Repost: Email Newsletters for Artists in Three Steps

The Art League Blog is on vacation this week, so we’re reposting some of our most popular resources on sharing your art online! Please enjoy this post from the vault, originally published July 9, 2014.

We’ve written extensively about using social media and blogs to promote your art, but we haven’t really touched on the most powerful part of an artist’s online toolkit: email.

Many artists have a contact list of emails they’ve collected from different exhibits and events (and hopefully, their website).

Don’t let that list collect dust! Once somebody’s expressed interest, you want to keep that relationship alive by staying in touch. That’s an email newsletter.

So how to start? Whether you have an old email list to work with, or you need to start collecting names from scratch, it won’t take long:

1. Pick a service and start collecting

Email service providers

There are numerous email service providers (ESPs) to choose from. Two of the most popular are Constant Contact and MailChimp, the latter of which The Art League uses. MailChimp is even free if your list has fewer than 2,000 subscribers! If you used a website builder or similar for your site, check to see if there’s a built in option there.

There are many, many other options, both paid and free. Search around! Any good service will offer options to export and import lists, so you won’t be stuck.

Why use a service? Sending through a service, instead of through your personal email account, has several advantages: it’s easier to manage your list, you can see whether people are opening your emails, and it’s less likely to be marked as spam, especially as your list starts to grow.

Add the signup form. Whatever service you go with, the next step is to add names. You probably have three main sources:

  • people who sign a guestbook at an exhibit or art fair,
  • people who have purchased artwork from you in the past, and
  • people who sign up on your website.

To capture the last group, follow your email service provider’s instructions to add a signup form to your site. Keep it quick, easy-to-use, and hard-to-miss, and watch those emails come in!

You can add other addresses manually — for example, people who wrote their address in a guestbook — but make sure you only add people who have given their permission. Otherwise, your emails may start getting marked as spam.

2. Design an email

MailChimp's email builder.
MailChimp’s email builder.

This is the fun part! As a guiding principle, think of all the promotional emails you get every day. Which ones do you actually open, and which ones go straight into the trash?

There are three things every good email needs:

  • Subject line: This is the most important part. Why should I open your email? Let me know with a short, clear subject line, or it’s likely to remain unopened.
  • Image: You’re a visual artist, after all, so make sure to include at least one image. The less the recipient needs to read, the better. If you have a web-friendly version of your exhibit card (or workshop flyer, etc.), that will work beautifully.
  • Something to do: This is called a “call to action.” Somewhere in the course of your email — maybe even more than once — you need to let me know what you want me to do. Otherwise, I’m likely to read your email and move on, and then you’ve lost my attention. So instead of just announcing the date of the reception, include a clear message: “Come to my reception tonight! I’d love to see you there!” Other potential calls to action: “Sign up,” “Come see,” “Watch my latest video,” etc.

Some common reasons you might send an email:

  • a new exhibit you’re in
  • an opening reception or event you’ll be at
  • a new offer for buyers
  • something new for sale: bowls you’ve just fired, photos you’ve just printed, etc.
  • other news: what would your fans want to hear about?

Let people know what to expect when they sign up for the first time. If you have different people interested in different things, organize your list into different segments and email the most relevant groups. (Your email service will have a tutorial on managing your lists.)

3. Hit send

Hit Send

How often will you send emails? That will largely be determined by what kind of emails you send. If you send announcements about receptions, exhibits, and other events, that will be dictated by when you have those events. If you want to send out a newsletter, make sure you’re committed to keeping it up. (If you have a blog, you can achieve this by automatically sending emails with each new post or on a regular basis – just search for “RSS to email.” This blog’s newsletter sends out weekly to everyone who signs up here.)

Find a happy medium between sending out too frequently, in which case your useful emails may start to look more and more like spam, or too infrequently, which might cause people to forget why and when they signed up in the first place. MailChimp’s co-founder recommends sending at least quarterly in his blog post with tips for artists.

Any questions or other ideas? What artist newsletters are you subscribed to, and which ones are your favorites? Let us know in the comments!

Repost: What To Post As an Artist on Social Media

Sun and cloud
Illustration by Casey Webb

The Art League Blog is on vacation this week, so we’re reposting some of our most popular resources on sharing your art online! Please enjoy this post from the vault, originally published July 2, 2014.

This guest post comes to us from Casey Webb of Jung Katz, a blog for artists and creatives, where this was first published. Casey is an artist whose primary passions are business and creating art that’s personal to her. Together with Joey Souza, also of Jung Katz, she has a social media following of over 2,000.

Social media can be a very useful tool for growing a strong community of followers — if you tend to your networks regularly and in the right way.

However, it can be a bit overwhelming to try and post daily if you have no idea what to post or what not to post. These tips work great for any social media network, including Facebook, Twitter, Instagram, Google+, and Tumblr.

What to post:

  1. Artwork
: Finished pieces, works in progress, and sketches. People follow you because they want to see your art. Give them a behind the scenes peak that they can’t see from just glancing at your website or portfolio. Maybe even take some pictures of your work space.
  2. Project Updates: 
Are you starting a new series or collection? Artists need to self-promote a bit. If they’re interested in your work, they’ll most likely be interested in other projects by you as well.
  3. What inspires you
: Set aside some time to give a shout out to a fellow artist. This is a wonderful networking tool, just make sure you have permission to share their artwork beforehand. More than likely they will be extremely flattered and maybe even return the favor.
  4. Upcoming Events: 
Tell them about gallery shows or craft fairs you’ll be at, and that you hope to see them there.
  5. Accomplishments
: It’s okay to be proud of a job well done. Talk about any features in magazines and other accomplishments or milestones.
  6. Anything Noteworthy: 
Are you donating 15% of all proceeds to your local animal shelter for the entire month of May? Or are you switching over to organic fair trade materials? Both are great things to know and could potentially drive more sales.

What not to post:

  1. Irrelevant Content
: Post those on your personal account. If I follow you for your artwork and you only post art once in every four posts, chances are I’m going to become uninterested and unfollow you.
  2. The Same Things Again, and Again, and Again: 
Don’t post tons of pictures of a single project all at the same stage of development. Some different views are nice, but we don’t need to see it from ten different angles.
  3. Complaints
: You probably don’t follow people to hear them complain about things, and chances are no one is following you to hear it either. Nobody likes being around someone who is always in a bad mood. You want to give your followers a positive experience, not a negative one.
  4. Gossip
: Talking bad about other artists is not only rude, but can also burn more bridges than you may be aware of at the time. Saying rude and negative things can sever relationships between you and the artist, you and the artist’s fans, and you and anyone who thinks you’re unprofessional. It’s best not to chance it. Just do your best to be courteous and polite to everyone, and handle issues privately and professionally.
  5. Copyrighted Pictures: 
Don’t post pictures that aren’t yours unless you have permission to post them.
  6. Anything Controversial: 
Unless you’re known by your fans for your controversial ways, you could potentially lose many followers by talking about things like politics or religion. If it’s not relevant to your artwork, consider keeping your opinions to yourself.

Before posting to any of your social media channels, think about what it is people follow you for. What do they want to see? What is it that you like seeing from the artists you follow? Take note of what you personally enjoy seeing from those you follow, as well as what you think they could do without. Try your best to understand what you want and what others want from you and you’ll have a deeper understanding of what to post and what not to.

Have any to add? Let us know in the comments below!

Repost: Protecting Images of Your Artwork Online

The Art League Blog is on vacation this week, so we’re reposting some of our most popular resources on sharing your art online! Please enjoy this post from the vault, originally published January 9, 2013.

If you’re on Facebook, Flickr, or a blog to promote your artwork, you hopefully also have some images of your work. That’s great! In the low-attention-span world of the Internet, photos are the best way to grab someone’s attention — especially someone looking for art.

But what about when someone wants to steal your work? Most of the friendly people who find your site won’t even think of doing it. But some might, and while there’s no way to prevent a determined thief, there are easy ways to make your image less attractive to them. The only surefire way to keep your images to yourself is to keep them off the Internet — a valid option, but then no one would be able to see your work!

Here are two of the best options — and see the bottom of this post for links with more information:

  • Use low-resolution images: You can try to find a happy medium between an image that’s large and clear enough to convey the sense of the artwork, but small enough to prevent people from getting a clear image if they hit “print.” While you’re editing images for your site, try lowering the resolution to 72 ppi (pixels per inch) instead of the 150 or 300 that your camera might save. Then, you can decrease the dimensions to whatever size you see fit: maybe 500 or 1000 pixels across in the larger dimension. Here’s where to change the image size in Preview and Photoshop (on a Mac):
    In Mac’s Preview application, go to “Tools” and then click on “Adjust Size…” below.
    In Photoshop, select “Image” from the top toolbar and then click on “Image Size…” below.

    As always, don’t forget to save your changes to a new copy so you don’t overwrite your original! For directions on resizing using Microsoft Paint in Windows 7, click here.

  • Watermark your images: This can be a painful option, since it mars your image, but might be something you want to do to prevent theft — especially for photographers, whose work can be more easily replicated off the Internet. Watermarking is fairly easy to do with an image editor like Photoshop, and there are also online tools to do it — see below for a link. Note that someone skilled in Photoshop can still reconstruct your image — even if it won’t be exactly the same, it might be good enough for their purposes.

Continue reading Repost: Protecting Images of Your Artwork Online

Meet Our Newest Instructors

Mark Thomas Anderson
Mark Thomas Anderson

We search all over to bring together the best art instructors we can find. This school year, we’re excited to welcome ten new artists to teach in our classrooms! Some will teach weekly classes, while others will be visiting to teach short workshops.

