Q&A with Award Winner Alice Kale

In this month’s “Small Works” show, juror Lindsay Harris awarded prizes to three works from the Eleanor Boudreau Jordan Award, with second prize going to Tiny Treats, a watercolor by Alice Kale. Harris praised the painting for the “whimsy and joyfulness” of the subject matter, elevated by the painter’s skill in an unforgiving medium. We asked Kale to tell us more about Tiny Treats and her work in general.

What inspired you to paint this bag of M&Ms? Is this the kind of thing you usually paint?
Alice Kale: The painting began as a demonstration for the watercolor class I have taught for many years at Mt. Vernon Recreation Center in Alexandria. The class project was a holiday card design. My painting of red and green M&Ms was meant to show the class that a holiday design can be something less usual than holly or candles. The crinkly bag appealed to me. I’ve done paintings of plastic bags in the past and am fascinated by the texture.

“Tiny Treats” by Alice Kale

What draws you to painting? Why do you work in watercolor and oil?
As a child, I had an aunt who was an art teacher. Every Christmas, I received a big box of art supplies, just materials, no coloring books. She gave me a wonderful start. I can’t remember a time I didn’t love to draw or paint. I work in watercolor and oils because I love the feel of the paints. Continue reading Q&A with Award Winner Alice Kale

George’s Artistic Adventure: Final Steps in Stained Glass

Applying patina to the solder. You can see the patinated, darker lines on the left side, and the untreated solder on the right.

See the rest of this series here.

My stained glass panel is almost done! I’ll save the grand reveal for next week, but if you’d like to see the almost-ready panel in person, it will be on display at Artfête tomorrow, along with other student work in the stained glass classroom.

Today I finished touching up the solder on both sides of the panel before applying the patina (above), which in this case was a blue liquid that I rubbed on the solder to turn it black-brown. It really changes the overall look of the piece, as you’ll see in the finished pictures. After that, our teacher Jimmy Powers cut pieces of zinc framing to go around the outside.

I’m in the process of soldering that together, and then I’ll be finished after a few more short steps! It’s pretty cool that, as an absolute beginner, I will be able to finish a piece and take it home in one term. Even though it was a very basic pattern, seeing it all come together has been very satisfying, as I’m sure the other students will agree.

Here’s some of what they’re working on, by the way: Continue reading George’s Artistic Adventure: Final Steps in Stained Glass

Join Us at Artfête Tomorrow!

Artfête Open House & Holiday Party
Tomorrow! Friday, November 30, 6:00-9:00 pm
The Art League’s Madison Annex, 305 Madison Street, Alexandria, VA

Tomorrow’s Artfête is THE art happening of the season. In addition to the highly anticipated jewelry and ceramic sales, our first wearable art runway show, artist demos, exhibits of instructor artwork, food and drinks provided by Chadwick’s and Lavender Moon Cupcakery, and music by salsa band Orquesta Tropikiimba, we’re shutting down part of Madison Street for a LIVE steamroller printing.

Art League instructor and master printmaker Steve Prince is carving a 16 foot long piece of plywood, which will be transported to Madison Street around 5:30pm on Friday. The wood-block mural will be inked and then Steve will drive a steamroller over the piece to create a huge print.

From a previous steamroller printing.

Individuals who make their donation to The Art League’s Annual Fund during the event, at the Easel level ($75) or above, will receive a piece of this special print. Our sponsor, Montgomery Center/MRE Properties, is also matching donations made to our annual fund on Friday evening up to $2,500. You can double your donation!

Join us for this fun evening as we kick off the holiday season in our newly expanded space!

If you can’t make it to the party on Friday, you can stop by the Ceramic and Jewelry sales which continue throughout the weekend.

Annual Holiday Ceramic Sale
Hours: Friday, 12:00 noon-9:00 pm; Saturday, 10:00 am-6:00 pm; Sunday, 12:00 noon-5:00 pm

Holiday Jewelry Sale
Hours: Friday, 12:00 noon-9:00 pm; Saturday, 10:00 am-4:00 pm; Sunday, 12:00 noon-4:00 pm

Special thanks to our Artfête sponsors, MRE Properties/Montgomery Center and Burke & Herbert Bank.
Special thanks to Robinson Terminal, our in-kind sponsor.
Special thanks to the Virginia Commission for the Arts for providing a Presenter Touring Assistance Grant for The Art League’s presentation of Orquesta Tropikiimba.

