline: August 29. With the setting of the sun, the transition from day to night stirs within us a sense of mystery. What secrets does the night hold? What dreams and possibilities can be uncovered? The jury seeks works that reflect on why we are drawn to the darkness and the unknown, including works that communicate the drama of the night and examine sources of light within the dark. Desirable works will explore the symbolism and superstition of the dark and reveal the mystery cloaked in the wonder of the night. For more information, and to apply visit the Annmarie garden website.

Art in Times of Anxiety, Juried Exhibition (NC)

Deadline: August 30. The University of North Carolina at Pembroke announces a call for entries for our 10th Annual International Juried Exhibition.   All interpretations of this year’s theme, “Art in Times of Anxiety” are welcome in a variety of media, subjects, and approaches. Artists are invited to submit two-dimensional, three-dimensional, installation or digital media (including video based media). Composition, technique, style, expression, and craft will be considered in the selection process. All artists who are selected by this year’s juror will be displayed in the UNCP’s Art Department Gallery from Thursday, October 04 – Friday, November 01, 2019. Awards: $600 first prize, $200 second prize, and $100 third prize. Entry and Handling Fee: The processing fee for entry is $25.00 and allows for up to 3 entries per artist. For more information and a full prospectus visit the UNCP website.

3rd Annual National Juried Exhibition – WI 

Deadline: August 30. Wausau Museum of Contemporary Art (Wausau, WI) seeks entries for a juried art exhibition, October 8 – December 28, 2019. Best of Show Cash Award and Fine Art Connoisseur Magazine Award of Excellence. Juror: John Dalton. All mediums, two and three dimensional. Must be at least 18 years old living in the US. $75 entry fee. For more info., visit the WMOCA website. 

A Show of Heads (NY)

Deadline: August 31. SlowArt Productions announces a call to artists for a juried art exhibition, October 17 – November 9, 2019 at Limner Gallery in Hudson, NY. Exhibition and promotion awards. Juror: Limner Gallery Director. Open to all work that includes and/or is based on the portrayal and interpretation of the human head. $35 entry fee. Visit the SlowArt website to learn more and apply

 

Call for Entries: Everyday Objects (NJ)

Deadline: September 1. Everyday Objects: Every day we are surrounded by objects that we have relationships with – physical relationships, psychological relationships, sensory relationships. These objects carry a history and a set of meanings that we sometimes share collectively and other times are extremely personal to our individual experiences. Found-object artists investigate these relationships; exploring the inherent beauty in objects and how these objects can have meaning shared by the collective memory of our culture/society. The formal history of found-object art can be traced back to the Dada and Surrealist movements of the 1910s-1940s, characterized by the reuse of commercial imagery and appropriation of cultural iconography of the Pop artists, and used more recently by such artists as Carl Andre, Damien Hirst, Sarah Lucas, and Willie Cole. For “Everyday Objects,” Studio Montclair is looking for artwork that celebrates the found object.  Preference will be given to works that incorporate actual everyday objects into collage, sculpture, or industrial design. In a more limited number, drawings, paintings and other mediums will be considered for inclusion in this exhibit. For more information and where to enter, go to the Studio Montclair website. 

LDG Eleventh Annual National Figurative Drawing and Painting Exhibition (PA) 

Deadline: September 2. The Lore Degenstein Gallery in Selinsgrove, PA announces a call to artists for a juried art exhibition, October 26 – December 9, 2019. $7,700 in awards: First $3000, Second $1500, Third $1140, Fourth $900, Fifth $660, Honorable Mention 1 & 2 $250. Juror: Alberto Jorge Carol. Submissions are being accepted for this national, juried visual art competition and exhibition, open to two-dimensional figurative artists (referencing the human figure in some way), who are over the age of 18, working in painting, drawing, or printmaking. $25 entry fee. For more information, go to the susqu.edu website. 

Superfine! Art Fair DC Call for Artists (DC)

Deadline: September 4. For the second year in a row, Superfine! is returning to the bustling Union Market in Washington DC and we’re inviting the cutting-edge of emerging talent to apply for a booth. We’re all but sold out of solo artist booths, but we do have a handful of larger booths available which are ideal for an artist collective or gallery. Location: Union Market, 1309 5th St. NE, Washington, DC 20002. Fair dates: October 30 – November 3, 2019. To learn more, visit the Superfine! DC website.

Strokes of Genius 2019 (MD)

Deadline: September 5. The Maryland Federation of Art (MFA) seeks entries for its 9th annual all-painting competition, held November 1-27 at the Circle Gallery in Annapolis, Maryland. $1,000 in awards. Juror: Raoul Middleman, The Maryland Institute College of Art. Open to all artists residing in the United States, Puerto Rico, Canada, and Mexico. All original 2-D work created through any painting media (inc. oil, pastel, acrylic, watercolor, encaustic, etc.) and following entry guidelines, will be considered. $40 for one or two entries and $5 each for up to four additional entries. View this opportunity and apply here.

Call for 2020 Smithsonian Craft and Design Show (DC)

Deadline: September 7. Each April, in Washington DC, the Smithsonian Women’s Committee (SWC) welcomes 120 outstanding American craft artists and designers to participate in a five-day exhibition and sale – the renowned Smithsonian Craft+Design Show. Three expert jurors select up to 120 exhibitors from the total group of applicants, based on originality, artistic conception and quality of execution. The Show does not charge sales commissions. All proceeds from the Preview Night party, daily show admissions, and other fundraising efforts benefit the education, outreach and research programs of the Smithsonian. More information at the Smithsonian Craft Show website.

Arlington Arts Center Call for Residency (VA)

Deadline: September 9. Arlington Arts Center’s resident artist program provides subsidized studio space in a supportive environment that encourages interaction, dialogue, and exploration. The program gives artists the opportunity to develop their practice in a community with other artists and alongside AAC’s critically acclaimed exhibitions and extensive educational programs.As members of AAC’s community, resident artists also contribute to the organization’s broader mission of connecting the public to contemporary art and artists. Resident artists are also required to supervise the gallery for four hours each month, attend 4-6 resident/ staff meetings per year, participate in AAC’s annual fundraising event, and to engage in other community outreach activities. Contemporary visual artists working in all media are welcome to apply. If you applied to the studio residency program within the past year and want to be considered for this opportunity, email [email protected] with “Include My Residency Application in 2019 Review” in the subject line. If you’re new to applying, visit the Arlington Art Center website. 

Annual Open Call for Proposals (DC)

Deadline: September 10, before 4 pm. IA&A at Hillyer (formerly Hillyer Art Space) is a program of International Arts & Artists, a non-profit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts. Hillyer is a contemporary art gallery in Washington, DC. We are committed to supporting artists at all stages of their careers. Selected artists are awarded the following: A month long exhibition in one Hillyer’s three gallery rooms; Artist honorarium; Inclusion in annual RISE exhibition;  previewing selected artists for 2020/21 season; Ongoing support from Hillyer staff, including a studio visit and exhibition consultation with Hillyer’s Director, assistance with exhibition installation and deinstallation, review of exhibition materials (artist statement, bio, labels, etc), and marketing and promotion of exhibition; Accepted artists also benefit from our Artist Advisory Program, where our highly qualified Artist Advisory Committee works individually with each artist to help them prepare their exhibitions and establish themselves in the DC-arts community; opportunity to give artist talks, lead public programs and workshops, artist interviews featured on blog, in artist spotlight video; one-year International Arts & Artists membership. For more information, visit the IA&A Hillyer website. 

2019 International Juried Ceramics Exhibition (NJ)

 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art 2019 website

2019 International Juried Ceramics Exhibition (NJ) 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art website. 

VA Raleigh: UNFINISHED BUSINESS (NC)

Deadline: September 16. UNFINISHED BUSINESS is a juried call for art open to any works in progress. We want to see what you’re working on, whether it’s just started, midway, or almost done. This exhibition will also serve as an opportunity to receive comments and critiques on your works before the finishing touches are applied. UNFINISHED BUSINESS is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three-dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Entry Fees: This call for art is FREE. For more information and to apply, visit, VA Raleigh’s website.

Dexter Jones Award: National Sculpture Society (NY)

Deadline: November 4. The Dexter Jones Award is an unrestricted prize of $5,000.  It is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. For more information, and to apply visit the National Sculpture website.

King Street Gallery Call for Entry (MD)

Deadline: November 25. The Morris and Gwendolyn Cafritz Foundation Arts Center has a number of spaces available for mounting exhibitions that support the academic mission of the Department of Visual and Performing Arts. This open call is for our King Street Gallery, the largest exhibition space in the Cafritz Arts Center. This light filled, 1050 square foot gallery is in the main atrium of the building. Its prominent location, open design, and extremely high ceilings (30 feet+) make it a great venue for major exhibitions. While much of this gallery space is visible from the main lobby of the building, and through the windows that front onto the street, it does maintain gallery hours and is locked after hours. The gallery hours are Monday–Friday, 8 a.m.– 4 p.m. Exhibitions are generally scheduled a year in advance to complement the academic calendar. Exhibitions in the King Street Gallery are 4-5 weeks long, and emphasize two person or small group shows. Single artist applications may be paired with a complimentary artist or artists to better utilize the space. Curated proposals are encouraged. Learn more about this opportunity at the Montgomery College website.

Ongoing:

Wall Art/Mural for Arlington Based Gym (VA)

Deadline/Timeline: Start in late August and completed by late September. Company has brand guide and some inspiration boards to start from. Walls would be painted directly and dimensions will be given upon request. Style and final product are open ended but the aim is to inspire gym goers who are primarily runners. Artists who live or work in Washington, DC, Maryland, Virginia can apply. Budget has not been determined. Send Curt Cimino, [email protected] any questions or comments.”

Del Ray Artisans: High Note Art Exhibit (VA)

Deadline: rolling.  Join the Del Ray Artisans for High Note, an art exhibit exploring the connection between music and the mind. Meet the curators and some of the artists at the opening reception on Friday, September 6 from 7-9pm. The exhibit runs September 6-29, 2019 at Del Ray Artisans gallery in the Colasanto Center, 2704 Mount Vernon Avenue, Alexandria, Virginia 22301. Gallery hours are: Thursdays 12-6pm, First Thursdays (April-September) 12-9pm, Fridays 12-9pm, Saturdays 12-9pm, and Sundays 12-6pm. The gallery is free, open to the public, and accessible. For more information, visit the Del Ray Artisans website.

