SOHO Photography Exhibit Featured in the Gallery


This month’s special exhibit in the solo room of The Art League Gallery showcases the work of 11 young artists — 5th-grade girls, to be exact.

The girls are part of SOHO, “A Space of Her Own,” an award-winning outreach program that engages at-risk, low-income girls in a year of personal growth centered on art. The exhibit started with a camera, a roll of black-and-white film, and a photography workshop with Art League School instructor Allison Duvall.

After filling up a roll with images significant to them, each girl picked one to develop in the darkroom. Those photographs are displayed in the gallery with accompanying artist statements.

SOHO photography exhibit at The Art League
"Walking Through Life" by Marcala Joseph. (Click through for a larger version.) Marcala wrote that the single foot represents a first step — in her case, a first step toward college.

SOHO is a special collaboration between The Art League and the City of Alexandria’s Court Service Unit that pairs each girl with an adult, female mentor to participate in art lessons led by Art League artist instructors. Each week, girls and mentors work together to create expressive artwork. More information about SOHO is here.

This unique exhibit is only open Jan. 28 to Feb. 6, leaving less than a week to see it!

Tales from the Patrons’ Show: Sara’s Story

At 45 years old and going strong, the Patrons’ Show — The Art League’s beloved annual fundraiser and art sale — has a long and storied history. We’ve asked show veterans to share their memories of shows past. Earlier, we heard from Todd about his chance introduction to the show. Longtime attendee Sara Glendinning sent us the story below.

Thanks to Sara for sharing her story! Do you have one of your own to share? Drop us a line in the comments, on our Facebook page, or at [email protected].

“I asked a friend, after she participated in her first Patrons’ Show about five years ago, if she wanted to participate again the next year. She answered, “Oh yes, it’s an event!” Thanks to the generous artists and The Art League’s staff and many volunteers, the annual Patrons’ Show is indeed an event — the best party in town and the most fun fundraiser! Every ticket-holder at the Patrons’ Show is a winner. The art my friends and I have acquired through the years has enriched our lives and we treasure lots of wonderful memories.

Patrons' Show Stories
2010: The spoils.

Many years ago two friends each purchased a ticket and went to the Patrons’ Show with me. Both of their tickets were drawn very late (probably in the last 10%) but they could not wait to go to the Patrons’ Show the next year. Years later one of the men was diagnosed with cancer. Chemotherapy drained his energy. For months, Wayne only left his apartment to go to medical appointments. After he got his motorized wheelchair, Wayne told me he would have gone crazy if he had only had four walls to look at during the time he was trapped in his apartment. The beautiful art on his walls got Wayne through those terrible months! Wayne, and his oxygen tank, attended the Patrons’ Show seven months before he died. Our other friend introduced his girlfriend to the Patrons’ Show in 2011 and they will be present at the 2012 show.”

Sara also shares this message to art lovers who are Patrons’ Show veterans:

“The Patrons’ Show ticket-holders are all winners. I would love to have more winners among the artists who are so generous with their donations of beautiful works of art. There are currently seven awards: five $100 awards, a $250 award, and a $1,000 award. I wish each of the artists who donated the art that was selected by the first dozen ticket-holders would receive a monetary award. I hope more art lovers who have participated in the Patrons’ Show for many years, and whose lives have been enriched by The Art League, will join me in funding additional awards. What a great way to honor, or memorialize, a significant person in one’s life by funding an award for one of the generous artists who make the Patrons’ Show possible.”

New Video Demos from The Art League School

With winter classes in full swing at The Art League School, instructors are once again opening up their classrooms and allowing us to take footage of them demonstrating their craft. Ceramics chair Blair Meerfeld showed us how to throw a pitcher on the potter’s wheel, and made it look easy:

And jewelry instructor Abby Goldblatt shared some tips on enameling:

You can see all the past demos, and more as we add them, on this playlist on our YouTube channel. Stay tuned for more demo videos in the coming weeks!

Artomatic Coming to Crystal City in May

Artomatic is just a few months away! The announcement is below.

Artomatic Returns to Crystal City in 2012!
Free and Open to All, May 18th – June 24th

Artomatic returns to Crystal City in 2012 for our signature free arts event, to be held in the biggest Artomatic building ever, from May 18 – June 24.

