Gallery Guide for New Members

December's opening reception.
December’s opening reception.

Thinking of joining The Art League Gallery? Perfect timing! Our new membership year starts tomorrow on July 1. (Of course, you can join any time.)

We pride ourselves on offering a space for emerging and established artists to exhibit work with sales and promotion managed by professional staff. Anyone can become a member, which means you can enter work in a different juried show each month and apply for a solo exhibit. If your work is accepted into three shows in one membership year, you’re also eligible to exhibit framed and unframed work in the Bin Gallery on a monthly basis.

See below for answers to all the most common questions about membership. All these questions and more are also covered in new member orientation, coming up Wednesday, July 16, at 5:00 pm and Thursday, August 14, at 7:00 pm.

Table of contents

What’s jurying? Is that even a word? (back to top ↑)

It is now!*

Jurying is the process by which we put on a monthly group show. For each exhibit, we invite a different juror (one without a connection to The Art League) to narrow down the hundreds of submissions to the 100 or so you see on the wall.

Because we have hundreds of artist members and limited wall space, jurying provides a fair opportunity for artists to have their work exhibited. Some shows have themes related to medium or subject matter, while others are unthemed — we call those “all-media” shows.

A juror in 2012.
A juror in 2012.

Who are the jurors?(back to top ↑)

Jurors are regional (and sometimes national) artists, art critics, art teachers, and art writers invited by the Gallery Director. For most exhibits, we use a jury of one, but to select solo exhibitors, we employ a panel of jurors. The same person can’t jury more than once in a five-year period so that our members are ensured a wide variety of opinions.

How does the receiving process work?(back to top ↑)

Artwork receiving (not to be confused with the opening reception) is when artists drop off their artwork each month before the jury. There are two times to do so: Monday evening, 6:30–8:30, and Tuesday morning, 10:00 am–12:00 noon. Generally these are the first Monday of the month and the Tuesday immediately after. Some exhibits, like Art in City Hall or the annual sculpture exhibit, are juried online and have deadlines a few weeks ahead of the exhibit. Check our website for the specific dates.

1. When you come in, there will be a table outside the Gallery with blank entry forms. You fill out your name and the artwork’s title, medium, and price. (Photographers also have a Photographic Process Form to fill out).

2. Inside you’ll wait in line to pay your entry fee and get your entry number. The fee is $5 for each piece (you can enter one or two).

3. After a volunteer has taken down your entry info and given you a receipt, you attach the label to the back, and a sticker with the entry number to the left of the piece, like this:

How to label your submission

For sculptures and 3-D work, attach the label and number in a place where they’ll be easy to find.

4. Finally, find a place along the wall to leave your piece (or pieces). There will be signs for the following categories:

  • Photographs
  • Work under glass
  • Canvas
  • Sculpture/3-D

Pick the one that fits best. The category isn’t as important as that you keep both your pieces together if you have two, which makes the juror’s job easier (see below). We provide cardboard to put between works to protect them.

What can I submit?(back to top ↑)

We have no restrictions on subject matter or size (unless noted otherwise in the call to artists). If you can fit it through the door, you can submit it. However, artwork cannot weigh more than 60 pounds.

We accept all media, with these exceptions:

  • No giclee prints or reproductions of original artwork (whether by you or by another artist)
  • For prints, the edition must have been pulled by the artist himself or herself (it cannot be mass produced off-set lithography)

If a piece has been accepted to a previous Art League exhibit, it can’t be submitted again. Rejected pieces can be resubmitted.

Please note that Gallery rules prohibit live, perishable, or insect-ridden materials.

What about special hanging issues?(back to top ↑)

Special hanging requirements must be approved by the Gallery Director prior to receiving. If you have questions about where or how to leave your piece at receiving, ask the gallery staff.

During receiving, choose a place to leave your work against the wall.
During receiving, choose a place to leave your work against the wall.

How does the jurying process work?(back to top ↑)

After receiving is complete on Tuesday, the juror arrives. He or she typically stays in one spot while the volunteers bring artwork to them.

All work is shown to the juror except paintings that are still wet – those are automatically disqualified. If other framing guidelines are not met, a letter will be attached to the piece and if accepted, the artist must replace the frame with one that meets gallery requirements. (See framing requirements in the membership packet.)

Each piece gets a “yes,” “no,” or “maybe” from the juror. Since artists can have at most one artwork accepted to the exhibit, artists who submitted two pieces will have both presented together, and at least one must be a “no.” Not all jurors use “maybe.” Those who do go back to the maybe group if there is still room at the end of jurying.