Printmakers Inc. Call for New Member Portfolios (VA)

Deadline: Rolling. Rolling portfolio call for interested new members of Printmaker’s Inc: a non-profit dedicated to furthering the practice of Printmaking and residents of the Torpedo Factory for over forty years. Printmakers is looking for a new teammate for their shared studio. Members take turns working, share a commission on sales of 30%, and pay a small share of rent. The studio is equipped with three presses, storage space, inking tables, and multiple exhibit spaces for groups and solo exhibitions. If you are interested in having your work seen by the over 100,000 visitors annually, please drop off your artist statement, resume, and a portfolio with eight to 10 prints representative of a body of work at Studio 325 at the Torpedo Factory Art Center (105 North Union, Alexandria, VA). For more information, view the Facebook post with this call. 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

Artist/Writers: Medicine and the Arts (MATA) Opportunity

Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on theAwesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

NYC volunteer opportunity (NY)

Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

Looking for artists: Multiple Exposures Gallery (VA)

www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.

Hot Off The Presses: New Book Classes and The Art League at Emerging Writers Festival!

You may not be in school anymore but the back-to-school season has us feeling ready to get back to classes at The Art League! The end of August always makes us want to go shopping for new art supplies, sketch pads, and books–that’s why the Book Fair at Emerging Writers Festival hosted by Visit Alexandria and Old Town Books is the perfect time to peruse books and also find out more about our hot-off-the-presses book illustration and book binding classes directly from new book arts faculty members: Jovana Ivezic and Kate Samworth.

Book Arts Classes:

Illustration/Visual Story taught by Kate Samworth. In Illustration/Visual Story students develop their skills in visual story-telling using traditional materials and personal style through a series of demonstrations and guided exercises. Coursework includes exploration of limited palettes, perspective drawing as a basis for invention, and expression through body language. Participants examine classic and contemporary examples of illustration at its best, from Renaissance painting to today’s picture books.

“Aviary Wonders Inc.” Illustrated by Kate Samworth

Kate Samworth is an artist inspired by a love of nature and adventure. She has illustrated books for children and adults and for exhibits at the International Spy Museum in DC. She gathers ideas from around the world and has found unusual ways to travel: touring Europe with her band in the 80s, translating for a hiking guide in Brazil, and volunteering on organic farms in Spain and Turkey. She teaches annual workshops in Spain. Kate is currently working on a new series about a revolution led by bears. She is represented by Le Mieux Gallery in New Orleans, LA and exhibits in various galleries around the US. 

Foundation Bookbinding taught by Jovana Ivezic. In Foundation Bookbinding students learn the foundations needed to make their own books. Basic bookbinding terminology, several binding structures of varying complexity, and how to make customized protective enclosures for finished books are covered. Each structure and project is taught with thorough, step-by-step demonstrations preparing the student to tackle a final project of their own design. Bookbinding offers a wide range of creative outlets. The instructor guides students through construction of sketchbooks, journals, and more.

Journals made by Jovana Ivezic

Jovana Ivezic is a book binder, aspiring conservator, and artist from Bethesda, Maryland. She graduated from MICA with a BFA in Printmaking and concentrations in Book Arts and Illustration in 2016, and currently works as a Library Technician in the Collections Conservation Care Section at the Library of Congress. She repairs both general and special collections within the Library and takes pride in knowing her work facilitates patrons’ access to the vast resources that the Library has to offer.

Book Fair at Emerging Writers Festival:

Join us for August 17, from 1:00-6:00 PM at the Emerging Writers Festival Book Fair (Carlyle House, Magnolia Terrace) to celebrate all things literary! Meet representatives from literary arts organizations, small and independent presses, and vendors selling hand-bound books, gifts, and more. The Art League illustration and book arts faculty (Jovana Ivezic and Kate Samworth) will be on hand to discuss our upcoming Fall book arts class offerings.

About the Festival: The Emerging Writers Festival aims to celebrate, educate, and inspire emerging writers over three days of free and low-cost literary arts programming. The goal of the festival is to connect readers to new writers, and emerging writers to new opportunities, skills, and to each other.  

Artist Opportunities #482

Pottery by Michael Brehl

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Featured:

The Art League Illustration Special Exhibit (VA)

Deadline: August 15. The Illustration Special Exhibit, juried by illustrator Will Varner, will be featured in September alongside the Zeitgeist exhibit. Illustration is a broad term for visual storytelling. It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented, the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. For more information, visit The Art League website.

The Art League Zeitgeist Exhibit (VA)

Deadline: August 15. zeit·geist /ˈtsītˌɡīst,ˈzītˌɡīst /, noun: The defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time. This exhibit, juried by Zoey Frank, explores the concept of artists throughout history capturing the spirit of their time in a variety of visual ways, acting as bellwethers for the current cultural climate. Similarly, these artists serve as historians by preserving the pathos of eras gone by. Artists submitting to this exhibit are encouraged to submit work that captures what they view as the “spirit of the times” be it current or past. To learn more and apply, visit The Art League website.

The Torpedo Factory: My Queer Valentine (VA)

Deadline: September 15. Target Gallery invites artists working in all visual media to apply to My Queer Valentine (Juror: Andy Johnson, director of Gallery 102),  an exhibition that will explore love and relationships through LGBTQ+ artists perspectives. The themes and subject of artwork in this exhibition should explore non-heteronormative and non-binary relationships. The tone of the exhibition is playful, fun, and cheeky, so we encourage artists to apply with their perspectives on love (romantic or asexual) with this in mind. To celebrate this exhibition, Target Gallery will be hosting a special Valentine’s Day reception and event in partnership with local LGBTQ+ organizations. Exhibition Dates: January 25, 2020 – March 8, 2020. For more information, visit the Torpedo Factory website. 

New:

The Torpedo Factory: 2020 Emerging Artists (VA)

Deadline: October 27. Target Gallery presents a new yearly exhibition featuring the work of 3-4 regional emerging artists. This exhibition spotlights new talent and the up-and-coming artistic innovators of the D.C. metropolitan area. Artists should have no more than 5 years of experience as a professional exhibiting artist, live within D.C., Maryland, or Virginia, and have never had an solo exhibition in a professional gallery space (excluding BFA/MFA exhibitions). Each artist will receive a $500 stipend. For more information, visit The Torpedo Factory website. 

The Torpedo Factory: Post-Graduation Residency (VA)

Deadline: September 22. The Torpedo Factory Post-Grad Residency is a competitive juried program that provides meaningful support and 3-month term solo studio space. This residency is open to recently-graduated students who earned a bachelor’s or master’s art degree from an accredited university. The program is unique for addressing the critical post-graduation juncture in an emerging artist’s career, offering an opportunity for professional development, and a chance to define their independent work process outside of the academic context. Submissions are open for both art school students in the region and nationwide, provided artists submit proof of residence in the D.C. metropolitan area. Residents receive studio space and public presentation opportunities, including an artist talk and participation in a culminating curated exhibition in the Target Gallery, the contemporary exhibition space for the Torpedo Factory Art Center. Residents are active and equal participants in the Torpedo Factory’s unique creative community. Residents benefit from engagement with local, national, and international artists. For a full description of the requirements and opportunity details please visit The Torpedo Factory website.

“WHEN DARKNESS FALLS: Night Explorations” (Annmarie Sculpture Garden and Arts Center in Association with the Smithsonian Institution) (MD)

Deadline: August 29. With the setting of the sun, the transition from day to night stirs within us a sense of mystery. What secrets does the night hold? What dreams and possibilities can be uncovered? The jury seeks works that reflect on why we are drawn to the darkness and the unknown, including works that communicate the drama of the night and examine sources of light within the dark. Desirable works will explore the symbolism and superstition of the dark and reveal the mystery cloaked in the wonder of the night. For more information, and to apply visit the Annmarie garden website.

Superfine! Art Fair DC Call for Artists (DC)

Deadline: September 4. For the second year in a row, Superfine! is returning to the bustling Union Market in Washington DC and we’re inviting the cutting-edge of emerging talent to apply for a booth. We’re all but sold out of solo artist booths, but we do have a handful of larger booths available which are ideal for an artist collective or gallery. Location: Union Market, 1309 5th St. NE, Washington, DC 20002. Fair dates: October 30 – November 3, 2019. To learn more, visit the Superfine! DC website.

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Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Contrive: A National Exhibition of Photo Manipulation and Surreal Photography (VA) 

Deadline: August 11.  d’Art Center in Norfolk, Virginia seeks entries for a juried photography exhibition, September 14 – October 8. Awards for 1st: $500, 2nd: $300, 3rd: $150. Contrive is a national juried exhibition that features surreal photography and photo manipulation. Open to all photography that involves transforming or altering a photograph using either digital or physical methods, such as long or double exposures, compositing, or digital software as well as photography that is surreal in content. Throughout history, photographers have created their own worlds using darkroom tricks and optical illusions. Today we can create our own peculiar worlds using real-life objects/settings, editing programs, or both. This exhibition is open to all artists living in the United States and will be juried by Amanda Bradley, and curated by d’Art Center Staff. $35 for up to 3 works. More info., visit the d’Art Center in Norfolk website. 

Call for Entry: Illustration Exhibit at The Art League Gallery (VA)

Deadline: August 15 (midnight). Illustration is a broad term for visual storytelling.  It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. Artists may enter any current work made within 5 years. Award: $500 for Best in Show. For more information and to apply, visit The Art League website. 

LISTEN – Call for Black Female Artists (PA) 

Deadline: August 19. Sweetwater Center for the Arts in Sewickley, PA is seeking works created by Black female artists that explore ideas, experiences, triumphs and struggles specific to being a Black woman in America. LISTEN seeks to illuminate intersectionality, give voice to Black women, and encourage all to hear their realities. LISTEN is part of the 23rd Annual MAVUNO Festival of African American Art & Culture. Exhibition dates: September 19 – October 26, 2019. For details and to apply visit the Sweetwater Art Center website. 