Artomatic will partner with the Crystal City Business Improvement District (BID) to transform the Transwestern Presidential Tower at 2511 S. Clark St. in Crystal City into a vibrant arts community that celebrates creativity and creates a unique and exciting event for tens of thousands of visitors – all free to visit.

Registration information to exhibit work at Artomatic will be available soon. To get the latest updates, keep an eye on your email, and subscribe to Artomatic by Facebook, or Twitter.

Volunteer with Artomatic
Kick-off: Saturday, Jan. 28, 11am to 2pm

Artomatic is completely volunteer-run. From building performance stages to coordinating with reporters, everything you see is the work of dedicated volunteers. Be part of the team that brings it all together! See what help we need most and RSVP for the kick-off.

Vacancy on Alexandria Commission for the Arts

The Alexandria Commission for the Arts has an opening:

The Alexandria City Council is seeking applicants to fill the following vacancies on City of Alexandria boards, commissions and committees.  Council will act on these vacancies at the February 14, 2012, City Council meeting.  All applicants must complete a Personal Data Record Form and return it to the City Clerk’s Office or file the form electronically via the City’s website no later than 5:00 p.m. on February 3, 2012.  Applications received after this deadline will not be forwarded to City Council.

Commission for the Arts – one vacancy for a member who has expertise in the arts, either as a practitioner of various art disciplines or as a professional administrator working the field, due to a resignation.  The Commission meets on the third Tuesday of the month at 7:00 p.m.  Approximately twelve hours per month are required of Commission members.  Commissioners are required to become involved in various art projects/events throughout the City and serve on one grant review panel and one committee.

Click here to see an earlier announcement from the Commission for the Arts about volunteers needed for the Public Art Committee.

Free Seminar for Artists and Other Opportunities

Lenny Campello posted this announcement for a free artist seminar on his blog. The Bootcamp for Artists will be hosted by Lenny and the Brentwood Arts Exchange on the afternoon of February 11. The seminar is free, but space is limited, so sign up and find more details here.

Also, Rebuilding Together Alexandria is looking for designs for a 25th anniversary T-shirt design contest. Details are on the home page of their website.

The rest of today’s opportunities for artists — including exhibitions, residencies, and fellowships — comes courtesy of FindArtInfoBank.com. See below for deadlines and details, and good luck!

Black & White, The Absence of Color – MN
Deadline: January 21, 2012. The Mpls Photo Center in Minneapolis, MN seeks entries for an international photography exhibition, March 9 – April 22, 2012. First Place – $400, Second Place – $300, Third Place – $200, and Three Honorable Mentions. Prizes and Awards include free exhibition book. Juror: Bevin Bering. Open to all photographers. Entries must be submitted online. $35 first 5 images, $10 each additional image. Visit website for details at: http://www.mplsphotocenter.com/exhibits/exhibit-competitions.php. Questions? Contact Abby Rutchick at [email protected] or 612-327-4197.

The Bowery Gallery 21th Annual Juried Competition 2012 – NY
Deadline: April 15, 2012. Juror: Lance Esplund, art critic. Entry deadline: April 15, 2012. National call. The exhibition will be held from July 31 – August 18, 2012, at the Bowery Gallery, 530 West 25th Street, New York, NY 10001. (646) 230-6655. The online application and prospectus can be accessed at www.bowerygallery.org

Women: an Exhibition – MD
Deadline: January 31, 2012. What makes women awesome? Who are the amazing women you know? How have they impacted your life and work? What effect have they had on the world? This exhibition invites artists and designers of all genders to create work that celebrates the incredible women they have known, loved and been influenced by. It is a chance to recognize and pay homage to all that the women in our lives have contributed to us. By showcasing the work of female artists and designers, exhibiting work about women’s roles in industry and projects about women known personally (colleagues, family, friends, mentors, role models, etc.) this show will celebrate all the facets and roles of women in our lives. This exhibition is curated by Sarah McCann and presented in partnership with D:center Baltimore. For more information visit: www.sarahbmccann.com