After the exhibit is finalized, the juror selects the cash awards and honorable mentions for the exhibit. Each exhibit has different cash awards. Some are specific to medium, like pastel or collage. The number of honorable mentions is at the juror’s discretion — these pieces are designated with an asterisk in the show program and a gold seal on their wall label.

What do the volunteers do during jurying?(back to top ↑)

The volunteers are responsible for presenting the pieces for the juror, then organizing them into “yes,” “no,” and “maybe.” If the juror asks, they can read the piece’s title or medium (but not the artist’s name) from the label on the back. Any other questions need to go to the Gallery Director.

What about online jurying?(back to top ↑)

For online juried exhibits, we upload submitted images to a private Flickr album so the juror can view them online.

What criteria do the judges use?(back to top ↑)

We interview jurors for each exhibit to get general feedback for our artists. You can see these juror’s dialogues on our website or in hard copies in the Gallery. See this blog post for some of the most commonly heard feedback from jurors. The main refrains: pay close attention to your framing and presentation, and if your work is rejected, try again next month. Jurying is necessarily subjective.

How does hanging work?(back to top ↑)

There’s a hanging committee of volunteers that come in to hang the show after the juror is done, around 5:00 Tuesday afternoon. The hanging chair and Gallery Director consult on placement of work. Rarely, jurors will have suggestions on how to hang specific pieces. The award winning pieces go in the front of the gallery, unless they’re too big for that wall.

If pieces sell and are removed during the show, we’ll rearrange the artwork as needed to avoid blank spots.

Hanging

Where else does my work go?(back to top ↑)

In the days after a new exhibit opens, we photograph every piece to upload to a Flickr album along with the artist’s name. This provides an archived record of our exhibits and is another opportunity for people to see the exhibit or contact us about a purchase. If you already have a photograph of your accepted piece, please send it in to us! This is especially helpful for works under glass. Our email is [email protected].

We also use images of the exhibit — both individual pieces and installation views — for press releases and online outlets like Instagram and this blog. We try to post a wide variety of work so people can get a sense of the show and get excited to come in and see it. We also do Q&As on the blog with the award winners each month.

Any other questions about receiving or the jury process? Let us know in the comments and we’ll get you an answer.

Next Week at The Art League: June 29–July 5

Art League calendar

Here’s what’s in store next week at The Art League! Click here for the full online calendar.

The Fourth

Art Camp

Summer Classes

Exhibits

Q&A with Mixed-Media Artist Donald Cicconi

Artist Self-Portrait by Donald Cicconi.
Artist Self-Portrait by Donald Cicconi.

Donald Cicconi makes art with photographs, handmade paper, wood block prints, acrylic paint, and a strong influence from Japanese art. His mixed-media Artist Self-Portrait, above, caught the eye of Kim Levin, who juried June’s “Neo-Expressionism” exhibit and awarded it the Anne Banks Collage Award. We asked the artist to tell us more about his motivations and influences.

What was your goal with this self-portrait?
Donald Cicconi: I didn’t have a specific goal in mind; I never do. I am only interested in creating interesting images that will attract the viewer’s attention. It is up to the viewer to interpret the image.

What materials did you use?
I took several photographs of two different self-portraits I did many years ago in college. I cut them up and arranged them into what I though was an interesting image. I added some rice paper and acrylic to finish it off.

What appeals to you about working in collage or mixed media?
My problem is I like all media. I work with collage, woodblocks, photography, handmade paper and acrylics. I have tried photo etchings in college and I have several ideas that I hope to work on one.

Whatever media I think will make the image I have in mind.

Blue Moon, Donald Cicconi, 2010
Blue Moon, Donald Cicconi, 2010

Some of your work in past Art League shows has been made with handmade paper. What role does it play in your work?
Nothing special about working with handmade paper it is just another printmaking technique that works.

What are you working on now?
I am working several variations of the self-portrait, several cast handmade paper images and several woodblock prints.

When did you know you wanted to be an artist?
I have always been interested in art and starting drawing when I was in grade school but being an artist was never something I thought of as a job or career; I still don’t. I started college in graphic design at a community college in upstate NY then transferred to a four-year college in upstate NY for studio arts. After college I went back into the military and spent 21 years in the military. The only art I did while in the Army was photography. I retired from the Army and now work for DoD doing what I did in the military, satellite communications. My art is something I do when I have time; it’s more of a hobby. I do it because I like it, I get ideas and I like to work on them to see how they come out. I don’t think I can make a living with my art, it takes too much time and too much money and no one buys the art unless they think it is a good investment. I don’t believe art should be considered an investment.