6th Annual Juried Show: In the Moment (NY) 

Deadline: August 21. The Spencertown Academy Arts Center in Spencertown, New York announces a call to artists for a juried art exhibition, October 5-27, 2019. 1st place, 2nd place, honorable mentions. Juror: Katherine Carter. Any media except photography or fine crafts. No reproductions or giclée will be considered. Members $35. Non-Members $45. This fee covers submission of up to 4 pieces. More info., visit the Spencertown Academy Gallery

Art in Times of Anxiety, Juried Exhibition (NC)

Deadline: August 30. The University of North Carolina at Pembroke announces a call for entries for our 10th Annual International Juried Exhibition.   All interpretations of this year’s theme, “Art in Times of Anxiety” are welcome in a variety of media, subjects, and approaches. Artists are invited to submit two-dimensional, three-dimensional, installation or digital media (including video based media). Composition, technique, style, expression, and craft will be considered in the selection process. All artists who are selected by this year’s juror will be displayed in the UNCP’s Art Department Gallery from Thursday, October 04 – Friday, November 01, 2019. Awards: $600 first prize, $200 second prize, and $100 third prize. Entry and Handling Fee: The processing fee for entry is $25.00 and allows for up to 3 entries per artist. For more information and a full prospectus visit the UNCP website.

3rd Annual National Juried Exhibition – WI 

Deadline: August 30. Wausau Museum of Contemporary Art (Wausau, WI) seeks entries for a juried art exhibition, October 8 – December 28, 2019. Best of Show Cash Award and Fine Art Connoisseur Magazine Award of Excellence. Juror: John Dalton. All mediums, two and three dimensional. Must be at least 18 years old living in the US. $75 entry fee. For more info., visit the WMOCA website. 

A Show of Heads (NY)

Deadline: August 31. SlowArt Productions announces a call to artists for a juried art exhibition, October 17 – November 9, 2019 at Limner Gallery in Hudson, NY. Exhibition and promotion awards. Juror: Limner Gallery Director. Open to all work that includes and/or is based on the portrayal and interpretation of the human head. $35 entry fee. Visit the SlowArt website to learn more and apply

Call for Entries: Everyday Objects (NJ)

Deadline: September 1. Everyday Objects: Every day we are surrounded by objects that we have relationships with – physical relationships, psychological relationships, sensory relationships. These objects carry a history and a set of meanings that we sometimes share collectively and other times are extremely personal to our individual experiences. Found-object artists investigate these relationships; exploring the inherent beauty in objects and how these objects can have meaning shared by the collective memory of our culture/society. The formal history of found-object art can be traced back to the Dada and Surrealist movements of the 1910s-1940s, characterized by the reuse of commercial imagery and appropriation of cultural iconography of the Pop artists, and used more recently by such artists as Carl Andre, Damien Hirst, Sarah Lucas, and Willie Cole. For “Everyday Objects,” Studio Montclair is looking for artwork that celebrates the found object.  Preference will be given to works that incorporate actual everyday objects into collage, sculpture, or industrial design. In a more limited number, drawings, paintings and other mediums will be considered for inclusion in this exhibit. For more information and where to enter, go to the Studio Montclair website. 

LDG Eleventh Annual National Figurative Drawing and Painting Exhibition (PA) 

Deadline: September 2. The Lore Degenstein Gallery in Selinsgrove, PA announces a call to artists for a juried art exhibition, October 26 – December 9, 2019. $7,700 in awards: First $3000, Second $1500, Third $1140, Fourth $900, Fifth $660, Honorable Mention 1 & 2 $250. Juror: Alberto Jorge Carol. Submissions are being accepted for this national, juried visual art competition and exhibition, open to two-dimensional figurative artists (referencing the human figure in some way), who are over the age of 18, working in painting, drawing, or printmaking. $25 entry fee. For more information, go to the susqu.edu website. 

Strokes of Genius 2019 (MD)

Deadline: September 5. The Maryland Federation of Art (MFA) seeks entries for its 9th annual all-painting competition, held November 1-27 at the Circle Gallery in Annapolis, Maryland. $1,000 in awards. Juror: Raoul Middleman, The Maryland Institute College of Art. Open to all artists residing in the United States, Puerto Rico, Canada, and Mexico. All original 2-D work created through any painting media (inc. oil, pastel, acrylic, watercolor, encaustic, etc.) and following entry guidelines, will be considered. $40 for one or two entries and $5 each for up to four additional entries. View this opportunity and apply here.

Call for 2020 Smithsonian Craft and Design Show (DC)

Deadline: September 7. Each April, in Washington DC, the Smithsonian Women’s Committee (SWC) welcomes 120 outstanding American craft artists and designers to participate in a five-day exhibition and sale – the renowned Smithsonian Craft+Design Show. Three expert jurors select up to 120 exhibitors from the total group of applicants, based on originality, artistic conception and quality of execution. The Show does not charge sales commissions. All proceeds from the Preview Night party, daily show admissions, and other fundraising efforts benefit the education, outreach and research programs of the Smithsonian. More information at the Smithsonian Craft Show website.

Arlington Arts Center Call for Residency (VA)

Deadline: September 9. Arlington Arts Center’s resident artist program provides subsidized studio space in a supportive environment that encourages interaction, dialogue, and exploration. The program gives artists the opportunity to develop their practice in a community with other artists and alongside AAC’s critically acclaimed exhibitions and extensive educational programs.As members of AAC’s community, resident artists also contribute to the organization’s broader mission of connecting the public to contemporary art and artists. Resident artists are also required to supervise the gallery for four hours each month, attend 4-6 resident/ staff meetings per year, participate in AAC’s annual fundraising event, and to engage in other community outreach activities. Contemporary visual artists working in all media are welcome to apply. If you applied to the studio residency program within the past year and want to be considered for this opportunity, email [email protected] with “Include My Residency Application in 2019 Review” in the subject line. If you’re new to applying, visit the Arlington Art Center website. 

Annual Open Call for Proposals (DC)

Deadline: September 10, before 4 pm. IA&A at Hillyer (formerly Hillyer Art Space) is a program of International Arts & Artists, a non-profit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts. Hillyer is a contemporary art gallery in Washington, DC. We are committed to supporting artists at all stages of their careers. Selected artists are awarded the following: A month long exhibition in one Hillyer’s three gallery rooms; Artist honorarium; Inclusion in annual RISE exhibition;  previewing selected artists for 2020/21 season; Ongoing support from Hillyer staff, including a studio visit and exhibition consultation with Hillyer’s Director, assistance with exhibition installation and deinstallation, review of exhibition materials (artist statement, bio, labels, etc), and marketing and promotion of exhibition; Accepted artists also benefit from our Artist Advisory Program, where our highly qualified Artist Advisory Committee works individually with each artist to help them prepare their exhibitions and establish themselves in the DC-arts community; opportunity to give artist talks, lead public programs and workshops, artist interviews featured on blog, in artist spotlight video; one-year International Arts & Artists membership. For more information, visit the IA&A Hillyer website. 

2019 International Juried Ceramics Exhibition (NJ)

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art 2019 website

2019 International Juried Ceramics Exhibition (NJ) 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art website. 

VA Raleigh: UNFINISHED BUSINESS (NC)

Deadline: September 16. UNFINISHED BUSINESS is a juried call for art open to any works in progress. We want to see what you’re working on, whether it’s just started, midway, or almost done. This exhibition will also serve as an opportunity to receive comments and critiques on your works before the finishing touches are applied. UNFINISHED BUSINESS is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three-dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Entry Fees: This call for art is FREE. For more information and to apply, visit, VA Raleigh’s website.

Dexter Jones Award: National Sculpture Society (NY)

Deadline: November 4. The Dexter Jones Award is an unrestricted prize of $5,000.  It is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. For more information, and to apply visit the National Sculpture website.

King Street Gallery Call for Entry (MD)

Deadline: November 25. The Morris and Gwendolyn Cafritz Foundation Arts Center has a number of spaces available for mounting exhibitions that support the academic mission of the Department of Visual and Performing Arts. This open call is for our King Street Gallery, the largest exhibition space in the Cafritz Arts Center. This light filled, 1050 square foot gallery is in the main atrium of the building. Its prominent location, open design, and extremely high ceilings (30 feet+) make it a great venue for major exhibitions. While much of this gallery space is visible from the main lobby of the building, and through the windows that front onto the street, it does maintain gallery hours and is locked after hours. The gallery hours are Monday–Friday, 8 a.m.– 4 p.m. Exhibitions are generally scheduled a year in advance to complement the academic calendar. Exhibitions in the King Street Gallery are 4-5 weeks long, and emphasize two person or small group shows. Single artist applications may be paired with a complimentary artist or artists to better utilize the space. Curated proposals are encouraged. Learn more about this opportunity at the Montgomery College website.

Ongoing:

Wall Art/Mural for Arlington Based Gym (VA)

Deadline/Timeline: Start in late August and completed by late September. Company has brand guide and some inspiration boards to start from. Walls would be painted directly and dimensions will be given upon request. Style and final product are open ended but the aim is to inspire gym goers who are primarily runners. Artists who live or work in Washington, DC, Maryland, Virginia can apply. Budget has not been determined. Send Curt Cimino, [email protected] any questions or comments.”

Del Ray Artisans: High Note Art Exhibit (VA)

Deadline: rolling.  Join the Del Ray Artisans for High Note, an art exhibit exploring the connection between music and the mind. Meet the curators and some of the artists at the opening reception on Friday, September 6 from 7-9pm. The exhibit runs September 6-29, 2019 at Del Ray Artisans gallery in the Colasanto Center, 2704 Mount Vernon Avenue, Alexandria, Virginia 22301. Gallery hours are: Thursdays 12-6pm, First Thursdays (April-September) 12-9pm, Fridays 12-9pm, Saturdays 12-9pm, and Sundays 12-6pm. The gallery is free, open to the public, and accessible. For more information, visit the Del Ray Artisans website.