Washington Calligraphers Guild: The Graceful Envelope Contest – DC
Deadline: Monday, April 30, 2012. Calligraphers and artists from around the world are invited to participate in the 18th annual Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers. The contest is open to all ages, with two separate categories for children. There is no entry fee. This year’s theme: “D-liver D-letter D-sooner D-better.” That familiar message has been taken to heart by letter carriers, who D-liver billions of pieces of mail each year. Your challenge is to D-sign a Graceful Envelope around something that begins with D. You could choose Daisies or Dragons, Dentistry or Dancing, Dreaming or Discoveries — any “D” word your heart D-sires — and address it artistically to: The Graceful Envelope Contest, Washington Calligraphers Guild, P.O. Box 3688, Merrifield, VA 22116. See the Call for Entries at www.calligraphersguild.org/envelope.html for complete rules.

Many more listings after the jump: Continue reading Free Seminar for Artists and Other Opportunities

Q&A with Award Winner Jane Thomas

Last week, we brought you a conversation with photographer Sandy LeBrun-Evans about her award-winning print, Truck. Part of this month’s all-media show, Truck shares a wall with the other award-winner, The Thoughts. Jane Thomas’s first-place watercolor self-portrait won the Gallery Director’s Award. We asked her to tell us more about it.

The Thoughts by Jane Thomas, watercolor
"The Thoughts" by Jane Thomas

What is the inspiration for The Thoughts?
When I rest my chin in my hand and stare at the blank wall, I am often asked, “penny for your thoughts?” I decided to paint my first self-portrait that depicts the most familiar expression of mine.

Portraits are one of your favorite subjects. What goes into a successful portrait?
I feel I get more successful results when I choose a subject that intrigues me. This might be the reason I seldom work on commissioned portraits. While I alter the clothing or the hair of the model during the painting process, I think it is important to attain a likeness by striving to retain distinctive features of a subject. I also feel I am more successful when I paint spontaneously without overworking the piece.

Is this watercolor part of a series?
Not yet, but I will give serious thought to starting a series with The Thoughts. I believe that receiving the award for my first self-portrait on the first month of a new year must be a sign of good things to come.

You use mostly watercolor, acrylic, pen and ink, and Sumi in your work. Why do you gravitate toward these mediums?
I am most familiar with these mediums because I used these every day working as an illustrator for over 30 years. I majored in oriental art, using and teaching Sumi for years; it became one of the most loved mediums of mine.

What is your creative process like?
I spend many hours studying and composing the subject I chose to paint. I experiment and practice with a various mediums and methods until I determine what I will use. Since I majored in oriental art in college, I am used to the many hours of practicing on newspaper before the final strokes or painting are done on rice paper. When I feel I’m ready, I prefer the final execution of the painting to be done rather swiftly and spontaneously.

What do you want the viewer to come away with?
I hope the viewers feel that I continuously experiment with materials or techniques to learn all that I can in order to develop something new and different. Ideally, I want them to enjoy the outcome.

Tales from the Patrons’ Show: Todd’s Story

At 45 years old and going strong, the Patrons’ Show — The Art League’s beloved annual fundraiser and art sale — has a long and storied history. We asked repeat visitor Todd Webb, who generously hosted a site for Patrons’ Show ticket-holders before The Art League’s flickr page, to share his memories of shows past. His tale, starting with his chance introduction to the show several years ago , is one of friendships made, artwork gained, and lessons learned.

Thanks to Todd for sharing his wonderful story! Do you have one of your own to share? Drop us a line in the comments, on our Facebook page, or at [email protected].

I was introduced to the Patrons’ Show by a woman I was dating. We weren’t a serious item because she didn’t like that I enjoyed wagering football. One evening she drew me to her computer and showed photos she’d taken of some artwork. She pointed our her top “picks” and described the fundraiser. Noting how excited she was about it, I pressed her to explain the show in more detail. It’s awfully confusing the first time you ever hear of such a thing. Now let me get this straight – everyone gets a prize?  When I finally grasped the concept, I ribbed her endlessly for it.

“You’re gambling! YOU ARE gambling!” I repeated over and over.

She defended herself: “No, but everyone gets a piece of art.”