Who are your major artistic influences?
Two Japanese printmakers, Kiyoshie Saito and Haku Maki.

I spent eight years in Asia, six years in Japan and I fell in love with Japanese woodblock prints. Haku Maki and Kiyoshie Saito are just 2 of my favorite Japanese artists. Most of my art involves woodblock prints and I start out doing block prints using a style like Haku Maki. I have several ideas for woodblock prints using some of the ideas or style of Saito that I want to work on, it’s just having the time. I usually print my woodblock on my handmade paper then combine it into a handmade paper collage so I really don’t do editions. They are usually one of a kind. One day I will get around to doing editions, again it’s a matter of time. I live in Dale City but work up at Ft. Meade doing satellite operations for the military so that doesn’t leave a lot of time for art or much else.

Four Nothings, Donald Cicconi, 2011
Four Nothings, Donald Cicconi, 2011

Postcard from Art Camp

 


With the second week of Art Camp drawing to a close, here’s an update on some of what was happening over at the Madison Annex classrooms Thursday:

Cartooning Camp

In Cartooning Camp, Ricky Bryant’s campers practiced gesture drawing. After that, they got some comic strips with their final panels missing and had to make up and draw their own endings.

Cartooning Camp Cartooning Camp Cartooning Camp Gesture drawings

Basic Art Camp

In Basic Art Camp, Ali Wunder was leading campers through making paper tigers with construction paper. We counted three orange tigers, three pink tigers, and one orange tiger with pink clothes. You can see one of the orange ones all finished up at the top of this post.

Basic Art Camp Basic Art Camp Basic Art Camp

Clay Animation Movie Camp

It was shoot day at Claymation Camp, with young filmmakers and Andrew Morgan filming their story frame by frame. We won’t spoil the movie for you, but there was mention of a talking tomato.

Clay Animation Camp Clay Animation Camp

Art Camp continues every week through August 22. For more about Art Camp, click here.

Artist Opportunities #226

This week's banner image is All-Seeing Eye by Art League instructor Tina Chisena.
All-Seeing Eye, by Art League instructor Tina Chisena, keeps a lookout for artist opportunities.

Here are exhibit opportunities in the area and around the world. You can click here for past opportunities posts. Good luck!

“Inspiration does exist, but it must find you working.” — Pablo Picasso

Hyattsville Arts Festival

Deadline: June 28. The Annual Downtown Hyattsville Arts Festival will be Saturday, September 13. Only original artwork, photography, handmade jewelry, and handmade crafts are allowed. Click here for the 2014 exhibitor application →

War of 1812 Festival

Deadline: June 30. Undaunted Weekend (August 23, 2014) commemorates the War of 1812, the March Across Prince George’s County, and the Battle of Bladensburg with lectures, festivals, food, tours, and more. About 20 arts and crafts vendors will be featured — half of the slots are scheduled for Gateway Arts District vendors, while the remaining can come from Prince George’s County and surrounding areas. Artists and craft workers need NOT be 1812 related, but participants which include traditional crafts, historic trades, general American patriotism, and/or the heritage, history and culture of the region and Maryland are strongly encouraged. See the vendor application →

InLight Richmond

Deadline: July 15. 1708 Gallery in Richmond, VA invites artists working in all media and disciplines, including performance, to submit proposals for InLight Richmond 2014, 1708 Gallery’s 7th annual one-night, public exhibition of light-based art and performance. More about InLight Richmond →

Strathmore residency

Deadline: September 8. Emerging artists will be in residence in the Mansion at Strathmore from January – August 2015. During this time, each artist will have the opportunity to develop an audience in the DC metropolitan area, perfect their craft, create and implement an outreach, educational, or special event proposal for Strathmore’s consideration, and premiere a new body of artwork commissioned by Strathmore in a culminating exhibition. Find more info about the residency at the top of this page →

Studio space: Alexandria

Click here for information about studio space at Studio 4 in Old Town →


Re-runs: Don’t forget about these opportunities previously posted here:

Sculpture at The Art League

Deadline: July 18. Our August sculpture exhibit is by digital entry only. More about this exhibit →