Artist Opportunities: November 27, 2012

See below for upcoming exhibition opportunities! You can also click the banner above to see past opportunities posts.

Pop art
Deadline: November 29, 2012. In the age of special effects, ultra-high and ultra-low resolution, and everyone’s mother self-publishing, where is pop art? The all-media exhibit “Pop Effects” seeks consumer culture imagery, in high and low definition. Accepted work will be exhibited January 28–February 21, 2013, at the Cade Art Gallery, Anne Arundel Community College. For more information and to enter, click here.

National Geographic photo contest
Deadline: November 30, 2012. The deadline to enter National Geographic’s annual contest is this Friday. The grand-prize winner will receive $10,000 and a trip to National Geographic headquarters to participate in the annual National Geographic Photography Seminar. Two Runner-up Prizes: $2,500. Enter as many photos as you’d like! The winning photos will be published in National Geographic magazine. For more information and to enter, click here.

Click through for more opportunities: Continue reading Artist Opportunities: November 27, 2012

Q&A with Award Winner DeDe Faller

The juror for November’s “Small Works” show, Lindsay Harris, selected three award winners for the Eleanor Boudreau Jordan Award. She awarded Best in Show to Rock Creek Park, a palladium contact print by DeDe Faller, pointing to the softness and rich detail in the print. Faller told us about the palladium process, large-format photography, and the best time of day to take photos — read our Q&A below.

“Rock Creek Park” by DeDe Faller.

I’m guessing the photograph is in Rock Creek Park, because of the name. Is there any other backstory or motivation for this piece?
Rock Creek Park was taken some time ago. It is a contact print of one of my early works. Most have water and mist. In photography, especially before digital, landscape means large format. If the subject is not moving, you naturally go for the biggest negative for the best quality print.

Can you tell us a little bit about the palladium process?
The picture now in the gallery is a palladium contact print. Palladium is a semi-precious metal used in some dental work and catalytic converters. The process is almost identical to that used in platinum printing, using the same chemicals for coating the paper and requiring a black and white negative. Continue reading Q&A with Award Winner DeDe Faller

Your Guide to Artful Giving at The Art League

With our Black Friday sale coming up and the official start of the holiday season this week, The Art League has lots of affordable artwork and art classes that could make a perfect gift.

The three exhibits in the Gallery this month are perfect opportunities to take home something special from a local artist. “Small Works,” a juried group exhibit features small, affordably priced artworks in all media, many of them priced $100 or less. Paintings, sculptures, etchings, photos, and collage are all looking for a good home.

“Large Works,” the companion exhibit, is made up of large-format pieces that could really light up a room — as could the bold black-and-white prints in “Cold River,” Andrew Zimmermann’s solo photography show this month. Zimmermann’s photographs of Colorado winter waterways, printed via direct contact, focus on the sharp contrasts in the landscape (more info on the exhibit page).

Check out our Flickr page and the gallery below for a preview of the shows!

[nggallery id=7]
These three shows are open through December 3! Come by the Gallery and see if anything strikes your fancy. If you’re not sure what to give, The Art League also offers gift cards (for sale in the Gallery) which can be used for any purchase — artwork, a fine art class, a travel workshop, art supplies, or next year’s membership! (Check out the school catalog here.)

And finally, whether for your own tree or a friend’s, don’t forget to check out our Holiday Ornament Collection, with dozens of handmade ornaments by Art League artists! This yearly exhibit is a great place to find that unique decoration that you’ll enjoy seeing year after year.

“Madonna and Child,” a painted ornament by Amy Browning, was judged Best in Show by Christmas Attic’s Cheri Hennessy.
The Gallery’s tree.

Artful Links: Thanksgiving Edition

Art League instructor Steve Prince at the 2011 King Street Art Festival.

Happy Thanksgiving from The Art League Blog! Today, we’re thankful for our readers — to repay you, we’ve put together another edition of useful and interesting links for artists. Click away!