You can find them all in our shiny new catalog!

Self portrait by Mark Anderson
Self portrait by Mark Anderson

Mark Anderson | drawing

You may remember Anderson (markthomasanderson.com) from his 2011 summer residency at the Torpedo Factory. He received his MFA in painting from Boston University and also teaches at Georgetown University. Anderson writes in his artist statement: “I continuously search for new mediums, tools, additives, surfaces, and pigments in order to expand my descriptive methods. Some additional tools that I use are rulers, a calculator, rags, and at times, the tips of my fingers.”

Ceramics by Birdie Boone
Ceramics by Birdie Boone

Birdie Boone | ceramics

You’ll have to wait until June 2017 for this workshop from ceramicist Boone (birdiebooneceramics.com), whose signature “belly-bottomed” creations can be seen in the photo above. Read more about the inspiration and process behind these forms in this Ceramic Arts Daily article.

Deborah Clark | children’s classes

Maryland-based art teacher Deborah Clark received her BFA in painting and her BS in Art Education from Kutztown State University. Art Fun-damentals is our introductory class for ages 5–8 that focuses on the fun of art.

Timothy J. Clark | watercolor

Timothy Clark (tclarkart.com) is an accomplished watercolorist whose work can be found in museum collections including the Smithsonian’s. He’s visiting The Art League for a three-day workshop in watercolor that’s not to be missed!

Dan Finnegan | ceramics

Finnegan (danfinneganpottery.com) is based in Fredericksburg, VA and has been making pots for decades. This winter workshop is based around the idea of pottery used for serving and cooking — yum!

Painting by Catherine Hillis
Painting by Catherine Hillis

Catherine Hillis | watercolor

Watercolorist Hillis (catherinehillis.com) is going to teach this introductory watercolor class. She is a member of numerous watercolor societies and one of 40 elected members of the Washington Society of Landscape Painters. You can read her blog here.

Tile by Yvette Jacobs
Tile by Yvette Jacobs

Yvette Jacobs | ceramics

Jacobs (faculty page) comes from an artistic family and worked as a broadcast animator, designer and creative director. Her tile work represents a move away from the computer-driven work she did for video. Her Tiles class will be offered once per term to students who want to make functional works of art for their backsplash, garden, or elsewhere!

By Tamryn McDermott
By Tamryn McDermott

Tamryn McDermott | fiber

McDermott (tamyrnmcdermott.com) will give two workshops on two basketry techniques each. Students can explore basketry’s potential for sculptural forms while learning traditional processes. Currently based in Alexandria, McDermott completed an artist residency in St. Louis this year.

Susan O’Neill | drawing

O’Neill (Facebook) is a longtime Art Leaguer who you may remember from her 2014 solo exhibit, “Figural Fine Lines.” Her new class, Expressive Figure Drawing, is all about capturing the human form with energy and confidence. To learn more about her artistic practice, read her Q&A on this blog.

David Skibiak | printmaking

“As I see it, exploration is the destination for an artist,” writes Skibiak (theframefactory1.com/skibiak.htm). He’s an artist with Discover Graphics Atelier on the second floor of the Torpedo Factory. The Printmaking Projects and Techniques class is for students with some printmaking experience who want to further explore intaglio, lithography, or monotype printmaking.

Browse the full 2016–17 catalog here!

Fall Registration is Open!

The Art League 2016/17 Catalog

The brand new Art League catalog has arrived and registration is now open for fall classes and workshops! Click here to virtually flip through the new catalog.

Danni Dawson’s Carla Hall Paper Doll graces this year’s catalog cover; a painting you might remember from the Student/Faculty Show in February or this earlier blog post. We love this fun painting and the fact that Carla was once an Art League model!

Carla-Hall-by-Danni-Dawson
Summer is still here but we’re looking forward to seeing where our imaginations and creativity will take us this fall. Whether it’s painting from a new perspective, working in the jewelry studio, or taking your camera out on the town, a fall art class is the perfect way to kick start your creativity. Browse our 201 fall classes and 47 workshops and see what’s right for you! The fall term starts the week of September 19.

Travel Art Workshops and FAQs for 2016–17

 

A student painting the lavender fields at Sault. Photo by Susan Abbott.
A student painting the lavender fields at Sault. Photo by Susan Abbott.

The Art League’s travel workshops include local day trips and international workshops. They’re your chance to learn more about art and culture while globetrotting with expert instructors!

With a new school year starting, we have a new slate of travel workshops coming up. Are you ready for Greece? How about Croatia? Or would you like to revisit the Phillips Collection here in DC — with a master framer?

Read to the end for our FAQ on travel workshops. For more information about any of these workshops, and to register, contact Travel Workshop Coordinator Margaret Cerutti: 703-683-1780 x13 or [email protected].

The 2016–17 schedule

The Sketchbook Traveler in Paris, France
Instructor: Alice Kale
Type: Watercolor painting and museum exploration
When: September 4–14, 2016

Plein Air Painting in the Chesapeake Area
Instructor: Peter Ulrich
Type: Plein air (outdoor) painting
When: Fall 2016

Master Framer’s Tour at the Phillips Collection
Instructor: William Adair
Type: Museum exploration
When: November 13, 2016, 2:00 pm

The Mansions of Newport, Rhode Island
Instructor: TBD
Type: Museum overnight trip
When: November 2016

Bahamas Winter Painting Retreat
Instructor: Susan Abbott
Type: Plein air painting/all media
When: February 2017

Venice, Italy Through the Eyes of the Artist
Instructor: Robert Liberace
Type: Drawing and museum exploration
When: Spring 2017

Croatia: The Island of Hvar
Instructor: Matt Pinney
Type: Plein air painting
When: June 2017

Drawing & Painting the Splendor of Greece
Instructor: Thanasi Papapostolou
Type: Plein air and historical site exploration
When: June 2017

FAQs

Here’s our Q&A with Travel Workshop Coordinator Margaret Cerutti with some background on what to expect:

Instructor Robert Liberace demos for students in Florence.

What’s included in the workshop price?
That varies by the workshop. Generally, accommodations with breakfast, group transportation and entrance fees to the sites on the agenda, and the price of instruction are included. Airfares aren’t usually included, but we try to arrange them at the lowest price available. This is optional; you can use your frequent flier miles instead if you prefer — many people do!

What’s the itinerary like? Will there be down time?
Every travel workshop is unique — it’s based on the instructor’s choice. If it’s a plein air painting workshop, there will be an initial demo (on a theme, such as atmospheric perspective in the landscape) with additional demos on subsequent days in different locations. Students will then work on their own pieces with instructor input. For a museum exploration or drawing workshop, usually a drawing/painting demo will follow the museum experience, either within the museum itself or at another location. Generally the schedule is pretty intense — depending on the workshop, the day is filled with activities. However, for the most part the evenings are free.


Oxford University in England.

How is transportation within the destination arranged?
On domestic local day trips (Virginia, Maryland, etc.), you’ll provide your own transportation. In general, group transportation for international workshops is arranged at the travel workshop location.

I’m not a very advanced artist — will I feel out of place? What if I don’t know anyone else who’s going and I’m not an Art League student or exhibiting artist?
Generally, travel workshops are not for beginners. Depending on the workshop, you should have some drawing/painting/photography experience. Call for further information if you aren’t sure. Some of our instructors have two- or three-day workshops you can take to gain experience prior to departure.

There are pre-departure information nights for all participants who are registered, so you’ll get to meet each other and further discuss supplies and the itinerary for the trip.


Workshops include visits to local attractions such as the Gallerie dell’Accademia in Venice.

Can my spouse or significant other come if they aren’t an artist?
Sometimes that can be arranged. Call for details.

How do you plan your trips and choose your destinations? Are the instructors experts on those cities?
Generally, our instructors choose the travel locations because they are familiar with them or that city has something in particular to offer the students — in particular, things like museums or painting the lavender fields in Provence in July.

How do I get my supplies? Can I take them on the plane?
Supplies may be purchased here in The Art League Store. Supplies can be carried in your checked luggage. Details can be explained before departure.


Instructor Susan Abbott captures Elbow Cay in the Bahamas.

Is there anything I need to do to prepare?
That depends on the location. Always keep your passport current!

I missed out on a trip I would have liked to go on. Are the same trips offered each year? How can I find out what’s coming up?
Some trips are offered on a yearly basis due to demand and their small size, though specific itinerary items may change. Current information is on The Art League website.

Artist Opportunities #332

Photograph by Art League instructor Katherine Akey
Photograph by Art League instructor Katherine Akey

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Fairfax 4-H

Artwork dropoff: August 4–5. The annual 4-H Fair at Frying Pan Farm Park in Herndon includes competitive departments for entry, to include divisions for Arts, Crafts, Photography (Color, B&W), Interior Design, and Short Film Creation, among many other things. The dates are August 4-7.

Exhibit proposals

Deadline: September 4. The Carver Center Gallery (Towson, MD) is now accepting exhibition proposals for the 2016-2017 school year. We are looking for a wide variety of solo or group exhibitions representing work from MFA graduates, emerging, and mid-career artists.

F.E.A.S.T.