Printmakers Inc. Call for New Member Portfolios (VA)

Deadline: Rolling. Rolling portfolio call for interested new members of Printmaker’s Inc: a non-profit dedicated to furthering the practice of Printmaking and residents of the Torpedo Factory for over forty years. Printmakers is looking for a new teammate for their shared studio. Members take turns working, share a commission on sales of 30%, and pay a small share of rent. The studio is equipped with three presses, storage space, inking tables, and multiple exhibit spaces for groups and solo exhibitions. If you are interested in having your work seen by the over 100,000 visitors annually, please drop off your artist statement, resume, and a portfolio with eight to 10 prints representative of a body of work at Studio 325 at the Torpedo Factory Art Center (105 North Union, Alexandria, VA). For more information, view the Facebook post with this call. 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

Artist/Writers: Medicine and the Arts (MATA) Opportunity

Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on theAwesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

NYC volunteer opportunity (NY)

Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

Looking for artists: Multiple Exposures Gallery (VA)

www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.

 

Introducing A New Look for TheArtLeague.org

Have you noticed? The new Art League website is HERE! At the new theartleague.org you’ll find everything that you found on our previous site—and a lot more. We hope this new site will make it easier for you to: search and sign up for classes, see all of our upcoming events, read our blog, and learn more about our community arts efforts whether you’re accessing our site on desktop or a mobile device (it looks GREAT from your smartphone)!

Wanna take a look at what’s new? We can’t wait to show you around!

Classes

Classes are easy to find and color coordinated…almost like perfectly portioned watercolor palette! Want to use the search function? We’ve improved that to make it easier to use, and easier to see all the options available. Make 2019-2020 the year you try something new!

Gallery

See everything Gallery for both viewers and exhibiting artists in the new portal! You can find everything from information about our upcoming exhibits, to our Submittable link, and information for pick-up and drop-off for exhibits.

Support

Need some help? The Support tab has all the answers you need: from how to give to The Art League (thank you!), to volunteer opportunities, information about our outreach programs like SOHO and IMPact and how to become a member!

Events

Interested in Art On events, the Biennial Ikebana Show, the Holiday Ceramics Sale, or (the very popular) Patrons’ Show? The Events tab has all the information you need as well as links out to events, and ticket sales.

About

Learn more about The Art League and our long history of serving the Northern Virginia, DC, and Maryland area! In the “About” section you can also: contact us, find out our address and hours, read more about the history of The Art League, read about us in the press, find out more about our staff and board members, and see any job available openings.

Blog

We’re partial–but we love our Creativity in Action blog! We are glad you’re here (all over 20,000 of you!) and we are pleased to present a shiny new blog format. If you’ve clicked this link from an outside source, welcome! If you have landed on this blog from our blog page, you might have seen this:

 

How are you liking the new website? See something a little off? Please let us know by calling the school office at (703) 683-2323. We’re growing into our new site and welcome your improvements as we tweak our new home!

 

Artist Opportunities #481

Photography by instructor Andarge Asfaw

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Featured:

The Art League Illustration Special Exhibit (VA)

Deadline: August 15. The Illustration Special Exhibit, juried by illustrator Will Varner, will be featured in September alongside the Zeitgeist exhibit. Illustration is a broad term for visual storytelling. It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented, the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. For more information, visit The Art League website.

The Art League Zeitgeist Exhibit (VA)

Deadline: August 15. zeit·geist /ˈtsītˌɡīst,ˈzītˌɡīst /, noun: The defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time. This exhibit, juried by Zoey Frank, explores the concept of artists throughout history capturing the spirit of their time in a variety of visual ways, acting as bellwethers for the current cultural climate. Similarly, these artists serve as historians by preserving the pathos of eras gone by. Artists submitting to this exhibit are encouraged to submit work that captures what they view as the “spirit of the times” be it current or past. To learn more and apply, visit The Art League website.

The Torpedo Factory: My Queer Valentine (VA)

Deadline: September 15. Target Gallery invites artists working in all visual media to apply to My Queer Valentine (Juror: Andy Johnson, director of Gallery 102),  an exhibition that will explore love and relationships through LGBTQ+ artists perspectives. The themes and subject of artwork in this exhibition should explore non-heteronormative and non-binary relationships. The tone of the exhibition is playful, fun, and cheeky, so we encourage artists to apply with their perspectives on love (romantic or asexual) with this in mind. To celebrate this exhibition, Target Gallery will be hosting a special Valentine’s Day reception and event in partnership with local LGBTQ+ organizations. Exhibition Dates: January 25, 2020 – March 8, 2020. For more information, visit the Torpedo Factory website. 

New:

Crafty Bastards 2019 Call for Artisans and Creatives (DC)

Deadline: August 2. Crafty Bastards Arts & Crafts Fair is an exhibition and sale of unique goods from independent artists presented by the Washington City Paper. As D.C.’s premier alternative newsweekly, the Washington City Paper promotes underground art and strives to connect the voice and vision of independent artists with our readers. The festival creates an experience where consumers can discover unconventional, hard-to-find arts and crafts, designer goods, and meet the artists/makers/creatives. Crafty Bastards Arts & Crafts Fair will take place outdoors on Buzzard Point near Audi Field in Washington, D.C. on Saturday, September 28th and Sunday, September 29th, 2019, 10 AM – 5 PM both days. We are on the lookout for artisans, creatives, designers, and small business owners pushing the boundaries of design and creativity. We will review independent designers & makers with ethically sourced or lightly manufactured goods that fit into our aesthetic and overall mission. This includes fair traders and independent designers who may outsource the production of their goods. Please be as descriptive about your product and process in your application as possible. There is a $25 application fee that applies to all vendors. If you do not submit your fee, your application will not be considered. For more information, and to apply, view this call.

6th Annual Juried Show: In the Moment (NY) 

Deadline: August 21. The Spencertown Academy Arts Center in Spencertown, New York announces a call to artists for a juried art exhibition, October 5-27, 2019. 1st place, 2nd place, honorable mentions. Juror: Katherine Carter. Any media except photography or fine crafts. No reproductions or giclée will be considered. Members $35. Non-Members $45. This fee covers submission of up to 4 pieces. More info., visit the Spencertown Academy Gallery

3rd Annual National Juried Exhibition – WI 

Deadline: August 30. Wausau Museum of Contemporary Art (Wausau, WI) seeks entries for a juried art exhibition, October 8 – December 28, 2019. Best of Show Cash Award and Fine Art Connoisseur Magazine Award of Excellence. Juror: John Dalton. All mediums, two and three dimensional. Must be at least 18 years old living in the US. $75 entry fee. For more info., visit the WMOCA website. 

A Show of Heads (NY)

Deadline: August 31. SlowArt Productions announces a call to artists for a juried art exhibition, October 17 – November 9, 2019 at Limner Gallery in Hudson, NY. Exhibition and promotion awards. Juror: Limner Gallery Director. Open to all work that includes and/or is based on the portrayal and interpretation of the human head. $35 entry fee. Visit the SlowArt website to learn more and apply

Call for Entries: Everyday Objects (NJ)

Deadline: September 1. Everyday Objects: Every day we are surrounded by objects that we have relationships with – physical relationships, psychological relationships, sensory relationships. These objects carry a history and a set of meanings that we sometimes share collectively and other times are extremely personal to our individual experiences. Found-object artists investigate these relationships; exploring the inherent beauty in objects and how these objects can have meaning shared by the collective memory of our culture/society. The formal history of found-object art can be traced back to the Dada and Surrealist movements of the 1910s-1940s, characterized by the reuse of commercial imagery and appropriation of cultural iconography of the Pop artists, and used more recently by such artists as Carl Andre, Damien Hirst, Sarah Lucas, and Willie Cole. For “Everyday Objects,” Studio Montclair is looking for artwork that celebrates the found object.  Preference will be given to works that incorporate actual everyday objects into collage, sculpture, or industrial design. In a more limited number, drawings, paintings and other mediums will be considered for inclusion in this exhibit. For more information and where to enter, go to the Studio Montclair website. 

LDG Eleventh Annual National Figurative Drawing and Painting Exhibition (PA) 

Deadline: September 2. The Lore Degenstein Gallery in Selinsgrove, PA announces a call to artists for a juried art exhibition, October 26 – December 9, 2019. $7,700 in awards: First $3000, Second $1500, Third $1140, Fourth $900, Fifth $660, Honorable Mention 1 & 2 $250. Juror: Alberto Jorge Carol. Submissions are being accepted for this national, juried visual artcompetition and exhibition, open to two-dimensional figurative artists (referencing the human figure in some way), who are over the age of 18, working in painting, drawing, or printmaking. $25 entry fee. For more information, go to the susqu.edu website. 

Strokes of Genius 2019 (MD)

Deadline: September 5. The Maryland Federation of Art (MFA) seeks entries for its 9th annual all-painting competition, held November 1-27 at the Circle Gallery in Annapolis, Maryland. $1,000 in awards. Juror: Raoul Middleman, The Maryland Institute College of Art. Open to all artists residing in the United States, Puerto Rico, Canada, and Mexico. All original 2-D work created through any painting media (inc. oil, pastel, acrylic, watercolor, encaustic, etc.) and following entry guidelines, will be considered. $40 for one or two entries and $5 each for up to four additional entries. View this opportunity and apply here.

Arlington Arts Center Call for Residency (VA)

Deadline: September 9. Arlington Arts Center’s resident artist program provides subsidized studio space in a supportive environment that encourages interaction, dialogue, and exploration. The program gives artists the opportunity to develop their practice in a community with other artists and alongside AAC’s critically acclaimed exhibitions and extensive educational programs.As members of AAC’s community, resident artists also contribute to the organization’s broader mission of connecting the public to contemporary art and artists. Resident artists are also required to supervise the gallery for four hours each month, attend 4-6 resident/ staff meetings per year, participate in AAC’s annual fundraising event, and to engage in other community outreach activities. Contemporary visual artists working in all media are welcome to apply. If you applied to the studio residency program within the past year and want to be considered for this opportunity, email [email protected] with “Include My Residency Application in 2019 Review” in the subject line. If you’re new to applying, visit the Arlington Art Center website. 