  • Blogging: If you have decided to start an artist blog and you’re using WordPress, Kim Bruce at Art Biz Blog has some posts on essential plugins. Perhaps the most useful for artists specifically, NextGEN Gallery is a great way to organize and share images of your artwork on your WordPress blog. (You can see NextGEN in action on this blog in this post, for example.)
  • Artist’s Statements: Online or off, you can always use a short, sweet introduction to your artwork — but writing an artist’s statement trips a lot of people up. Featured here a few years ago, but still helpful, The Abundant Artist has this guide to writing artist’s statements. (You should also come to our free Art*iculation seminar coming up January 26, 2013!)
  • Artists Helping Artists: As recommended by a commenter on one of our previous posts, this podcast hosted by painter Leslie Saeta has extensive archives covering things like commissions, social media, marketing and sales, exhibiting, and interviews with lots of different artists. Check out a list of past episodes grouped by category here.
  • Scams: If you’ve ever gotten a sketchy email from a prospective buyer, or if you want to know what to look out for, Art Scams has lots of useful resources for you: tips on avoiding fraudsters, a list of known scammers, and a host of non-scam-related resource links.
  • Happy 500th!: Michelangelo’s frescoes in the Sistine Chapel, “the most visited room in the world,” turned 500 years old on Halloween. A recent restoration was completed in the 1990s, but the breath, dust, and humidity of visitors and “drunken tourist herds” will necessitate further restorations in the future, according to the article. (You can tour the chapel damage-free on the Vatican’s website here.)

For more Artful Resources, click here.

Artist Opportunities: November 20, 2012

See below for upcoming exhibition opportunities! You can also click the banner above to see past opportunities posts.

Prince George’s County Artists
Deadline: December 7, 2012. The M-NCPPC, Department of Parks of Recreation, Prince George’s County, Arts and Cultural Heritage Division, with support from the Prince George’s Arts and Humanities Council, is pleased to announce On the Verge: Extension, Transition, Conversation,this year’s exhibition of Prince George’s County artists in the Lowe House Office building in Annapolis, during the Maryland General Assembly’s Legislative Session for 2013. This call for entries is open to all artists 18 years old or older who live, work, attend school or have studio’s in Prince George’s County, MD. Artists may submit a maximum of 5 artworks for consideration. For more details, see the announcement on Daily Campello Art News.

Click through for more opportunities: Continue reading Artist Opportunities: November 20, 2012

For College-Bound Art Students: Portfolio Workshop with Ringling College

The Art League is hosting a free presentation by Ringling College of Art + Design in Sarasota, FL focusing on how to create a successful portfolio for college-bound art students. The Ringling College of Art + Design is a fully accredited instituition whose primary mission is to provide programs leading to degrees that prepare students to be discerning visual thinkers and ethical practitioners in their chosen area of art and design. High school students interested in pursuing higher education in art and design are encouraged to attend to learn more about building a portfolio and the application process.

Check out this short video from Ringling on how to create a portfolio: http://www.ringling.edu/byp.html

Tuesday, November 27, 2012 6:30 – 8:30pm
The Art League Gallery
(Located in the Torpedo Factory Art Center)

Studio #21
105 North Union Street
Alexandria, VA 22314
theartleague.org/school

Questions may be directed to The Art League School, 703-683-2323.

Support The Art League and SOHO With Your Post-Thanksgiving Shopping

Planning on doing some shopping after Thanksgiving? You can buy artwork at The Art League Gallery on Black Friday (November 23) at a 10% discount, and purchases at the Alexandria Barnes & Noble on Saturday, November 24 (or online through November 29) will benefit the Space of Her Own mentorship program! See below for details.

Pieces from “Small Works” and “Large Works.”

Continue reading Support The Art League and SOHO With Your Post-Thanksgiving Shopping

Q&A with Award Winner Marina Troy

In the November “Large Works” exhibit (on view through December 3), the Cora Rupp Award for Best in Show went to Pine Trees, a 52ʺ x 56ʺ acrylic painting by Marina Troy. Troy is no stranger to the large format, preferring the immersive experience of creating the work — but not the challenge of transportation. She also told us about her unusual favorite painting tool, her creative process, and the origin of Pine Trees in our Q&A, below.

“Pine Trees” by Marina Troy.

Does Pine Trees have any particular inspiration or significance? How would you describe the painting style and color scheme?
Marina Troy: Pine Trees had a different title when it was first produced: Dejeuner sur l’herbe. Yes, it was named as an homage to the famous Manet painting, since it reminded me of its central part, only digitized and enhanced ten times, and leading to the similar source of light in the distance. As for the painting style, I tend to describe it as uniquely my own, since I am using credit cards as a painting tool: there are somewhat nervous, spontaneous outbursts of movement, with whatever color scheme makes sense at the time. No set pattern there.