Deadline: September 6. F.E.A.S.T. at VisArts 2016 (Funding Emerging Art with Sustainable Tactics) is a bridge between artists and the community.  F.E.A.S.T. is a public meal designed to use community-driven financial support to democratically fund projects that use art and creative thinking to impact the community. F.E.A.S.T. at VisArts 2016 will take place on September 25th on the Rooftop at VisArts in Rockville, Maryland, 11:30 to 3:00 PM.

Maryland residency

Deadline: September 30. VisArts invites applications and proposals from local, national, and international artists for a four month residency at VisArts at Rockville, MD.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Blue Man Group

Deadline: August 8. Blue Man Group, the critically hailed theatrical phenomenon, will celebrate 25 years of living in full color with the launch of a unique art competition in Chicago open to professional and emerging artists. The competition will award six $2,500 cash prizes to the winning artists.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

Uplifting art

Deadline: August 22.  For “Light of Our Future” at Children’s National in DC, artists are invited to create artwork to uplift spirits of the children, families, hospital staff and visitors.

Exhibit proposals

Deadline: August 31. The Arts Club of Washington (DC) continues its support for the visual arts with the Call for Entries for the 2017–2018 gallery season. Exhibitions are scheduled monthly from September 2017 through May 2018.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Public sculpture

Deadline: September 23. The Riverdale Park (MD) Public Art Initiative is announcing a Call for Artists. The initiative seeks five sculptures of various styles and sizes to display for a one year-long placement, at pre-determined, publicly-accessible sites within the Town of Riverdale Park. The stipend is $2,000 per selected work.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League exhibiting artist members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Contemporary craft

Deadline: September 30. The Greater Denton Arts Council announces the opening of its 2017 Call for Entries for the 30th Annual Materials: Hard + Soft Contemporary Craft Exhibition. This exhibition celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media.

Small works

Deadline: September 30. The Council for the Arts (Chambersburg, PA) presents “Miniature Art 2016.” 2-D artwork must have an image size no greater than 4″ by 6″, and sculpture should not exceed 5″ in any direction. No crafts, jewelry, photography, laser prints or computer-generated artwork.

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Figure & figurative

Deadline: October 11. Gallery Underground announces “Figuratively Speaking,” a national juried art competition. All-media artists, sculptors, and photographers are invited to create visual works that interpret the theme “Figuratively Speaking” in two different ways: by depicting human forms, faces and features in representational or abstract works (portraiture, sculpture and all subject matter including people); or works which depict a broader interpretation of the theme, such as figurative language and figures of speech.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

Introducing the 2016–17 Class Catalog

It’s here!

It’s brand new!

And it’ll make you wish Summer were over so you could jump into a Fall class.

We’re talking, of course, about the new class catalog for The Art League. It comes out this time each year, and the 2016/17 edition landed online today. (The print version will be arriving in mailboxes and our offices soon.)

But before we get to all the new art classes, let’s take a moment to enjoy the art that is the catalog.

Drum roll, please …

The Art League 2016/17 Catalog

(You can click the image above to view a larger version.)

You may recognize the cover artwork from this year’s Faculty Show, when Danni Dawson’s interactive painting Carla Hall Paper Doll was on view. It’s an unconventional portrait of the Top Chef star, with multiple configurations on detachable Mylar sheets. You can see some of the different looks when you open up to the back cover:

Front and back covers

Open it up to page one, and you’ll find Fifth Circle by Robert Liberace.

Inside cover

Pretty stellar, right?

But you’re here for all the new classes scheduled for the fall and beyond! While you wait for the print catalog to arrive, explore the PDF and the schedule on this page to your heart’s content.

We will, of course, have more on this blog about our new teachers and courses. Registration for workshops and Fall classes begins Monday, August 8 at 9:30 am. Fall term starts September 19. For details about how registration works, see the bottom of this page.

Carla Hall Paper Doll, oil on canvas and mylar, by Danni Dawson.
Carla Hall Paper Doll, oil on canvas and mylar, by Danni Dawson.

Other Ways to Draw

Picasso drawing with light in 1949. Photograph by Gjon Mili.
Picasso drawing with light in 1949. Photograph by Gjon Mili.

Think of drawing, and you think of paper and pencil. It’s where we all started, right? Graphite, charcoal, pen and ink, and even chalk are all familiar drawing tools.

But there are many ways to make a line. Here are a few of the ways we’d like to try:

Draw with electricity

The Circuit Marker Pen draws with a silver-based ink that conducts electricity. It’s typically used to teach about circuits in school, but why not make art with it? See it in action in this Facebook video.

gif from tiltbrush.com.
gif from tiltbrush.com.

Draw in three-dimensional space

If you buy this, please bring it by The Art League so we can play with it too.

The Tilt Brush pairs with virtual reality goggles of your choice to — more or less — turn the room into your canvas. You can draw in three dimensions and walk through your creation to admire it from other angles.

Drawing Machine 1 by J.L. Griffiths

Draw with a machine

It was only a matter of time before we taught machines to do our drawing for us …

These creations are less about the end product and more about the performance, pattern, and process of drawing (with a little bit of sculpture thrown in). They can be powered by pendulum, bicycle, rubber band, and frequently by computer.

Out of the Fire in Kari Van Tine’s studio

Dance a drawing

Another drawing that’s part performance, you might have seen one taking place in the Torpedo Factory last year. Artist Kari Van Tine uses her entire body to “dance” drawings with charcoal on large scrolls of paper.

Draw with light

Light drawing, more commonly known as light painting, was made famous by a collaboration between Pablo Picasso and Life magazine photographer Gjon Mili. In the age of digital cameras and LED lights, it’s an easy and fun way to experiment.

Basically, you need a camera that can do long exposures, and a source of light: an LED pen light, a sparkler, or even your smartphone’s screen. Find some tutorials to get you started on this website.

 

Unbending Michael Price’s Single-Wire Sculptures

Eight of the portraits from Social Hour by Michael Price
Eight of the portraits from Social Hour by Michael Price

Each of these friendly faces started life as a single strand of wire. Part contour drawing and part sculpture, 27 of them are hanging out together in the gallery as part of the installation Social Hour.

The curvy M in the corner stands for Michael Price, the young artist behind this installation. It’s proved very popular this month — the photo below was taken before the wall got covered in red dots — so we asked Price to tell us about how he got started bending, and the twists along the way.

Social Hour, black coated copper wire, by Michael Price (click for a larger image)
Social Hour, black coated copper wire, by Michael Price (click for a larger image)
Social Hour (detail) by Michael Price
Social Hour (detail) by Michael Price

What’s your age? Have you had your art in other exhibits?
Michael Price: I am 17 years old and this is my first time displaying artwork in a gallery/ exhibition.

How do you create a portrait in wire? What’s the process?
There is no real planning when I do my artwork. The hardest part is thinking about where to start, and how that affects where I will end up; but other than that, I think of the shape I want the wire in and bend it into that shape. After a while, all of the bends start to make sense as the final product grows nearer to being finished.

https://www.instagram.com/p/BDWcSgKC5kb/?taken-by=thecooloreo

What was your goal with Social Hour?
I did not have very high goals for this exhibition as it is my first. My main goal was to make an installation that would but liked and appreciated by my fellow artists by channeling my youth and originality. I also wanted a way to honor those who had supported me as a rising artist and these portraits seemed like the perfect way to do that.

Michael Price installs Social Hour for "Not a Box."
Michael Price installs Social Hour for “Not a Box.”
Social Hour (detail) by Michael Price
Social Hour (detail) by Michael Price

What was the inspiration for making the portraits phone-sized?
The idea of making portraits was already a lingering idea in my head, as I have made several original portraits but struggled the most with those I had to model after actual people. While I was in school, one of my art teachers had commissioned a series that was framed in cell phones, and I decided to draw from that idea when I made this one. Plus, I thought it’d be more fun to do several small pieces instead of one massive piece and the diversity would make the process more bearable for myself.

https://www.instagram.com/p/BFPZXgdi5s7/?taken-by=thecooloreo

Who are some of the people depicted?
The people range from having very a close relationship with me to being total strangers, based on the distance they are to me. I am in the center at eye level because, like most people, I sometimes see myself at the center of my world. My grandfather is to my right, my best friend at my left, and my younger sister is below me.

The only exception to my rule is the bottom four. They were originally four people I saw working in The Art League gallery while working on this project and I thought they deserved their own spot separate from the other people for pushing me to apply and then supporting me throughout the process.

https://www.instagram.com/p/BEmoKu1C5o7/?taken-by=thecooloreo

How (or why) did you start using wire for sculpture? Do you work in any other media?
It has been about 10 months since I started using wire. The main reason I started was because I always had a material I would work with while in school. They helped keep me calm and gave me an escape when I needed it. After losing interest with the other media I had used prior, I decided to consider wire. It was foreign, yet familiar to what I used before and that made it perfect candidate.

I have worked in several media before wire, mostly as a sculptor. Materials like yarn, business cards, duct tape, and aluminum foil are all media I have worked with as well. Though, my skill in those materials has not reached the level I have with wire working.

Have you had any formal art training, or are you self-taught?
I am a self-taught artist.

https://www.instagram.com/p/BAbRRlFC5pA/?taken-by=thecooloreo

As one of the younger artists at The Art League, what are your plans or goals for your art in the future?
One of my goals is to hopefully, to have the honor of presenting my work in another gallery installation. I would also like to reach the level that many artists in the Torpedo Factory have reached, having my own studio and being known throughout the art community. One of my biggest goals is just growing as an artist and learning how to eventually, make a living out of doing this.

“Not a Box” is open through Sunday, August 7. Follow Michael Price (@thecooloreo) on Instagram!