I conceded, “Yes, but you’re seriously hoping to be among the first hundred people called, and not the last hundred. So you’re experiencing the same gambling thrill.”

“Well, yeah,” she said.

She broke up with me.

That lovely lady may have thought this Marylander was out of her life forever, but I remembered the Patrons’ Show and how giddy she got over it. So one year later, on an ice-cold Saturday, I put on three layers of clothing, gloves, two warm hats, grabbed a folding chair, and made the pre-dawn drive to Alexandria. The ex had explained that a recent Washingtonian Magazine article attracted many newcomers to the raffle. That year the tickets sold out immediately, and ever since then the experienced line up early.

Art League Patrons' Show
2009: The Torpedo Factory is abuzz on the day of the drawing.

The rest of the story is after the jump! Continue reading Tales from the Patrons’ Show: Todd’s Story

Opportunities for Artists

Today’s roundup includes opportunities as near as the Torpedo Factory and as far as Brazil. See below for details on upcoming deadlines. Good luck!

Fellowship: The Instituto Sacatar in Bahia, Brazil
Deadline: January 16, 2012 – The Instituto Sacatar in Bahia, Brazil, provides airfare, studio, room and board to competitively selected artists of all ages, nationalities and disciplines.  Selected artists spend two months at our beachside estate on the island of Itaparica near Salvador, Bahia, Brazil. We encourage artists to immerse themselves in the rich local Afro-Brazilian culture. Full details about our program can be found at www.sacatar.org.  Applications should be made electronically at www.artsapp.com/sacatar, where you will find the instructions for completing an application. Sacatar will award two-month Fellowships throughout 2012 and 2013.  For questions, contact: [email protected]

Artists Wanted : Year in Review
Deadline: Through January 31, 2012. Let 2012 be the year the world sees your art. The second of an annual series, Artists Wanted : Year In Review is an international open call for Painting, Sculpture & Installation, Photography, Design & Illustration, Motion & Sound, and more, with a mission to present one selected visionary at SCOPE Art Show, the premier showcase for international emerging contemporary art and one of the most influential presences in the expanding global art market. Our goal is simple — to find amazing talents and expose them to the world in the most potent way possible. More details here.

Torpedo Factory annual jury
Receiving: March 19, 2012. Artists must go through the annual jury process to become a Torpedo Factory artist. All artists working in fine arts and fine crafts are eligible. Benefits of associate membership include eligibility to sublease studio space from resident artists. On January 29, there will be an optional information session in the Torpedo Factory. For more details and to download the application, visit torpedofactory.org/jury.

Gallery West membership
Here are some reasons to consider joining Gallery West in Old Town Alexandria:

  • Established Alexandria gallery, in operation for over 32 years
  • Exposure to a new clientele in an art-loving community
  • King Street Boutique and Restaurant district location
  • Monthly shows with space for each artist to have a group of paintings
  • Camaraderie and support from other members, sharing of business and technical information, and tips on other opportunities
  • Monthly dues are less than other area co-op galleries
  • Resume builder: a step in your professional career
  • A solo show every 18-24 months with a mailing list of 1300 patrons
  • Once-a-month gallery sitting affords the opportunity to connect with the art-buying public
  • New members small group show in first year of membership
  • Make new contacts in the art business world of Greater Washington DC
  • Learn the art/gallery business and how to interact with customers

Interested? Check out the new member prospectus (in the column on the left side) at our web site, www.gallery-west.info.

Vacancies on Alexandria’s Public Art Committee

Alexandria artists, arts professionals and arts appreciators: the Public Art Committee has some openings and is looking for volunteers to fill the empty seats! Details are below.

The Alexandria Commission for the Arts is seeking volunteers to serve on the Public Art Committee.  Applications must be received no later than 5 p.m. on Friday, February 10, 2012.  The Commission will review the applications and appoint the new members at the February 21, 2012 Arts Commission meeting.  There are three openings for individuals who will represent the West End area of Alexandria.  Two openings are for artists or arts professionals who will serve an unexpired term through November 1, 2013.  One opening is for an individual who has an interest in art and will serve an unexpired term through November 1, 2012.  Each member may reapply for a three-year term after serving the unexpired terms listed.  Two of the three positions available must be filled by individuals who reside within the City of Alexandria. One position may be filled by an individual who resides or works within the City.