How did you start using credit cards as painting tools, and how do you use them? Is it a tool you use often?
As I like texture on my paintings, and brushes tend to “dilute” the intensity of color, I just grabbed the first thing that was handy: larger than a painter’s knife, and as flexible, credit cards (the expired ones, of course) allow me to drag the paint across the canvas, changing its intensity and shade, while preserving the individual expression of “stroke.” I dip the shorter side of a card into, often, several colors at once, and observe what will happen when it is applied on canvas. I also use it on wet paint, to thin out layers, and do some editing. I use credit cards more often than I use brushes, which come at the end, for some final “fine tuning” of a painting that I am working on. Continue reading Q&A with Award Winner Marina Troy

George’s Artistic Adventure: My Last Drawing Class

Some of my classmates and our instructor, George Tkabladze, on the last day of class.

You can read the rest of this series here.

This was the ninth and final week for my drawing class (most of which is pictured above). With one last still life setup this morning, we got another chance to tackle round shapes, straight lines, and shading to bring everything to life. You can see the results below. Continue reading George’s Artistic Adventure: My Last Drawing Class

George’s Artistic Adventure: Bringing it Together

My drawing instructor, George Tkabladze, demos for the class.

You can read the rest of this series here.

Fall term classes are almost over, but we’re still drawing up a storm in Basic Drawing, moving on to tougher projects. Last week we focused more on shading and drapery, which had been giving me lots of trouble. Our instructor, George Tkabladze, helped us a lot with that. He gave me a lot of hints, most helpful of which was how to erase the highlights of the folds to make it look a lot better: Continue reading George’s Artistic Adventure: Bringing it Together

Three New Exhibits & an Artist Talk

“Crossroads of Time” by Elena Tchernomazova. Background, left to right: “Afternoon at the Tate” by Karen Kozojet Ching and “Dancin’ Queen” by Marie Crow.
From Andrew Zimmermann’s solo exhibit, “Cold River.”

The Art League Gallery is pleasantly full this month with three new exhibits: Andrew Zimmermann’s photography show, “Cold River,” and two all-media shows for small- and large-format artwork, “Small Works” and “Large Works.”

The opening reception for both shows is tonight, November 8, at 6:30 pm — and don’t miss Andrew Zimmermann’s artist talk on Saturday, November 8 at 1:00 pm. It’s one of several events the Gallery is hosting during FotoWeek DC.

Zimmermann’s photographs, printed from 8″ x 10″ negatives by direct contact, find the sharp contrasts in Colorado’s winter landscapes. More information is on the exhibit page.

Come see these exhibits through December 3! Read on for more images from the shows — and also check out images on our Flickr site (click for “Small Works,” “Large Works,” and “Cold River”).

“The New Girl” by Sharon Boyle. Background: “Mighty Mississippi” by Pattee Hipschen.

More photos below! Continue reading Three New Exhibits & an Artist Talk

George’s Artistic Adventure: The Next Step

You can read the rest of this series here.

A belated update on my drawing and stained glass classes from last week:

In Basic Drawing, George Tkabladze had us finish the still life we’ve been working on by adding the drapery and shading in a background. I think a lot of us struggled with drapery, as is to be expected, but George had lots of suggestions for tackling the problem and making the tablecloth look round and realistic without distracting from the subject. I’m still not satisfied with the final product, but it definitely improved from the beginning of class:

Any tips on making convincing drapery that you’ve learned? For the final two classes, we’ll be working on new projects.

In Stained Glass, my panel is shaping up. Continue reading George’s Artistic Adventure: The Next Step

Artist Opportunities: November 6, 2012

Read on for this week’s opportunities. You can click the banner above to view past opportunities posts.

Sandy’s Stories
Deadline: November 19, 2012. GWU’s Gallery 102 invites submissions of original artwork for a Spring exhibition, “Sandy’s Stories: An Epilogue of Hurricane Sandy.” This exhibition will explore the internal discoveries made by individuals during the historic storm. Interested artists may send images, concepts, or questions to [email protected] by November 19 for exhibition in early Spring. For more information, download this PDF.