Artist Opportunities #331

Photograph by Art League instructor Andargé Asfaw.
Photograph by Art League instructor Andargé Asfaw.

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Bethesda gallery rental

Deadline: July 29. The Bethesda Arts & Entertainment District and Bethesda Urban Partnership manage Gallery B in downtown Bethesda. This gallery is available to interested artists and arts organizations for one-month rentals. Gallery B does not take a commission on artwork sold.

Blue Man Group

Deadline: August 8. Blue Man Group, the critically hailed theatrical phenomenon, will celebrate 25 years of living in full color with the launch of a unique art competition in Chicago open to professional and emerging artists. The competition will award six $2,500 cash prizes to the winning artists.

Exhibit proposals

Deadline: August 31. The Arts Club of Washington (DC) continues its support for the visual arts with the Call for Entries for the 2017–2018 gallery season. Exhibitions are scheduled monthly from September 2017 through May 2018.

Public sculpture

Deadline: September 23. The Riverdale Park (MD) Public Art Initiative is announcing a Call for Artists. The initiative seeks five sculptures of various styles and sizes to display for a one year-long placement, at pre-determined, publicly-accessible sites within the Town of Riverdale Park. The stipend is $2,000 per selected work.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

New Mexico residency

Deadline: July 30. The Starry Night Residency Program provides artists, writers, and curators with the opportunity to live and work within a small, creative community.

Ceramics

Deadline: July 30. Fire and Earth at Del Ray Artisans isa hybrid show that combines a national ceramic cup exhibit with a regional 2-D exhibit. This exhibit honors how fire in the kiln transforms earth (clay) into functional drinking vessels (cups, mugs, tankards, tumblers, goblets, and tea bowls). The 2-D exhibit on the walls of the gallery should reflect and communicate about these elements and with the 3-D ceramic pieces.

Projekt30

Deadline: August 1. Projekt30 is accepting submissions for an open-theme, monthly juried exhibition for September 2016 to include thirty artists. This is an online exhibit following a “public jurying” format.

Harrisonburg juried exhibit

Deadline: August 1. National Juried Art Show at Larkin Arts in Harrisonburg, VA: This is a national juried visual art competition and exhibition that is open to any artist, who is a resident of the United States and is over the age of 18, working in two-dimensional media. Painting, drawing, printmaking, photography or other traditional or non-traditional two-dimensional media, excluding film, are welcome.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

Uplifting art

Deadline: August 22.  For “Light of Our Future” at Children’s National in DC, artists are invited to create artwork to uplift spirits of the children, families, hospital staff and visitors.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Contemporary craft

Deadline: September 30. The Greater Denton Arts Council announces the opening of its 2017 Call for Entries for the 30th Annual Materials: Hard + Soft Contemporary Craft Exhibition. This exhibition celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media.

Small works

Deadline: September 30. The Council for the Arts (Chambersburg, PA) presents “Miniature Art 2016.” 2-D artwork must have an image size no greater than 4″ by 6″, and sculpture should not exceed 5″ in any direction. No crafts, jewelry, photography, laser prints or computer-generated artwork.

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Figure & figurative

Deadline: October 11. Gallery Underground announces “Figuratively Speaking,” a national juried art competition. All-media artists, sculptors, and photographers are invited to create visual works that interpret the theme “Figuratively Speaking” in two different ways: by depicting human forms, faces and features in representational or abstract works (portraiture, sculpture and all subject matter including people); or works which depict a broader interpretation of the theme, such as figurative language and figures of speech.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

Five Podcasts by Artists, for Artists

Five podcasts by artists for artists

Naturally, we love books about art and movies about art around here. For some good studio-time motivation, though, there’s something to be said for podcasts.

Why podcasts? Because they’re free and anybody can make them, they’re a great way for working artists to share resources and build community. As you’ll see in our selections below, you don’t have to be famous to be interviewed on a podcast, which makes them the perfect place to hear from artists at different points in their careers.

Here are five to download for the next time you’re in the studio:

Modern Art Notes Podcast

website | iTunes

These five all share the same basic format: the artist interview. Green excels at it. Part of the appeal is the occasional big-name artist, but you’ll also hear from writers, art historians, and the like.

While other podcasts (below) dive into artists’ business experiences, and arts journalism often focuses on the global art market, Green prefers to keep things about the art itself.

Art For Your Ear by the Jealous Curator

website | iTunes

Even if you haven’t heard of the Jealous Curator, you’ve probably seen her influence: the artwork featured on the blog spreads like wildfire to Pinterest and beyond. The blog features a different contemporary artist a day, based on the common sentiment “Damn! I wish I’d thought of that.” The podcast is an extension of the same idea.

The podcasts feature a more conversational style and less-famous artists than Modern Art Notes, along with a healthy dose of enthusiasm from the host. You get a sense of how the interviewees live as artists, from surviving art school to getting noticed on the internet.

The Conversation Art Podcast

website | iTunes

As you can tell from the title, the Conversation follows a similar interview-based format, striving for more of an informal and perfomative feel. In the first episode linked above, Shaw and guest Gaylord perform an amusing real-life email chain between Gaylord and an art scammer.

In other episodes, you’ll hear artists, writers, and gallerists talk about the places they live and work (usually New York or LA)

waveform-cyan

B&H Photography Podcast

website | iTunes

Here’s one to listen to when you sit down to edit. This is a podcast from the photo retailer, B&H, so you might expect the focus to be on gear — and while there are episodes about equipment, people and processes are also a big part of the conversation.

The B&H Podcast frequently has multiple guests per episode, for more of a roundtable feel than some of the other interviews here. It’s also less than a year old, so it doesn’t have too deep a back catalog to sift through, but we’re excited to follow it.

The Potters Cast

website | iTunes

Just over two years old and already 232 episodes in, this is — you guessed it — a podcast about pottery and ceramics. Every few days brings a new interview with a different potter, accompanied by additional materials on the website. They talk about process, of course, but also careers and the reality of living as an artist: the podcast’s tagline is “picking up where the art degree ends.”

The episodes tend to be a little too long, but it’s a nice conversation to listen to while you do other things.

There’s our list! We hope that, if you really enjoy one of these podcasts, you’ll leave the creator a comment or a donation. What art podcasts do you listen to? Let us know in the comments!

What Do You Want to Know About ‘Tire Swing’?

Tire Swing

Installation art can be hard to capture in a photograph: it’s often about the experience of being in a particular space.

That’s true for artist Andy Yoder’s Tire Swing, an installation in our “Not a Box” exhibit that you need to see in person. It’s an installation that is completed in the viewer’s mind via an optical illusion — in other words, there’s no hole in the wall in the photo above.

For this month’s artist Q&A, we’re starting with some questions of our own, but we want to feature your questions, too! This piece has gotten a great reaction from visitors, so if you have a question for the artist, leave it in the comments at the bottom. We’ll post more questions and answers in this space.

The Art League: What was your goal with Tire Swing?
Andy Yoder: My goal was to build a familiar object in an unfamiliar way, and see what came of it.

AL: What materials does it use?
My brother came across boxes and boxes of the tiny flowers in a salvage warehouse in Portland, OR, and shipped them to me. They reminded me of Vermont meadow flowers, and that led to the idea for the piece.

Tire Swing from every angle.
Tire Swing from every angle.

Viewer question: Why is the illusion so convincing?
It’s because it’s a Mylar mirror, which gives a much brighter and true reflection than a glass mirror.   Another advantage is that the whole mirror (4′ x 6′) only weighs a couple of pounds; the Mylar is stretched over a wooden frame, with rigid foam inside.

AL: The reaction it’s gotten in the gallery is pretty strong, usually along the lines of “Is it really there, and can I touch it to find out?” What sort of response were you aiming for?
I’m glad to hear it’s coming across like that; I seem to produce work that people want to touch, no matter what the materials. My aim is always to get under the viewer’s skin and engage them with the work.

Door Number Four; Styrofoam, Plexiglas, artificial flowers; by Andy Yoder
Door Number Four; Styrofoam, Plexiglas, artificial flowers; by Andy Yoder

AL: Your sculptures often recreate familiar objects in different materials and contexts. How do you select the right material for the subject?
Sometimes, as with this piece, material presents itself, and I use free association to think of an idea that suits it. This is one reason I like public commissions: the site leads to new ideas. Other times I might trip over an idea while sketching, or taking a shower, and then look for the best material to express it, as with the licorice shoes.

Licorice Shoes; licorice, silicone and Styrofoam; by Andy Yoder.
Licorice Shoes; licorice, silicone and Styrofoam; by Andy Yoder.

AL: What’s your creative process like — how does an idea become a finished piece?
Before I get started I usually have a strong feeling that the idea is worth pursuing. I need this, as sometimes they can be hugely time consuming. Then along the way I try to remain open to letting unexpected changes occur, so that it can get more interesting.

Donald, lead crystal in the form of a piggy bank, by Andy Yoder
Donald, lead crystal in the form of a piggy bank, by Andy Yoder

AL: When did you know you wanted to be a full-time artist?
Probably during my time at the Cleveland Institute of Art, where the commitment level of the other students was huge. I’d transferred from an Ivy League college where art was a small portion of the curriculum, which frustrated me.

Grain by Grain; Bread, resin and aluminum; by Andy Yoder. At the Cleveland Food Bank.
Grain by Grain; Bread, resin and aluminum; by Andy Yoder. At the Cleveland Food Bank.