Solo exhibits at The Art League

Info session: Thursday, July 17, 6:00 pm. Deadline: September 26. Artists interested in a solo exhibit at The Art League in 2016 can submit their proposals in Fall 2014. Interested artists should attend an information session, submit their materials by September 26, and deliver their physical work to the Gallery for jurying on October 20. Required submission materials include five images, a resume, artist statement, and exhibit proposal. More about solo exhibits →

Printmaking exhibit

Deadline: July 31. “Ink, Press, Repeat 2014″: One artist will be selected to have a solo exhibition at the University Galleries at William Paterson University. Select works will receive cash prizes. More about the exhibit →

Cleveland residency

Deadline: August 1. Local, national, and international artists working in any medium are invited to apply for one-week, two-week, or four-week residencies at Micro Art Space in Cleveland, Ohio. More about Micro Art Space →

Food

Deadline: August 15. Artists are invited to enter a juried exhibit, “Feast Your Eyes: The Art of Food” at Annemarie Sculpture Garden and Arts Center in Solomons, MD. All media welcome. More about the Art of Food exhibit →

Urban Aspect

Deadline: August 22. The October 2014 show at Principle Gallery Alexandria will be a juried exhibition entitled “Urban Aspect,” featuring works of art that explore the myriad of themes and vistas found in urban life in all corners of the world. More about the exhibit →

Put a Bird On It

Receiving: Sunday, August 31 and Monday, September 1 at Del Ray Artisans. Prove that embellishment can be art! All artwork must incorporate a ‘bird’, either thematically or literally. Open to members and non-members. Read the call to artists (PDF) →

Next Week at The Art League: June 22–28

Here’s what’s happening next week at The Art League! You can see our full online calendar here.
Calendar, June 22–28

Summer classes

summer

workshop

exhibits

Artful Links & Other Creative Clicks

Photograph by Frances Borchardt
Graffiti Lady by Frances Borchardt, from the June “Neo-Expressionism” exhibit.

blog posts

resources

art-icles

photos

books

recipes

Recipes for fun: modeling dough, goop paste, and finger paint
Don’t forget to follow The Art League on Pinterest for links to resources as we find them.

Free Copyright Lecture at the Torpedo Factory

Via torpedofactory.org:

DC SIGGRAPH is organizing a presentation from John Saint Amour, Copyright Information Specialist for Public Information at the Library of Congress Copyright Office. He will be talking about the fundamentals of copyright law and how it relates to visual artists. This talk is intended for artists of all stripes, from 2D/3D animators, graphic designers to traditional artists interested in learning more about their rights under US law.

This program is presented as part of the TFAC’s Community Partnerships program.

The free event is this Thursday, June 19, from 7:00–9:00 pm. More information here.

Artist Opportunities #225

Photograph by Alison Duvall
This week’s banner image is by photography instructor Alison Duvall.

Here are this week’s calls for artists and other announcements. You can click here for past opportunities posts. Good luck!

“It is the nature of the artist to mind exces­sively what is said about him. Lit­er­a­ture is strewn with the wreck­age of men who have minded beyond rea­son the opin­ions of oth­ers.”  — Virginia Woolf

Cleveland residency

Deadline: August 1. Micro Art Space is approaching its second season as a new short-term residency program & gallery space in Cleveland, Ohio. Artists chosen for the residency conclude their experience with a solo or two-person exhibition open to the public during the high traffic indoor art walk. Local, national, and international artists working in any medium are invited to apply for one-week, two-week, or four-week residencies. More about Micro Art Space →

Food

Deadline: August 15. Artists are invited to enter a juried exhibit, “Feast Your Eyes: The Art of Food” at Annemarie Sculpture Garden and Arts Center in Solomons, MD. The goal is to create a rich and varied exhibit that honors the complexity of our relationship with food. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards. More about the Art of Food exhibit →

Video & New Media

Deadline: December 31. Open Call from Artisphere for works from multiple creative works in visual and new media, for local, national and international artists. More about new media at Artisphere →

Local public libraries

Several local library systems have exhibit spaces for local artists. Below are the libraries we could find information for. Let us know if you know of others! Follow these links for guidelines:

Delaplaine Visual Arts Center

The Delaplaine Visual Arts Center in Frederick, MD accepts exhibit proposals on an ongoing basis, scheduling two years out. More about exhibits at the Delaplaine Visual Arts Center →


Re-runs: Don’t forget about these opportunities previously posted here:

Sculpture at The Art League

Deadline: July 18. Our August sculpture exhibit is by digital entry only. More about this exhibit →

Solo exhibits at The Art League

Info session: Thursday, July 17, 6:00 pm. Deadline: September 26. Artists interested in a solo exhibit at The Art League in 2016 can submit their proposals in Fall 2014. Interested artists should attend an information session, submit their materials by September 26, and deliver their physical work to the Gallery for jurying on October 20. Required submission materials include five images, a resume, artist statement, and exhibit proposal. More about solo exhibits →

Printmaking exhibit

Deadline: July 31. “Ink, Press, Repeat 2014″: Since 2001, the University Galleries at William Paterson University has organized an annual juried printmaking exhibition featuring traditional and digital print media and book art. One artist will be selected to have a solo exhibition at the University Galleries. Select works will receive cash prizes. More about the exhibit →

Put a Bird On It

Receiving: Sunday, August 31 and Monday, September 1 at Del Ray Artisans. Prove that embellishment can be art! All artwork must incorporate a ‘bird’, either thematically or literally. Open to members and non-members. Read the call to artists (PDF) →

Urban Aspect

Deadline: August 22. The October 2014 show at Principle Gallery Alexandria will be a juried exhibition entitled “Urban Aspect,” featuring works of art that explore the myriad of themes and vistas found in urban life in all corners of the world. The theme is not restricted to any conventional ideas of cityscapes (though these are by no means discouraged), but rather is open so as to encourage creative and original subject matter and perspectives of urban life and locations. Juror: Jeremy Mann. More about the exhibit →

Next Week at The Art League: June 15–21

Here’s what’s happening next week at The Art League! You can see our full online calendar here.
June 15-22 at The Art League

Camp starts!

kids

workshops

jumpstarts

portraiture

exhibits

Intimate & Accessible: A Tabletop Ceramics Q&A

“Tabletop” is a different kind of show for The Art League. It’s all there in the name: this ceramic artwork isn’t for hanging, but for using and sharing.

We asked the potters of “Tabletop” to tell us why they make these functional forms — here’s what they had to say. Do you have a favorite teapot, bowl, cup, plate, or pitcher? Share your tabletop memories in the comments at the bottom of the post.

Click on thumbnails to view full images.

Eileen Egan / Washington, DC

Sipping Bowl
Sipping Bowl for Sake

“Something I love about making functional pots is the intimacy and accessibility they have as a form of art. When I buy a beautiful pot from another potter, I get to admire it again and again as a lovely piece of work, even if I eat, drink, or share food from it every day. I think and hope that details of things like that make a difference in our lives and routines.”

Joan Ulrich / Alexandria, VA

Teapot
Arch Tea

“When I make pots for active use, I strive to assure that the experience meets or exceeds the user’s expectations. These are intimate moments; a pot being cradled in the hands or raised to the lips, and I love creating that intimacy.”

Carolanne Currier / Huntington, PA

Creamer
Soda-Fired Creamer

“I make functional ceramics because I like the idea of making everyday life a little more special.”

Lou Raye Nichol / Cary, NC

Plate with photo transfer
Plate with Benedetta

“The appeal in this tabletop ware is twofold. One, using my husband’s lovely photographs. Two, the challenge of not losing the carbon trapped in the glaze while firing the photo transfer.”

Allison Severance / Alexandria, VA

Serving bowl
Serving Bowl

“I find the word ‘tabletop’ comforting. To me it implies home. It implies preparing and sharing food with friends and loved ones and my functional pots are made especially for that occasion. An early pottery instructor once told me I was too domesticated to make good pots. I continued making pots anyway and at present, I am proud and grateful of my domesticity and the role it plays in driving me to make pots that are functional and that have a job and are destined for tabletops in the home.”

Caleb Zouhary / Denton, TX

Casserole dishes
Small Casseroles

“In culinary school I was taught that the main emphasis in serving food is presentation. I take this to heart when designing vessels to aid in the presentation of each dish, and then translate those designs into functional wares that I craft in the studio. I then take home the finished pieces and test them in my kitchen, where I can critique, and later, make alterations to enhance the specific functionality of each vessel.”