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

The 2019 Athenaeum Invitational: Board: Out of Our Minds! (VA)

Deadline: August 1. From a purely aesthetic perspective, artists can submit work that relates in any way to board games which might explore a real or imagined board game, an environment where board games are being played, or people playing board games. Have fun with the very concept of a game. While this is an open call for an art exhibition, entries that demonstrate creative brilliance through the core concept and game design are encouraged – as long as the end result can be hung on a wall with picture hooks and communicates the general idea or a particular aspect of the game with no more than a 750 word description. Artists who live or work in Washington, DC, Maryland, Virginia and West Virginia may enter. For more information, visit the Athenaeum site. 

SCWS Annual National Exhibition (SC) 

Deadline: August 4. The SC Watermedia Society announces a call to artists for a national juried art exhibition, November 2 – December 20, 2019 at University Place in Florence, SC. Juror: Ryan Fox. All entries must be executed in watermedia, such as watercolor, acrylic, gouache, etc. Collage is acceptable, however, the painting must be primarily composed of a painted surface. (No oils or water soluble oils accepted). Work may be produced on any surface that will allow framing (required) unless work is created on a canvas with finished edges (or gallery wrapped). Entries must have been completed in the last three years and not previously exhibited in a SCWS show. All persons entering must adhere to the guidelines in the prospectus. SCWS accepts online entries only. Entry fee for Members: $0, Students: $20, Non-Members: $50, $20 for additional entry. Only one entry will be considered for the show. For more information,visit the SCWS website.  

Contrive: A National Exhibition of Photo Manipulation and Surreal Photography (VA) 

Deadline: August 11.  d’Art Center in Norfolk, Virginia seeks entries for a juried photography exhibition, September 14 – October 8. Awards for 1st: $500, 2nd: $300, 3rd: $150. Contrive is a national juried exhibition that features surreal photography and photo manipulation. Open to all photography that involves transforming or altering a photograph using either digital or physical methods, such as long or double exposures, compositing, or digital software as well as photography that is surreal in content. Throughout history, photographers have created their own worlds using darkroom tricks and optical illusions. Today we can create our own peculiar worlds using real-life objects/settings, editing programs, or both. This exhibition is open to all artists living in the United States and will be juried by Amanda Bradley, and curated by d’Art Center Staff. $35 for up to 3 works. More info., visit the d’Art Center in Norfolk website. 

Call for Entry: Illustration Exhibit at The Art League Gallery (VA)

Deadline: August 15 (midnight). Illustration is a broad term for visual storytelling.  It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. Artists may enter any current work made within 5 years. Award: $500 for Best in Show. For more information and to apply, visit The Art League website. 

LISTEN – Call for Black Female Artists (PA) 

Deadline: August 19. Sweetwater Center for the Arts in Sewickley, PA is seeking works created by Black female artists that explore ideas, experiences, triumphs and struggles specific to being a Black woman in America. LISTEN seeks to illuminate intersectionality, give voice to Black women, and encourage all to hear their realities. LISTEN is part of the 23rd Annual MAVUNO Festival of African American Art & Culture. Exhibition dates: September 19 – October 26, 2019. For details and to apply visit the Sweetwater Art Center website. 

Art in Times of Anxiety, Juried Exhibition (NC)

Deadline: August 30. The University of North Carolina at Pembroke announces a call for entries for our 10th Annual International Juried Exhibition.   All interpretations of this year’s theme, “Art in Times of Anxiety” are welcome in a variety of media, subjects, and approaches. Artists are invited to submit two-dimensional, three-dimensional, installation or digital media (including video based media). Composition, technique, style, expression, and craft will be considered in the selection process. All artists who are selected by this year’s juror will be displayed in the UNCP’s Art Department Gallery from Thursday, October 04 – Friday, November 01, 2019. Awards: $600 first prize, $200 second prize, and $100 third prize. Entry and Handling Fee: The processing fee for entry is $25.00 and allows for up to 3 entries per artist. For more information and a full prospectus visit the UNCP website.

Call for 2020 Smithsonian Craft and Design Show (DC)

Deadline: September 7. Each April, in Washington DC, the Smithsonian Women’s Committee (SWC) welcomes 120 outstanding American craft artists and designers to participate in a five-day exhibition and sale – the renowned Smithsonian Craft+Design Show. Three expert jurors select up to 120 exhibitors from the total group of applicants, based on originality, artistic conception and quality of execution. The Show does not charge sales commissions. All proceeds from the Preview Night party, daily show admissions, and other fundraising efforts benefit the education, outreach and research programs of the Smithsonian. More information at the Smithsonian Craft Show website.

Annual Open Call for Proposals (DC)

Deadline: September 10, before 4 pm. IA&A at Hillyer (formerly Hillyer Art Space) is a program of International Arts & Artists, a non-profit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts. Hillyer is a contemporary art gallery in Washington, DC. We are committed to supporting artists at all stages of their careers. Selected artists are awarded the following: A month long exhibition in one Hillyer’s three gallery rooms; Artist honorarium; Inclusion in annual RISE exhibition;  previewing selected artists for 2020/21 season; Ongoing support from Hillyer staff, including a studio visit and exhibition consultation with Hillyer’s Director, assistance with exhibition installation and deinstallation, review of exhibition materials (artist statement, bio, labels, etc), and marketing and promotion of exhibition; Accepted artists also benefit from our Artist Advisory Program, where our highly qualified Artist Advisory Committee works individually with each artist to help them prepare their exhibitions and establish themselves in the DC-arts community; opportunity to give artist talks, lead public programs and workshops, artist interviews featured on blog, in artist spotlight video; one-year International Arts & Artists membership. For more information, visit the IA&A Hillyer website. 

2019 International Juried Ceramics Exhibition (NJ)

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art 2019 website

2019 International Juried Ceramics Exhibition (NJ) 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art website. 

VA Raleigh: UNFINISHED BUSINESS (NC)

Deadline: September 16. UNFINISHED BUSINESS is a juried call for art open to any works in progress. We want to see what you’re working on, whether it’s just started, midway, or almost done. This exhibition will also serve as an opportunity to receive comments and critiques on your works before the finishing touches are applied. UNFINISHED BUSINESS is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three-dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Entry Fees: This call for art is FREE. For more information and to apply, visit, VA Raleigh’s website.

Dexter Jones Award: National Sculpture Society (NY)

Deadline: November 4. The Dexter Jones Award is an unrestricted prize of $5,000.  It is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. For more information, and to apply visit the National Sculpture website.

King Street Gallery Call for Entry (MD)

Deadline: November 25. The Morris and Gwendolyn Cafritz Foundation Arts Center has a number of spaces available for mounting exhibitions that support the academic mission of the Department of Visual and Performing Arts. This open call is for our King Street Gallery, the largest exhibition space in the Cafritz Arts Center. This light filled, 1050 square foot gallery is in the main atrium of the building. Its prominent location, open design, and extremely high ceilings (30 feet+) make it a great venue for major exhibitions. While much of this gallery space is visible from the main lobby of the building, and through the windows that front onto the street, it does maintain gallery hours and is locked after hours. The gallery hours are Monday–Friday, 8 a.m.– 4 p.m. Exhibitions are generally scheduled a year in advance to complement the academic calendar. Exhibitions in the King Street Gallery are 4-5 weeks long, and emphasize two person or small group shows. Single artist applications may be paired with a complimentary artist or artists to better utilize the space. Curated proposals are encouraged. Learn more about this opportunity at the Montgomery College website.

Ongoing:

Wall Art/Mural for Arlington Based Gym (VA)

Deadline/Timeline: Start in late August and completed by late September. Company has brand guide and some inspiration boards to start from. Walls would be painted directly and dimensions will be given upon request. Style and final product are open ended but the aim is to inspire gym goers who are primarily runners. Artists who live or work in Washington, DC, Maryland, Virginia can apply. Budget has not been determined. Send Curt Cimino, [email protected] any questions or comments.”

Del Ray Artisans: High Note Art Exhibit (VA)

Deadline: rolling.  Join the Del Ray Artisans for High Note, an art exhibit exploring the connection between music and the mind. Meet the curators and some of the artists at the opening reception on Friday, September 6 from 7-9pm. The exhibit runs September 6-29, 2019 at Del Ray Artisans gallery in the Colasanto Center, 2704 Mount Vernon Avenue, Alexandria, Virginia 22301. Gallery hours are: Thursdays 12-6pm, First Thursdays (April-September) 12-9pm, Fridays 12-9pm, Saturdays 12-9pm, and Sundays 12-6pm. The gallery is free, open to the public, and accessible. For more information, visit the Del Ray Artisans website.

Printmakers Inc. Call for New Member Portfolios (VA)

Deadline: Rolling. Rolling portfolio call for interested new members of Printmaker’s Inc: a non-profit dedicated to furthering the practice of Printmaking and residents of the Torpedo Factory for over forty years. Printmakers is looking for a new teammate for their shared studio. Members take turns working, share a commission on sales of 30%, and pay a small share of rent. The studio is equipped with three presses, storage space, inking tables, and multiple exhibit spaces for groups and solo exhibitions. If you are interested in having your work seen by the over 100,000 visitors annually, please drop off your artist statement, resume, and a portfolio with eight to 10 prints representative of a body of work at Studio 325 at the Torpedo Factory Art Center (105 North Union, Alexandria, VA). For more information, view the Facebook post with this call. 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

Artist/Writers: Medicine and the Arts (MATA) Opportunity

Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on theAwesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

NYC volunteer opportunity (NY)

Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

Looking for artists: Multiple Exposures Gallery (VA)

www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.

Inna Skidan: Telling the Tale with Whimsy and Wit

Inna Skidan, brought up in Ukraine and now living in the U.S., draws on the richness of her heritage and the cyclical highs and lows of romantic love in her abstract figurative work. When asked about what her work is about, she chuckles and explains: “My paintings are about life and love. Sometimes you feel love—sometimes not.” 