AL: What are you working on now?
Highest Honor! It’s been a great experience so far. Now I’m looking forward to assembling the pieces, and seeing it installed.

Andy Yoder at work on Highest Honor
Andy Yoder at work on Highest Honor

“Not a Box” is on view through August 7, 2016.

Artist Opportunities #330

This week's image is a painting by Art League instructor Susan Herron.
This week’s image is a painting by Art League instructor Susan Herron.

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Projekt30

Deadline: August 1. Projekt30 is accepting submissions for an open-theme, monthly juried exhibition for September 2016 to include thirty artists. This is an online exhibit following a “public jurying” format.

Uplifting art

Deadline: August 22.  For “Light of Our Future” at Children’s National in DC, artists are invited to create artwork to uplift spirits of the children, families, hospital staff and visitors.

Small works

Deadline: September 30. The Council for the Arts (Chambersburg, PA) presents “Miniature Art 2016.” 2-D artwork must have an image size no greater than 4″ by 6″, and sculpture should not exceed 5″ in any direction. No crafts, jewelry, photography, laser prints or computer-generated artwork.

Figure & figurative

Deadline: October 11. Gallery Underground announces “Figuratively Speaking,” a national juried art competition. All-media artists, sculptors, and photographers are invited to create visual works that interpret the theme “Figuratively Speaking” in two different ways: by depicting human forms, faces and features in representational or abstract works (portraiture, sculpture and all subject matter including people); or works which depict a broader interpretation of the theme, such as figurative language and figures of speech. Juried by John Morrell.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Ward 5 Wonders

Deadline: July 20. Art Enables is seeking work made by Ward 5 artists for the August/September exhibition, “Ward 5 Wonders” (see bottom of page) in Off-Rhodes Gallery.

Sculpture at The Art League

Deadline: July 22. Taking Shape is an exhibit to showcase sculptural and 3-D works. Entry is open to Art League exhibiting artist members. Artists are encouraged to submit works that explore the use of space.

New Mexico residency

Deadline: July 30. The Starry Night Residency Program provides artists, writers, and curators with the opportunity to live and work within a small, creative community.

Ceramics

Deadline: July 30. Fire and Earth at Del Ray Artisans isa hybrid show that combines a national ceramic cup exhibit with a regional 2-D exhibit. This exhibit honors how fire in the kiln transforms earth (clay) into functional drinking vessels (cups, mugs, tankards, tumblers, goblets, and tea bowls). The 2-D exhibit on the walls of the gallery should reflect and communicate about these elements and with the 3-D ceramic pieces.

Harrisonburg juried exhibit

Deadline: August 1. National Juried Art Show at Larkin Arts in Harrisonburg, VA: This is a national juried visual art competition and exhibition that is open to any artist, who is a resident of the United States and is over the age of 18, working in two-dimensional media. Painting, drawing, printmaking, photography or other traditional or non-traditional two-dimensional media, excluding film, are welcome.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Contemporary craft

Deadline: September 30. The Greater Denton Arts Council announces the opening of its 2017 Call for Entries for the 30th Annual Materials: Hard + Soft Contemporary Craft Exhibition. This exhibition celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media.

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

Greetings from Kennebunk, Maine

“I’ve had people look at it, and go: ‘that reminds me of, could that place be … is that the Adirondacks?’ Or ‘Is that the hotel that’s on Kennebunk Beach?’ And the answer is yes. Because I am painting real places … that sense of ‘I’ve been there before’ — I think is part of what I’d like the viewer to have.” — Kathleen Best Gillmann

One of the reasons we love “Vision at Water’s Edge” so much is the way it transports you to the places depicted in the paintings.

Another reason: all of these paintings depict real places.

The artist, Kathleen Best Gillmann, shared with us the locations depicted in the exhibit. With one exception (a lake in the Adirondacks) the painted waterscapes can be found within a two-mile radius of Parsons Beach in Kennebunk, Maine. Mousam River, Merriland River, Lords Point, Mothers Beach, and Rachel Carson Wildlife Refuge are just some of the locations you can see in the gallery this month.

So we made a map to take you there. Check it out, and click on the pins to see a photo of each painting!

You can also:

“Vision at Water’s Edge” is on view through Sunday, August 7.

22 Art Books For Summer Reading

Who says you have to outgrow picture books?

Visual art is full of rich subject matter for literature, and artists themselves have served as muses (and authors) for the books below — their personalities, their subjects, their lives, and the process of artmaking.

Because it’s that time of year, we’ve gathered 22 titles you can load into your suitcase, or on your Kindle, for your summer reading. (And yes, some of them have pictures.)

Books by artists


The Diary of Frida Kahlo: An Intimate Self-Portrait by Frida Kahlo

  • The artist: painter Frida Kahlo, Mexico
  • The short version: See what Kahlo wrote, drew, and painted in her notebook (with English translations in the back). Less a memoir or autobiography than a series of snapshots of the artist’s consciousness, which may inspire you to break out your own notebook more often.

A Bigger Message: Conversations with David Hockney by Martin Gayford

  • The artist: painter David Hockney, U.K.
  • The short version: Presented as dialogues between the artist and the author, an art critic, this is one recent document (2011) with the thoughts of a knowledgeable and open artist (he also has an autobiography and several documentaries, for the Hockney fans). Gayford has also published a firsthand account On Sitting For a Portrait By Lucian Freud.

The Hare with Amber Eyes: A Hidden Inheritance by Edmund de Waal

  • The artist: ceramicist Edmund de Waal, U.K. (author) and Japanese netsuke artists (subject)
  • The short version: This story starts with the artist’s inheriting a collection of 264 netsuke — small Japanese carvings that were originally used as garment ornamentation. As in other art stories, the story of the objects tells a larger story. (Also check out the illustrated edition and the author’s story of porcelain in last year’s The White Road.)

Hold Still: A Memoir With Photographs by Sally Mann

  • The artist: photographer Sally Mann, U.S.
  • The short version: This is a 2015 memoir by a Virginia photographer who is famous for her photos of family members, particularly her children. Mann touches on her own childhood, family, home, and artistic endeavors in her own voice — and, of course, with photographs.

Nonfiction books about artists

Travels in Vermeer: A Memoir by Michael White

  • The artist: painter Johannes Vermeer, Netherlands
  • The short version: Written by a poet, this memoir is about the author’s attempts to heal, post-divorce, by searching out Vermeer paintings. White has also written a book of poetry based on Vermeer paintings, Vermeer in Hell.

Breakfast with Lucian by Geordie Greig

  • The artist: painter Lucian Freud, U.K.
  • The short version: The book’s U.S. release got the subtitle “The Astounding Life and Outrageous Times of Britain’s Great Modern Painter” — hinting at the sometimes insightful, sometimes gossipy details about this famous portrait painter, who died in 2011.

The Art of Rivalry by Sebastian Smee

  • The artists: Painters Édouard Manet and Edgar Degas, France; Henri Matisse, France, and Pablo Picasso, Spain; Jackson Pollock and Willem de Kooning, U.S.; Lucian Freud and Francis Bacon, U.K.
  • The short version: Set to be released in August 2016, and with outstanding advance reviews, this tells the stories of the four pairs of “artistic rivals” listed above.

The Vanishing Velázquez by Laura Cumming

  • The artist: painter Diego Velázquez, Spain
  • The short version: An entry in the subgenre of the “art history mystery,” this tells the story of a bookseller in the 19th century and his “obsession” with Velázquez.

Off the Wall by Calvin Tomkins

  • The artist: painter Robert Rauschenberg, U.S.
  • The short version: From the publisher: “Off the Wall chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art.” The focus is on Rauschenberg, the inventive American painter and printmaker.

Da Vinci’s Ghost by Toby Lester

  • The artist: the multi-talented Leonardo da Vinci, Italy
  • The short version: Lester, a historian, explores the story of the famous Vitruvian Man image and the endlessly fascinating da Vinci.

de Kooning: An American Master by Mark Stevens and Annalyn Swan

  • The artist: painter Willem de Kooning, U.S.
  • The short version: More than just a biography: “the upheaval in American art in the middle of the 20th century comes into clearer focus,” writes the New York Times. (Note that this book is about Willem, not Elaine, de Kooning.)

Fictional books about real artists

The Painter From Shanghai by Jennifer Cody Epstein

  • The artist: painter Pan Yuliang, China
  • The short version: In real life, Pan was famous for painting in the Western style. The book imagines her life as a female artist and as a woman in pre-revolutionary China.

Girl Reading by Katie Ward

  • The artists: six historical and one fictional portrait artists
  • The short version: The author takes her cue not from the artists, but from their common subject, women reading — and imagines the lives of the models for seven such images throughout history.

I, Juan de Pareja by Elizabeth Borton De Trevino

  • The artist: painter Juan de Pareja, Spain
  • The short version: Juan de Pareja was born into slavery, served artist Diego Velázquez, and was later freed and became a painter as well. This is the story told from his perspective.

Madame Picasso by Anne Girard

  • The artist: painter and sculptor Pablo Picasso, Spain
  • The short version: Picasso’s muse Eva Gouel — and their romance — serve as the inspiration for this novel.

Lydia Cassatt Reading the Morning Paper by Harriet Scott Chessman

  • The artist: painter Mary Cassatt, U.S.
  • The short version: This is another novel inspired by an artist’s muse, in this case her sister. The five real-life paintings of Lydia Cassatt are reproduced in color pages.