Hollis Engley / East Falmouth, MA

Serving bowl
Faceted Stoneware Serving Bowl

“When I was first making pots — in the Art League clay program more than 20 years ago — my teacher Dan Finnegan used to say that he made “good pots for good food.” I liked the sound of that and kept it as my goal as I moved to my own full-time studio here on Cape Cod. I want my pots to be interesting, I want my potmaking and glazing to grow with each firing, but I always want my pots to perform a function. A faceted, wobble-rimmed, multiply-glazed bowl like the one here should show a Shino- and ash-glazed landscape on the outside, but also deliver the mashed potatoes at dinner time.”

Kristine Hites / Minneapolis, MN

Tulip Chalice
Tulip Chalice

“What appeals to me is drinking wine from the chalice in Winter and feeling the texture of the slip dots bring back fond memories of Spring and Summer gardening.”

Lynne Molner / Phoenix, MD

Dessert Plate
Dessert Plate

“I try to create an unexpected playfulness in my pots, incorporating whimsy and color into the form. Each pot is a painting: color, design, placement within the form. Even when the pot isn’t holding food, it allows for a connectedness with one’s inner playfulness or amusement.”

Melissa Yungbluth / St. Petersburg, FL

Dinner Plate with Fuschia
Dinner Plate with Fuschia

“My love for making highly decorative functional work stems from my childhood where my parents had the most beautiful wedding china. Locked away. To this day I still have not eaten off it. I want people to eat off of really beautiful things on a daily basis. In particular plates, like the one in the show, are my favorite to decorate. It’s as close to a flat canvas or piece of fine paper as possible, but still can be eaten from.”

Loren Scherbak / Rockville, MD

Side Handle Teapot
Side Handle Teapot

“Teapots challenge me to unify different parts into a pleasing and interesting whole vessel that ultimately has to perform its function well. Teapots are also very intimate. The user needs to look at it closely, and hold it carefully, every time she uses it to make tea. This is why I love making teapots. I love having the structure of function to frame my explorations in design.”

Jeremy Ayers / Waterbury, VT

Striped Water Pitcher

“I strive to make pottery that celebrates the joy of eating and drinking and creates a special relationship between the owner and the object. I enjoy how functional pottery becomes a witness and participant to the routines of your daily life. A water pitcher is dynamic form because it can do double duty as a vase when it’s not needed as pitcher.”

Roni Polisar / Burtonsville, MD

Bowl with Ash
Bowl with Ash

“When I consciously choose a certain bowl and set it on a table to offer food to guests, I feel a moment of awareness of the ritual of presentation, of the pleasure of sharing with a certain deliberateness. I recognize ceramics as objects that infuse aesthetics into domestic life, adding modest richness and enjoyment to small experiences.”

Debbie Williamson / Lovettsville, VA

Red, White and Blue
Red, White and Blue

“The cup! I think it’s the most intimate form there is. A privilege of life is relationship. I think the cup offering and acceptance is a path to connect. And reconnect. Cups are a priority on my make list.”

Hironobu Nishitateno / Loves Park, IL

Japanese Shino Sake Set
Japanese Shino Sake Set

“My passion for making functional pottery springs from a desire to bring beauty and nature into daily life. It is my belief that pottery should not be the center of attention on the dinner table; it should be simple and attractive, while discreetly adding to the delicious appearance of the food.”

Lindsay Scypta / Southport, CT

Salt & Pepper
Salt & Pepper

“My studio research has been focused on the history of the meal. I am interested in celebrating the forgotten journey that salt & pepper took to find its way to our civilized table. Salt held such importance at one time that it defined where guests sat at the table. I am honoring this history through the ornamentation of these functional vessels.”

Coleton Lunt / Flagstaff, AZ

Lunt-Jug
Wood Fired Jug

“My forms, especially pitchers, are inspired by love or the lack of love. My forms are gestural with curves inspired by the human form.”

Charlotte Martin / Merion Station, PA

Compote with Four Dishes
Compote with Four Dishes

“My aim is to make functional pottery that brings beauty, vitality and pleasure to our daily lives. The soft wavy layers of pierced clay of my compote set, finished with gold luster and painterly decoration, transforms the useful into the delightful.”

Bill Van Gilder / Gapland, MD

Tenmoku Platter
Tenmoku Platter
“By making large quantities of functional, useful pots I’m able to get my daily work into the hands of many people; people who will be drinking from a cup I’ve made or eating from a plate they’ve purchased from me. This allows me to communicate, in a subtle way, my thoughts about food & table presentation; a ritual we all take part in several times a day.”