Residencies Continue reading Artist Opportunities: November 6, 2012

Memorial Celebration of Cora Rupp

Cora Rupp, former President and Executive Director of The Art League and Torpedo Factory Artist, passed away on October 4, 2012. Cora was a creative force in our community who touched many lives through her artistic talents and seminal work with the League. The Rupp Family will hold a memorial celebration of Cora’s life on Sunday, November 4 from 2:00–5:00 pm in The Art League Gallery. All are welcome to attend the memorial on the 4th and are also invited to share memories and condolences at [email protected].

In lieu of flowers, the family has requested that memorial gifts be made to The Art League, 105 N. Union St., Alexandria VA 22314, or at theartleague.org. The Gallery will be closed to the general public on Sunday, November 4. Cora’s full obituary is on view here.

Obama-Romney: Comparative Positions on the Arts

Yesterday, Americans for the Arts Action Fund released its newly compiled analysis of the presidential candidates’ arts policy positions. This new report is one of the many programs and publications of ArtsVote2012, the Arts Action Fund’s biennial initiative coinciding with the election cycle, that educates candidates and informs voters on issues impacting the arts and arts education. Here’s where the candidates stand:

 

 Arts Action Fund Logo
Barack Obama
Joe Biden
Democratic Nominees
Mitt Romney
Paul Ryan
Republican Nominees
Candidate would maintain or increase federal support of the National Endowments for the Arts and Humanities.

Yes
Proposed increase of $9 million for National Endowment for the Arts.

-FY 13 NEA budget request,
Rpt p.2 / PDF p. 6
-FY 13 NEH budget request,
Rpt p.11/PDF p. 14

No
“Reduce subsidies for the National Endowments for the Arts and Humanities.”

-Romney/Ryan website
Los Angeles Times article

Candidate would maintain or increase federal support of museums and libraries.

Yes
Proposed increase of $9 million for the National Endowment for the Humanities and level funding of $232 million for the Institute of Museum and Library Services.

-FY 13 IMLS budget request,
Rpt/PDF p.12

Unknown
Congressman Ryan’s House-passed budget calls for eliminating the Institute of Museum and Library Services, but it is unclear what Gov. Romney’s position is.

– Ryan’s FY2013 budget,
Rpt p.88 / PDF p.96

Candidate would maintain or increase federal support for public broadcasting.

Yes
Proposed level funding of $445 million for Corporation for Public Broadcasting.

-FY 13 CPB budget request

No
“Reduce Subsidies for…the Corporation for Public Broadcasting.”

-Romney/Ryan website
-10/3/12 presidential debate transcript

Candidate would maintain or increase Title I funding, which includes eligibility for arts education.

Yes
Proposed to reauthorize current Title I program, with level funding.

-FY13 budget request,
Rpt p18 / PDF p 22

Unknown
Proposes to change Title I funding by expanding choice for eligible students to use federal funds to pay for public, charter, or private schools. It is unclear what impact this would have on arts education Title I funding.

-Romney education plan,
Rpt p.23 / PDF p. 24

Candidate would maintain support of national and community service, which includes eligibility for arts and music service.

Yes
Proposed increase of 1 percent to $1.1 billion for Corporation for National & Community Service agency budget.

-FY 13 CNCS budget request

Unknown
Congressman Ryan’s House-passed budget calls for eliminating the Corporation for National and Community Service, but it is unclear what Gov. Romney’s position is.

– Ryan’s FY2013 budget,
Rpt p.88 / PDF p.96

Candidate maintains current incentives for charitable giving to 501(c)(3) organizations, such as a local nonprofit arts institution.

No
The Obama plan maintains the ability for households to deduct charitable gifts, but he proposes reducing the value of the deduction from 35 percent to 28 percent for those households that make more than $250,000.

-FY 2010-13 budget request,
blog statement

No
Gov. Romney has suggested maintaining a deduction for charitable gifts, but he has also proposed combining those charitable deductions with other tax deductions, such as mortgage interest, all of which would be limited by an overall cap that could jeopardize incentives to donate.

– 10/16/12 presidential debate transcript

National party platform includes a positive position on the arts and arts education.

Yes
“We will continue to support public funding for the National Endowment for the Arts… and for programs providing art and music education…”

– 9/4/12 DNC platform, p.16

No
GOP platform was silent on these issues.

– 8/28/12 GOP platform