As Above, So Below by Rudy Rucker

  • The artist: painter Peter Bruegel, Netherlands
  • The short version: A novelization of Bruegel’s life imagined through the prism of his paintings, which are pictured before each chapter.

The Madonnas of Leningrad by Debra Dean

  • The artists: The artists of the Hermitage
  • The short version: An elderly Russian-American woman fighting Alzheimer’s remembers her youth working at the Hermitage during World War II.

Books about fictional artists

An Artist of the Floating World by Kazuo Ishiguro

  • The artist: Masuji Ono, Japan
  • The short version: The artist narrates his life during and after World War II, and his changing understanding of Japanese culture. You may recognize the term “floating world” from the Japanese genre of ukiyo-e, or “pictures of the floating world.”

The Horse’s Mouth by Joyce Cary

  • The artist: Gulley Jimson, U.K.
  • The short version: The artist and narrator is a down-on-his-luck roguish painter struggling through the end of his career, and who describes the things he sees in a painterly, poetic way. Technically part of a trilogy, but can be read on its own.

The Last Painting of Sara de Vos by Dominic Smith

  • The artist: Sara de Vos, Netherlands
  • The short version: This recent release follows the story of the fictional artist’s 1636 painting At the Edge of a Wood, which in 1957 is her only surviving work. And it’s been stolen!

Cat’s Eye by Margaret Atwood

  • The artist: Elaine Risley, Canada
  • The short version: Preparing for a retrospective, the artist returns to her hometown of Toronto and her memories of childhood there. This is Atwood’s followup to The Handmaid’s Tale.

What’s on your summer reading list? Let us know in the comments!

Artist Opportunities #329

By Art League instructor Mike Francis.
By Art League instructor Mike Francis.

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Landscapes

Deadline: July 13. MFA (Maryland Federation of Art) invites all artists to enter the online exhibition, Global Landscapes. Any fine art original 2-D or 3-D landscape will be considered.

FUN-derful

Deadline: July 18. This curated exhibition at Del Ray Artisans, open to all Alexandria-area artists, will have artwork in all mediums—everything that puts a smile on your face. Artists may submit up to three pieces.

Sculpture at The Art League

Deadline: July 22. Taking Shape is an exhibit to showcase sculptural and 3-D works. Entry is open to Art League exhibiting artist members. Artists are encouraged to submit works that explore the use of space.

Ceramics

Deadline: July 30. Fire and Earth at Del Ray Artisans isa hybrid show that combines a national ceramic cup exhibit with a regional 2-D exhibit. This exhibit honors how fire in the kiln transforms earth (clay) into functional drinking vessels (cups, mugs, tankards, tumblers, goblets, and tea bowls). The 2-D exhibit on the walls of the gallery should reflect and communicate about these elements and with the 3-D ceramic pieces.

Contemporary craft

Deadline: September 30. The Greater Denton Arts Council announces the opening of its 2017 Call for Entries for the 30th Annual Materials: Hard + Soft Contemporary Craft Exhibition. This exhibition celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Hyattsville Arts Festival

Deadline: July 15. Exhibitor applications for the Downtown Hyattsville Arts Festival (September 10, 2016) are now available online. Artists from DC, Maryland, and Virginia are invited to apply to this juried festival.

Crafty Bastards

Deadline: July 17. Crafty Bastards Arts & Crafts Fair will be held outdoors October 1–2, 2016 at Union Market in Washington, DC.

Mural project

Deadline: July 18. For the second “Paint the Town,” the Bethesda Arts & Entertainment District invites artists to beautify the plaza at 3 Bethesda Metro Center. Applicants must be residents of DC, MD, or VA who are 18 years or older.

Railroad art

Deadline: July 18. The Berkeley Arts Council in Martinsburg, West Virginia announces the Call for Entries for “Heavy Metal,” a juried exhibit of railroad art to be on display from August 31 through October 1, 2016. The exhibit is open nationally to all visual artists over the age of 18 in all media.

Ward 5 Wonders

Deadline: July 20. Art Enables is seeking work made by Ward 5 artists for the August/September exhibition, “Ward 5 Wonders” (see bottom of page) in Off-Rhodes Gallery.

New Mexico residency

Deadline: July 30. The Starry Night Residency Program provides artists, writers, and curators with the opportunity to live and work within a small, creative community.

Harrisonburg juried exhibit

Deadline: August 1. National Juried Art Show at Larkin Arts in Harrisonburg, VA: This is a national juried visual art competition and exhibition that is open to any artist, who is a resident of the United States and is over the age of 18, working in two-dimensional media. Painting, drawing, printmaking, photography or other traditional or non-traditional two-dimensional media, excluding film, are welcome.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Restaurant residency

Deadline: ongoing. The Artist-in-Residence program at Palette 22 showcases and promotes the original work of VA- based and regional artists inside and beyond the restaurant.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

14 Reasons to Come to the Opening Reception July 14

Michael Price installs Social Hour for "Not a Box."
Michael Price installs Social Hour for “Not a Box.”
Lisa Schumaier working on her "Not a Box" installation, a habitation of bees.
Lisa Schumaier working on her “Not a Box” installation, a habitation of bees.
Beverly Ryan installing Drone Free Zone
Beverly Ryan installing Drone Free Zone

The artists have finished working (for now). Our new exhibits — one our first ever installation show, and the other an ode to water — are ready. The only thing that’s missing is you!

We’re having an opening reception for “Not a Box” and “Vision at Water’s Edge” on Thursday, July 14 at 6:30 pm, and we can think of 14 reasons you’ll want to come:

  • 13 installations by 13 artists (take the tour)
  • 1 chance to meet the artists and enjoy Second Thursday events!

Everyone is also invited to join Andy Yoder for papermaking on the third floor landing. We’ll see you on Thursday!

“Vision at Water's Edge” by Kathleen Best Gillmann
“Vision at Water’s Edge” by Kathleen Best Gillmann

vision-at-water's-edge-detail-2 vision-at-water's-edge-detail-1

 

Take A Juror’s Tour of the “Not A Box” Installations

This guest post was written by Alex Paik, an installation artist and the juror for “Not a Box.”

I enjoyed looking through the submissions and was happy to see that many artists were trying new things in their studio practice for this exhibition. The work that stood out to me often involved interesting uses of material as well as an awareness of how the work could interact in the physical space of the gallery. The work that was selected often felt like it had a story to tell through the environment — sometimes the story was personal, other times it dealt with larger social issues. Each of the installations that were selected have a distinct voice and also pushed their materials in new and exciting ways.

Tire Swing - Andy Yoder
Tire Swing (artificial flowers, rope, and mirror) by Andy Yoder

Andy Yoder’s Tire Swing does a lot with very little. By using a familiar object (a tire swing) and altering it slightly by slicing it in half and covering it with artificial flowers, he disrupts the way that we look at such a commonplace object and this disruption itself becomes a metaphor for the nature of knowledge and perception. I love how such a simple gesture can be visually arresting as well as layered with meaning. This graceful installation was a clear standout for me, which is why I was thrilled to award it Best in Show.

Drop Your Axes by Rosemary Luckett
Drop Your Axes (mixed media) by Rosemary Luckett
Drop Your Axes (detail)
Drop Your Axes (detail)

Rosemary Luckett’s Drop Your Axes combines poetry, photography and sculpture into an installation that uses the artist’s personal history as a way to investigate humanity’s collective impact on forests. I was especially impressed with how the all of these disparate media were integrated seamlessly into each other.

Can't I by Clare Winslow
Can’t I (wall decals) by Clare Winslow

In Can’t I by Clare Winslow, we are presented with both a painted version as well as a vinyl decal of an abstract doily-like pattern. It calls attention to the slight differences in surface between the mediums as well as wrapping around the corner of the wall, threatening to continue to grow. I loved how such a small gesture could take over a huge visual space.

Marble Machine Magic by Joan Woodill
Marble Machine Magic (wood) by Joan Woodill

Joan Woodill’s Marble Machine Magic takes the classic child’s toy and makes it monumental. I was intrigued to see how taking a simple child’s toy and expanding it into a larger, more ambitious scale would transform into something else.

Tunnel Vision by Lizzy Lunday
Tunnel Vision (photographs, fishing wire, “pony tail” of hair, gold paint, Rogaine cans) by Lizzy Lunday

What interested me about Lizzy Lunday’s Tunnel Vision was the way that Lizzy uses photographs as a wall to manipulate and alter the gallery space. The claustrophobic hallway of photographs mirrors the obsessive, interior headspace of someone who is losing their hair.

Social Hour by Michael Price
Social Hour (black coated copper wire) by Michael Price
Social Hour (detail)
Social Hour (detail)

Michael Price’s Social Hour spreads out across the wall, each small wire portrait spaced according to the person’s closeness with the artist. I was drawn to this piece because the individual portraits seemed interesting as both singular 3d line drawings while at the same time being part of a larger piece. I’m curious and excited to see how the shadows interact with the line drawings.

R&B2GO by Marsha Staiger
R&B2GO (acrylic mixed media on cradled board) by Marsha Staiger

R&B2GO by Marsha Staiger also uses the space between things as a compositional device. Each time she shows this piece it is altered according to the wall as well as to how she feels that day, adding an element of improvisation and play to her geometric forms. I was attracted to how variability and performance were built into the concept of her installation.

In Your Shoes by
In Your Shoes (mixed media) by Jinny Isserow

Jinny Isserow’s In Your Shoes is one of the most intimate installations in the show. Instead of sprawling outwards, this work invites the viewer into a small, dense space.