Keiko Stusnick / Bethesda, MD

Small Bowl
Small Bowl

“I like Japanese Aesthetics — a simple ‘wabi-sabi’ style. I make functional pots simply thinking of my family and friends for a daily use. But if someone likes my taste and the person uses my pots for his or her daily life, I am happier!”

Patrick Rademaker / Louisville, KY

Soda-Fired Mug
Soda-Fired Mug
“I like so many things about making pots that don’t even have to do with the actually making of the pots. I knew no matter what I did in life I wanted to be surrounded by great people, and the fact that I can achieve that through traveling and firing wood kilns really is pretty magical.”

“Tabletop” is open through July 7.

Artist Opportunities #224

This week's banner image is by Art League instructor Kurt Schwarz.
This week’s banner image is by Art League instructor Kurt Schwarz.

See below for more exhibits and other opportunities around the area. You can click here for recent posts in this category. Good luck!

“Creativity takes courage.” — Henry Matisse

Lumen Prize for digital art

Deadline: June 30. The Lumen Prize Exhibition celebrates the very best art created digitally. Entry is open to artists anywhere in the world. We are seeking the most compelling work of artists working with electronic devices such as smartphones, tablets, digital cameras, 3D printers, and computers with proprietary or open-source software or coding of their own design. More about the Lumen Prize →

Festival of the Masters

Deadline: July 9. An applicant to the Festival of the Masters at Walt Disney World must be a primary award winner (first, second, or third place, or equivalent) in a recognized juried art show, festival, or fair during the last four years. More about the exhibit →

FIGMENT festival

Deadline: July 31. FIGMENT DC, a free, outdoor, interactive visual and performing arts festival now in its second year in DC, has opened its call for artists. This year’s festival will return to Anacostia. Artists are not charged any fees to participate in FIGMENT DC and the submission process is unjuried. A curatorial team reviews projects and works with the artists to place and/or schedule each project, ensures any necessary permits are filed, and provides logistical support. Projects may be visual art, performing art, or multimedia/mixed media, but must be interactive and family-friendly. In addition to installations or performances, projects could be hands-on demonstrations, classes, crafting stations, roaming art, or creative games. More about the festival →

Put a Bird On It

Receiving: Sunday, August 31 and Monday, September 1 at Del Ray Artisans. Prove that embellishment can be art! All artwork must incorporate a ‘bird’, either thematically or literally. Open to members and non-members. Read the call to artists (PDF) →

Wanted: art fair display

An Art League artist who will be in MPA Artfest wants to rent booth displays  — Pro Panels, mesh walls, or similar — for October 5, 2014. The booths are 10′ x 10′. Local pickup would be best. Please contact Arlie Hammons at 703-938-0251.


 

Re-runs: It’s not too late for these posts from last week:

artdc gallery

Deadline: June 12. artdc gallery warmly welcomes local artists to help us rethink landscapes and the physical realm. For this juried show we are looking for works that showcase abstraction, or abstract thought, imaginary or impossible spatial relationships, nontraditional conceptual notions of home or place, and unconventional objects that tell the story of landscape and/or place. More about this exhibit →

Sculpture at The Art League

Deadline: July 18. Our August sculpture exhibit is by digital entry only. More about this exhibit →

Solo exhibits at The Art League

Info session: Thursday, July 17, 6:00 pm. Deadline: September 26. Artists interested in a solo exhibit at The Art League in 2016 can submit their proposals in Fall 2014. Interested artists should attend an information session, submit their materials by September 26, and deliver their physical work to the Gallery for jurying on October 20. Required submission materials include five images, a resume, artist statement, and exhibit proposal. More about solo exhibits →

Printmaking exhibit

Deadline: July 31. “Ink, Press, Repeat 2014″: Since 2001, the University Galleries at William Paterson University has organized an annual juried printmaking exhibition featuring traditional and digital print media and book art. One artist will be selected to have a solo exhibition at the University Galleries. Select works will receive cash prizes. More about the exhibit →

Urban Aspect

Deadline: August 22. The October 2014 show at Principle Gallery Alexandria will be a juried exhibition entitled “Urban Aspect,” featuring works of art that explore the myriad of themes and vistas found in urban life in all corners of the world. The theme is not restricted to any conventional ideas of cityscapes (though these are by no means discouraged), but rather is open so as to encourage creative and original subject matter and perspectives of urban life and locations. Juror: Jeremy Mann. More about the exhibit →

June’s Exhibits are Here!