Tree of Life by Inna Skidan

In Tree of Life, the Ukrainian rushnyk (a ceremonial towel or swatch of fabric and a true labor of love) is shown, along with a figure of a bird and a man. In Ukraine, the rushnyk follows a person’s life from birth to marriage and, ultimately, to death. When they are born, babies are wrapped in a rushnyk, sometimes carrying this birth rushnyk into other rites as well. When a person dies their body is also covered in a rushnyk for the funeral. During the marriage ceremony, the couple will step on yet another rushnyk (also the word for “road” in Ukrainian) to symbolize their new journey togetherwhoever steps onto it first is said to have “the last word” in the marriage. During engagement, the future bride presents an (often handcrafted) ornamental rushnyk to her future bridegroom. If a groom was to “steal” a bride from someone else’s rushnyk…well that would be a tale! It’s that story that informs Skidan’s Tree of Life which features a rogue beau stealing a “lovebird” from another’s rushnyk. 

Unrequited Love by Inna Skidan

Skidan not only portrays the rites of passage in life, but also the process of getting there. She embraces the tongue-in-cheek—telling the tales that have been handed down over generations—pieced together with a bit of magic. In Unrequited Love, a male figure and female figure form a quasi circle, while the man’s nonchalant gaze is right ahead, the woman faces him, her body contorted as if to say “I would bend over backward for you.”  Continuing the romantic love bird imagery, Skidan comments, “the woman is fluttering around like a bird” while the man remains completely focused ahead. 

Inna Skidan’s solo exhibit “Shadowed” is on display in the Gallery until August 4.

About the Artist:

Inna Skidan was born in Zhitomir, near Kyiv, Ukraine. Always an artist at heart, Skidan continued her creative pursuits after immigrating to the United States. Skidan has long been inspired by the universal stores of sensitivity and strength that come from Ukrainian folklore. She strives to fill her work with light and life, often experimenting with color, texture, and medium to strike a balance between abstract shapes and narrative focus. 

ART BITES: Interview with Hernán Murno

By Emma Gould

Hernán Murno, a longtime student of The Art League, studied first with Art League instructors Susan Herron and Gwen Bragg and then moved into studying abstraction and acrylics with Marsha Staiger sand Beverly Ryan. In this installment of “Art Bites,” we look into the diptych of America Remembers/The Lives by Hernán Murno in the July open exhibit on view until August 4.

Murno’s strong, graphic lines are reminiscent of early American Abstraction art of the 1940s. American Abstractionist work rose from a time of political unrest in response to WWII, and looking at Murno’s piece, you have the feeling that the aesthetic choice was not only inspired by the abstract movement but also reflective of today’s unique political tensions. America Remembers/The Lives showcases an intersection between the formalist choices of aesthetic and choosing a technique that best fits an emotion. Similar to early Abstractionist art (think Mondrian’s bold black and white compositions), the quest was to find the “purest” output of an emotional relation to the medium of painting.

To learn more, we asked the artist about the emotions and ideas behind his piece, America Remembers/The Lives:

America Remembers/The Lives by Hernán Murno

You mentioned this diptych is based on photographs you took? What is the process behind the completion of these and what photographs inspired them?

HM: “The idea for the series came from photographs I took in 2018 at the Berlin Holocaust Memorial. I painted a triptych based on those photographs that reflects on the horrors of that tragic era. However, it is particularly alarming to me that some of the same ideas behind the holocaust are alive and growing in our divided country along with many other places around the world.

One day I saw in the Washington Post a picture of a service member grieving, seated at one of the benches that constitute the Pentagon 9/11 memorial. I felt compelled to go there myself. I felt the same overwhelming feeling of loss that I felt in Berlin. I did not need any new images because unlike the complexity of the memorial in Berlin, the design at the Pentagon is simple; the benches are aligned with the path Flight 77 took when crashing against the building. However, the opening of the cantilever shaped benches points either away or toward the Pentagon building. This depends on whether the victim was aboard the plane or in the building⁠—my piece reflects that.”

Detail of America Remembers/The Lives by Hernán Murno

Has witnessing the events of 9/11 in the United States influenced your aesthetic and artistic practice? How has being in Buenos Aires and the USA shaped your artwork? 

HM: “In reality, my artistic practice was never influenced by those events [9/11]. If you look at the majority of my work you can see that the design, style and palette of the Memorial Series, is unique. Black and white are the predominant colors with only splashes of other colors representing fire, hope, and a nod to red-white-and blue.

This is not the way I normally paint, but, in my mind, the horrors of those events could only be depicted in black and white. In this, I have been influenced black-and-white film about the holocaust and—as it is also mass murder, [and] by association [related]⁠—the 9/11 events.

Having grown-up in Buenos Aires and now [having lived] for nearly 40 years in the US, has given me [a sense of] diversity. You understand the world around you differently and more profoundly when you experience different cultures first hand. But, to be honest, I don’t try to paint like an Argentinean-born American, but just like me.”

Detail of wording in America Remembers/The Lives by Hernán Murno

How do you remember that day visually through your painting/s? How do the benches at the 9/11 Memorial visually impact your work?

HM: “My most vivid memory of the attack on the Pentagon is the plume of smoke that went on for days and could be seen as far as from the Woodrow Wilson Bridge. That is what brought memories of the same sort of view I witnessed long ago in Buenos Aires. Planes flying so close to our balcony that I felt I could touch them, and the plumes of smoke lifting from where the bombs hit. The visual similarities are the common denominator.

As far as the benches itself, what compositionally attracted me the most was the direction they face, as that hold significant importance to the people that were either on the plane or in the Pentagon. At night, the benches are lit from colored lights that reflect up on the pool of water beneath each one. The black night background of the painting becomes slightly lighter at the top, fading to show the American colors and the dawn of a brighter future still ahead of us.”

And I’d love for you to expand upon why you focus on this particular topic/medium.

HM: “Discrimination, hate, ill-advised nationalism and violence towards Jews, Muslims, Latinos and others, are rampant in the United States and the world right now.

I have lived under a dictatorship and seen first-hand the dangers that discrimination and intolerance bring. During that country’s [Argentina’s] ‘Dirty War’ of the late 1970s and 80s, I lost a cousin who was particularly dear to me.

I am not normally a painter of political, socioeconomic, or environmental hot topics. However, I also needed to express the feelings and memories that manifestations of hate and vengeance have impressed in me throughout my life.”

About the Artist:

Hernán Murno was born in Buenos Aires where he attended a the National Conservatory of Music In Buenos Aires.  He graduated with degrees piano, harpsichord and conducting and had a successful career both as a pianist and conductor. Upon retiring, Hernan decided to pursue painting, starting with watercolor, a medium that he describes as his “first love.”  He studied at the Art League School in Alexandria with Susan Herron, Gwen Bragg, Steve Fleming and Deborah Ellis.  In 2015, he became interested in abstraction and acrylics and, since then, has taken classes with Marsha Steiger and Beverly Ryan (also at the Art League).  He also has attended several workshops in the U.S. and abroad, with teachers such as Susan Abbot and Eric Weigardt. Hernan has had pieces shown at the Art League Gallery in Alexandria as well as with the Fairfax Art League, Del Ray Artisans, VMRC in Harrisonburg, VA and others.  Since his first award as Best Watercolor in an Art League’s School Student and Faculty show, he has been the recipient of several other prizes. In 2015, he was accepted by jury to become a member of the Potomac Valley Watercolorists.

Interview with July Best in Show Winner Yasmin Bussiere

Interview by Emma Gould

Rich, metallic textures are artist Yasmin Bussiere’s signature, and her work Illuminations is no exception. The eye-catching work of art that took home the Best In Show for July’s exhibit keeps the eye with intricate layers of parchment, oil, metallic paints, and pen. The mixed media work was inspired by Bussiere’s time teaching in China and has already sold and shipped to its new home in Baton Rogue, Louisiana!

Emma Gould from The Art League Gallery sat down with Yasmin to talk about her work, what inspires her, and her travels: 

Yasmin Bussiere with her best-in-show winning work, Illuminations

How did “Illuminations” come to be? What was the concept for this piece, and how has it evolved within your practice to make this work?

YB: “For this piece, fragments of landscape become progressively obscured with encroaching darkness in the Summer Palace of Beijing; I was working at a language center for adults in 2016. One of my students invited me to visit Summer Palace with her.  We arrived later in the afternoon and were able to stay until the sun set. We saw the transformation of the site, how the sun progressively set, casting shadows and different shades all around. That was the main motivation for creating this piece. 

That sounds incredible; did you have a reference photo for this piece, or was is purely based on the feeling of being there?

YB: “It was purely based on the feeling. If I had started taking photos, then I feel as if I’m not really looking at what’s in front of me. It was an amazing event to see the sun set over the whole palace. There were different garden areas, sculptures, all kinds of things!”

Detail of Illuminations by Yasmin Bussiere

I find the reference of memory as a form of documentation very interesting. Why do you work in the format that you do? Why is it important that the medium is acrylic or oil?

YB: “I work in mixed media: acrylics, metallic pens, metallic paints, and oil pastel. All of these mediums are chosen from having lived in the Middle East, Central Asia, and Africa. I came across a lot of parchments, edifices, and tombs that have engravings. What that means is that they’re adding and subtracting layers of material, which is what I also do. I create those layers with a scrape of the knife; I make shapes and forms that are reminiscent of what I’ve seen. I have seen so much art on parchment, and it’s inspired the road that I’m on with my work.”

I appreciate that your process comes directly from your lived experiences, could you tell me more?

YB: “Well, before we had Internet and phone camera access, we really focused on the moment⁠—the people, what you saw, the landscapes, the sights, smells, and sounds. I didn’t have a camera or phone to take a photo, which helped me concentrate on the moment as opposed to being distracted.”

Partitions by by Yasmin Bussiere

Right, like a longer attention span to details.

YB: “Correct! I wanted to see and feel a space as opposed to taking photos with my phone.”

How do you think about the spatial relation in your work? How do you carve out that space and time?

YB: “I originally started off by doing miniature paintings. It was very concentrated on a canvas that was 3×3 inches. For me, it was a question of working mostly in detail. The space had nothing to do with what I saw in front of me, but how it translated to this small square. With larger paintings, detail is harder to make intricate, otherwise I would sit there for years! What pushed me to do larger paintings was feedback from others telling me they thought my work was much bigger. If I showed someone documentation of my work, they would exclaim how large the painting must have been, when in reality it was only 3×3 inches.”