Night Windows Gallery by Sam Miller
Night Windows Gallery (acrylic, wood, plastic, glass, LED electronics) by Sam Miller
Night Windows Gallery (detail)
Night Windows Gallery (detail)

Similarly, as viewers pass by Sam Miller’s Night Windows Gallery, their motion will turn on the lights in the miniature landscapes and windows. Again, this installation invites viewers to look closer and the small surprise of the motion-sensor lights adds an element of interaction to the work.

One Week by Rose O'Donnell
One Week (found objects) by Rose O’Donnell
Drone Free Zone by Beverly Ryan
Drone Free Zone (mixed media) by Beverly Ryan

Several artists used their installations to talk about larger social issues. Rose O’Donnell has created a shrine to one week of her family’s waste in One Week, drawing attention to the amount of waste the average family creates, while Beverly Ryan’s Drone Free Zone speaks about surveillance, privacy, and our military’s drone program.

Ritual Markings of Moon Goddess
Ritual Markings of Moon Goddess (cotton, linen, fiber-reactive dye, coffee and tea stains) by Maikue Vang

Ritual Markings of Moon Goddess by Maikue Vang uses the language of abstraction to talk about the stigma surrounding menstruation. I’m excited for the way these panels of cotton will move slightly as viewers walk past.

a habitation of bees by Lisa Schumaier
a habitation of bees (found objects, recycled christmas lights, recycled books, yellow pages, leftover theater lighting gels) by Lisa Schumaier
a habitation of bees (detail)
a habitation of bees (detail)

Lisa Schumaier’s a habitation of bees uses recycled materials to create an installation of bees and their hives. By using recycled materials, she highlights both the destruction of bees due to man-made environmental changes as well as casts a light on our own impact on the environment.

About the juror: Alex Paik is a Brooklyn-based artist using cut and folded hand-colored paper to explore reflected color, visual counterpoint, and repetition as a tool for development. His work is influenced by his childhood training as a classical musician and his interest in polyphonic musical structures. Paik’s work has been exhibited in galleries and art fairs both nationally and internationally, and one of his wall installations was recently featured at Art on Paper. He is represented by Gallery Joe in Philadelphia and is the director of Tiger Strikes Asteroid, a network of artist-run spaces with locations in Philadelphia, Brooklyn, and Los Angeles.

Follow @theartleague on Instagram for more photos this month!

Artist Opportunities #328

Washington, Medusa, Watson by Art League instructor Matt Pinney. 48” x 48”, oil on aluminum photographic print, 2013
Washington, Medusa, Watson by Art League instructor Matt Pinney. 48” x 48”, oil on aluminum photographic print, 2013

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Van Ness

Deadline: July 10. Van Ness Main Street is looking for performing, performance, public and visual artists to be part of Art All Night in Van Ness on September 24. There will be a stipend available to participating artists.

Crafty Bastards

Deadline: July 17. Crafty Bastards Arts & Crafts Fair will be held outdoors October 1–2, 2016 at Union Market in Washington, DC.

New Mexico residency

Deadline: July 30. The Starry Night Residency Program provides artists, writers, and curators with the opportunity to live and work within a small, creative community.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Politics

Deadline: July 5. For the national juried exhibition Art as Politics at Touchstone Gallery, express everything you love and hate in the current election process as a visual art form.

Photography competition

Deadline: July 8. The Academy Center of the Arts (Lynchburg, VA) 2016 National Juried Photography Exhibition applications are now available!  Entries must be original photographs or photographically derived work. Open to U.S. residents 18 years or older.

Plein air competition

Deadline: July 8. Harford Plein Air (October 10-15, 2016) invites artists from all over the U.S. to enter this second annual competition to create art in the “open air.” 30 competing artists, juried by Michele Byrne, will paint throughout Harford County, MD.

Holiday Market

Deadline: July 9. The Downtown Holiday Market (outside the Donald W. Reynolds Center for American Art and Portraiture) is a juried, high-quality crafts and gift market featuring a diverse display from exhibitors of many types of merchandise, as well as prepared food and beverage vendors.

Hyattsville Arts Festival

Deadline: July 15. Exhibitor applications for the Downtown Hyattsville Arts Festival (September 10, 2016) are now available online. Artists from DC, Maryland, and Virginia are invited to apply to this juried festival.

Mural project

Deadline: July 18. For the second “Paint the Town,” the Bethesda Arts & Entertainment District invites artists to beautify the plaza at 3 Bethesda Metro Center. Applicants must be residents of DC, MD, or VA who are 18 years or older.

Railroad art

Deadline: July 18. The Berkeley Arts Council in Martinsburg, West Virginia announces the Call for Entries for “Heavy Metal,” a juried exhibit of railroad art to be on display from August 31 through October 1, 2016. The exhibit is open nationally to all visual artists over the age of 18 in all media.

Ward 5 Wonders

New deadline: July 20. Art Enables is seeking work made by Ward 5 artists for the August/September exhibition, “Ward 5 Wonders” (see bottom of page) in Off-Rhodes Gallery.

Harrisonburg juried exhibit

Deadline: August 1. National Juried Art Show at Larkin Arts in Harrisonburg, VA: This is a national juried visual art competition and exhibition that is open to any artist, who is a resident of the United States and is over the age of 18, working in two-dimensional media. Painting, drawing, printmaking, photography or other traditional or non-traditional two-dimensional media, excluding film, are welcome.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Restaurant residency

Deadline: ongoing. The Artist-in-Residence program at Palette 22 showcases and promotes the original work of VA- based and regional artists inside and beyond the restaurant.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

Last Chance to See Our June Exhibits!

Have you experienced Alex Tolstoy’s watercolor waterscapes (above) yet? Examined the functional art created for your table? Enjoyed beautiful artwork in all media?

This is your last chance! These exhibits are leaving The Art League after Sunday, July 3.

Watch the video above for a preview of Alex Tolstoy’s “Watermarks,” and we’ll see you in person this weekend!

“Tabletop” installation view
“Tabletop” installation view
The June Open Exhibit, juried by Jeff Huntington
The June Open Exhibit, juried by Jeff Huntington
From the June Open Exhibit
From the June Open Exhibit
“Watermarks” by Alex Tolstoy
“Watermarks” by Alex Tolstoy
“Tabletop”: Place Setting by Herrick Smith
“Tabletop”: Place Setting by Herrick Smith

Fierce Layers

To and Fro, mixed media, by Fierce Sonia. Winner of the Anne Banks Collage Award.
To and Fro, mixed media, by Fierce Sonia. Winner of the Anne Banks Collage Award.

Fierce Sonia is an artist who’s been with The Art League for a long time. You might remember her work from the 2010 solo exhibit “Paper Dolls” (reviewed by Lenny Campello). If you’ve been a student, she might even have been your model back in the day! This summer, you can catch her in Studio 7 in the Torpedo Factory.

Sonia’s art career started with photography, and she has added layers — literally and figuratively — as time goes on. The collage above, To and Fro, won the Anne Banks Collage Award in this month’s Open Exhibit, and we asked the artist to tell us about it:

What was your goal with To and Fro?
Fierce Sonia: Repeating interlocking figures across a page in balanced dancing “paper doll” pattern. I was elated with the hair element, “Fro.” The hair element is the “wig” that fits over the figure on the far left side.

What materials did you use in this collage?

  • String
  • Collage materials from large format “W” magazines. I like working with these pages because they are 13″ tall. I have been limited by the width of my printer. Also, they frame nicely in a standard frame 16″ × 20″. Fashion magazines are brimming with female figures.
  • Print of the cow skull woman image
The cow-skull self portrait image appears in other Fierce Sonia collages, such as this one from her 2010 solo exhibit.
The cow-skull self portrait image appears in other Fierce Sonia collages, such as this one from her 2010 solo exhibit (in the top center).

What does the central image — the figure with the skull — mean to you?

  • Self portrait
  • I love the “S” shape of the figure, undeniably female
  • Balance of contrasts
  • Animal/human
  • Hard/soft
  • Death/life
  • Black white
  • Morbid and hopeful
New work by Fierce Sonia
New work by Fierce Sonia

As someone who started out in photography, how has your artistic practice changed over time? What other media do you work in?
My very first images were fairly straightforward black-and-white nude self portraits inspired by my modeling experiences with The Art League. I craved a more painterly aesthetic and experimented with printing the photographs on painted surfaces for the texture and marks.

This idea opened me up to printing on a variety of surfaces. Magazine pages and white paint gave way to collage and colors as I gained control and courage over a process that can still sometimes feel magical. I continue to be inspired by the artists I work with. My palette layers and subjects can shift from season to season but my voice has stayed feminine and figurative as I create narratives with abstractions.

New work by Fierce Sonia
New work by Fierce Sonia

When and why did you first commit to being an artist?
I was modeling with The Art League and was inspired by the figurative work the artists created. I was pretty naive when I decided to shoot self portraits, thank goodness! If I knew how hard it would be I might not ever have started on the long path. I cabled my camera to a TV so I could compose and light myself, and triggered the shutter with an infrared remote.

What are you working on now?
I love that multimedia has allowed me to continue to grow so much as an artist. I can chase ideas and experiment with new materials as interests evolve.

I’m creating my most current works in studio 7 at the Torpedo Factory. This summer, my work is a series of female figures built on colorful collage and acrylic paint elements. I’m consciously creating a bright, positive, dreamy world for my paper dolls, my girls.

The June Open Exhibit is open through Sunday, July 3.