Announcement continued after the jump: Continue reading Vacancies on Alexandria’s Public Art Committee

Q&A with Award Winner Sandy LeBrun-Evans

The January All-Media exhibit in The Art League Gallery includes a wide variety of great works of art by Art League members in all media — you can see for yourself on our flickr page or by dropping by the gallery, open seven days a week.

Juror Allen Beland, a photographer, chose this month’s award-winners, giving the Second Place Award to a photograph by Sandy LeBrun-Evans depicting a broken-down, beautifully weathered truck in a remote setting. We asked Sandy about her work in photography and mixed media, the transition to digital, and the award winner, Truck.

"Truck" by Sandy LeBrun-Evans

Is there a story behind Truck? Where was the photograph taken?
Sandy: Truck was shot in Cisco, Utah. I was traveling through Utah searching out “abandoned” and “forgotten” places and things. The Truck had about 25 spent shells around it where locals had leaned on the hood target shooting (I hope). Of course, I picked up a few of those shells for possible use in some mixed media work.

What camera do you use? How do you process the image?
A Nikon D700. I shot and processed five images of the Truck through Photomatix HDR software and then fine-tuned in Photoshop CS5.

Is Truck part of a series?
Truck is part of a series entitled Forgotten. My family and I ski in Park City, Utah every year, so I planned to stay an extra week photographing in southeastern Utah. I did some Internet searching, located abandoned areas and started driving. Some of the areas designated as abandoned towns were gifts, and some were just a spot of land that was truly abandoned — nothing there!

After the jump, Sandy talks about shooting with an iPhone and adding mixed media into her work: Continue reading Q&A with Award Winner Sandy LeBrun-Evans

Free Workshop For Artists: Art*iculation

The Art League often hosts free lectures for artists, which are posted on our lecture series and enrichment page. One of January’s three workshops is a guide to writing about your artwork, led by writing coach David Hazard, which promises to be useful and fun.

Art * iculation

A 3-hour free workshop on finding your writing voice… for visual artists

Exhibitions, shows, and galleries — as well as personal websites — require both a clear artist’s statement and a compelling description of your work. As a painter, sculptor, potter, or woodcarver, it’s important to know how to say in words what comes to you by feel and intuition.

David Hazard has coached creative people for 34 years, and will help you to capture the words that so often escape visual artists when asked to articulate why they do what they do. You will learn how to:

  • identify the strong elements of their personal voice… as it emerges in their work

  • understand and connect with their audience

  • create simple and compelling personal statements for promotional and marketing copy

Saturday, January 28, 1 – 4 pm. Please RSVP The Art League at (703) 683-1780. Walk-ins are also welcome.

2012 Solo Preview

This month’s exhibit in the solo show room of The Art League Gallery is a first — it’s a preview of the nine artists who will have solo shows this year. Like the shows themselves, the 2012 Solo Preview encompasses a wide variety of artwork: both the photorealistic, in-your-face colored pencil work by Suzanne Vigil and the somber grays and browns of Juan Hernandez’s oils; Pattee Hipschen’s intimate paintings of vivid country landscapes and the otherworldly landscapes of beekeeper and encaustic artist Georgia Nassikas.

"Lollypalooza" by Suzanne Vigil

Ordinarily, this space is used to exhibit a coherent body of work by one artist. Instead, this month it’s home to an eclectic peek into the future. This year’s solo artists were excited at the chance to preview some work before their own shows, and the gallery will probably continue the preview idea next year, says Assistant Gallery Director Megan Fox, who is the solo artist coordinator.

Applying for a solo show is a competitive process, winnowing down about 40 applicants to the nine who will get shows, and it’s worth it for the exposure an artist gets with an exhibition in a nationally-recognized gallery. Solo shows don’t only act as a springboard for further opportunities, they are also an exercise for emerging, local artists who may be preparing their first-ever exhibit, Megan says. Part of The Art League’s mission, after all, is “nurturing the artist.”