Illuminations by Yasmin Bussiere

From your documentation, I did think your piece was a [much larger] painting! 

YB: “Yes, and from people telling me to make my work larger, I went from 3×3 inches to 22×25 inches in a span of two months. It was drastic, but as I went bigger, I got into more shows too.”

It’s amusing how the shift in size can allow for more things to happen within and outside of the painting.

YB: “It really is… but you do give up something though. I usually go for more scratches and depth within my work because I work on harder surfaces, so this was a challenge for me.”

I can certainly see why people assume that your worker is at a larger scale; you talk about all these grand far away places and cinematic moments. I think others want to also experience a giant realm of being in that space with you.

YB: “Right! And I think that influence also came from places such as the Middle East. Artwork there is generally at a smaller size; there are a lot of miniatures, unlike Western art. So I think that impulse just came to me. When I started working on my miniatures, I was also in a very small studio space, so I think I also adapted to that too, haha!”

Of course! And lastly, what technical element you would consider the most important in your work?

YB: “I think medium is most important; with a combination of oil pastels, metallic paints, and pens, that is where my scraping derives from. If I just used one medium, then I don’t think that would happen within my paintings. For me, the adding and subtracting of layers is important—it’s like a foundation for a building block of an old civilization. I think of it as a layer. There are events that occur, then something drastic happens, whether it’s good or bad; there is something that is taken away, and there is something brought. So I’m building layers upon layers to create beautiful differences, similar to diverse cultural characteristics. So because of the medium, I’m able to scrape, which comes from me being exposed to so many places with such rich, long histories.”

About the Artist:

Yasmin Bussiere is an artist who has worked in many countries. She is now focusing entirely on her artwork and sharing them. After relocating to the U.S., she participated in a group exhibition at The Yellow Cardinal Gallery and showed her work at Java Java in Charlottesville, VA. She has taught in Saudi Arabia and China, led art workshops in Europe and sold handmade articles in France. She was a graphic designer for Le Petit Musee in Conakry, Guinea and helped Uzbek artists gain recognition with expats in Uzbekistan. She has an Interior Design Degree from the University of Illinois and a TEFL certificate obtained in France. She was also awarded a grant by Gruntvig (E.U.) to participate in an art workshop in Florence, Italy.

Artist Opportunities #480

 

Monoprint by Art League instructor Pamela Day.

Every week, we gather a variety of artist opportunities from the DC area and beyond. Find one below and apply today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Featured:

The Art League Illustration Special Exhibit (VA)

Deadline: August 15. The Illustration Special Exhibit, juried by illustrator Will Varner, will be featured in September alongside the Zeitgeist exhibit. Illustration is a broad term for visual storytelling. It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented, the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. For more information, visit The Art League website.

The Art League Zeitgeist Exhibit (VA)

Deadline: August 15. zeit·geist /ˈtsītˌɡīst,ˈzītˌɡīst /, noun: The defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time. This exhibit, juried by Zoey Frank, explores the concept of artists throughout history capturing the spirit of their time in a variety of visual ways, acting as bellwethers for the current cultural climate. Similarly, these artists serve as historians by preserving the pathos of eras gone by. Artists submitting to this exhibit are encouraged to submit work that captures what they view as the “spirit of the times” be it current or past. To learn more and apply, visit The Art League website.

The Torpedo Factory: My Queer Valentine (VA)

Deadline: September 15. Target Gallery invites artists working in all visual media to apply to My Queer Valentine (Juror: Andy Johnson, director of Gallery 102),  an exhibition that will explore love and relationships through LGBTQ+ artists perspectives. The themes and subject of artwork in this exhibition should explore non-heteronormative and non-binary relationships. The tone of the exhibition is playful, fun, and cheeky, so we encourage artists to apply with their perspectives on love (romantic or asexual) with this in mind. To celebrate this exhibition, Target Gallery will be hosting a special Valentine’s Day reception and event in partnership with local LGBTQ+ organizations. Exhibition Dates: January 25, 2020 – March 8, 2020. For more information, visit the Torpedo Factory website. 

New:

SCWS Annual National Exhibition (SC) 

Deadline: August 4 at midnight. The SC Watermedia Society announces a call to artists for a national juried art exhibition, November 2 – December 20, 2019 at University Place in Florence, SC. Juror: Ryan Fox. All entries must be executed in watermedia, such as watercolor, acrylic, gouache, etc. Collage is acceptable, however, the painting must be primarily composed of a painted surface. (No oils or water soluble oils accepted). Work may be produced on any surface that will allow framing (required) unless work is created on a canvas with finished edges (or gallery wrapped). Entries must have been completed in the last three years and not previously exhibited in a SCWS show. All persons entering must adhere to the guidelines in the prospectus. SCWS accepts online entries only. Entry fee for Members: $0, Students: $20, Non-Members: $50, $20 for additional entry. Only one entry will be considered for the show. For more information,visit the SCWS website.  

Contrive: A National Exhibition of Photo Manipulation and Surreal Photography (VA) 

Deadline: August 11.  d’Art Center in Norfolk, Virginia seeks entries for a juried photography exhibition, September 14 – October 8. Awards for 1st: $500, 2nd: $300, 3rd: $150. Contrive is a national juried exhibition that features surreal photography and photo manipulation. Open to all photography that involves transforming or altering a photograph using either digital or physical methods, such as long or double exposures, compositing, or digital software as well as photography that is surreal in content. Throughout history, photographers have created their own worlds using darkroom tricks and optical illusions. Today we can create our own peculiar worlds using real-life objects/settings, editing programs, or both. This exhibition is open to all artists living in the United States and will be juried by Amanda Bradley, and curated by d’Art Center Staff. $35 for up to 3 works. More info., visit the d’Art Center in Norfolk website. 

LISTEN – Call for Black Female Artists (PA) 

Deadline: August 19. Sweetwater Center for the Arts in Sewickley, PA is seeking works created by Black female artists that explore ideas, experiences, triumphs and struggles specific to being a Black woman in America. LISTEN seeks to illuminate intersectionality, give voice to Black women, and encourage all to hear their realities. LISTEN is part of the 23rd Annual MAVUNO Festival of African American Art & Culture. Exhibition dates: September 19 – October 26, 2019. For details and to apply visit the Sweetwater Art Center website. 

2019 International Juried Ceramics Exhibition (NJ)

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art 2019 website.

DMV Artists: Wall Art/Mural for Arlington Based Gym (VA)

Deadline/Timeline: Start in late August and completed by late September. Walls would be painted directly and dimensions will be given upon request. Style and final product are open ended but the aim is to inspire gym goers who are primarily runners. Artists who live or work in Washington, DC, Maryland, Virginia can apply. Budget has not been determined. For more information, contact Curt Cimino, [email protected] .

Re-runs: These announcements have been posted here before, but it’s not too late to enter!

The 2019 Athenaeum Invitational: Board: Out of Our Minds! (VA)

Deadline: August 1. From a purely aesthetic perspective, artists can submit work that relates in any way to board games which might explore a real or imagined board game, an environment where board games are being played, or people playing board games. Have fun with the very concept of a game. While this is an open call for an art exhibition, entries that demonstrate creative brilliance through the core concept and game design are encouraged – as long as the end result can be hung on a wall with picture hooks and communicates the general idea or a particular aspect of the game with no more than a 750 word description. Artists who live or work in Washington, DC, Maryland, Virginia and West Virginia may enter. For more information, visit the Athenaeum site. 

Call for Entry: Illustration Exhibit at The Art League Gallery (VA)

Deadline: August 15 (midnight). Illustration is a broad term for visual storytelling.  It can be executed in any media, and serves a variety of purposes. As our culture has become more visually oriented the job of the illustrator has never been more important. From images in storybooks, to online media, to newspapers, illustrators help us process information about the world and activate our imaginations. Participating artists are encouraged to submit works of illustration with no categorical restrictions. Artists may enter any current work made within 5 years. Award: $500 for Best in Show. For more information and to apply, visit The Art League website. 

Art in Times of Anxiety, Juried Exhibition (NC)

Deadline: August 30. The University of North Carolina at Pembroke announces a call for entries for our 10th Annual International Juried Exhibition.   All interpretations of this year’s theme, “Art in Times of Anxiety” are welcome in a variety of media, subjects, and approaches. Artists are invited to submit two-dimensional, three-dimensional, installation or digital media (including video based media). Composition, technique, style, expression, and craft will be considered in the selection process. All artists who are selected by this year’s juror will be displayed in the UNCP’s Art Department Gallery from Thursday, October 04 – Friday, November 01, 2019. Awards: $600 first prize, $200 second prize, and $100 third prize. Entry and Handling Fee: The processing fee for entry is $25.00 and allows for up to 3 entries per artist. For more information and a full prospectus visit the UNCP website.

Call for 2020 Smithsonian Craft and Design Show (DC)

Deadline: September 7. Each April, in Washington DC, the Smithsonian Women’s Committee (SWC) welcomes 120 outstanding American craft artists and designers to participate in a five-day exhibition and sale – the renowned Smithsonian Craft+Design Show. Three expert jurors select up to 120 exhibitors from the total group of applicants, based on originality, artistic conception and quality of execution. The Show does not charge sales commissions. All proceeds from the Preview Night party, daily show admissions, and other fundraising efforts benefit the education, outreach and research programs of the Smithsonian. More information at the Smithsonian Craft Show website.

Annual Open Call for Proposals (DC)

Deadline: September 10, before 4 pm. IA&A at Hillyer (formerly Hillyer Art Space) is a program of International Arts & Artists, a non-profit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts. Hillyer is a contemporary art gallery in Washington, DC. We are committed to supporting artists at all stages of their careers. Selected artists are awarded the following:A month long exhibition in one Hillyer’s three gallery rooms; Artist honorarium; Inclusion in annual RISE exhibition;  previewing selected artists for 2020/21 season; Ongoing support from Hillyer staff, including a studio visit and exhibition consultation with Hillyer’s Director, assistance with exhibition installation and deinstallation, review of exhibition materials (artist statement, bio, labels, etc), and marketing and promotion of exhibition; Accepted artists also benefit from our Artist Advisory Program, where our highly qualified Artist Advisory Committee works individually with each artist to help them prepare their exhibitions and establish themselves in the DC-arts community; opportunity to give artist talks, lead public programs and workshops, artist interviews featured on blog, in artist spotlight video; one-year International Arts & Artists membership. For more information, visit the IA&A Hillyer website. 