Artist Opportunities #327

Bench by Art League instructor Donna Reinsel.
Bench by Art League instructor Donna Reinsel.

Every Tuesday, we gather a variety of artist opportunities around the DC area and beyond. Find one below and enter today — good luck! Click here for recent opportunities posts, and submit your opportunity listing here.

Railroad art

Deadline: July 18. The Berkeley Arts Council in Martinsburg, West Virginia announces the Call for Entries for “Heavy Metal,” a juried exhibit of railroad art to be on display from August 31 through October 1, 2016. The exhibit is open nationally to all visual artists over the age of 18 in all media.

Fairwood Arts Festival

Deadline: August 19; early bird discount before July 29. The Prince George’s County Dept. of Parks & Recreation is seeking art vendors for the Fairwood Arts Festival in Bowie, MD. The application fee is $50 through July 29.

Chalk contest

Event: August 20; advance registration required. As part of the Annual Riverfront Chalk Festival in Lynchburg, VA, adults and children are invited to register for a 4′ × 4′ space for chalk art and compete for cash prizes. First prize is $500.

The nude figure

Deadline: September 9. The Nude Figure at Wayne Art Center in Wayne, PA is juried by Paul DuSold and Scott Noel. Open to all artists working in painting, drawing and sculpture.

Photography about homelessness

Deadline: October 1. For Picture This, organized by Flashlight Baltimore, entries can depict the homeless experience from around the country, however the Baltimore region is preferred. Entries must be original photography.


Re-runs: These announcements have been posted here before, but it’s not too late to enter!

Photographers

Deadline: June 30. Photo ’16 is a national juried fine art photography exhibit at Multiple Exposures Gallery at the Torpedo Factory Art Center in Alexandria, VA. Sam Abell, a long-time National Geographic photographer, will be the juror. All photographers living in the U.S., 18 years or older, working in traditional, digital or alternative photographic processes are eligible to participate.

Projekt30

Deadline: July 1. Projekt30 in Baltimore is taking submissions for our August publicly juried exhibition. We are an artist-run arts organization dedicated to promoting emerging artists.

National juried exhibit

Deadline: July 1. The AI&G National Juried Exhibition in Salisbury, MD is long-held tradition featuring the best artwork by artists from across the country. The theme for 2016 is “Tradition & Innovation”. Open to all artists aged 18 or older and all media.

Public sculpture 1

Deadline: July 1. Art in Place (Charlottesville, VA) is seeking submissions for the Outdoor Sculpture Competition 2016/2017, with sculptures to remain in place for 11 months at selected locations around the city. Each artist selected will receive a $1,500 honorarium.

Public sculpture 2

Deadline: July 1. Four locations around the City of Fredericksburg, VA have been selected for the display of public sculpture from October, 2016 to September, 2017. Liability insurance provided. Stipend of $2000.  Artist responsible for delivery and removal.

Politics

Deadline: July 5. For the national juried exhibition Art as Politics at Touchstone Gallery, express everything you love and hate in the current election process as a visual art form.

Photography competition

Deadline: July 8. The Academy Center of the Arts (Lynchburg, VA) 2016 National Juried Photography Exhibition applications are now available!  Entries must be original photographs or photographically derived work. Open to U.S. residents 18 years or older.

Plein air competition

Deadline: July 8. Harford Plein Air (October 10-15, 2016) invites artists from all over the U.S. to enter this second annual competition to create art in the “open air.” 30 competing artists, juried by Michele Byrne, will paint throughout Harford County, MD.

Holiday Market

Deadline: July 9. The Downtown Holiday Market (outside the Donald W. Reynolds Center for American Art and Portraiture) is a juried, high-quality crafts and gift market featuring a diverse display from exhibitors of many types of merchandise, as well as prepared food and beverage vendors.

Hyattsville Arts Festival

Deadline: July 15. Exhibitor applications for the Downtown Hyattsville Arts Festival (September 10, 2016) are now available online. Artists from DC, Maryland, and Virginia are invited to apply to this juried festival.

Mural project

Deadline: July 18. For the second “Paint the Town,” the Bethesda Arts & Entertainment District invites artists to beautify the plaza at 3 Bethesda Metro Center. Applicants must be residents of DC, MD, or VA who are 18 years or older.

Ward 5 Wonders

New deadline: July 20. Art Enables is seeking work made by Ward 5 artists for the August/September exhibition, “Ward 5 Wonders” (see bottom of page) in Off-Rhodes Gallery.

Harrisonburg juried exhibit

Deadline: August 1. National Juried Art Show at Larkin Arts in Harrisonburg, VA: This is a national juried visual art competition and exhibition that is open to any artist, who is a resident of the United States and is over the age of 18, working in two-dimensional media. Painting, drawing, printmaking, photography or other traditional or non-traditional two-dimensional media, excluding film, are welcome.

Pets and animals

Deadline: August 10. For “Fur, Feathers, and Fins” at Annmarie Sculpture Garden and Arts Center, the jury seeks works that explore the wide world of pets. All media welcome; small to large-scale installations; new media encouraged; indoor and outdoor works accepted; cash awards to be presented.

Games

Deadline: August 18. For “Games: From Marbles to Minecraft” at Annmarie Sculpture Garden and Arts Center, the jury invites artists to submit works that celebrate and explore the broad spectrum of game history, development and innovation, including game design, production, packaging, and marketing.

Athenaeum

Deadline: August 18. The Athenaeum Invitational in Alexandria, VA is a theme-based event featuring the works of both specially-invited artists who have exhibited in the Athenaeum Gallery in the past, as well as works selected through a call for submissions open to anyone living or working in Virginia, the District of Columbia, West Virginia, or Maryland.

Fall art show

Deadline: September 1. The 45th Annual Fall Foliage Art Show (Waynesboro, VA) is seeking fine artists and artisans for the annual two day outdoor juried fine art exhibition.

Digital Fabrication Residency

Deadline: September 1. Digital Fabrication Residency program residents learn and gain hands-on experience with laser cutting, CNC routing, FDM 3D printing, digital embroidery, 2D plotting and 3D scanning. Applications for the 3 Day Onsite Residency Program in Easton, MD must include a project proposal that outlines what the resident plans to work on while onsite.

Art League solo exhibits

Deadline: September 23. Entry is now open for 2018 solo artist exhibits at The Art League. Entry is open to all Art League members.

Paintings

Deadline: September 28. “Root to Bloom: Places Artists Call Home” at Principle Gallery (Alexandria, VA) will feature paintings representative of where the featured artists call “home.” Works must be paintings no more than 40 inches along the longest edge (measured unframed).

Bas-relief

Deadline: October 3. The Dexter Jones Award, an unrestricted prize of $5,000, is presented annually to a sculptor for an outstanding work of sculpture in bas-relief. Each competitor must be a United States sculptor between the ages of 18 and 39.

Restaurant residency

Deadline: ongoing. The Artist-in-Residence program at Palette 22 showcases and promotes the original work of VA- based and regional artists inside and beyond the restaurant.

Banff residency

Deadline: ongoing. Artists with a professional standing in their field and emerging artists of promising talent are encouraged to apply for Independent Residencies at the Leighton Artists’ Colony in Banff, Alberta.

Open Call

Deadline: Ongoing. Washington ArtWorks (Rockville, MD) is holding an Open Call for the Walls. Artists pay a fee to hang work for two-month periods in these unjuried exhibits.

Staycation at The Art League Begins … Now!

Sunbathing by Art League instructor John Murray
Sunbathing by Art League instructor John Murray

We hope you saved some room in your summer for us!

You’re invited to your own weekly, creative staycation this summer at The Art League. We have a bunch of summer classes that haven’t started yet, and we’re saving a stool for you. Here are the deets:

  • Portrait and Figure Painting
    who: Kurt Schwarz
    when: Wednesdays, starting June 29
    what: Capture personality in paint
  • Intro to Photography
    who: Andargé Asfaw
    when: Thursdays, starting July 7
    what: Learn how to use your camera creatively
Town Fair, Midway by Art League instructor Susan Abbott
Town Fair, Midway by Art League instructor Susan Abbott
  • Art Fundamentals (Ages 5-8)
    who: Jean Stark
    when: Saturdays, starting July 9th
    what: Jump into painting, drawing, collage, printmaking, and sculpture
  • Painting (Oil or Acrylic)
    who: John Blee
    when: Saturdays, starting July 9th
    what: Our recommended starting point for beginning painters
  • Painting (Oil or Acrylic)
    who: Marjorie Forgues
    when: Mondays, starting July 11th
    what: Our recommended starting point for beginning painters
Photograph by Art League instructor Pete Duvall
Photograph by Art League instructor Pete Duvall
  • Metal Sculpture
    who: Donna Reinsel
    when: Mondays, starting July 11th
    what: Weld a project in steel
  • The Art of Caricature
    who: David Carter
    when: Thursdays starting July 14
    what: Try portraiture on steroids
  • Pound it Out: All Things Hammered
    who: Michael Brehl
    when: Sundays, starting July 17th
    what: Transform copper, silver, and gold … with a hammer

 

Swimming Pool by Art League instructor Bobbi Pratte
Swimming Pool by Art League instructor Bobbi Pratte
  • Metal Jewelry
    who: Michael Brehl
    when: Sundays, starting July 17th
    what: Design and create your own jewelry
  • Basic Drawing
    who: Mark Anderson
    when: Fridays, starting July 22nd
    what: See like an artist

For the full summer catalog, visit our website.