Susan O'Neill's "Figural Fine Lines"
Susan O’Neill’s “Figural Fine Lines
Foreground: Expression in Black and Gold, terra cotta, by Josh Band.
Foreground: Expression in Black and Gold, terra cotta, by Josh Band.

“Neo-Expressionism” | “Tabletop” | “Figural Fine Lines
Through July 7

Receptions
“Tabletop”: Sunday, June 8, 4:00–6:00 pm
Other exhibits: Thursday, June 12, 6:30-8:00 pm

The fifth in our 60th anniversary series exhibits is in the Gallery for June, along with our annual international ceramics show and Susan O’Neill’s exhibit of figure drawings, “Figural Fine Lines.

“Neo-Expressionism,” the group exhibit juried by Kim Levin, brings our year-long art history journey up to the 1980s, with inspiration from artists like Julian Schnabel and David Salle.

Susan O’Neill’s drawings in charcoal and chalk bring the energy and expression of the human form onto paper. The fourteen pieces, with titles including Toccata and Intermezzo, bring a lively, musical mood to the solo room.

For a preview of Tabletop, see this post from last week.

You’re invited, as always, to join us at the opening receptions for these exhibits — the “Tabletop” reception and meet-the-juror with Tony Clennell is on Sunday, followed by the other exhibits’ reception on Thursday, June 12.

"Figural FINE LINES"
“Figural FINE LINES”
"Neo-Expressionism"
“Neo-Expressionism”
"Neo-Expressionism"
“Neo-Expressionism”

Countdown to Summer Classes

by Bobbi Pratte
by Bobbi Pratte

This summer is your chance to dive into a new art class, whether you’re starting something you’ve never tried before or continuing a lifetime of study.

Summer classes start the week of June 23, with start dates continuing into July. Registration is ongoing for Summer Art Camp, too! Art camps run weekly from June 16 to August 22.

Use the links below to see all our summer classes in these subjects:

  • Book Classes
  • Book Classes
  • Drawing Classes
  • Painting Classes
  • Printmaking Classes
  • Photography Classes
  • Kids & Teen Art Classes
  • Ceramics Classes
  • Sculpture Classes
  • Jewelry & Metal Classes
  • Fiber Arts Classes
  • Book Classes
  • Book Classes
  • Book Classes
  • Book Classes
  • Book Classes

Featured June Workshops

And don’t miss these classes

 

Artist Opportunities #223

Painting by Deanna Schwartzberg
This week’s banner image is Grand Opening, acrylic on canvas, by instructor Deanna Schwartzberg.

Here’s this week’s batch of exhibits and other opportunities to apply for. You can click here for past opportunities posts. Good luck!

artdc gallery

Deadline: June 12. artdc gallery warmly welcomes local artists to help us rethink landscapes and the physical realm. For this juried show we are looking for works that showcase abstraction, or abstract thought, imaginary or impossible spatial relationships, nontraditional conceptual notions of home or place, and unconventional objects that tell the story of landscape and/or place. More about this exhibit →

Art in City Hall ’14–’15

Deadline: June 27. The Fall exhibit for Art in City Hall has no theme. Please note that the prospectus and entry form has not been posted yet, but will be available at this link. More about this exhibit →

Sculpture at The Art League

Deadline: July 18. Our August sculpture exhibit is by digital entry only. More about this exhibit →

Solo exhibits at The Art League

Info session: Thursday, July 17, 6:00 pm. Deadline: September 26. Artists interested in a solo exhibit at The Art League in 2016 can submit their proposals in Fall 2014. Interested artists should attend an information session, submit their materials by September 26, and deliver their physical work to the Gallery for jurying on October 20. Required submission materials include five images, a resume, artist statement, and exhibit proposal. More about solo exhibits →

Printmaking exhibit

Deadline: July 31. “Ink, Press, Repeat 2014”: Since 2001, the University Galleries at William Paterson University has organized an annual juried printmaking exhibition featuring traditional and digital print media and book art. One artist will be selected to have a solo exhibition at the University Galleries. Select works will receive cash prizes. More about the exhibit →

Urban Aspect

Deadline: August 22. The October 2014 show at Principle Gallery Alexandria will be a juried exhibition entitled “Urban Aspect,” featuring works of art that explore the myriad of themes and vistas found in urban life in all corners of the world. The theme is not restricted to any conventional ideas of cityscapes (though these are by no means discouraged), but rather is open so as to encourage creative and original subject matter and perspectives of urban life and locations. Juror: Jeremy Mann. More about the exhibit →