2019 International Juried Ceramics Exhibition (NJ) 

Deadline: September 15. The Center for Contemporary Art 2019 International Juried Ceramics Exhibition will be held November 8 – December 21. The exhibition will consist of three-dimensional ceramics work. Work across a variety of display solutions is also encouraged including video or film related to clay. Juror: Garth Johnson, the Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art in Syracuse, New York. Online entries are now being accepted through September 15th. Awards: Special Exhibitions Committee Award: Solo Exhibition at The Center for Contemporary Art. First Prize: $500. Second Prize: $250. Third Prize: $100. For more information and to enter visit the Center for Contemporary Art website. 

VA Raleigh: UNFINISHED BUSINESS (NC)

Deadline: September 16. UNFINISHED BUSINESS is a juried call for art open to any works in progress. We want to see what you’re working on, whether it’s just started, midway, or almost done. This exhibition will also serve as an opportunity to receive comments and critiques on your works before the finishing touches are applied. UNFINISHED BUSINESS is open to any living artist. A maximum of 2 works of any medium, per artist may be submitted. Two and three-dimensional entries will be accepted. Work must be original and completed in the last 2 years. No copies, mechanical reproductions, molds or kit work will be accepted. Visual Art Exchange reserves the right to exclude work due to size or special requirements. Entries must be hand delivered to the gallery or mailed in a returnable container. Entry Fees: This call for art is FREE. For more information and to apply, visit, VA Raleigh’s website.

Dexter Jones Award: National Sculpture Society (NY)

Deadline: November 4. The Dexter Jones Award is an unrestricted prize of $5,000.  It is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. For more information, and to apply visit the National Sculpture website.

King Street Gallery Call for Entry (MD)

Deadline: November 25. The Morris and Gwendolyn Cafritz Foundation Arts Center has a number of spaces available for mounting exhibitions that support the academic mission of the Department of Visual and Performing Arts. This open call is for our King Street Gallery, the largest exhibition space in the Cafritz Arts Center. This light filled, 1050 square foot gallery is in the main atrium of the building. Its prominent location, open design, and extremely high ceilings (30 feet+) make it a great venue for major exhibitions. While much of this gallery space is visible from the main lobby of the building, and through the windows that front onto the street, it does maintain gallery hours and is locked after hours. The gallery hours are Monday–Friday, 8 a.m.– 4 p.m. Exhibitions are generally scheduled a year in advance to complement the academic calendar. Exhibitions in the King Street Gallery are 4-5 weeks long, and emphasize two person or small group shows. Single artist applications may be paired with a complimentary artist or artists to better utilize the space. Curated proposals are encouraged. Learn more about this opportunity at the Montgomery College website.

Ongoing:

Del Ray Artisans: High Note Art Exhibit (VA)

Deadline: rolling.  Join the Del Ray Artisans for High Note, an art exhibit exploring the connection between music and the mind. Meet the curators and some of the artists at the opening reception on Friday, September 6 from 7-9pm. The exhibit runs September 6-29, 2019 at Del Ray Artisans gallery in the Colasanto Center, 2704 Mount Vernon Avenue, Alexandria, Virginia 22301. Gallery hours are: Thursdays 12-6pm, First Thursdays (April-September) 12-9pm, Fridays 12-9pm, Saturdays 12-9pm, and Sundays 12-6pm. The gallery is free, open to the public, and accessible. For more information, visit the Del Ray Artisans website.

Printmakers Inc. Call for New Member Portfolios (VA)

Deadline: Rolling. Rolling portfolio call for interested new members of Printmaker’s Inc: a non-profit dedicated to furthering the practice of Printmaking and residents of the Torpedo Factory for over forty years. Printmakers is looking for a new teammate for their shared studio. Members take turns working, share a commission on sales of 30%, and pay a small share of rent. The studio is equipped with three presses, storage space, inking tables, and multiple exhibit spaces for groups and solo exhibitions. If you are interested in having your work seen by the over 100,000 visitors annually, please drop off your artist statement, resume, and a portfolio with eight to 10 prints representative of a body of work at Studio 325 at the Torpedo Factory Art Center (105 North Union, Alexandria, VA). For more information, view the Facebook post with this call. 

The Creativity Grant Program State of Maryland (MD)

Deadline: Rolling. The purpose of the Creativity Grant Program is to strengthen the vitality and sustainability of artists and small organizations to maintain a strong and stable arts infrastructure in the State of Maryland. The Creativity Grant also provides opportunities to serve the growing needs of relevant arts projects and collaborations within Maryland communities. For more information regarding eligibility and funding timelines, please review the Creativity Grants Guidelines. For more information about the program, and to apply visit the Creativity Grant Program State of Maryland website.

Artist/Writers: Cover Art for Academic Medicine

Deadline: Rolling. Submit original works of art inspired by, but not necessarily representative of, an academic medicine experience from any perspective: caregiver, researcher, teacher, learner, or patient (for example, learning how to be a physician or scientist, caring for patients, exploring research questions, making a new discovery, being a research participant, teaching, or being cared for in a teaching hospital). The journal welcomes photography, sculpture, painting, textile work, and other visual media. Images may be cropped or resized to fit into the allotted cover space. Artists must also submit a related Cover Art essay as a narrative companion to the artwork, to explain the connection between the work and the “academic medicine experience.” The related narrative should be 250 to 600 words and is subject to editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

Artist/Writers: Medicine and the Arts (MATA) Opportunity

Deadline: Rolling. This column is the journal’s longest-running feature. It is published on two facing pages. The left-hand page features an excerpt from literature, a poem, a photograph, etc. Literature excerpts generally run no more than 700 words and may include a very brief introduction as needed. The right-hand page presents an original commentary of about 900 words that explores the relevance of the artwork to the teaching, learning, and/or practice of medicine. Since submissions cannot be fully accepted for publication until Academic Medicine acquires permission to reprint literary excerpts or artworks (which often takes many months), authors should include all relevant information about the piece they are explicating (publisher, museum, dates, etc.) to enable staff editors to find and contact the copyright holder. Submissions undergo review and editing. To apply for this opportunity, and to learn more, visit the Academic Medicine website.

The Awesome Foundation Accepting Applications for Art Projects

Deadline: Open. The Awesome Foundation for the Arts and Sciences is a worldwide network of people devoted to forwarding the interest of “awesomeness in the universe.” Established in 2009, the foundation distributes $1,000 grants on a monthly basis to projects and their creators. The money is pooled from ten or more self-organizing “micro-trustees.” The chapters are autonomous and organized by the trustees around geographic areas or topics of interest. Apply on theAwesome Foundation website.

Call for Artists: Maryland Art Place Seeks Proposals for Rotating Exhibition Partnership with Baltimore’s Hotel Indigo (MD)

Deadline: rolling. Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Guidelines and information here.

Peripheral ARTeries – Biennial Contemporary Art Publication

Deadline: Rolling. Peripheral ARTeries is looking for artists to be featured in the new special Biennial Edition of their art publication, that comes to its 10th edition. This opportunity is great for both established and early career artists who need a boost to their artist portfolio. The 10th edition will once again explore and show current trends and tendencies in Contemporary Art: Peripheral ARTeries cultivates a spirit of openness through a unique collaborative and participatory approach.Each artist may submit a maximum of three works or projects made in any technique: painting, drawing, video art, experimental cinema, fine art photography, experimental media, mixed media, installations, public art, performance. The call is open to all proposed kind of art and media capable of challenging the viewers’ traditional perspective on art itself. To submit, visit thePeripheral ARTeries website.

Exhibit at Hotel Indigo (VA)

Artists works will displayed in the hotel’s gallery (220 S Union St, Old Town Alexandria) for a six-month period. Two-dimensional, framed works only. Artists will install the work using the hotel’s mounting hardware. Labels will be provided by the hotel. All sales handled by artist, no commission. Preference for local or locally influenced selections but not required. The space measures approximately 7’10” by 8’3.″ If interested, contact Kate Ellis, General Manager, [email protected].

The New Project Studio – Ongoing Opportunity (VA)

Ongoing. Located in Studio 8, the New Project Studio is a community-focused arts incubator space that offers a short-term location to test new program ideas, spotlight underrepresented voices, and enhance community engagement. Projects rotate on a regular basis. For more information, clickhere.

Public Arts Grants & Opportunities (VA)

Ongoing. The City of Alexandria’s Office of the Arts provides grants for nonprofit arts organizations as well as individual artists. See all current opportunities and online applications here.

NYC volunteer opportunity (NY)

Introduce NYC school children to the world of art by giving tours at The MET Museum. Volunteer in this year-round program. Visit us at awnyc.org for more information.

Residency: Maryland

Deadline: ongoing. Montgomery College, Rockville and Germantown Art Department is seeking proposals for its Artist-in-Residence Program, encouraging proposals that cultivate collaborative work between artists and students.

Looking for artists: Foundry Gallery (DC)

Deadline: ongoing. Foundry Gallery is seeking a few artists in the greater Washington, DC area. If interested in applying for membership please send up to five images (jpg attachments) and an email letter to: [email protected]. The oldest cooperative in Washington, the gallery holds monthly solo and members’ group shows at its beautiful space north of Shaw near the 9:30 Club.

Looking for artists: Printmakers (DC)

Deadline: ongoing. Washington Printmakers Gallery is seeking artist members specializing in printmaking, photography and book arts. An active cooperative for over 30 years, the gallery holds monthly solo and members’ group shows in its lovely space in upper Georgetown. Distant and shared memberships are available. If interested in applying for membership please email [email protected].

Looking for artists: Multiple Exposures Gallery (VA)

www.sulfurstudios.org/function for more information and application instructions. Email [email protected] with any questions.