From left: "Niño y Su Carreta" by Juan Hernandez, "Midnight Blue" by Marcia Jestaedt, and "Dome" by Cecily Corcoran

The process begins two years ahead of time when applicants send in digital images of their work and then bring it in for the jurors to view. The three jurors sit behind a table, “American Idol”-style, with five easels in front of them to hold each artist’s pieces. Successful solo shows involve a coherent body of work, something different from the monthly juried exhibitions, and make a statement — not necessarily outlandish, but clear, Megan says.

This jurying process is more involved than the usual juried shows, requiring artists to undergo a “personal development project” as they craft an artist’s statement and a proposal for their show, Megan says. After jurying, artists receive feedback in the form of the jurors’ comments — another benefit to applying.

After the jurors make their decisions, the shows are scheduled in tandem with the year’s other exhibits and the artist’s own schedule. This November, for example, Andrew Zimmermann’s photography show will coincide with FotoWeek DC. It’s Megan’s job in the months ahead of a solo show to check in with artists, make sure they’re on track to have enough work, and craft press releases and show cards. Ahead of the exhibit, the artist brings in the work to see it in the gallery space.

This year’s exhibits will start March 8 with the encaustic paintings of Georgia Nassikas before moving on to raku-fired ceramics by Marcia Jestaedt. Also featured are colored pencil, photography, oil paintings, sculpture, and collage.

"Despite Everything, She Would Keep Moving Forward" (foreground) by Elissa Farrow-Savos and "Amber Waves" by Georgia Nassikas

For a full list of this year’s solo shows, click here. The opening reception for the 2012 Solo Preview (and the January All-Media show) is January 12 at 6:30 pm.

Patronize the Patrons’ Show


The Patrons’ Show drawing on February 19 has been moved up one hour to 4:00 pm!

Donations for the 2012 Patrons’ Show are already pouring in from artists — but like the lawn flamingos in Nancy Garcia’s colored pencil donation, Sweet Dreams Til Spring, these works of art are hibernating until February, when hundreds of ticket-holders will be eagerly waiting for their turn to snatch one up.

Now in its 45th year, The Patrons’ Show is The Art League’s huge annual fundraiser, when Art League members (all local artists) donate artwork which can be purchased for the price of a ticket, $175: a steal for the buyer, The Art League, and the artist, who gets unparalleled exposure.

Two weeks before the February 19 drawing, ticket-holders flood The Art League Gallery and its flickr page to study up on what pieces they want to pick. With over 500 pieces to choose from, wish lists are packed — as are the gallery walls:

2011: 670 works went home.

But for now, the pieces are still in storage, waiting for their turn in the spotlight. Over 100 pieces have been donated so far, with hundreds more to follow. Each one will go home with a lucky ticket-holder.

In 2010, Washingtonian Magazine named the Patrons’ Show the “most fun art fundraiser,” and the superlative definitely applies. Lifelong friends are made, traditions are formed, picnics are had, and one couple who met in line even tied the knot. You can see some reviews of past years’ shows here, here, and here. This is the story of one artist donor.

Tickets go on sale Saturday, January 14 at 10:00 am in The Art League Gallery. They go fast, so don’t miss out! After the initial run is sold, additional tickets are released to the waiting list as more art is donated, so that each ticket guarantees a work of art — at a bargain price.

Full details on the Patrons’ Show are here. Stay tuned for more news!

2010: The big board.
2009: Decisions, decisions.

New Artist Opportunities For a New Year

Need help crafting your artist statement for the opportunities below? How about saving photographs of your work for submission? The Art League will be hosting free workshops this month on writing about your artwork — “Art * iculation” — and on Photoshop. For more details and to register, visit The Art League’s lecture series and enrichment page.

Courtesy of FindArtInfoBank.com:

Call to Artists: Creatures: Swim, Fly, Crawl – MA
Deadline: January 15, 12. CALL to ARTISTS: CALADAN GALLERY presents a juried exhibition entitled “CREATURES: Swim, Fly, Crawl”. This exhibition will be a survey of our fellow citizens on the planet Earth: Animals! We present these creatures with love and honor. We are searching for uplifting, innovative works representing animals; those that find a way to provide witness to ourselves. We have been extremely fortunate to be creating an exciting, diverse, and active meeting place for artists. We are averaging over 55,000 viewers a month, and have provided a warm and positive virtual atmosphere since 2003. All mediums except video are eligible. Please go to: http://www.caladangallery.com to download prospectus (click on “enter your artwork”) OR write to: Caladan Gallery, Box 391939, Cambridge MA 02139 OR call: 617-838-8929 for more information.

44th Annual Visual Arts Exhibition – TX
Deadline: February 10, 12. CALL FOR ENTRIES: VISUAL ARTS SOCIETY OF TEXAS. 44th Annual Visual Arts Exhibition. BOS $1000; $10,000+ Cash/Merchandise. Deadline: 2/10/12. Juror: Elizabeth Dunbar, independent curator, Austin, Texas. Entry Fee: $35 non-members; max 3 slides/digital images. Full-color Catalog. Prospectus for details. SASE VAST PO Box 1281, Denton, TX 76202; http://www.vastarts.org. Opens 4/26/12. Info: [email protected] or 972.827.8647.

Many more listings after the jump: Continue reading New Artist Opportunities For a New Year

March Exhibit: “Play”

From March 7 to April 7, The Art League Gallery will be exhibiting a different kind of show. Below, the prospectus for “Play,” a juried show of interactive art and a first for The Art League.

Play
A Juried Exhibit of Interactive Art
March  7 – April 7, 2012
Juror – Judy Bass

In honor of Minds Wide Open: Year of Children in the Arts, The Art League offers this juried exhibit of works that can be touched or interacted with to encourage visitors to become involved in the art work on an entirely new level.  The Virginia Commission for the Arts declared 2012 the Year of Children in the Arts and “Play” will be our kick-off for this initiative.

 Artwork that is interactive can include two or three-dimensional work that

  1. Can be touched or handled (instructions for touching work must be included with submission)

  2. Have objects that viewers can add on or to the work (as in putting additional lines on a drawing, or coloring in an unfinished area or adding collage pieces onto a panel, canvas or sculptural form)

  3. Have a way to view the work through colored lenses or 3-D glasses (which must be provided)

  4. Have pieces to move around (a puzzle or game)

  5. Have examples of the tools and materials used in the creation of the piece that visitors can pick up and handle (pieces of canvas, brushes, etching plate, woodblock plate, etc)

Continued after the jump: Continue reading March Exhibit: “Play”

The Show Must Go Up

Midday snow flurries in Alexandria coincided with a flurry of activity in The Art League Gallery, where jurying was taking place for the January All-Media exhibit.

Ever wondered how the artwork is delivered, chosen, and hung for each show? It’s an involved process which, thanks to the help of gallery volunteers, only takes a day: receiving started Monday after the gallery closed and the work is hung by Tuesday evening.

It all starts with receiving, when member artists drop off works of art — one or two, this month — to be considered for the show and pay the entry fee. Everything is carefully recorded.


After receiving concludes, the jurying process can begin. This month’s juror was photographer and teacher Allen Beland. The juror selects which pieces will make it into the gallery’s limited space. He also selects the artists to receive awards and honorable mentions.

Piece by piece, volunteers present the work, which the judge names a Yes, No, or Maybe — not always an easy decision, with 515 pieces submitted this month and only 153 accepted.



To get an idea of jurors’ thought processes and responses to the work submitted, Communications Director Erica Fortwengler interviews jurors for a juror’s dialogue each month. This month’s dialogue with Allen Beland is here.

Finally, the hanging committee gets to work. Following the juror’s instructions, if any, the hangers install the pieces in a visually pleasing arrangement — and in the process give the drywall a sense of purpose. The hammering and hanging takes only a couple hours, capping an accelerated process for a big, brand-new show.

It takes a group effort.


This month’s award winners were Jane Thomas, who received the Gallery Director Award for her watercolor, The Thoughts, and Sandy LeBrun-Evans, who won second place for her photograph, Truck.

The January All-Media show opens tomorrow and continues through February 6. Also in The Art League Gallery this month are the 2012 solo show preview (Jan. 5–27) and a SOHO photography exhibit (Jan. 28–Feb. 6).